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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 206 187 it is the complementary color RGB 67 49 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 206 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 206 187 shade: RGB 193 206 182, RGB 210 224 201, RGB 227 242 220 and RGB 244 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 206 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 206 187 shade: RGB 188 206 187, RGB 171 188 168, RGB 154 170 149, RGB 137 152 130 and RGB 120 134 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 206 187 shade: RGB 187 205 186, RGB 193 205 186, RGB 198 205 186, RGB 203 205 186 and RGB 205 203 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 206 187 shade: RGB 187 205 186, RGB 186 205 191, RGB 186 205 196, RGB 186 205 201 and RGB 186 205 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 206 187 shade matches the following richer shades: RGB 187 205 186, RGB 179 215 177, RGB 170 224 167, RGB 162 234 158 and RGB 153 243 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 206 187 shade: RGB 187 205 186, RGB 196 196 196, RGB 204 186 205, RGB 213 177 215 and RGB 221 167 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 206 187 shade: RGB 198 205 186, RGB 193 205 186, RGB 188 205 186, RGB 186 205 190 and RGB 186 205 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 206 187 shade: RGB 140 171 139, RGB 164 188 163, RGB 187 205 186, RGB 211 223 210 and RGB 235 240 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 206 187 shade: RGB 188 206 187, RGB 186 203 205 and RGB 205 186 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 206 187 shade: RGB 188 206 187, RGB 186 188 205 and RGB 205 186 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 206 187 shade: RGB 188 206 187, RGB 186 203 205, RGB 204 186 205 and RGB 205 189 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 206 187 shade: RGB 188 206 187, RGB 186 197 205, RGB 204 186 205 and RGB 205 195 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

Complementary color

CMYK 1 / 28 / 0 / 73

HEX #433144

RGB 67 49 68

HSL 296.84, 0.16%, 0.23%

LAB 23.02, 12.09, -8.69

 

CMYK 6 / 0 / 12 / 19

HEX #C1CEB6

RGB 193 206 182

HSL 92.5, 0.2%, 0.76%

LAB 81.21, -8.76, 10.43

 

CMYK 6 / 0 / 10 / 12

HEX #D2E0C9

RGB 210 224 201

HSL 96.52, 0.27%, 0.83%

LAB 87.6, -8.8, 9.66

 

CMYK 6 / 0 / 9 / 5

HEX #E3F2DC

RGB 227 242 220

HSL 100.91, 0.46%, 0.91%

LAB 93.88, -8.85, 8.91

 

CMYK 4 / 0 / 6 / 0

HEX #F4FFEF

RGB 244 255 239

HSL 101.25, 1%, 0.97%

LAB 98.82, -6.41, 6.38

 

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

CMYK 9 / 0 / 11 / 26

HEX #ABBCA8

RGB 171 188 168

HSL 111, 0.13%, 0.7%

LAB 74.48, -9.62, 8.13

 

CMYK 9 / 0 / 12 / 33

HEX #9AAA95

RGB 154 170 149

HSL 105.71, 0.11%, 0.63%

LAB 67.87, -9.62, 8.93

 

CMYK 10 / 0 / 14 / 40

HEX #899882

RGB 137 152 130

HSL 100.91, 0.1%, 0.55%

LAB 61.12, -9.63, 9.78

 

CMYK 10 / 0 / 17 / 47

HEX #78866F

RGB 120 134 111

HSL 96.52, 0.09%, 0.48%

LAB 54.23, -9.64, 10.69

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 6 / 0 / 9 / 20

HEX #C1CDBA

RGB 193 205 186

HSL 97.89, 0.16%, 0.77%

LAB 81.04, -7.55, 8.05

 

CMYK 3 / 0 / 9 / 20

HEX #C6CDBA

RGB 198 205 186

HSL 82.11, 0.16%, 0.77%

LAB 81.41, -5.79, 8.63

 

CMYK 1 / 0 / 9 / 20

HEX #CBCDBA

RGB 203 205 186

HSL 66.32, 0.16%, 0.77%

LAB 81.79, -4.02, 9.22

 

CMYK 0 / 1 / 9 / 20

HEX #CDCBBA

RGB 205 203 186

HSL 53.68, 0.16%, 0.77%

LAB 81.42, -2.27, 8.72

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 9 / 0 / 4 / 20

HEX #BACDC4

RGB 186 205 196

HSL 151.58, 0.16%, 0.77%

LAB 80.79, -8.13, 2.28

 

CMYK 9 / 0 / 2 / 20

HEX #BACDC9

RGB 186 205 201

HSL 167.37, 0.16%, 0.77%

LAB 80.92, -7.17, -0.21

 

CMYK 9 / 0 / 0 / 20

HEX #BACDCD

RGB 186 205 205

HSL 180, 0.16%, 0.77%

LAB 81.02, -6.39, -2.2

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 17 / 0 / 18 / 16

HEX #B3D7B1

RGB 179 215 177

HSL 116.84, 0.32%, 0.77%

LAB 82.57, -19.04, 14.87

 

CMYK 24 / 0 / 25 / 12

HEX #AAE0A7

RGB 170 224 167

HSL 116.84, 0.48%, 0.77%

LAB 84.3, -28.15, 22.44

 

