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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 15 195 it is the complementary color RGB 67 240 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 15 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 15 195 shade: RGB 193 15 190, RGB 210 33 209, RGB 227 51 228, RGB 244 69 247 and RGB 255 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 15 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 15 195 shade: RGB 188 15 195, RGB 171 0 176, RGB 154 0 157, RGB 137 0 138 and RGB 120 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 15 195 shade: RGB 187 14 194, RGB 194 14 152, RGB 194 14 104, RGB 194 14 55 and RGB 194 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 15 195 shade: RGB 187 14 194, RGB 138 14 194, RGB 90 14 194, RGB 42 14 194 and RGB 14 14 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 15 195 shade matches the following richer shades: RGB 187 14 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 15 195 shade: RGB 187 14 194, RGB 171 31 177, RGB 156 48 160, RGB 140 65 143 and RGB 125 82 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 15 195 shade: RGB 89 14 194, RGB 137 14 194, RGB 185 14 194, RGB 194 14 155 and RGB 194 14 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 15 195 shade: RGB 113 8 117, RGB 150 11 156, RGB 187 14 194, RGB 224 17 232 and RGB 232 51 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 15 195 shade: RGB 188 15 195, RGB 194 41 14 and RGB 14 194 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 15 195 shade: RGB 188 15 195, RGB 194 185 14 and RGB 14 194 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 15 195 shade: RGB 188 15 195, RGB 194 41 14, RGB 23 194 14 and RGB 14 167 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 15 195 shade: RGB 188 15 195, RGB 194 95 14, RGB 23 194 14 and RGB 14 113 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

Complementary color

CMYK 72 / 0 / 75 / 6

HEX #43F03C

RGB 67 240 60

HSL 117.67, 0.86%, 0.59%

LAB 83.88, -74.58, 69.4

 

CMYK 0 / 92 / 2 / 24

HEX #C10FBE

RGB 193 15 190

HSL 301.01, 0.86%, 0.41%

LAB 46.17, 77.87, -47.14

 

CMYK 0 / 84 / 0 / 18

HEX #D221D1

RGB 210 33 209

HSL 300.34, 0.73%, 0.48%

LAB 51.14, 80.96, -50.03

 

CMYK 0 / 78 / 0 / 11

HEX #E333E4

RGB 227 51 228

HSL 299.66, 0.77%, 0.55%

LAB 56.39, 83, -52.31

 

CMYK 1 / 72 / 0 / 3

HEX #F445F7

RGB 244 69 247

HSL 298.99, 0.92%, 0.62%

LAB 61.83, 84.25, -54.1

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

CMYK 3 / 100 / 0 / 31

HEX #AB00B0

RGB 171 0 176

HSL 298.3, 1%, 0.35%

LAB 40.88, 73.58, -47.57

 

CMYK 2 / 100 / 0 / 38

HEX #9A009D

RGB 154 0 157

HSL 298.85, 1%, 0.31%

LAB 36.56, 67.88, -43.27

 

CMYK 1 / 100 / 0 / 46

HEX #89008A

RGB 137 0 138

HSL 299.57, 1%, 0.27%

LAB 32.15, 62.07, -38.85

 

CMYK 0 / 100 / 1 / 53

HEX #780077

RGB 120 0 119

HSL 300.5, 1%, 0.24%

LAB 27.64, 56.11, -34.31

 

CMYK 4 / 93 / 0 / 24

HEX #BB0EC2

RGB 187 14 194

HSL 297.67, 0.87%, 0.41%

LAB 45.32, 77.57, -50.89

 

CMYK 0 / 93 / 22 / 24

HEX #C20E98

RGB 194 14 152

HSL 314, 0.87%, 0.41%

LAB 44.31, 73.04, -27.51

 

CMYK 0 / 93 / 46 / 24

HEX #C20E68

RGB 194 14 104

HSL 330, 0.87%, 0.41%

LAB 42.43, 68.08, -0.8

 

CMYK 0 / 93 / 72 / 24

HEX #C20E37

RGB 194 14 55

HSL 346.33, 0.87%, 0.41%

LAB 41.31, 64.98, 28.53

 

CMYK 0 / 93 / 93 / 24

HEX #C20E0E

RGB 194 14 14

HSL 0, 0.87%, 0.41%

LAB 40.92, 63.88, 50.08

 

CMYK 4 / 93 / 0 / 24

HEX #BB0EC2

RGB 187 14 194

HSL 297.67, 0.87%, 0.41%

LAB 45.32, 77.57, -50.89

 

CMYK 29 / 93 / 0 / 24

HEX #8A0EC2

RGB 138 14 194

HSL 281.33, 0.87%, 0.41%

LAB 37.14, 70.21, -64.53

 

CMYK 54 / 93 / 0 / 24

HEX #5A0EC2

RGB 90 14 194

HSL 265.33, 0.87%, 0.41%

LAB 30.36, 64.93, -75.93

 

CMYK 78 / 93 / 0 / 24

HEX #2A0EC2

RGB 42 14 194

HSL 249.33, 0.87%, 0.41%

LAB 25.87, 62.09, -83.52

 

CMYK 93 / 93 / 0 / 24

HEX #0E0EC2

RGB 14 14 194

HSL 240, 0.87%, 0.41%

LAB 24.65, 61.43, -85.58

 

