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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 36 171 it is the complementary color RGB 67 219 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 36 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 36 171 shade: RGB 193 36 166, RGB 210 54 185, RGB 227 72 204, RGB 244 90 223 and RGB 255 108 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 36 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 36 171 shade: RGB 188 36 171, RGB 171 18 152, RGB 154 0 133, RGB 137 0 114 and RGB 120 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 36 171 shade: RGB 188 35 171, RGB 188 35 130, RGB 188 35 89, RGB 188 35 47 and RGB 188 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 36 171 shade: RGB 188 35 171, RGB 164 35 188, RGB 123 35 188, RGB 82 35 188 and RGB 40 35 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 36 171 shade matches the following richer shades: RGB 188 35 171 and RGB 206 17 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 36 171 shade: RGB 188 35 171, RGB 170 54 157, RGB 152 72 143, RGB 134 90 129 and RGB 115 108 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 36 171 shade: RGB 122 35 188, RGB 163 35 188, RGB 188 35 173, RGB 188 35 132 and RGB 188 35 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 36 171 shade: RGB 119 22 108, RGB 153 29 139, RGB 188 35 171, RGB 215 49 197 and RGB 222 84 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 36 171 shade: RGB 188 36 171, RGB 188 81 35 and RGB 35 188 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 36 171 shade: RGB 188 36 171, RGB 173 188 35 and RGB 35 173 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 36 171 shade: RGB 188 36 171, RGB 188 81 35, RGB 35 188 51 and RGB 35 142 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 36 171 shade: RGB 188 36 171, RGB 188 127 35, RGB 35 188 51 and RGB 35 96 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

Complementary color

CMYK 69 / 0 / 62 / 14

HEX #43DB54

RGB 67 219 84

HSL 126.71, 0.68%, 0.56%

LAB 77.58, -65.79, 53.69

 

CMYK 0 / 81 / 14 / 24

HEX #C124A6

RGB 193 36 166

HSL 310.32, 0.69%, 0.45%

LAB 46.11, 70.83, -33.08

 

CMYK 0 / 74 / 12 / 18

HEX #D236B9

RGB 210 54 185

HSL 309.62, 0.63%, 0.52%

LAB 51.66, 72.31, -35.35

 

CMYK 0 / 68 / 10 / 11

HEX #E348CC

RGB 227 72 204

HSL 308.9, 0.73%, 0.59%

LAB 57.39, 73.05, -37.11

 

CMYK 0 / 63 / 9 / 4

HEX #F45ADF

RGB 244 90 223

HSL 308.18, 0.88%, 0.65%

LAB 63.24, 73.3, -38.51

 

CMYK 0 / 58 / 5 / 0

HEX #FF6CF2

RGB 255 108 242

HSL 305.31, 1%, 0.71%

LAB 68.31, 71.68, -41.01

 

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

CMYK 0 / 89 / 11 / 33

HEX #AB1298

RGB 171 18 152

HSL 307.45, 0.81%, 0.37%

LAB 40.18, 67.98, -34.29

 

CMYK 0 / 100 / 14 / 40

HEX #9A0085

RGB 154 0 133

HSL 308.18, 1%, 0.3%

LAB 35.13, 64.39, -30.81

 

CMYK 0 / 100 / 17 / 46

HEX #890072

RGB 137 0 114

HSL 310.07, 1%, 0.27%

LAB 30.72, 58.55, -26.03

 

CMYK 0 / 100 / 21 / 53

HEX #78005F

RGB 120 0 95

HSL 312.5, 1%, 0.24%

LAB 26.21, 52.59, -21.04

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 0 / 81 / 31 / 26

HEX #BC2382

RGB 188 35 130

HSL 322.75, 0.69%, 0.44%

LAB 43.51, 65.4, -15.43

 

CMYK 0 / 81 / 53 / 26

HEX #BC2359

RGB 188 35 89

HSL 338.82, 0.69%, 0.44%

LAB 42.18, 61.46, 8.11

 

CMYK 0 / 81 / 75 / 26

HEX #BC232F

RGB 188 35 47

HSL 355.29, 0.69%, 0.44%

LAB 41.37, 59.02, 33.14

 

CMYK 0 / 81 / 81 / 26

HEX #BC2323

RGB 188 35 35

HSL 0, 0.69%, 0.44%

LAB 41.24, 58.61, 39.88

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 13 / 81 / 0 / 26

HEX #A423BC

RGB 164 35 188

HSL 290.59, 0.69%, 0.44%

LAB 42.35, 68.81, -52.37

 

CMYK 35 / 81 / 0 / 26

HEX #7B23BC

RGB 123 35 188

HSL 274.51, 0.69%, 0.44%

LAB 36.07, 61.88, -62.84

 

CMYK 56 / 81 / 0 / 26

HEX #5223BC

RGB 82 35 188

HSL 258.43, 0.69%, 0.44%

LAB 30.94, 56.32, -71.45

 

