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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 61 234 it is the complementary color RGB 67 194 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 61 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 61 234 shade: RGB 193 61 229, RGB 210 79 248, RGB 227 97 255, RGB 244 115 255 and RGB 255 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 61 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 61 234 shade: RGB 188 61 234, RGB 171 43 215, RGB 154 25 196, RGB 137 7 177 and RGB 120 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 61 234 shade: RGB 188 62 233, RGB 233 62 232, RGB 233 62 186, RGB 233 62 140 and RGB 233 62 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 61 234 shade: RGB 188 62 233, RGB 141 62 233, RGB 95 62 233 and RGB 62 62 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 61 234 shade matches the following richer shades: RGB 188 62 233 and RGB 196 44 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 61 234 shade: RGB 188 62 233, RGB 179 79 216, RGB 171 96 198, RGB 163 114 181 and RGB 155 131 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 61 234 shade: RGB 96 62 233, RGB 142 62 233, RGB 187 62 233, RGB 233 62 233 and RGB 233 62 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 61 234 shade: RGB 146 21 191, RGB 174 25 229, RGB 188 62 233, RGB 200 99 237 and RGB 213 136 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 61 234 shade: RGB 188 61 234, RGB 233 62 73 and RGB 62 233 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 61 234 shade: RGB 188 61 234, RGB 233 187 62 and RGB 62 233 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 61 234 shade: RGB 188 61 234, RGB 233 62 73, RGB 107 233 62 and RGB 62 233 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 61 234 shade: RGB 188 61 234, RGB 233 102 62, RGB 107 233 62 and RGB 62 193 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

Complementary color

CMYK 65 / 0 / 89 / 24

HEX #43C215

RGB 67 194 21

HSL 104.05, 0.8%, 0.42%

LAB 69.35, -62.09, 66.08

 

CMYK 16 / 73 / 0 / 10

HEX #C13DE5

RGB 193 61 229

HSL 287.14, 0.76%, 0.57%

LAB 52.21, 73.7, -59.85

 

CMYK 15 / 68 / 0 / 3

HEX #D24FF8

RGB 210 79 248

HSL 286.51, 0.92%, 0.64%

LAB 58.1, 74.05, -60.9

 

CMYK 11 / 62 / 0 / 0

HEX #E361FF

RGB 227 97 255

HSL 289.37, 1%, 0.69%

LAB 63.43, 71.77, -56.13

 

CMYK 4 / 55 / 0 / 0

HEX #F473FF

RGB 244 115 255

HSL 295.29, 1%, 0.73%

LAB 68.54, 68.02, -47.89

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

CMYK 20 / 80 / 0 / 16

HEX #AB2BD7

RGB 171 43 215

HSL 284.65, 0.68%, 0.51%

LAB 46.03, 72.77, -62.02

 

CMYK 21 / 87 / 0 / 23

HEX #9A19C4

RGB 154 25 196

HSL 285.26, 0.77%, 0.43%

LAB 40.49, 70.93, -60.13

 

CMYK 23 / 96 / 0 / 31

HEX #8907B1

RGB 137 7 177

HSL 285.88, 0.92%, 0.36%

LAB 35.29, 67.79, -57.5

 

CMYK 24 / 100 / 0 / 38

HEX #78009E

RGB 120 0 158

HSL 285.57, 1%, 0.31%

LAB 30.55, 62.9, -53.9

 

CMYK 19 / 73 / 0 / 9

HEX #BC3EE9

RGB 188 62 233

HSL 284.21, 0.8%, 0.58%

LAB 51.86, 73.14, -62.71

 

CMYK 0 / 73 / 0 / 9

HEX #E93EE8

RGB 233 62 232

HSL 300.35, 0.8%, 0.58%

LAB 58.6, 81.8, -50.98

 

CMYK 0 / 73 / 20 / 9

HEX #E93EBA

RGB 233 62 186

HSL 316.49, 0.8%, 0.58%

LAB 56.4, 75.27, -28.25

 

CMYK 0 / 73 / 40 / 9

HEX #E93E8C

RGB 233 62 140

HSL 332.63, 0.8%, 0.58%

LAB 54.72, 70.04, -3.83

 

CMYK 0 / 73 / 60 / 9

HEX #E93E5E

RGB 233 62 94

HSL 348.77, 0.8%, 0.58%

LAB 53.58, 66.33, 22.02

 

CMYK 19 / 73 / 0 / 9

HEX #BC3EE9

RGB 188 62 233

HSL 284.21, 0.8%, 0.58%

LAB 51.86, 73.14, -62.71

 

CMYK 39 / 73 / 0 / 9

HEX #8D3EE9

RGB 141 62 233

HSL 267.72, 0.8%, 0.58%

LAB 45.62, 64.75, -73.12

 

CMYK 59 / 73 / 0 / 9

HEX #5F3EE9

RGB 95 62 233

HSL 251.58, 0.8%, 0.58%

LAB 40.83, 58.01, -81.15

 

CMYK 73 / 73 / 0 / 9

HEX #3E3EE9

RGB 62 62 233

HSL 240, 0.8%, 0.58%

LAB 38.47, 54.56, -85.13

 

CMYK 19 / 73 / 0 / 9

HEX #BC3EE9

RGB 188 62 233

HSL 284.21, 0.8%, 0.58%

LAB 51.86, 73.14, -62.71

 

