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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 52 175 it is the complementary color RGB 67 203 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 52 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 52 175 shade: RGB 193 52 170, RGB 210 70 189, RGB 227 88 208, RGB 244 106 227 and RGB 255 124 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 52 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 52 175 shade: RGB 188 52 175, RGB 171 34 156, RGB 154 16 137, RGB 137 0 118 and RGB 120 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 52 175 shade: RGB 188 51 175, RGB 188 51 138, RGB 188 51 101, RGB 188 51 64 and RGB 188 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 52 175 shade: RGB 188 51 175, RGB 164 51 188, RGB 127 51 188, RGB 90 51 188 and RGB 53 51 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 52 175 shade matches the following richer shades: RGB 188 51 175, RGB 207 32 190 and RGB 226 12 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 52 175 shade: RGB 188 51 175, RGB 168 70 159, RGB 149 90 143, RGB 129 109 128 and RGB 110 129 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 52 175 shade: RGB 126 51 188, RGB 163 51 188, RGB 188 51 176, RGB 188 51 140 and RGB 188 51 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 52 175 shade: RGB 123 33 114, RGB 155 42 144, RGB 188 51 175, RGB 205 75 193 and RGB 214 107 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 52 175 shade: RGB 188 52 175, RGB 188 90 51 and RGB 51 188 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 52 175 shade: RGB 188 52 175, RGB 176 188 51 and RGB 51 176 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 52 175 shade: RGB 188 52 175, RGB 188 90 51, RGB 51 188 62 and RGB 51 149 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 52 175 shade: RGB 188 52 175, RGB 188 131 51, RGB 51 188 62 and RGB 51 108 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

Complementary color

CMYK 67 / 0 / 61 / 20

HEX #43CB50

RGB 67 203 80

HSL 125.74, 0.57%, 0.53%

LAB 72.55, -60.82, 49.72

 

CMYK 0 / 73 / 12 / 24

HEX #C134AA

RGB 193 52 170

HSL 309.79, 0.58%, 0.48%

LAB 47.87, 66.9, -32.69

 

CMYK 0 / 67 / 10 / 18

HEX #D246BD

RGB 210 70 189

HSL 309, 0.61%, 0.55%

LAB 53.77, 67.47, -34.36

 

CMYK 0 / 61 / 8 / 11

HEX #E358D0

RGB 227 88 208

HSL 308.2, 0.71%, 0.62%

LAB 59.77, 67.55, -35.67

 

CMYK 0 / 57 / 7 / 4

HEX #F46AE3

RGB 244 106 227

HSL 307.39, 0.86%, 0.69%

LAB 65.82, 67.32, -36.72

 

CMYK 0 / 51 / 4 / 0

HEX #FF7CF6

RGB 255 124 246

HSL 304.12, 1%, 0.74%

LAB 71.1, 65.28, -38.86

 

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

CMYK 0 / 80 / 9 / 33

HEX #AB229C

RGB 171 34 156

HSL 306.57, 0.67%, 0.4%

LAB 41.54, 65.23, -34.57

 

CMYK 0 / 90 / 11 / 40

HEX #9A1089

RGB 154 16 137

HSL 307.39, 0.81%, 0.33%

LAB 36.07, 62.82, -31.8

 

CMYK 0 / 100 / 14 / 46

HEX #890076

RGB 137 0 118

HSL 308.32, 1%, 0.27%

LAB 30.94, 59.1, -28.23

 

CMYK 0 / 100 / 18 / 53

HEX #780063

RGB 120 0 99

HSL 310.5, 1%, 0.24%

LAB 26.43, 53.14, -23.32

 

CMYK 0 / 73 / 7 / 26

HEX #BC33AF

RGB 188 51 175

HSL 305.69, 0.57%, 0.47%

LAB 47.18, 66.83, -36.79

 

CMYK 0 / 73 / 27 / 26

HEX #BC338A

RGB 188 51 138

HSL 321.9, 0.57%, 0.47%

LAB 45.49, 61.65, -17.3

 

CMYK 0 / 73 / 46 / 26

HEX #BC3365

RGB 188 51 101

HSL 338.1, 0.57%, 0.47%

LAB 44.23, 57.6, 3.54

 

CMYK 0 / 73 / 66 / 26

HEX #BC3340

RGB 188 51 64

HSL 354.31, 0.57%, 0.47%

LAB 43.4, 54.84, 25.32

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 73 / 7 / 26

HEX #BC33AF

RGB 188 51 175

HSL 305.69, 0.57%, 0.47%

LAB 47.18, 66.83, -36.79

 

CMYK 13 / 73 / 0 / 26

HEX #A433BC

RGB 164 51 188

HSL 289.49, 0.57%, 0.47%

LAB 44.08, 63.83, -49.59

 

CMYK 32 / 73 / 0 / 26

HEX #7F33BC

RGB 127 51 188

HSL 273.28, 0.57%, 0.47%

LAB 38.74, 56.46, -58.46

 

CMYK 52 / 73 / 0 / 26

HEX #5A33BC

RGB 90 51 188

HSL 257.08, 0.57%, 0.47%

LAB 34.34, 50.05, -65.84

 

CMYK 72 / 73 / 0 / 26

HEX #3533BC

RGB 53 51 188

HSL 240.88, 0.57%, 0.47%

LAB 31.24, 45.3, -71.04

 

CMYK 0 / 73 / 7 / 26

HEX #BC33AF

RGB 188 51 175

HSL 305.69, 0.57%, 0.47%

LAB 47.18, 66.83, -36.79

 

