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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 78 239 it is the complementary color RGB 67 177 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 78 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 78 239 shade: RGB 193 78 234, RGB 210 96 253, RGB 227 114 255, RGB 244 132 255 and RGB 255 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 78 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 78 239 shade: RGB 188 78 239, RGB 171 60 220, RGB 154 42 201, RGB 137 24 182 and RGB 120 6 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 78 239 shade: RGB 187 77 238, RGB 230 77 238, RGB 238 77 202, RGB 238 77 159 and RGB 238 77 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 78 239 shade: RGB 187 77 238, RGB 144 77 238, RGB 100 77 238 and RGB 77 77 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 78 239 shade matches the following richer shades: RGB 187 77 238 and RGB 193 61 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 78 239 shade: RGB 187 77 238, RGB 181 93 222, RGB 176 109 207, RGB 170 124 191 and RGB 164 140 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 78 239 shade: RGB 99 77 238, RGB 142 77 238, RGB 184 77 238, RGB 227 77 238 and RGB 238 77 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 78 239 shade: RGB 152 19 213, RGB 173 39 235, RGB 187 77 238, RGB 201 115 242 and RGB 216 153 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 78 239 shade: RGB 188 78 239, RGB 238 77 99 and RGB 77 238 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 78 239 shade: RGB 188 78 239, RGB 238 184 77 and RGB 77 238 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 78 239 shade: RGB 188 78 239, RGB 238 77 99, RGB 131 238 77 and RGB 77 238 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 78 239 shade: RGB 188 78 239, RGB 238 104 77, RGB 131 238 77 and RGB 77 211 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

Complementary color

CMYK 62 / 0 / 91 / 31

HEX #43B110

RGB 67 177 16

HSL 100.99, 0.83%, 0.38%

LAB 63.9, -56.56, 62.32

 

CMYK 18 / 67 / 0 / 8

HEX #C14EEA

RGB 193 78 234

HSL 284.23, 0.79%, 0.61%

LAB 54.79, 68.21, -58.53

 

CMYK 17 / 62 / 0 / 1

HEX #D260FD

RGB 210 96 253

HSL 283.57, 0.98%, 0.68%

LAB 60.92, 67.96, -59.16

 

CMYK 11 / 55 / 0 / 0

HEX #E372FF

RGB 227 114 255

HSL 288.09, 1%, 0.72%

LAB 66.2, 64.21, -51.73

 

CMYK 4 / 48 / 0 / 0

HEX #F484FF

RGB 244 132 255

HSL 294.63, 1%, 0.76%

LAB 71.52, 60.09, -43.21

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

CMYK 22 / 73 / 0 / 14

HEX #AB3CDC

RGB 171 60 220

HSL 281.63, 0.7%, 0.55%

LAB 48.33, 68.09, -61.16

 

CMYK 23 / 79 / 0 / 21

HEX #9A2AC9

RGB 154 42 201

HSL 282.26, 0.65%, 0.48%

LAB 42.37, 67.45, -59.99

 

CMYK 25 / 87 / 0 / 29

HEX #8918B6

RGB 137 24 182

HSL 282.91, 0.77%, 0.4%

LAB 36.65, 65.87, -58.26

 

CMYK 26 / 96 / 0 / 36

HEX #7806A3

RGB 120 6 163

HSL 283.57, 0.93%, 0.33%

LAB 31.27, 62.92, -55.76

 

CMYK 21 / 68 / 0 / 7

HEX #BB4DEE

RGB 187 77 238

HSL 280.99, 0.83%, 0.62%

LAB 54.08, 68.16, -61.96

 

CMYK 3 / 68 / 0 / 7

HEX #E64DEE

RGB 230 77 238

HSL 297.02, 0.83%, 0.62%

LAB 60.16, 77.27, -51.88

 

CMYK 0 / 68 / 15 / 7

HEX #EE4DCA

RGB 238 77 202

HSL 313.42, 0.83%, 0.62%

LAB 59.66, 73.63, -32.3

 

CMYK 0 / 68 / 33 / 7

HEX #EE4D9F

RGB 238 77 159

HSL 329.44, 0.83%, 0.62%

LAB 58.03, 68.22, -10.01

 

CMYK 0 / 68 / 52 / 7

HEX #EE4D73

RGB 238 77 115

HSL 345.84, 0.83%, 0.62%

LAB 56.8, 64.01, 14.1

 

CMYK 21 / 68 / 0 / 7

HEX #BB4DEE

RGB 187 77 238

HSL 280.99, 0.83%, 0.62%

LAB 54.08, 68.16, -61.96

 

CMYK 39 / 68 / 0 / 7

HEX #904DEE

RGB 144 77 238

HSL 264.97, 0.83%, 0.62%

LAB 48.77, 59.67, -70.79

 

CMYK 58 / 68 / 0 / 7

HEX #644DEE

RGB 100 77 238

HSL 248.57, 0.83%, 0.62%

LAB 44.5, 52.32, -77.94

 

CMYK 68 / 68 / 0 / 7

HEX #4D4DEE

RGB 77 77 238

HSL 240, 0.83%, 0.62%

LAB 42.85, 49.31, -80.71

 

CMYK 21 / 68 / 0 / 7

HEX #BB4DEE

RGB 187 77 238

HSL 280.99, 0.83%, 0.62%

LAB 54.08, 68.16, -61.96

 

