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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 4 23 it is the complementary color RGB 67 251 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 4 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 4 23 shade: RGB 193 4 18, RGB 210 22 37, RGB 227 40 56, RGB 244 58 75 and RGB 255 76 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 4 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 4 23 shade: RGB 188 4 23, RGB 171 0 4, RGB 154 0 0, RGB 137 0 0 and RGB 120 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 4 23 shade: RGB 189 3 23 and RGB 189 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 4 23 shade: RGB 189 3 23, RGB 189 3 73, RGB 189 3 123, RGB 189 3 173 and RGB 156 3 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 4 23 shade matches the following richer shades: RGB 189 3 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 4 23 shade: RGB 189 3 23, RGB 174 19 35, RGB 158 35 47, RGB 142 50 60 and RGB 127 66 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 4 23 shade: RGB 189 3 124, RGB 189 3 75, RGB 189 3 25, RGB 189 31 3 and RGB 189 81 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 4 23 shade: RGB 109 2 13, RGB 149 3 18, RGB 189 3 23, RGB 230 4 28 and RGB 250 25 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 4 23 shade: RGB 188 4 23, RGB 174 189 3 and RGB 3 100 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 4 23 shade: RGB 188 4 23, RGB 25 189 3 and RGB 3 25 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 4 23 shade: RGB 188 4 23, RGB 174 189 3, RGB 3 189 168 and RGB 19 3 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 4 23 shade: RGB 188 4 23, RGB 118 189 3, RGB 3 189 168 and RGB 75 3 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

Complementary color

CMYK 73 / 0 / 8 / 2

HEX #43FBE8

RGB 67 251 232

HSL 173.8, 0.96%, 0.62%

LAB 89.87, -49.02, -3.99

 

CMYK 0 / 98 / 91 / 24

HEX #C10412

RGB 193 4 18

HSL 355.56, 0.96%, 0.39%

LAB 40.36, 64.75, 47.99

 

CMYK 0 / 90 / 82 / 18

HEX #D21625

RGB 210 22 37

HSL 355.21, 0.81%, 0.45%

LAB 44.81, 67.36, 43.79

 

CMYK 0 / 82 / 75 / 11

HEX #E32838

RGB 227 40 56

HSL 354.87, 0.77%, 0.52%

LAB 49.66, 68.95, 39.3

 

CMYK 0 / 76 / 69 / 4

HEX #F43A4B

RGB 244 58 75

HSL 354.52, 0.89%, 0.59%

LAB 54.83, 69.67, 35.2

 

CMYK 0 / 70 / 63 / 0

HEX #FF4C5E

RGB 255 76 94

HSL 353.97, 1%, 0.65%

LAB 59.19, 68.01, 30.09

 

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

CMYK 0 / 100 / 98 / 33

HEX #AB0004

RGB 171 0 4

HSL 358.6, 1%, 0.34%

LAB 35.33, 59.43, 48.03

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 98 / 88 / 26

HEX #BD0317

RGB 189 3 23

HSL 353.55, 0.97%, 0.38%

LAB 39.49, 63.92, 44.65

 

CMYK 0 / 98 / 98 / 26

HEX #BD0303

RGB 189 3 3

HSL 0, 0.97%, 0.38%

LAB 39.4, 63.67, 52.54

 

CMYK 0 / 98 / 88 / 26

HEX #BD0317

RGB 189 3 23

HSL 353.55, 0.97%, 0.38%

LAB 39.49, 63.92, 44.65

 

CMYK 0 / 98 / 61 / 26

HEX #BD0349

RGB 189 3 73

HSL 337.42, 0.97%, 0.38%

LAB 40.19, 65.83, 15.53

 

CMYK 0 / 98 / 35 / 26

HEX #BD037B

RGB 189 3 123

HSL 321.29, 0.97%, 0.38%

LAB 41.71, 69.86, -13.84

 

CMYK 0 / 98 / 8 / 26

HEX #BD03AD

RGB 189 3 173

HSL 305.16, 0.97%, 0.38%

LAB 44.09, 75.89, -40.48

 

CMYK 17 / 98 / 0 / 26

HEX #9C03BD

RGB 156 3 189

HSL 289.35, 0.97%, 0.38%

LAB 39.25, 73.09, -58.02

 

CMYK 0 / 98 / 88 / 26

HEX #BD0317

RGB 189 3 23

HSL 353.55, 0.97%, 0.38%

LAB 39.49, 63.92, 44.65

 

CMYK 0 / 98 / 88 / 26

HEX #BD0317

RGB 189 3 23

HSL 353.55, 0.97%, 0.38%

LAB 39.49, 63.92, 44.65

 

CMYK 0 / 89 / 80 / 32

HEX #AE1323

RGB 174 19 35

HSL 353.81, 0.8%, 0.38%

LAB 37.09, 58.26, 34.75

 

