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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 209 188 it is the complementary color RGB 67 46 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 209 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 209 188 shade: RGB 193 209 183, RGB 210 227 202, RGB 227 245 221 and RGB 244 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 209 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 171 191 169, RGB 154 173 150, RGB 137 155 131 and RGB 120 137 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 193 209 188, RGB 199 209 188, RGB 205 209 188 and RGB 209 207 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 188 209 193, RGB 188 209 199, RGB 188 209 205 and RGB 188 207 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 209 188 shade matches the following richer shades: RGB 188 209 188, RGB 179 218 179, RGB 170 227 170, RGB 161 236 161 and RGB 151 245 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 197 200 197, RGB 206 191 206, RGB 215 182 215 and RGB 224 173 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 209 188 shade: RGB 199 209 188, RGB 193 209 188, RGB 188 209 188, RGB 188 209 193 and RGB 188 209 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 209 188 shade: RGB 139 176 139, RGB 163 192 163, RGB 188 209 188, RGB 212 226 212 and RGB 237 242 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 188 205 209 and RGB 209 188 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 188 188 209 and RGB 209 188 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 188 205 209, RGB 209 188 209 and RGB 209 192 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 209 188 shade: RGB 188 209 188, RGB 188 198 209, RGB 209 188 209 and RGB 209 198 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

Complementary color

CMYK 0 / 31 / 0 / 74

HEX #432E43

RGB 67 46 67

HSL 300, 0.19%, 0.22%

LAB 22.13, 13.86, -9.37

 

CMYK 8 / 0 / 12 / 18

HEX #C1D1B7

RGB 193 209 183

HSL 96.92, 0.22%, 0.77%

LAB 82.03, -10.13, 11.06

 

CMYK 7 / 0 / 11 / 11

HEX #D2E3CA

RGB 210 227 202

HSL 100.8, 0.31%, 0.84%

LAB 88.4, -10.15, 10.28

 

CMYK 7 / 0 / 10 / 4

HEX #E3F5DD

RGB 227 245 221

HSL 105, 0.55%, 0.91%

LAB 94.68, -10.18, 9.53

 

CMYK 4 / 0 / 6 / 0

HEX #F4FFF0

RGB 244 255 240

HSL 104, 1%, 0.97%

LAB 98.85, -6.23, 5.91

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 0 / 12 / 25

HEX #ABBFA9

RGB 171 191 169

HSL 114.55, 0.15%, 0.71%

LAB 75.32, -11, 8.79

 

CMYK 11 / 0 / 13 / 32

HEX #9AAD96

RGB 154 173 150

HSL 109.57, 0.12%, 0.63%

LAB 68.72, -11.03, 9.6

 

CMYK 12 / 0 / 15 / 39

HEX #899B83

RGB 137 155 131

HSL 105, 0.11%, 0.56%

LAB 62, -11.06, 10.46

 

CMYK 12 / 0 / 18 / 46

HEX #788970

RGB 120 137 112

HSL 100.8, 0.1%, 0.49%

LAB 55.13, -11.11, 11.37

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 8 / 0 / 10 / 18

HEX #C1D1BC

RGB 193 209 188

HSL 105.71, 0.19%, 0.78%

LAB 82.15, -9.26, 8.57

 

CMYK 5 / 0 / 10 / 18

HEX #C7D1BC

RGB 199 209 188

HSL 88.57, 0.19%, 0.78%

LAB 82.58, -7.17, 9.25

 

CMYK 2 / 0 / 10 / 18

HEX #CDD1BC

RGB 205 209 188

HSL 71.43, 0.19%, 0.78%

LAB 83.03, -5.05, 9.94

 

CMYK 0 / 1 / 10 / 18

HEX #D1CFBC

RGB 209 207 188

HSL 54.29, 0.19%, 0.78%

LAB 82.81, -2.59, 9.68

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 0 / 8 / 18

HEX #BCD1C1

RGB 188 209 193

HSL 134.29, 0.19%, 0.78%

LAB 81.92, -10.08, 5.53

 

CMYK 10 / 0 / 5 / 18

HEX #BCD1C7

RGB 188 209 199

HSL 151.43, 0.19%, 0.78%

LAB 82.06, -8.96, 2.55

 

CMYK 10 / 0 / 2 / 18

HEX #BCD1CD

RGB 188 209 205

HSL 168.57, 0.19%, 0.78%

LAB 82.22, -7.81, -0.43

 

CMYK 10 / 1 / 0 / 18

HEX #BCCFD1

RGB 188 207 209

HSL 185.71, 0.19%, 0.78%

LAB 81.79, -5.99, -3.19

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 18 / 0 / 18 / 15

HEX #B3DAB3

RGB 179 218 179

HSL 120, 0.35%, 0.78%

LAB 83.43, -20.18, 15.03

 

CMYK 25 / 0 / 25 / 11

HEX #AAE3AA

RGB 170 227 170

HSL 120, 0.5%, 0.78%

LAB 85.19, -29.08, 22.11

 

