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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 65 246 it is the complementary color RGB 67 190 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 65 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 65 246 shade: RGB 193 65 241, RGB 210 83 255, RGB 227 101 255, RGB 244 119 255 and RGB 255 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 65 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 171 47 227, RGB 154 29 208, RGB 137 11 189 and RGB 120 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 236 65 246, RGB 246 65 206, RGB 246 65 157 and RGB 246 65 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 139 65 246, RGB 90 65 246 and RGB 65 65 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 65 246 shade matches the following richer shades: RGB 188 65 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 182 81 229, RGB 176 97 213, RGB 170 113 197 and RGB 164 129 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 65 246 shade: RGB 89 65 246, RGB 137 65 246, RGB 185 65 246, RGB 233 65 246 and RGB 246 65 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 65 246 shade: RGB 151 10 218, RGB 174 25 244, RGB 188 65 246, RGB 201 104 247 and RGB 215 143 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 246 65 89 and RGB 65 246 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 246 185 65 and RGB 65 246 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 246 65 89, RGB 125 246 65 and RGB 65 246 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 65 246 shade: RGB 188 65 246, RGB 246 95 65, RGB 125 246 65 and RGB 65 215 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

Complementary color

CMYK 65 / 0 / 95 / 25

HEX #43BE09

RGB 67 190 9

HSL 100.77, 0.91%, 0.39%

LAB 68.05, -61.08, 66.73

 

CMYK 20 / 73 / 0 / 5

HEX #C141F1

RGB 193 65 241

HSL 283.64, 0.86%, 0.6%

LAB 53.46, 74.55, -64.59

 

CMYK 18 / 67 / 0 / 0

HEX #D253FF

RGB 210 83 255

HSL 284.3, 1%, 0.66%

LAB 59.07, 73.8, -63.22

 

CMYK 11 / 60 / 0 / 0

HEX #E365FF

RGB 227 101 255

HSL 289.09, 1%, 0.7%

LAB 64.05, 70.06, -55.15

 

CMYK 4 / 53 / 0 / 0

HEX #F477FF

RGB 244 119 255

HSL 295.15, 1%, 0.73%

LAB 69.22, 66.21, -46.83

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 25 / 79 / 0 / 11

HEX #AB2FE3

RGB 171 47 227

HSL 281.33, 0.76%, 0.54%

LAB 47.28, 73.88, -66.84

 

CMYK 26 / 86 / 0 / 18

HEX #9A1DD0

RGB 154 29 208

HSL 281.9, 0.76%, 0.46%

LAB 41.69, 72.32, -65.15

 

CMYK 28 / 94 / 0 / 26

HEX #890BBD

RGB 137 11 189

HSL 282.47, 0.89%, 0.39%

LAB 36.43, 69.53, -62.76

 

CMYK 29 / 100 / 0 / 33

HEX #7800AA

RGB 120 0 170

HSL 282.35, 1%, 0.33%

LAB 31.57, 65.18, -59.5

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 4 / 74 / 0 / 4

HEX #EC41F6

RGB 236 65 246

HSL 296.69, 0.91%, 0.61%

LAB 60.13, 83.7, -56.33

 

CMYK 0 / 74 / 16 / 4

HEX #F641CE

RGB 246 65 206

HSL 313.26, 0.91%, 0.61%

LAB 59.73, 79.96, -34.36

 

CMYK 0 / 74 / 36 / 4

HEX #F6419D

RGB 246 65 157

HSL 329.5, 0.91%, 0.61%

LAB 57.85, 74.18, -8.96

 

CMYK 0 / 74 / 56 / 4

HEX #F6416C

RGB 246 65 108

HSL 345.75, 0.91%, 0.61%

LAB 56.54, 69.97, 18.1

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 43 / 74 / 0 / 4

HEX #8B41F6

RGB 139 65 246

HSL 264.53, 0.91%, 0.61%

LAB 46.87, 66.26, -78.4

 

CMYK 63 / 74 / 0 / 4

HEX #5A41F6

RGB 90 65 246

HSL 248.29, 0.91%, 0.61%

LAB 42.17, 59.69, -86.31

 

CMYK 74 / 74 / 0 / 4

HEX #4141F6

RGB 65 65 246

HSL 240, 0.91%, 0.61%

LAB 40.51, 57.29, -89.11

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 21 / 65 / 0 / 10

HEX #B651E5

RGB 182 81 229

HSL 280.95, 0.74%, 0.61%

LAB 53.48, 63.54, -57.9

 

