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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 58 190 it is the complementary color RGB 67 197 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 58 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 58 190 shade: RGB 193 58 185, RGB 210 76 204, RGB 227 94 223, RGB 244 112 242 and RGB 255 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 58 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 58 190 shade: RGB 188 58 190, RGB 171 40 171, RGB 154 22 152, RGB 137 4 133 and RGB 120 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 58 190 shade: RGB 189 58 191, RGB 191 58 157, RGB 191 58 121, RGB 191 58 86 and RGB 191 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 58 190 shade: RGB 189 58 191, RGB 153 58 191, RGB 117 58 191, RGB 82 58 191 and RGB 58 58 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 58 190 shade matches the following richer shades: RGB 189 58 191, RGB 208 38 211 and RGB 228 18 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 58 190 shade: RGB 189 58 191, RGB 169 78 170, RGB 149 99 150, RGB 130 119 130 and RGB 110 139 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 58 190 shade: RGB 118 58 191, RGB 153 58 191, RGB 188 58 191, RGB 191 58 158 and RGB 191 58 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 58 190 shade: RGB 126 39 128, RGB 157 49 159, RGB 189 58 191, RGB 201 87 203 and RGB 211 119 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 58 190 shade: RGB 188 58 190, RGB 191 83 58 and RGB 58 191 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 58 190 shade: RGB 188 58 190, RGB 191 188 58 and RGB 58 191 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 58 190 shade: RGB 188 58 190, RGB 191 83 58, RGB 60 191 58 and RGB 58 166 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 58 190 shade: RGB 188 58 190, RGB 191 122 58, RGB 60 191 58 and RGB 58 127 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

Complementary color

CMYK 66 / 0 / 67 / 23

HEX #43C541

RGB 67 197 65

HSL 119.09, 0.53%, 0.51%

LAB 70.53, -60.34, 53.87

 

CMYK 0 / 70 / 4 / 24

HEX #C13AB9

RGB 193 58 185

HSL 303.56, 0.54%, 0.49%

LAB 49.33, 67.17, -39.2

 

CMYK 0 / 64 / 3 / 18

HEX #D24CCC

RGB 210 76 204

HSL 302.69, 0.6%, 0.56%

LAB 55.31, 67.52, -40.57

 

CMYK 0 / 59 / 2 / 11

HEX #E35EDF

RGB 227 94 223

HSL 301.8, 0.7%, 0.63%

LAB 61.36, 67.46, -41.62

 

CMYK 0 / 54 / 1 / 4

HEX #F470F2

RGB 244 112 242

HSL 300.91, 0.86%, 0.7%

LAB 67.45, 67.13, -42.47

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

CMYK 0 / 77 / 0 / 33

HEX #AB28AB

RGB 171 40 171

HSL 300, 0.62%, 0.41%

LAB 42.94, 65.91, -41.32

 

CMYK 0 / 86 / 1 / 40

HEX #9A1698

RGB 154 22 152

HSL 300.91, 0.75%, 0.35%

LAB 37.32, 63.97, -39.02

 

CMYK 0 / 97 / 3 / 46

HEX #890485

RGB 137 4 133

HSL 301.8, 0.94%, 0.28%

LAB 32.03, 60.71, -35.94

 

CMYK 0 / 100 / 5 / 53

HEX #780072

RGB 120 0 114

HSL 303, 1%, 0.24%

LAB 27.32, 55.33, -31.63

 

CMYK 1 / 70 / 0 / 25

HEX #BD3ABF

RGB 189 58 191

HSL 299.1, 0.53%, 0.49%

LAB 49.02, 67.25, -43.23

 

CMYK 0 / 70 / 18 / 25

HEX #BF3A9D

RGB 191 58 157

HSL 315.34, 0.53%, 0.49%

LAB 47.67, 62.49, -25.32

 

CMYK 0 / 70 / 37 / 25

HEX #BF3A79

RGB 191 58 121

HSL 331.58, 0.53%, 0.49%

LAB 46.29, 57.95, -5.69

 

CMYK 0 / 70 / 55 / 25

HEX #BF3A56

RGB 191 58 86

HSL 347.37, 0.53%, 0.49%

LAB 45.32, 54.65, 14.44

 

CMYK 0 / 70 / 70 / 25

HEX #BF3A3A

RGB 191 58 58

HSL 0, 0.53%, 0.49%

LAB 44.81, 52.86, 30.78

 

CMYK 1 / 70 / 0 / 25

HEX #BD3ABF

RGB 189 58 191

HSL 299.1, 0.53%, 0.49%

LAB 49.02, 67.25, -43.23

 

CMYK 20 / 70 / 0 / 25

HEX #993ABF

RGB 153 58 191

HSL 282.86, 0.53%, 0.49%

LAB 43.6, 59.39, -52.21

 

CMYK 39 / 70 / 0 / 25

HEX #753ABF

RGB 117 58 191

HSL 266.62, 0.53%, 0.49%

LAB 38.85, 52.07, -60.12

 

CMYK 57 / 70 / 0 / 25

HEX #523ABF

RGB 82 58 191

HSL 250.83, 0.53%, 0.49%

LAB 35.17, 45.99, -66.28

 

CMYK 70 / 70 / 0 / 25

HEX #3A3ABF

RGB 58 58 191

HSL 240, 0.53%, 0.49%

LAB 33.32, 42.76, -69.37

 

CMYK 1 / 70 / 0 / 25

HEX #BD3ABF

RGB 189 58 191

HSL 299.1, 0.53%, 0.49%

LAB 49.02, 67.25, -43.23

 