CMYK 32 / 0 / 32 / 7

HEX #A1ECA1

RGB 161 236 161

HSL 120, 0.66%, 0.78%

LAB 87.07, -37.61, 29.21

 

CMYK 38 / 0 / 38 / 4

HEX #97F597

RGB 151 245 151

HSL 120, 0.82%, 0.78%

LAB 88.98, -46.19, 36.7

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 1 / 0 / 1 / 22

HEX #C5C8C5

RGB 197 200 197

HSL 120, 0.03%, 0.78%

LAB 80.3, -1.58, 1.13

 

CMYK 0 / 7 / 0 / 19

HEX #CEBFCE

RGB 206 191 206

HSL 300, 0.13%, 0.78%

LAB 78.95, 7.96, -5.61

 

CMYK 0 / 15 / 0 / 16

HEX #D7B6D7

RGB 215 182 215

HSL 300, 0.29%, 0.78%

LAB 77.76, 17.54, -12.16

 

CMYK 0 / 23 / 0 / 12

HEX #E0ADE0

RGB 224 173 224

HSL 300, 0.45%, 0.78%

LAB 76.75, 27.07, -18.48

 

CMYK 5 / 0 / 10 / 18

HEX #C7D1BC

RGB 199 209 188

HSL 88.57, 0.19%, 0.78%

LAB 82.58, -7.17, 9.25

 

CMYK 8 / 0 / 10 / 18

HEX #C1D1BC

RGB 193 209 188

HSL 105.71, 0.19%, 0.78%

LAB 82.15, -9.26, 8.57

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 0 / 8 / 18

HEX #BCD1C1

RGB 188 209 193

HSL 134.29, 0.19%, 0.78%

LAB 81.92, -10.08, 5.53

 

CMYK 10 / 0 / 5 / 18

HEX #BCD1C7

RGB 188 209 199

HSL 151.43, 0.19%, 0.78%

LAB 82.06, -8.96, 2.55

 

CMYK 21 / 0 / 21 / 31

HEX #8BB08B

RGB 139 176 139

HSL 120, 0.19%, 0.62%

LAB 68.32, -19.88, 14.92

 

CMYK 15 / 0 / 15 / 25

HEX #A3C0A3

RGB 163 192 163

HSL 120, 0.19%, 0.7%

LAB 74.91, -15.39, 11.38

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 6 / 0 / 6 / 11

HEX #D4E2D4

RGB 212 226 212

HSL 120, 0.19%, 0.86%

LAB 88.52, -7.22, 5.22

 

CMYK 2 / 0 / 2 / 5

HEX #EDF2ED

RGB 237 242 237

HSL 120, 0.16%, 0.94%

LAB 95, -2.54, 1.82

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 2 / 0 / 18

HEX #BCCDD1

RGB 188 205 209

HSL 191.43, 0.19%, 0.78%

LAB 81.27, -4.94, -3.96

 

CMYK 0 / 10 / 6 / 18

HEX #D1BCC4

RGB 209 188 196

HSL 337.14, 0.19%, 0.78%

LAB 78.17, 8.81, -1.32

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 10 / 0 / 18

HEX #BCBCD1

RGB 188 188 209

HSL 240, 0.19%, 0.78%

LAB 76.84, 4.09, -10.53

 

CMYK 0 / 10 / 10 / 18

HEX #D1BCBC

RGB 209 188 188

HSL 0, 0.19%, 0.78%

LAB 77.97, 7.44, 2.7

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 2 / 0 / 18

HEX #BCCDD1

RGB 188 205 209

HSL 191.43, 0.19%, 0.78%

LAB 81.27, -4.94, -3.96

 

CMYK 0 / 10 / 0 / 18

HEX #D1BCD1

RGB 209 188 209

HSL 300, 0.19%, 0.78%

LAB 78.53, 11.16, -7.82

 

CMYK 0 / 8 / 10 / 18

HEX #D1C0BC

RGB 209 192 188

HSL 11.43, 0.19%, 0.78%

LAB 78.98, 5.3, 4.17

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BC

RGB 188 209 188

HSL 120, 0.19%, 0.78%

LAB 81.8, -10.99, 8.02

 

CMYK 10 / 5 / 0 / 18

HEX #BCC6D1

RGB 188 198 209

HSL 211.43, 0.19%, 0.78%

LAB 79.43, -1.26, -6.67

 

CMYK 0 / 10 / 0 / 18

HEX #D1BCD1

RGB 209 188 209

HSL 300, 0.19%, 0.78%

LAB 78.53, 11.16, -7.82

 

CMYK 0 / 5 / 10 / 18

HEX #D1C6BC

RGB 209 198 188

HSL 28.57, 0.19%, 0.78%

LAB 80.5, 2.13, 6.37

 

Description

Color code: RGB 188 209 188 | qconv.com Color code: RGB 188 209 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 209 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 209 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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