CMYK 24 / 76 / 0 / 0

HEX #C13DFE

RGB 193 61 254

HSL 281.04, 0.99%, 0.62%

LAB 53.85, 78.41, -71.21

 

CMYK 21 / 68 / 0 / 7

HEX #BB4DEE

RGB 187 77 238

HSL 280.99, 0.83%, 0.62%

LAB 54.08, 68.16, -61.96

 

CMYK 18 / 58 / 0 / 13

HEX #B55DDE

RGB 181 93 222

HSL 280.93, 0.66%, 0.62%

LAB 55, 56.26, -51.53

 

CMYK 15 / 47 / 0 / 19

HEX #B06DCF

RGB 176 109 207

HSL 281.02, 0.51%, 0.62%

LAB 56.75, 43.54, -40.3

 

CMYK 11 / 35 / 0 / 25

HEX #AA7CBF

RGB 170 124 191

HSL 281.19, 0.34%, 0.62%

LAB 58.72, 30.04, -28.21

 

CMYK 6 / 20 / 0 / 31

HEX #A48CAF

RGB 164 140 175

HSL 281.14, 0.18%, 0.62%

LAB 61.43, 15.61, -15.02

 

CMYK 58 / 68 / 0 / 7

HEX #634DEE

RGB 99 77 238

HSL 248.2, 0.83%, 0.62%

LAB 44.42, 52.18, -78.07

 

CMYK 40 / 68 / 0 / 7

HEX #8E4DEE

RGB 142 77 238

HSL 264.22, 0.83%, 0.62%

LAB 48.55, 59.31, -71.17

 

CMYK 23 / 68 / 0 / 7

HEX #B84DEE

RGB 184 77 238

HSL 279.88, 0.83%, 0.62%

LAB 53.68, 67.54, -62.62

 

CMYK 5 / 68 / 0 / 7

HEX #E34DEE

RGB 227 77 238

HSL 295.9, 0.83%, 0.62%

LAB 59.72, 76.62, -52.61

 

CMYK 0 / 68 / 13 / 7

HEX #EE4DCE

RGB 238 77 206

HSL 311.93, 0.83%, 0.62%

LAB 59.84, 74.19, -34.3

 

CMYK 29 / 91 / 0 / 16

HEX #9813D5

RGB 152 19 213

HSL 281.13, 0.84%, 0.45%

LAB 41.13, 74.93, -68.97

 

CMYK 26 / 83 / 0 / 8

HEX #AD27EB

RGB 173 39 235

HSL 281.02, 0.83%, 0.54%

LAB 47.41, 77.95, -71.15

 

CMYK 21 / 68 / 0 / 7

HEX #BB4DEE

RGB 187 77 238

HSL 280.99, 0.83%, 0.62%

LAB 54.08, 68.16, -61.96

 

CMYK 17 / 52 / 0 / 5

HEX #C973F2

RGB 201 115 242

HSL 280.63, 0.83%, 0.7%

LAB 62.58, 54.54, -50.5

 

CMYK 12 / 38 / 0 / 4

HEX #D899F5

RGB 216 153 245

HSL 281.09, 0.82%, 0.78%

LAB 72.21, 39.42, -36.93

 

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

CMYK 0 / 68 / 58 / 7

HEX #EE4D63

RGB 238 77 99

HSL 351.8, 0.83%, 0.62%

LAB 56.47, 62.83, 23.07

 

CMYK 68 / 0 / 50 / 7

HEX #4DEE78

RGB 77 238 120

HSL 136.02, 0.83%, 0.62%

LAB 84.01, -65.91, 44.96

 

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

CMYK 0 / 23 / 68 / 7

HEX #EEB84D

RGB 238 184 77

HSL 39.88, 0.83%, 0.62%

LAB 77.87, 8.83, 59.91

 

CMYK 68 / 0 / 23 / 7

HEX #4DEEB8

RGB 77 238 184

HSL 159.88, 0.83%, 0.62%

LAB 85.09, -54.04, 14.16

 

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

CMYK 0 / 68 / 58 / 7

HEX #EE4D63

RGB 238 77 99

HSL 351.8, 0.83%, 0.62%

LAB 56.47, 62.83, 23.07

 

CMYK 45 / 0 / 68 / 7

HEX #83EE4D

RGB 131 238 77

HSL 99.88, 0.83%, 0.62%

LAB 85.26, -57.82, 65.46

 

CMYK 68 / 0 / 9 / 7

HEX #4DEED9

RGB 77 238 217

HSL 172.17, 0.83%, 0.62%

LAB 85.87, -46.1, -1.99

 

CMYK 21 / 67 / 0 / 6

HEX #BC4EEF

RGB 188 78 239

HSL 280.99, 0.83%, 0.62%

LAB 54.42, 68.15, -61.96

 

CMYK 0 / 56 / 68 / 7

HEX #EE684D

RGB 238 104 77

HSL 10.06, 0.83%, 0.62%

LAB 60.44, 49.99, 40.5

 

CMYK 45 / 0 / 68 / 7

HEX #83EE4D

RGB 131 238 77

HSL 99.88, 0.83%, 0.62%

LAB 85.26, -57.82, 65.46

 

CMYK 68 / 11 / 0 / 7

HEX #4DD3EE

RGB 77 211 238

HSL 190.06, 0.83%, 0.62%

LAB 78.66, -27.82, -23.92

 

Description

Color code: RGB 188 78 239 | qconv.com Color code: RGB 188 78 239 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 78 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 78 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 67 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 67% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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