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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 4 109 it is the complementary color RGB 67 251 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 4 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 4 109 shade: RGB 193 4 104, RGB 210 22 123, RGB 227 40 142, RGB 244 58 161 and RGB 255 76 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 4 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 4 109 shade: RGB 188 4 109, RGB 171 0 90, RGB 154 0 71, RGB 137 0 52 and RGB 120 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 4 109 shade: RGB 189 3 110, RGB 189 3 59, RGB 189 3 9 and RGB 189 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 4 109 shade: RGB 189 3 110, RGB 189 3 160, RGB 169 3 189, RGB 119 3 189 and RGB 69 3 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 4 109 shade matches the following richer shades: RGB 189 3 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 4 109 shade: RGB 189 3 110, RGB 174 19 107, RGB 158 35 105, RGB 142 50 103 and RGB 127 66 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 4 109 shade: RGB 168 3 189, RGB 189 3 162, RGB 189 3 112, RGB 189 3 62 and RGB 189 3 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 4 109 shade: RGB 109 2 63, RGB 149 3 86, RGB 189 3 110, RGB 230 4 133 and RGB 250 25 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 4 109 shade: RGB 188 4 109, RGB 189 118 3 and RGB 3 186 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 4 109 shade: RGB 188 4 109, RGB 112 189 3 and RGB 3 112 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 4 109 shade: RGB 188 4 109, RGB 189 118 3, RGB 3 189 81 and RGB 3 75 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 4 109 shade: RGB 188 4 109, RGB 189 174 3, RGB 3 189 81 and RGB 3 19 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

Complementary color

CMYK 73 / 0 / 42 / 2

HEX #43FB92

RGB 67 251 146

HSL 145.76, 0.96%, 0.62%

LAB 88.1, -67.85, 37.52

 

CMYK 0 / 98 / 46 / 24

HEX #C10468

RGB 193 4 104

HSL 328.25, 0.96%, 0.39%

LAB 41.88, 68.87, -1.63

 

CMYK 0 / 90 / 41 / 18

HEX #D2167B

RGB 210 22 123

HSL 327.77, 0.81%, 0.45%

LAB 46.59, 72.32, -6.1

 

CMYK 0 / 82 / 37 / 11

HEX #E3288E

RGB 227 40 142

HSL 327.27, 0.77%, 0.52%

LAB 51.61, 74.7, -9.77

 

CMYK 0 / 76 / 34 / 4

HEX #F43AA1

RGB 244 58 161

HSL 326.77, 0.89%, 0.59%

LAB 56.91, 76.16, -12.75

 

CMYK 0 / 70 / 29 / 0

HEX #FF4CB4

RGB 255 76 180

HSL 325.14, 1%, 0.65%

LAB 61.42, 75.42, -16.78

 

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

CMYK 0 / 100 / 47 / 33

HEX #AB005A

RGB 171 0 90

HSL 328.42, 1%, 0.34%

LAB 36.74, 63.19, -0.8

 

CMYK 0 / 100 / 54 / 40

HEX #9A0047

RGB 154 0 71

HSL 332.34, 1%, 0.3%

LAB 32.54, 57.74, 5.07

 

CMYK 0 / 100 / 62 / 46

HEX #890034

RGB 137 0 52

HSL 337.23, 1%, 0.27%

LAB 28.29, 52.28, 11.31

 

CMYK 0 / 100 / 73 / 53

HEX #780021

RGB 120 0 33

HSL 343.5, 1%, 0.24%

LAB 24.01, 46.86, 17.96

 

CMYK 0 / 98 / 42 / 26

HEX #BD036E

RGB 189 3 110

HSL 325.48, 0.97%, 0.38%

LAB 41.23, 68.61, -6.45

 

CMYK 0 / 98 / 69 / 26

HEX #BD033B

RGB 189 3 59

HSL 341.94, 0.97%, 0.38%

LAB 39.91, 65.09, 24.08

 

CMYK 0 / 98 / 95 / 26

HEX #BD0309

RGB 189 3 9

HSL 358.06, 0.97%, 0.38%

LAB 39.42, 63.73, 50.4

 

CMYK 0 / 98 / 98 / 26

HEX #BD0303

RGB 189 3 3

HSL 0, 0.97%, 0.38%

LAB 39.4, 63.67, 52.54

 

CMYK 0 / 98 / 42 / 26

HEX #BD036E

RGB 189 3 110

HSL 325.48, 0.97%, 0.38%

LAB 41.23, 68.61, -6.45

 

CMYK 0 / 98 / 15 / 26

HEX #BD03A0

RGB 189 3 160

HSL 309.35, 0.97%, 0.38%

LAB 43.39, 74.15, -33.82

 

CMYK 11 / 98 / 0 / 26

HEX #A903BD

RGB 169 3 189

HSL 293.55, 0.97%, 0.38%

LAB 41.49, 75.01, -54.29

 

CMYK 37 / 98 / 0 / 26

HEX #7703BD

RGB 119 3 189

HSL 277.42, 0.97%, 0.38%

LAB 33.27, 68.39, -68.05

 

CMYK 63 / 98 / 0 / 26

HEX #4503BD

RGB 69 3 189

HSL 261.29, 0.97%, 0.38%

LAB 26.75, 64.27, -79.03

 