CMYK 79 / 81 / 0 / 26

HEX #2823BC

RGB 40 35 188

HSL 241.96, 0.69%, 0.44%

LAB 27.53, 52.69, -77.21

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 0 / 92 / 10 / 19

HEX #CE11B9

RGB 206 17 185

HSL 306.67, 0.85%, 0.44%

LAB 48.29, 79.24, -40.7

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 0 / 68 / 8 / 33

HEX #AA369D

RGB 170 54 157

HSL 306.72, 0.52%, 0.44%

LAB 43.68, 58.71, -31.8

 

CMYK 0 / 53 / 6 / 40

HEX #98488F

RGB 152 72 143

HSL 306.75, 0.36%, 0.44%

LAB 43.2, 43.32, -24.33

 

CMYK 0 / 33 / 4 / 47

HEX #865A81

RGB 134 90 129

HSL 306.82, 0.2%, 0.44%

LAB 44.18, 24.77, -14.56

 

CMYK 0 / 6 / 0 / 55

HEX #736C73

RGB 115 108 115

HSL 300, 0.03%, 0.44%

LAB 46.46, 4.13, -2.92

 

CMYK 35 / 81 / 0 / 26

HEX #7A23BC

RGB 122 35 188

HSL 274.12, 0.69%, 0.44%

LAB 35.93, 61.73, -63.08

 

CMYK 13 / 81 / 0 / 26

HEX #A323BC

RGB 163 35 188

HSL 290.2, 0.69%, 0.44%

LAB 42.18, 68.63, -52.64

 

CMYK 0 / 81 / 8 / 26

HEX #BC23AD

RGB 188 35 173

HSL 305.88, 0.69%, 0.44%

LAB 45.51, 71.02, -38.24

 

CMYK 0 / 81 / 30 / 26

HEX #BC2384

RGB 188 35 132

HSL 321.96, 0.69%, 0.44%

LAB 43.59, 65.63, -16.54

 

CMYK 0 / 81 / 52 / 26

HEX #BC235B

RGB 188 35 91

HSL 338.04, 0.69%, 0.44%

LAB 42.23, 61.62, 6.92

 

CMYK 0 / 82 / 9 / 53

HEX #77166C

RGB 119 22 108

HSL 306.8, 0.69%, 0.28%

LAB 28.32, 49.64, -26.19

 

CMYK 0 / 81 / 9 / 40

HEX #991D8B

RGB 153 29 139

HSL 306.77, 0.68%, 0.36%

LAB 36.96, 60.12, -31.65

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 0 / 62 / 7 / 13

HEX #DE54CF

RGB 222 84 207

HSL 306.52, 0.68%, 0.6%

LAB 58.39, 67.76, -37.31

 

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

CMYK 0 / 57 / 81 / 26

HEX #BC5123

RGB 188 81 35

HSL 18.04, 0.69%, 0.44%

LAB 47.88, 40.63, 46.25

 

CMYK 81 / 0 / 24 / 26

HEX #23BC8E

RGB 35 188 142

HSL 161.96, 0.69%, 0.44%

LAB 68.22, -48.95, 12.61

 

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

CMYK 8 / 0 / 81 / 26

HEX #ADBC23

RGB 173 188 35

HSL 65.88, 0.69%, 0.44%

LAB 72.87, -22.93, 68.09

 

CMYK 81 / 8 / 0 / 26

HEX #23ADBC

RGB 35 173 188

HSL 185.88, 0.69%, 0.44%

LAB 64.86, -29.42, -17.72

 

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

CMYK 0 / 57 / 81 / 26

HEX #BC5123

RGB 188 81 35

HSL 18.04, 0.69%, 0.44%

LAB 47.88, 40.63, 46.25

 

CMYK 81 / 0 / 73 / 26

HEX #23BC33

RGB 35 188 51

HSL 126.27, 0.69%, 0.44%

LAB 66.95, -63.78, 55.34

 

CMYK 81 / 24 / 0 / 26

HEX #238EBC

RGB 35 142 188

HSL 198.04, 0.69%, 0.44%

LAB 55.41, -13.21, -32.25

 

CMYK 0 / 81 / 9 / 26

HEX #BC24AB

RGB 188 36 171

HSL 306.71, 0.68%, 0.44%

LAB 45.49, 70.49, -37.09

 

CMYK 0 / 32 / 81 / 26

HEX #BC7F23

RGB 188 127 35

HSL 36.08, 0.69%, 0.44%

LAB 58.03, 16.09, 55.55

 

CMYK 81 / 0 / 73 / 26

HEX #23BC33

RGB 35 188 51

HSL 126.27, 0.69%, 0.44%

LAB 66.95, -63.78, 55.34

 

CMYK 81 / 49 / 0 / 26

HEX #2360BC

RGB 35 96 188

HSL 216.08, 0.69%, 0.44%

LAB 41.77, 14.74, -53.89

 

Description

Color code: RGB 188 36 171 | qconv.com Color code: RGB 188 36 171 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 36 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 36 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 9 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 9% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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