CMYK 0 / 85 / 8 / 19

HEX #CF20BE

RGB 207 32 190

HSL 305.83, 0.73%, 0.47%

LAB 49.52, 77.83, -41.67

 

CMYK 0 / 95 / 9 / 11

HEX #E20CCE

RGB 226 12 206

HSL 305.61, 0.9%, 0.47%

LAB 52.83, 86.08, -45.46

 

CMYK 0 / 73 / 7 / 26

HEX #BC33AF

RGB 188 51 175

HSL 305.69, 0.57%, 0.47%

LAB 47.18, 66.83, -36.79

 

CMYK 0 / 58 / 5 / 34

HEX #A8469F

RGB 168 70 159

HSL 305.51, 0.41%, 0.47%

LAB 45.92, 51.74, -29.51

 

CMYK 0 / 40 / 4 / 42

HEX #955A8F

RGB 149 90 143

HSL 306.1, 0.25%, 0.47%

LAB 46.56, 32.66, -19.18

 

CMYK 0 / 16 / 1 / 49

HEX #816D80

RGB 129 109 128

HSL 303, 0.08%, 0.47%

LAB 48.46, 11.47, -7.56

 

CMYK 15 / 0 / 13 / 49

HEX #6E8170

RGB 110 129 112

HSL 126.32, 0.08%, 0.47%

LAB 52.05, -10.46, 6.91

 

CMYK 33 / 73 / 0 / 26

HEX #7E33BC

RGB 126 51 188

HSL 272.85, 0.57%, 0.47%

LAB 38.61, 56.27, -58.69

 

CMYK 13 / 73 / 0 / 26

HEX #A333BC

RGB 163 51 188

HSL 289.05, 0.57%, 0.47%

LAB 43.92, 63.62, -49.85

 

CMYK 0 / 73 / 6 / 26

HEX #BC33B0

RGB 188 51 176

HSL 305.26, 0.57%, 0.47%

LAB 47.23, 66.99, -37.3

 

CMYK 0 / 73 / 26 / 26

HEX #BC338C

RGB 188 51 140

HSL 321.02, 0.57%, 0.47%

LAB 45.57, 61.9, -18.39

 

CMYK 0 / 73 / 45 / 26

HEX #BC3367

RGB 188 51 103

HSL 337.23, 0.57%, 0.47%

LAB 44.29, 57.79, 2.38

 

CMYK 0 / 73 / 7 / 52

HEX #7B2172

RGB 123 33 114

HSL 306, 0.58%, 0.31%

LAB 30.67, 47.9, -26.28

 

CMYK 0 / 73 / 7 / 39

HEX #9B2A90

RGB 155 42 144

HSL 305.84, 0.57%, 0.39%

LAB 38.96, 57.37, -31.53

 

CMYK 0 / 73 / 7 / 26

HEX #BC33AF

RGB 188 51 175

HSL 305.69, 0.57%, 0.47%

LAB 47.18, 66.83, -36.79

 

CMYK 0 / 63 / 6 / 20

HEX #CD4BC1

RGB 205 75 193

HSL 305.54, 0.57%, 0.55%

LAB 53.88, 64.92, -36.55

 

CMYK 0 / 50 / 5 / 16

HEX #D66BCC

RGB 214 107 204

HSL 305.61, 0.57%, 0.63%

LAB 60.93, 54.86, -31.73

 

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

CMYK 0 / 52 / 73 / 26

HEX #BC5A33

RGB 188 90 51

HSL 17.08, 0.57%, 0.47%

LAB 49.79, 36.75, 40.24

 

CMYK 73 / 0 / 23 / 26

HEX #33BC90

RGB 51 188 144

HSL 160.73, 0.57%, 0.47%

LAB 68.52, -46.62, 11.97

 

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

CMYK 6 / 0 / 73 / 26

HEX #B0BC33

RGB 176 188 51

HSL 65.26, 0.57%, 0.47%

LAB 73.18, -21.01, 63.58

 

CMYK 73 / 6 / 0 / 26

HEX #33B0BC

RGB 51 176 188

HSL 185.26, 0.57%, 0.47%

LAB 66.05, -29.21, -15.9

 

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

CMYK 0 / 52 / 73 / 26

HEX #BC5A33

RGB 188 90 51

HSL 17.08, 0.57%, 0.47%

LAB 49.79, 36.75, 40.24

 

CMYK 73 / 0 / 67 / 26

HEX #33BC3E

RGB 51 188 62

HSL 124.82, 0.57%, 0.47%

LAB 67.29, -60.54, 51.49

 

CMYK 73 / 21 / 0 / 26

HEX #3395BC

RGB 51 149 188

HSL 197.08, 0.57%, 0.47%

LAB 57.87, -15.25, -28.4

 

CMYK 0 / 72 / 7 / 26

HEX #BC34AF

RGB 188 52 175

HSL 305.74, 0.57%, 0.47%

LAB 47.29, 66.51, -36.61

 

CMYK 0 / 30 / 73 / 26

HEX #BC8333

RGB 188 131 51

HSL 35.04, 0.57%, 0.47%

LAB 59.12, 14.54, 50.09

 

CMYK 73 / 0 / 67 / 26

HEX #33BC3E

RGB 51 188 62

HSL 124.82, 0.57%, 0.47%

LAB 67.29, -60.54, 51.49

 

CMYK 73 / 43 / 0 / 26

HEX #336CBC

RGB 51 108 188

HSL 215.04, 0.57%, 0.47%

LAB 45.72, 8.93, -47.53

 

Description

Color code: RGB 188 52 175 | qconv.com Color code: RGB 188 52 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 52 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 52 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 7 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 7% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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