CMYK 0 / 78 / 70 / 38

HEX #9E232F

RGB 158 35 47

HSL 354.15, 0.64%, 0.38%

LAB 35.35, 50.13, 24.58

 

CMYK 0 / 65 / 58 / 44

HEX #8E323C

RGB 142 50 60

HSL 353.48, 0.48%, 0.38%

LAB 34.72, 39.74, 14.9

 

CMYK 0 / 48 / 43 / 50

HEX #7F4248

RGB 127 66 72

HSL 354.1, 0.32%, 0.38%

LAB 35.75, 26.89, 8.27

 

CMYK 0 / 98 / 34 / 26

HEX #BD037C

RGB 189 3 124

HSL 320.97, 0.97%, 0.38%

LAB 41.75, 69.96, -14.41

 

CMYK 0 / 98 / 60 / 26

HEX #BD034B

RGB 189 3 75

HSL 336.77, 0.97%, 0.38%

LAB 40.23, 65.95, 14.32

 

CMYK 0 / 98 / 87 / 26

HEX #BD0319

RGB 189 3 25

HSL 352.9, 0.97%, 0.38%

LAB 39.5, 63.96, 43.67

 

CMYK 0 / 84 / 98 / 26

HEX #BD1F03

RGB 189 31 3

HSL 9.03, 0.97%, 0.38%

LAB 40.91, 59.34, 53.21

 

CMYK 0 / 57 / 98 / 26

HEX #BD5103

RGB 189 81 3

HSL 25.16, 0.97%, 0.38%

LAB 47.89, 40.39, 56.96

 

CMYK 0 / 98 / 88 / 57

HEX #6D020D

RGB 109 2 13

HSL 353.83, 0.96%, 0.22%

LAB 21.3, 42.67, 26.92

 

CMYK 0 / 98 / 88 / 42

HEX #950312

RGB 149 3 18

HSL 353.84, 0.96%, 0.3%

LAB 30.64, 53.49, 36.33

 

CMYK 0 / 98 / 88 / 26

HEX #BD0317

RGB 189 3 23

HSL 353.55, 0.97%, 0.38%

LAB 39.49, 63.92, 44.65

 

CMYK 0 / 98 / 88 / 10

HEX #E6041C

RGB 230 4 28

HSL 353.63, 0.97%, 0.46%

LAB 48.25, 74.07, 52.85

 

CMYK 0 / 90 / 80 / 2

HEX #FA1931

RGB 250 25 49

HSL 353.6, 0.96%, 0.54%

LAB 53.21, 77.38, 48.29

 

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

CMYK 8 / 0 / 98 / 26

HEX #AEBD03

RGB 174 189 3

HSL 64.84, 0.97%, 0.38%

LAB 73.15, -23.63, 73.71

 

CMYK 98 / 47 / 0 / 26

HEX #0364BD

RGB 3 100 189

HSL 208.71, 0.97%, 0.38%

LAB 42.47, 10.63, -53.37

 

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

CMYK 87 / 0 / 98 / 26

HEX #19BD03

RGB 25 189 3

HSL 112.9, 0.97%, 0.38%

LAB 66.98, -67.32, 66.25

 

CMYK 98 / 87 / 0 / 26

HEX #0319BD

RGB 3 25 189

HSL 232.9, 0.97%, 0.38%

LAB 24.92, 56.25, -82.18

 

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

CMYK 8 / 0 / 98 / 26

HEX #AEBD03

RGB 174 189 3

HSL 64.84, 0.97%, 0.38%

LAB 73.15, -23.63, 73.71

 

CMYK 98 / 0 / 11 / 26

HEX #03BDA8

RGB 3 189 168

HSL 173.23, 0.97%, 0.38%

LAB 68.93, -44.41, -0.64

 

CMYK 90 / 98 / 0 / 26

HEX #1303BD

RGB 19 3 189

HSL 245.16, 0.97%, 0.38%

LAB 23.26, 62.69, -84.93

 

CMYK 0 / 98 / 88 / 26

HEX #BC0417

RGB 188 4 23

HSL 353.8, 0.96%, 0.38%

LAB 39.31, 63.57, 44.42

 

CMYK 38 / 0 / 98 / 26

HEX #76BD03

RGB 118 189 3

HSL 82.9, 0.97%, 0.38%

LAB 69.65, -45.92, 69.5

 

CMYK 98 / 0 / 11 / 26

HEX #03BDA8

RGB 3 189 168

HSL 173.23, 0.97%, 0.38%

LAB 68.93, -44.41, -0.64

 

CMYK 60 / 98 / 0 / 26

HEX #4B03BD

RGB 75 3 189

HSL 263.23, 0.97%, 0.38%

LAB 27.39, 64.62, -77.94

 

Description

Color code: RGB 188 4 23 | qconv.com Color code: RGB 188 4 23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 4 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 4 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 88 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 88% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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