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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 5 182 it is the complementary color RGB 67 250 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 5 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 5 182 shade: RGB 193 5 177, RGB 210 23 196, RGB 227 41 215, RGB 244 59 234 and RGB 255 77 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 5 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 5 182 shade: RGB 188 5 182, RGB 171 0 163, RGB 154 0 144, RGB 137 0 125 and RGB 120 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 5 182 shade: RGB 188 4 182, RGB 188 4 133, RGB 188 4 83, RGB 188 4 33 and RGB 188 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 5 182 shade: RGB 188 4 182, RGB 145 4 188, RGB 95 4 188, RGB 46 4 188 and RGB 4 4 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 5 182 shade matches the following richer shades: RGB 188 4 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 5 182 shade: RGB 188 4 182, RGB 173 20 168, RGB 157 36 153, RGB 141 51 138 and RGB 126 67 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 5 182 shade: RGB 93 4 188, RGB 142 4 188, RGB 188 4 185, RGB 188 4 136 and RGB 188 4 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 5 182 shade: RGB 108 2 105, RGB 148 3 143, RGB 188 4 182, RGB 229 5 221 and RGB 249 27 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 5 182 shade: RGB 188 5 182, RGB 188 44 4 and RGB 4 188 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 5 182 shade: RGB 188 5 182, RGB 185 188 4 and RGB 4 185 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 5 182 shade: RGB 188 5 182, RGB 188 44 4, RGB 4 188 7 and RGB 4 149 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 5 182 shade: RGB 188 5 182, RGB 188 99 4, RGB 4 188 7 and RGB 4 93 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

Complementary color

CMYK 73 / 0 / 71 / 2

HEX #43FA49

RGB 67 250 73

HSL 121.97, 0.95%, 0.62%

LAB 87.02, -76.67, 68.19

 

CMYK 0 / 97 / 8 / 24

HEX #C105B1

RGB 193 5 177

HSL 305.11, 0.95%, 0.39%

LAB 45.11, 76.96, -41.19

 

CMYK 0 / 89 / 7 / 18

HEX #D217C4

RGB 210 23 196

HSL 304.49, 0.8%, 0.46%

LAB 49.86, 80.71, -44.58

 

CMYK 0 / 82 / 5 / 11

HEX #E329D7

RGB 227 41 215

HSL 303.87, 0.77%, 0.53%

LAB 54.89, 83.38, -47.33

 

CMYK 0 / 76 / 4 / 4

HEX #F43BEA

RGB 244 59 234

HSL 303.24, 0.89%, 0.59%

LAB 60.16, 85.13, -49.52

 

CMYK 0 / 70 / 1 / 0

HEX #FF4DFD

RGB 255 77 253

HSL 300.67, 1%, 0.65%

LAB 64.69, 84.94, -52.77

 

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

CMYK 0 / 100 / 5 / 33

HEX #AB00A3

RGB 171 0 163

HSL 302.81, 1%, 0.34%

LAB 40.08, 71.65, -41.08

 

CMYK 0 / 100 / 6 / 40

HEX #9A0090

RGB 154 0 144

HSL 303.9, 1%, 0.3%

LAB 35.76, 65.94, -36.62

 

CMYK 0 / 100 / 9 / 46

HEX #89007D

RGB 137 0 125

HSL 305.26, 1%, 0.27%

LAB 31.34, 60.1, -32.01

 

CMYK 0 / 100 / 12 / 53

HEX #78006A

RGB 120 0 106

HSL 307, 1%, 0.24%

LAB 26.83, 54.13, -27.25

 

CMYK 0 / 98 / 3 / 26

HEX #BC04B6

RGB 188 4 182

HSL 301.96, 0.96%, 0.38%

LAB 44.46, 76.9, -45.23

 

CMYK 0 / 98 / 29 / 26

HEX #BC0485

RGB 188 4 133

HSL 317.93, 0.96%, 0.38%

LAB 41.96, 70.62, -19.67

 

CMYK 0 / 98 / 56 / 26

HEX #BC0453

RGB 188 4 83

HSL 334.24, 0.96%, 0.38%

LAB 40.25, 66.13, 9.2

 

CMYK 0 / 98 / 82 / 26

HEX #BC0421

RGB 188 4 33

HSL 350.54, 0.96%, 0.38%

LAB 39.39, 63.79, 39.19

 

CMYK 0 / 98 / 98 / 26

HEX #BC0404

RGB 188 4 4

HSL 0, 0.96%, 0.38%

LAB 39.22, 63.32, 51.96

 

CMYK 0 / 98 / 3 / 26

HEX #BC04B6

RGB 188 4 182

HSL 301.96, 0.96%, 0.38%

LAB 44.46, 76.9, -45.23

 

CMYK 23 / 98 / 0 / 26

HEX #9104BC

RGB 145 4 188

HSL 285.98, 0.96%, 0.38%

LAB 37.37, 71.27, -60.58

 

CMYK 49 / 98 / 0 / 26

HEX #5F04BC

RGB 95 4 188

HSL 269.67, 0.96%, 0.38%

LAB 29.79, 65.68, -73.3

 

CMYK 76 / 98 / 0 / 26

HEX #2E04BC

RGB 46 4 188

HSL 253.7, 0.96%, 0.38%

LAB 24.63, 62.82, -82.01

 

CMYK 98 / 98 / 0 / 26

HEX #0404BC

RGB 4 4 188

HSL 240, 0.96%, 0.38%

LAB 22.8, 62.07, -85.12

 