CMYK 1 / 82 / 0 / 17

HEX #D026D3

RGB 208 38 211

HSL 298.96, 0.69%, 0.49%

LAB 51.27, 79.89, -51

 

CMYK 1 / 92 / 0 / 9

HEX #E412E7

RGB 228 18 231

HSL 299.15, 0.86%, 0.49%

LAB 54.76, 89.37, -56.59

 

CMYK 1 / 70 / 0 / 25

HEX #BD3ABF

RGB 189 58 191

HSL 299.1, 0.53%, 0.49%

LAB 49.02, 67.25, -43.23

 

CMYK 1 / 54 / 0 / 33

HEX #A94EAA

RGB 169 78 170

HSL 299.35, 0.37%, 0.49%

LAB 47.99, 50.18, -32.77

 

CMYK 1 / 34 / 0 / 41

HEX #956396

RGB 149 99 150

HSL 298.82, 0.2%, 0.49%

LAB 48.9, 28.91, -19.75

 

CMYK 0 / 8 / 0 / 49

HEX #827782

RGB 130 119 130

HSL 300, 0.04%, 0.49%

LAB 51.33, 6.36, -4.48

 

CMYK 21 / 0 / 21 / 45

HEX #6E8B6E

RGB 110 139 110

HSL 120, 0.12%, 0.49%

LAB 54.98, -16.28, 12.2

 

CMYK 38 / 70 / 0 / 25

HEX #763ABF

RGB 118 58 191

HSL 267.07, 0.53%, 0.49%

LAB 38.97, 52.26, -59.92

 

CMYK 20 / 70 / 0 / 25

HEX #993ABF

RGB 153 58 191

HSL 282.86, 0.53%, 0.49%

LAB 43.6, 59.39, -52.21

 

CMYK 2 / 70 / 0 / 25

HEX #BC3ABF

RGB 188 58 191

HSL 298.65, 0.53%, 0.49%

LAB 48.86, 67.02, -43.49

 

CMYK 0 / 70 / 17 / 25

HEX #BF3A9E

RGB 191 58 158

HSL 314.89, 0.53%, 0.49%

LAB 47.72, 62.63, -25.84

 

CMYK 0 / 70 / 36 / 25

HEX #BF3A7A

RGB 191 58 122

HSL 331.13, 0.53%, 0.49%

LAB 46.32, 58.06, -6.25

 

CMYK 2 / 70 / 0 / 50

HEX #7E2780

RGB 126 39 128

HSL 298.65, 0.53%, 0.33%

LAB 32.8, 48.76, -31.71

 

CMYK 1 / 69 / 0 / 38

HEX #9D319F

RGB 157 49 159

HSL 298.91, 0.53%, 0.41%

LAB 41.01, 57.81, -37.36

 

CMYK 1 / 70 / 0 / 25

HEX #BD3ABF

RGB 189 58 191

HSL 299.1, 0.53%, 0.49%

LAB 49.02, 67.25, -43.23

 

CMYK 1 / 57 / 0 / 20

HEX #C957CB

RGB 201 87 203

HSL 298.97, 0.53%, 0.57%

LAB 55.63, 60.48, -39.58

 

CMYK 1 / 44 / 0 / 16

HEX #D377D5

RGB 211 119 213

HSL 298.72, 0.53%, 0.65%

LAB 63.22, 49.6, -33.28

 

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

CMYK 0 / 57 / 70 / 25

HEX #BF533A

RGB 191 83 58

HSL 11.28, 0.53%, 0.49%

LAB 48.97, 41.78, 35.66

 

CMYK 70 / 0 / 29 / 25

HEX #3ABF87

RGB 58 191 135

HSL 154.74, 0.53%, 0.49%

LAB 69.41, -48.84, 18.1

 

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

CMYK 0 / 2 / 70 / 25

HEX #BFBC3A

RGB 191 188 58

HSL 58.65, 0.53%, 0.49%

LAB 74.41, -14.29, 62.67

 

CMYK 70 / 0 / 2 / 25

HEX #3ABFBC

RGB 58 191 188

HSL 178.65, 0.53%, 0.49%

LAB 70.73, -35.47, -8.87

 

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

CMYK 0 / 57 / 70 / 25

HEX #BF533A

RGB 191 83 58

HSL 11.28, 0.53%, 0.49%

LAB 48.97, 41.78, 35.66

 

CMYK 69 / 0 / 70 / 25

HEX #3CBF3A

RGB 60 191 58

HSL 119.1, 0.53%, 0.49%

LAB 68.41, -60.32, 54.35

 

CMYK 70 / 13 / 0 / 25

HEX #3AA6BF

RGB 58 166 191

HSL 191.28, 0.53%, 0.49%

LAB 63.29, -22.32, -21.75

 

CMYK 1 / 69 / 0 / 25

HEX #BC3ABE

RGB 188 58 190

HSL 299.09, 0.53%, 0.49%

LAB 48.8, 66.86, -43

 

CMYK 0 / 36 / 70 / 25

HEX #BF7A3A

RGB 191 122 58

HSL 28.87, 0.53%, 0.49%

LAB 57.37, 21.18, 45.07

 

CMYK 69 / 0 / 70 / 25

HEX #3CBF3A

RGB 60 191 58

HSL 119.1, 0.53%, 0.49%

LAB 68.41, -60.32, 54.35

 

CMYK 70 / 34 / 0 / 25

HEX #3A7FBF

RGB 58 127 191

HSL 208.87, 0.53%, 0.49%

LAB 51.66, -0.61, -39.82

 

Description

Color code: RGB 188 58 190 | qconv.com Color code: RGB 188 58 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 58 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 58 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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