CMYK 0 / 98 / 42 / 26

HEX #BD036E

RGB 189 3 110

HSL 325.48, 0.97%, 0.38%

LAB 41.23, 68.61, -6.45

 

CMYK 0 / 98 / 42 / 26

HEX #BD036E

RGB 189 3 110

HSL 325.48, 0.97%, 0.38%

LAB 41.23, 68.61, -6.45

 

CMYK 0 / 89 / 39 / 32

HEX #AE136B

RGB 174 19 107

HSL 325.94, 0.8%, 0.38%

LAB 38.77, 63, -8.56

 

CMYK 0 / 78 / 34 / 38

HEX #9E2369

RGB 158 35 105

HSL 325.85, 0.64%, 0.38%

LAB 36.91, 55.02, -10.4

 

CMYK 0 / 65 / 27 / 44

HEX #8E3267

RGB 142 50 103

HSL 325.43, 0.48%, 0.38%

LAB 36.01, 44.49, -10.78

 

CMYK 0 / 48 / 20 / 50

HEX #7F4265

RGB 127 66 101

HSL 325.57, 0.32%, 0.38%

LAB 36.65, 31.02, -8.78

 

CMYK 11 / 98 / 0 / 26

HEX #A803BD

RGB 168 3 189

HSL 293.23, 0.97%, 0.38%

LAB 41.32, 74.86, -54.58

 

CMYK 0 / 98 / 14 / 26

HEX #BD03A2

RGB 189 3 162

HSL 308.71, 0.97%, 0.38%

LAB 43.5, 74.41, -34.86

 

CMYK 0 / 98 / 41 / 26

HEX #BD0370

RGB 189 3 112

HSL 324.84, 0.97%, 0.38%

LAB 41.3, 68.79, -7.6

 

CMYK 0 / 98 / 67 / 26

HEX #BD033E

RGB 189 3 62

HSL 340.97, 0.97%, 0.38%

LAB 39.97, 65.23, 22.24

 

CMYK 0 / 98 / 93 / 26

HEX #BD030D

RGB 189 3 13

HSL 356.77, 0.97%, 0.38%

LAB 39.43, 63.77, 48.99

 

CMYK 0 / 98 / 42 / 57

HEX #6D023F

RGB 109 2 63

HSL 325.79, 0.96%, 0.22%

LAB 22.49, 45.9, -5.38

 

CMYK 0 / 98 / 42 / 42

HEX #950356

RGB 149 3 86

HSL 325.89, 0.96%, 0.3%

LAB 32.09, 57.43, -5.59

 

CMYK 0 / 98 / 42 / 26

HEX #BD036E

RGB 189 3 110

HSL 325.48, 0.97%, 0.38%

LAB 41.23, 68.61, -6.45

 

CMYK 0 / 98 / 42 / 10

HEX #E60485

RGB 230 4 133

HSL 325.75, 0.97%, 0.46%

LAB 50.22, 79.36, -6.36

 

CMYK 0 / 90 / 38 / 2

HEX #FA199A

RGB 250 25 154

HSL 325.6, 0.96%, 0.54%

LAB 55.43, 83.53, -10.74

 

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

CMYK 0 / 38 / 98 / 26

HEX #BD7603

RGB 189 118 3

HSL 37.1, 0.97%, 0.38%

LAB 55.87, 20.84, 62.01

 

CMYK 98 / 2 / 0 / 26

HEX #03BABD

RGB 3 186 189

HSL 180.97, 0.97%, 0.38%

LAB 68.61, -36.92, -12.64

 

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

CMYK 41 / 0 / 98 / 26

HEX #70BD03

RGB 112 189 3

HSL 84.84, 0.97%, 0.38%

LAB 69.36, -48.02, 69.15

 

CMYK 98 / 41 / 0 / 26

HEX #0370BD

RGB 3 112 189

HSL 204.84, 0.97%, 0.38%

LAB 46.02, 2.99, -47.68

 

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

CMYK 0 / 38 / 98 / 26

HEX #BD7603

RGB 189 118 3

HSL 37.1, 0.97%, 0.38%

LAB 55.87, 20.84, 62.01

 

CMYK 98 / 0 / 57 / 26

HEX #03BD51

RGB 3 189 81

HSL 145.16, 0.97%, 0.38%

LAB 67.28, -62.98, 42.92

 

CMYK 98 / 60 / 0 / 26

HEX #034BBD

RGB 3 75 189

HSL 216.77, 0.97%, 0.38%

LAB 35.45, 27.23, -64.77

 

CMYK 0 / 98 / 42 / 26

HEX #BC046D

RGB 188 4 109

HSL 325.76, 0.96%, 0.38%

LAB 41.03, 68.2, -6.15

 

CMYK 0 / 8 / 98 / 26

HEX #BDAE03

RGB 189 174 3

HSL 55.16, 0.97%, 0.38%

LAB 70.24, -9.51, 72.11

 

CMYK 98 / 0 / 57 / 26

HEX #03BD51

RGB 3 189 81

HSL 145.16, 0.97%, 0.38%

LAB 67.28, -62.98, 42.92

 

CMYK 98 / 90 / 0 / 26

HEX #0313BD

RGB 3 19 189

HSL 234.84, 0.97%, 0.38%

LAB 24.19, 58.44, -83.39

 

Description

Color code: RGB 188 4 109 | qconv.com Color code: RGB 188 4 109 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 4 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 4 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 42 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 42% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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