CMYK 0 / 98 / 3 / 26

HEX #BC04B6

RGB 188 4 182

HSL 301.96, 0.96%, 0.38%

LAB 44.46, 76.9, -45.23

 

CMYK 0 / 98 / 3 / 26

HEX #BC04B6

RGB 188 4 182

HSL 301.96, 0.96%, 0.38%

LAB 44.46, 76.9, -45.23

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A8

RGB 173 20 168

HSL 301.96, 0.79%, 0.38%

LAB 41.55, 70.37, -41.72

 

CMYK 0 / 77 / 3 / 38

HEX #9D2499

RGB 157 36 153

HSL 301.98, 0.63%, 0.38%

LAB 39.12, 61.21, -36.73

 

CMYK 0 / 64 / 2 / 45

HEX #8D338A

RGB 141 51 138

HSL 302, 0.47%, 0.38%

LAB 37.6, 49.32, -30.16

 

CMYK 0 / 47 / 2 / 51

HEX #7E437C

RGB 126 67 124

HSL 302.03, 0.31%, 0.38%

LAB 37.67, 34.27, -21.59

 

CMYK 51 / 98 / 0 / 26

HEX #5D04BC

RGB 93 4 188

HSL 269.02, 0.96%, 0.38%

LAB 29.53, 65.51, -73.75

 

CMYK 24 / 98 / 0 / 26

HEX #8E04BC

RGB 142 4 188

HSL 285, 0.96%, 0.38%

LAB 36.87, 70.86, -61.41

 

CMYK 0 / 98 / 2 / 26

HEX #BC04B9

RGB 188 4 185

HSL 300.98, 0.96%, 0.38%

LAB 44.63, 77.33, -46.72

 

CMYK 0 / 98 / 28 / 26

HEX #BC0488

RGB 188 4 136

HSL 316.96, 0.96%, 0.38%

LAB 42.09, 70.95, -21.31

 

CMYK 0 / 98 / 54 / 26

HEX #BC0457

RGB 188 4 87

HSL 332.93, 0.96%, 0.38%

LAB 40.36, 66.41, 6.8

 

CMYK 0 / 98 / 3 / 58

HEX #6C0269

RGB 108 2 105

HSL 301.7, 0.96%, 0.22%

LAB 24.49, 51.31, -30.47

 

CMYK 0 / 98 / 3 / 42

HEX #94038F

RGB 148 3 143

HSL 302.07, 0.96%, 0.3%

LAB 34.69, 64.34, -37.77

 

CMYK 0 / 98 / 3 / 26

HEX #BC04B6

RGB 188 4 182

HSL 301.96, 0.96%, 0.38%

LAB 44.46, 76.9, -45.23

 

CMYK 0 / 98 / 3 / 10

HEX #E505DD

RGB 229 5 221

HSL 302.14, 0.96%, 0.46%

LAB 54.01, 89.12, -52.11

 

CMYK 0 / 89 / 3 / 2

HEX #F91BF1

RGB 249 27 241

HSL 302.16, 0.95%, 0.54%

LAB 59.23, 93.25, -54.86

 

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

CMYK 0 / 77 / 98 / 26

HEX #BC2C04

RGB 188 44 4

HSL 13.04, 0.96%, 0.38%

LAB 42, 55.4, 53.3

 

CMYK 98 / 0 / 37 / 26

HEX #04BC76

RGB 4 188 118

HSL 157.17, 0.96%, 0.38%

LAB 67.5, -56.2, 24.48

 

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

CMYK 2 / 0 / 98 / 26

HEX #B9BC04

RGB 185 188 4

HSL 60.98, 0.96%, 0.38%

LAB 73.73, -18.4, 74.42

 

CMYK 98 / 2 / 0 / 26

HEX #04B9BC

RGB 4 185 188

HSL 180.98, 0.96%, 0.38%

LAB 68.28, -36.74, -12.59

 

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

CMYK 0 / 77 / 98 / 26

HEX #BC2C04

RGB 188 44 4

HSL 13.04, 0.96%, 0.38%

LAB 42, 55.4, 53.3

 

CMYK 98 / 0 / 96 / 26

HEX #04BC07

RGB 4 188 7

HSL 120.98, 0.96%, 0.38%

LAB 66.53, -68.2, 65.35

 

CMYK 98 / 21 / 0 / 26

HEX #0495BC

RGB 4 149 188

HSL 192.72, 0.96%, 0.38%

LAB 57.22, -18.84, -29.47

 

CMYK 0 / 97 / 3 / 26

HEX #BC05B6

RGB 188 5 182

HSL 301.97, 0.95%, 0.38%

LAB 44.49, 76.8, -45.19

 

CMYK 0 / 47 / 98 / 26

HEX #BC6304

RGB 188 99 4

HSL 30.98, 0.96%, 0.38%

LAB 51.41, 30.75, 58.83

 

CMYK 98 / 0 / 96 / 26

HEX #04BC07

RGB 4 188 7

HSL 120.98, 0.96%, 0.38%

LAB 66.53, -68.2, 65.35

 

CMYK 98 / 51 / 0 / 26

HEX #045DBC

RGB 4 93 188

HSL 210.98, 0.96%, 0.38%

LAB 40.39, 14.85, -56.16

 

Description

Color code: RGB 188 5 182 | qconv.com Color code: RGB 188 5 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 5 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 5 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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