CMYK 17 / 54 / 0 / 16

HEX #B061D5

RGB 176 97 213

HSL 280.86, 0.58%, 0.61%

LAB 54.64, 51.11, -47.05

 

CMYK 14 / 43 / 0 / 23

HEX #AA71C5

RGB 170 113 197

HSL 280.71, 0.42%, 0.61%

LAB 56.47, 37.47, -35.11

 

CMYK 9 / 29 / 0 / 29

HEX #A481B5

RGB 164 129 181

HSL 280.38, 0.26%, 0.61%

LAB 58.91, 23.13, -22.27

 

CMYK 64 / 74 / 0 / 4

HEX #5941F6

RGB 89 65 246

HSL 247.96, 0.91%, 0.61%

LAB 42.09, 59.58, -86.44

 

CMYK 44 / 74 / 0 / 4

HEX #8941F6

RGB 137 65 246

HSL 263.87, 0.91%, 0.61%

LAB 46.65, 65.96, -78.78

 

CMYK 25 / 74 / 0 / 4

HEX #B941F6

RGB 185 65 246

HSL 279.78, 0.91%, 0.61%

LAB 52.67, 74.05, -68.71

 

CMYK 5 / 74 / 0 / 4

HEX #E941F6

RGB 233 65 246

HSL 295.69, 0.91%, 0.61%

LAB 59.67, 83.12, -57.09

 

CMYK 0 / 74 / 15 / 4

HEX #F641D1

RGB 246 65 209

HSL 312.27, 0.91%, 0.61%

LAB 59.87, 80.36, -35.86

 

CMYK 31 / 95 / 0 / 15

HEX #970ADA

RGB 151 10 218

HSL 280.67, 0.91%, 0.45%

LAB 40.99, 76.94, -72.08

 

CMYK 29 / 90 / 0 / 4

HEX #AE19F4

RGB 174 25 244

HSL 280.82, 0.91%, 0.53%

LAB 47.27, 82.68, -76.45

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 19 / 58 / 0 / 3

HEX #C968F7

RGB 201 104 247

HSL 280.7, 0.9%, 0.69%

LAB 60.81, 60.99, -56.08

 

CMYK 14 / 43 / 0 / 2

HEX #D78FF9

RGB 215 143 249

HSL 280.75, 0.9%, 0.77%

LAB 70.13, 45.28, -42.36

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 0 / 74 / 64 / 4

HEX #F64159

RGB 246 65 89

HSL 352.04, 0.91%, 0.61%

LAB 56.18, 68.8, 28.82

 

CMYK 74 / 0 / 54 / 4

HEX #41F671

RGB 65 246 113

HSL 135.91, 0.91%, 0.61%

LAB 86.12, -71.45, 50.76

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 0 / 25 / 74 / 4

HEX #F6B941

RGB 246 185 65

HSL 39.78, 0.91%, 0.61%

LAB 78.85, 11.09, 66.11

 

CMYK 74 / 0 / 25 / 4

HEX #41F6B9

RGB 65 246 185

HSL 159.78, 0.91%, 0.61%

LAB 87.26, -58.61, 16.66

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 0 / 74 / 64 / 4

HEX #F64159

RGB 246 65 89

HSL 352.04, 0.91%, 0.61%

LAB 56.18, 68.8, 28.82

 

CMYK 49 / 0 / 74 / 4

HEX #7DF641

RGB 125 246 65

HSL 100.11, 0.91%, 0.61%

LAB 87.32, -63.38, 71.71

 

CMYK 74 / 0 / 10 / 4

HEX #41F6DD

RGB 65 246 221

HSL 171.71, 0.91%, 0.61%

LAB 88.09, -49.98, -0.86

 

CMYK 24 / 74 / 0 / 4

HEX #BC41F6

RGB 188 65 246

HSL 280.77, 0.91%, 0.61%

LAB 53.09, 74.59, -68.02

 

CMYK 0 / 61 / 74 / 4

HEX #F65F41

RGB 246 95 65

HSL 9.94, 0.91%, 0.61%

LAB 60.03, 56.27, 46.74

 

CMYK 49 / 0 / 74 / 4

HEX #7DF641

RGB 125 246 65

HSL 100.11, 0.91%, 0.61%

LAB 87.32, -63.38, 71.71

 

CMYK 74 / 13 / 0 / 4

HEX #41D7F6

RGB 65 215 246

HSL 190.28, 0.91%, 0.61%

LAB 79.83, -28.88, -26.42

 

Description

Color code: RGB 188 65 246 | qconv.com Color code: RGB 188 65 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 65 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 65 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 74 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 74% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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