CMYK 4 / 93 / 0 / 24

HEX #BB0EC2

RGB 187 14 194

HSL 297.67, 0.87%, 0.41%

LAB 45.32, 77.57, -50.89

 

CMYK 4 / 93 / 0 / 24

HEX #BB0EC2

RGB 187 14 194

HSL 297.67, 0.87%, 0.41%

LAB 45.32, 77.57, -50.89

 

CMYK 3 / 82 / 0 / 31

HEX #AB1FB1

RGB 171 31 177

HSL 297.53, 0.7%, 0.41%

LAB 42.48, 69.23, -45.61

 

CMYK 2 / 70 / 0 / 37

HEX #9C30A0

RGB 156 48 160

HSL 297.86, 0.54%, 0.41%

LAB 40.77, 58.12, -38.35

 

CMYK 2 / 55 / 0 / 44

HEX #8C418F

RGB 140 65 143

HSL 297.69, 0.38%, 0.41%

LAB 40.15, 43.32, -29.22

 

CMYK 1 / 35 / 0 / 51

HEX #7D527E

RGB 125 82 126

HSL 298.64, 0.21%, 0.41%

LAB 41.06, 25.7, -17.6

 

CMYK 54 / 93 / 0 / 24

HEX #590EC2

RGB 89 14 194

HSL 265, 0.87%, 0.41%

LAB 30.24, 64.85, -76.13

 

CMYK 29 / 93 / 0 / 24

HEX #890EC2

RGB 137 14 194

HSL 281, 0.87%, 0.41%

LAB 36.98, 70.07, -64.8

 

CMYK 5 / 93 / 0 / 24

HEX #B90EC2

RGB 185 14 194

HSL 297, 0.87%, 0.41%

LAB 44.97, 77.24, -51.47

 

CMYK 0 / 93 / 20 / 24

HEX #C20E9B

RGB 194 14 155

HSL 313, 0.87%, 0.41%

LAB 44.45, 73.41, -29.1

 

CMYK 0 / 93 / 45 / 24

HEX #C20E6B

RGB 194 14 107

HSL 329, 0.87%, 0.41%

LAB 42.53, 68.33, -2.54

 

CMYK 3 / 93 / 0 / 54

HEX #710875

RGB 113 8 117

HSL 297.8, 0.87%, 0.25%

LAB 26.65, 53.07, -34.71

 

CMYK 4 / 93 / 0 / 39

HEX #960B9C

RGB 150 11 156

HSL 297.52, 0.87%, 0.33%

LAB 36.22, 65.7, -43.25

 

CMYK 4 / 93 / 0 / 24

HEX #BB0EC2

RGB 187 14 194

HSL 297.67, 0.87%, 0.41%

LAB 45.32, 77.57, -50.89

 

CMYK 3 / 93 / 0 / 9

HEX #E011E8

RGB 224 17 232

HSL 297.77, 0.86%, 0.49%

LAB 54.11, 88.97, -58.24

 

CMYK 3 / 79 / 0 / 6

HEX #E833EF

RGB 232 51 239

HSL 297.77, 0.85%, 0.57%

LAB 57.8, 85.62, -56.18

 

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

CMYK 0 / 79 / 93 / 24

HEX #C2290E

RGB 194 41 14

HSL 9, 0.87%, 0.41%

LAB 42.89, 58.27, 51.33

 

CMYK 93 / 0 / 42 / 24

HEX #0EC271

RGB 14 194 113

HSL 153, 0.87%, 0.41%

LAB 69.38, -58.91, 29.6

 

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

CMYK 0 / 5 / 93 / 24

HEX #C2B90E

RGB 194 185 14

HSL 57, 0.87%, 0.41%

LAB 73.67, -12.85, 73.58

 

CMYK 93 / 0 / 5 / 24

HEX #0EC2B9

RGB 14 194 185

HSL 177, 0.87%, 0.41%

LAB 70.99, -41.38, -6.89

 

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

CMYK 0 / 79 / 93 / 24

HEX #C2290E

RGB 194 41 14

HSL 9, 0.87%, 0.41%

LAB 42.89, 58.27, 51.33

 

CMYK 88 / 0 / 93 / 24

HEX #17C20E

RGB 23 194 14

HSL 117, 0.87%, 0.41%

LAB 68.6, -68.65, 66.27

 

CMYK 93 / 14 / 0 / 24

HEX #0EA7C2

RGB 14 167 194

HSL 189, 0.87%, 0.41%

LAB 63.03, -25.78, -23.87

 

CMYK 4 / 92 / 0 / 24

HEX #BC0FC3

RGB 188 15 195

HSL 297.67, 0.86%, 0.41%

LAB 45.6, 77.78, -51.02

 

CMYK 0 / 51 / 93 / 24

HEX #C25F0E

RGB 194 95 14

HSL 27, 0.87%, 0.41%

LAB 51.48, 35.45, 57.15

 

CMYK 88 / 0 / 93 / 24

HEX #17C20E

RGB 23 194 14

HSL 117, 0.87%, 0.41%

LAB 68.6, -68.65, 66.27

 

CMYK 93 / 42 / 0 / 24

HEX #0E71C2

RGB 14 113 194

HSL 207, 0.87%, 0.41%

LAB 46.71, 4.76, -49.46

 

Description

Color code: RGB 188 15 195 | qconv.com Color code: RGB 188 15 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 15 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 15 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 92 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 92% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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