CMYK 22 / 82 / 0 / 2

HEX #C42CFA

RGB 196 44 250

HSL 284.27, 0.95%, 0.58%

LAB 52.33, 83.02, -71.42

 

CMYK 19 / 73 / 0 / 9

HEX #BC3EE9

RGB 188 62 233

HSL 284.21, 0.8%, 0.58%

LAB 51.86, 73.14, -62.71

 

CMYK 17 / 63 / 0 / 15

HEX #B34FD8

RGB 179 79 216

HSL 283.8, 0.64%, 0.58%

LAB 51.99, 61.12, -52.95

 

CMYK 14 / 52 / 0 / 22

HEX #AB60C6

RGB 171 96 198

HSL 284.12, 0.47%, 0.58%

LAB 53.06, 47.13, -41.03

 

CMYK 10 / 37 / 0 / 29

HEX #A372B5

RGB 163 114 181

HSL 283.88, 0.31%, 0.58%

LAB 55.23, 31.34, -27.94

 

CMYK 5 / 20 / 0 / 36

HEX #9B83A4

RGB 155 131 164

HSL 283.64, 0.15%, 0.58%

LAB 57.92, 15.37, -14.12

 

CMYK 59 / 73 / 0 / 9

HEX #603EE9

RGB 96 62 233

HSL 251.93, 0.8%, 0.58%

LAB 40.92, 58.14, -81.01

 

CMYK 39 / 73 / 0 / 9

HEX #8E3EE9

RGB 142 62 233

HSL 268.07, 0.8%, 0.58%

LAB 45.74, 64.91, -72.92

 

CMYK 20 / 73 / 0 / 9

HEX #BB3EE9

RGB 187 62 233

HSL 283.86, 0.8%, 0.58%

LAB 51.72, 72.95, -62.95

 

CMYK 0 / 73 / 0 / 9

HEX #E93EE9

RGB 233 62 233

HSL 300, 0.8%, 0.58%

LAB 58.65, 81.95, -51.46

 

CMYK 0 / 73 / 20 / 9

HEX #E93EBB

RGB 233 62 187

HSL 316.14, 0.8%, 0.58%

LAB 56.44, 75.4, -28.76

 

CMYK 24 / 89 / 0 / 25

HEX #9215BF

RGB 146 21 191

HSL 284.12, 0.8%, 0.42%

LAB 38.57, 69.57, -60.39

 

CMYK 24 / 89 / 0 / 10

HEX #AE19E5

RGB 174 25 229

HSL 283.82, 0.8%, 0.5%

LAB 46.11, 79.92, -69.86

 

CMYK 19 / 73 / 0 / 9

HEX #BC3EE9

RGB 188 62 233

HSL 284.21, 0.8%, 0.58%

LAB 51.86, 73.14, -62.71

 

CMYK 16 / 58 / 0 / 7

HEX #C863ED

RGB 200 99 237

HSL 283.91, 0.79%, 0.66%

LAB 59.27, 61.09, -53

 

CMYK 12 / 44 / 0 / 5

HEX #D588F1

RGB 213 136 241

HSL 284, 0.79%, 0.74%

LAB 68.1, 46.77, -41.18

 

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

CMYK 0 / 73 / 69 / 9

HEX #E93E49

RGB 233 62 73

HSL 356.14, 0.8%, 0.58%

LAB 53.22, 65.16, 33.94

 

CMYK 73 / 0 / 49 / 9

HEX #3EE977

RGB 62 233 119

HSL 140, 0.8%, 0.58%

LAB 82.18, -66.68, 43.1

 

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

CMYK 0 / 20 / 73 / 9

HEX #E9BB3E

RGB 233 187 62

HSL 43.86, 0.8%, 0.58%

LAB 78, 4.41, 65.98

 

CMYK 73 / 0 / 20 / 9

HEX #3EE9BB

RGB 62 233 187

HSL 163.86, 0.8%, 0.58%

LAB 83.38, -53.39, 10.13

 

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

CMYK 0 / 73 / 69 / 9

HEX #E93E49

RGB 233 62 73

HSL 356.14, 0.8%, 0.58%

LAB 53.22, 65.16, 33.94

 

CMYK 54 / 0 / 73 / 9

HEX #6BE93E

RGB 107 233 62

HSL 104.21, 0.8%, 0.58%

LAB 82.78, -63.78, 68

 

CMYK 73 / 0 / 5 / 9

HEX #3EE9DE

RGB 62 233 222

HSL 176.14, 0.8%, 0.58%

LAB 84.26, -44.48, -7.02

 

CMYK 20 / 74 / 0 / 8

HEX #BC3DEA

RGB 188 61 234

HSL 284.05, 0.8%, 0.58%

LAB 51.8, 73.68, -63.37

 

CMYK 0 / 56 / 73 / 9

HEX #E9663E

RGB 233 102 62

HSL 14.04, 0.8%, 0.58%

LAB 59.14, 48.4, 46.71

 

CMYK 54 / 0 / 73 / 9

HEX #6BE93E

RGB 107 233 62

HSL 104.21, 0.8%, 0.58%

LAB 82.78, -63.78, 68

 

CMYK 73 / 17 / 0 / 9

HEX #3EC1E9

RGB 62 193 233

HSL 194.04, 0.8%, 0.58%

LAB 72.92, -22.32, -30.04

 

Description

Color code: RGB 188 61 234 | qconv.com Color code: RGB 188 61 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 61 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 61 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 74 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 74% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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