CMYK 31 / 0 / 32 / 8

HEX #A2EA9E

RGB 162 234 158

HSL 116.84, 0.64%, 0.77%

LAB 86.5, -36.86, 29.99

 

CMYK 37 / 0 / 39 / 5

HEX #99F395

RGB 153 243 149

HSL 117.45, 0.8%, 0.77%

LAB 88.47, -45.03, 37.04

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 0 / 9 / 0 / 20

HEX #CCBACD

RGB 204 186 205

HSL 296.84, 0.16%, 0.77%

LAB 77.5, 9.78, -7.24

 

CMYK 1 / 18 / 0 / 16

HEX #D5B1D7

RGB 213 177 215

HSL 296.84, 0.32%, 0.77%

LAB 76.37, 19.58, -14.26

 

CMYK 1 / 25 / 0 / 12

HEX #DDA7E0

RGB 221 167 224

HSL 296.84, 0.48%, 0.77%

LAB 75.07, 29.33, -21.05

 

CMYK 3 / 0 / 9 / 20

HEX #C6CDBA

RGB 198 205 186

HSL 82.11, 0.16%, 0.77%

LAB 81.41, -5.79, 8.63

 

CMYK 6 / 0 / 9 / 20

HEX #C1CDBA

RGB 193 205 186

HSL 97.89, 0.16%, 0.77%

LAB 81.04, -7.55, 8.05

 

CMYK 8 / 0 / 9 / 20

HEX #BCCDBA

RGB 188 205 186

HSL 113.68, 0.16%, 0.77%

LAB 80.68, -9.29, 7.49

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBE

RGB 186 205 190

HSL 132.63, 0.16%, 0.77%

LAB 80.64, -9.25, 5.27

 

CMYK 9 / 0 / 5 / 20

HEX #BACDC3

RGB 186 205 195

HSL 148.42, 0.16%, 0.77%

LAB 80.76, -8.32, 2.78

 

CMYK 18 / 0 / 19 / 33

HEX #8CAB8B

RGB 140 171 139

HSL 118.13, 0.16%, 0.61%

LAB 66.95, -16.96, 13.02

 

CMYK 13 / 0 / 13 / 26

HEX #A4BCA3

RGB 164 188 163

HSL 117.6, 0.16%, 0.69%

LAB 73.87, -12.98, 9.91

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 5 / 0 / 6 / 13

HEX #D3DFD2

RGB 211 223 210

HSL 115.38, 0.17%, 0.85%

LAB 87.62, -6.38, 4.97

 

CMYK 2 / 0 / 3 / 6

HEX #EBF0EA

RGB 235 240 234

HSL 110, 0.17%, 0.93%

LAB 94.28, -2.72, 2.3

 

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

CMYK 9 / 1 / 0 / 20

HEX #BACBCD

RGB 186 203 205

HSL 186.32, 0.16%, 0.77%

LAB 80.49, -5.35, -2.97

 

CMYK 0 / 9 / 5 / 20

HEX #CDBAC3

RGB 205 186 195

HSL 331.58, 0.16%, 0.77%

LAB 77.3, 8.3, -2.1

 

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

CMYK 9 / 8 / 0 / 20

HEX #BABCCD

RGB 186 188 205

HSL 233.68, 0.16%, 0.77%

LAB 76.57, 2.61, -8.78

 

CMYK 0 / 9 / 8 / 20

HEX #CDBABC

RGB 205 186 188

HSL 353.68, 0.16%, 0.77%

LAB 77.12, 7.08, 1.43

 

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

CMYK 9 / 1 / 0 / 20

HEX #BACBCD

RGB 186 203 205

HSL 186.32, 0.16%, 0.77%

LAB 80.49, -5.35, -2.97

 

CMYK 0 / 9 / 0 / 20

HEX #CCBACD

RGB 204 186 205

HSL 296.84, 0.16%, 0.77%

LAB 77.5, 9.78, -7.24

 

CMYK 0 / 8 / 9 / 20

HEX #CDBDBA

RGB 205 189 186

HSL 9.47, 0.16%, 0.77%

LAB 77.83, 5.13, 3.54

 

CMYK 9 / 0 / 9 / 19

HEX #BCCEBB

RGB 188 206 187

HSL 116.84, 0.16%, 0.77%

LAB 80.97, -9.62, 7.37

 

CMYK 9 / 4 / 0 / 20

HEX #BAC5CD

RGB 186 197 205

HSL 205.26, 0.16%, 0.77%

LAB 78.91, -2.19, -5.3

 

CMYK 0 / 9 / 0 / 20

HEX #CCBACD

RGB 204 186 205

HSL 296.84, 0.16%, 0.77%

LAB 77.5, 9.78, -7.24

 

CMYK 0 / 5 / 9 / 20

HEX #CDC3BA

RGB 205 195 186

HSL 28.42, 0.16%, 0.77%

LAB 79.36, 1.94, 5.76

 

Description

Color code: RGB 188 206 187 | qconv.com Color code: RGB 188 206 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 206 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 206 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 9 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 9% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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