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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 15 156 it is the complementary color RGB 67 240 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 15 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 15 156 shade: RGB 193 15 151, RGB 210 33 170, RGB 227 51 189, RGB 244 69 208 and RGB 255 87 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 15 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 171 0 137, RGB 154 0 118, RGB 137 0 99 and RGB 120 0 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 188 15 109, RGB 188 15 63, RGB 188 15 16 and RGB 188 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 174 15 188, RGB 127 15 188, RGB 80 15 188 and RGB 33 15 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 15 156 shade matches the following richer shades: RGB 188 15 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 172 31 146, RGB 155 48 135, RGB 139 64 125 and RGB 122 81 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 15 156 shade: RGB 128 15 188, RGB 174 15 188, RGB 188 15 156, RGB 188 15 110 and RGB 188 15 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 15 156 shade: RGB 112 9 93, RGB 150 12 124, RGB 188 15 156, RGB 226 18 188 and RGB 238 48 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 188 81 15 and RGB 15 188 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 156 188 15 and RGB 15 156 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 188 81 15, RGB 15 188 47 and RGB 15 122 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 15 156 shade: RGB 188 15 156, RGB 188 133 15, RGB 15 188 47 and RGB 15 70 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

Complementary color

CMYK 72 / 0 / 59 / 6

HEX #43F063

RGB 67 240 99

HSL 131.1, 0.85%, 0.6%

LAB 84.18, -70.97, 54.74

 

CMYK 0 / 92 / 22 / 24

HEX #C10F97

RGB 193 15 151

HSL 314.16, 0.86%, 0.41%

LAB 44.11, 72.61, -27.23

 

CMYK 0 / 84 / 19 / 18

HEX #D221AA

RGB 210 33 170

HSL 313.56, 0.73%, 0.48%

LAB 49.12, 75.56, -30.52

 

CMYK 0 / 78 / 17 / 11

HEX #E333BD

RGB 227 51 189

HSL 312.95, 0.76%, 0.55%

LAB 54.42, 77.45, -33.14

 

CMYK 0 / 72 / 15 / 4

HEX #F445D0

RGB 244 69 208

HSL 312.34, 0.89%, 0.61%

LAB 59.93, 78.55, -35.22

 

CMYK 0 / 66 / 11 / 0

HEX #FF57E3

RGB 255 87 227

HSL 310, 1%, 0.67%

LAB 64.66, 77.67, -38.4

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 100 / 20 / 33

HEX #AB0089

RGB 171 0 137

HSL 311.93, 1%, 0.34%

LAB 38.66, 68.14, -27.51

 

CMYK 0 / 100 / 23 / 40

HEX #9A0076

RGB 154 0 118

HSL 314.03, 1%, 0.3%

LAB 34.35, 62.44, -22.63

 

CMYK 0 / 100 / 28 / 46

HEX #890063

RGB 137 0 99

HSL 316.64, 1%, 0.27%

LAB 29.96, 56.64, -17.55

 

CMYK 0 / 100 / 33 / 53

HEX #780050

RGB 120 0 80

HSL 320, 1%, 0.24%

LAB 25.48, 50.73, -12.21

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 92 / 42 / 26

HEX #BC0F6D

RGB 188 15 109

HSL 327.4, 0.85%, 0.4%

LAB 41.43, 67.02, -5.55

 

CMYK 0 / 92 / 66 / 26

HEX #BC0F3F

RGB 188 15 63

HSL 343.35, 0.85%, 0.4%

LAB 40.23, 63.71, 21.91

 

CMYK 0 / 92 / 91 / 26

HEX #BC0F10

RGB 188 15 16

HSL 359.65, 0.85%, 0.4%

LAB 39.7, 62.21, 47.88

 

CMYK 0 / 92 / 92 / 26

HEX #BC0F0F

RGB 188 15 15

HSL 0, 0.85%, 0.4%

LAB 39.69, 62.19, 48.28

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 7 / 92 / 0 / 26

HEX #AE0FBC

RGB 174 15 188

HSL 295.14, 0.85%, 0.4%

LAB 42.72, 74.37, -51.68

 

CMYK 32 / 92 / 0 / 26

HEX #7F0FBC

RGB 127 15 188

HSL 278.84, 0.85%, 0.4%

LAB 34.97, 67.43, -64.61

 

CMYK 57 / 92 / 0 / 26

HEX #500FBC

RGB 80 15 188

HSL 262.54, 0.85%, 0.4%

LAB 28.59, 62.47, -75.36

 

CMYK 82 / 92 / 0 / 26

HEX #210FBC

RGB 33 15 188

HSL 246.24, 0.85%, 0.4%

LAB 24.63, 59.94, -82.05

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 82 / 15 / 33

HEX #AC1F92

RGB 172 31 146

HSL 311.06, 0.69%, 0.4%

LAB 40.94, 64.76, -29.44

 

CMYK 0 / 69 / 13 / 39

HEX #9B3087

RGB 155 48 135

HSL 311.21, 0.53%, 0.4%

LAB 39.3, 53.74, -25.5

 

CMYK 0 / 54 / 10 / 45

HEX #8B407D

RGB 139 64 125

HSL 311.2, 0.37%, 0.4%

LAB 38.96, 40.22, -20.06

 

CMYK 0 / 34 / 6 / 52

HEX #7A5173

RGB 122 81 115

HSL 310.24, 0.2%, 0.4%

LAB 40.02, 23.01, -12.48

 

CMYK 32 / 92 / 0 / 26

HEX #800FBC

RGB 128 15 188

HSL 279.19, 0.85%, 0.4%

LAB 35.13, 67.56, -64.35

 

CMYK 7 / 92 / 0 / 26

HEX #AE0FBC

RGB 174 15 188

HSL 295.14, 0.85%, 0.4%

LAB 42.72, 74.37, -51.68

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 92 / 41 / 26

HEX #BC0F6E

RGB 188 15 110

HSL 327.05, 0.85%, 0.4%

LAB 41.47, 67.11, -6.12

 

CMYK 0 / 92 / 66 / 26

HEX #BC0F40

RGB 188 15 64

HSL 343.01, 0.85%, 0.4%

LAB 40.25, 63.76, 21.3

 

CMYK 0 / 92 / 17 / 56

HEX #70095D

RGB 112 9 93

HSL 311.07, 0.85%, 0.24%

LAB 25.05, 48.89, -21.67

 

CMYK 0 / 92 / 17 / 41

HEX #960C7C

RGB 150 12 124

HSL 311.3, 0.85%, 0.32%

LAB 34.4, 60.82, -26.39

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 92 / 17 / 11

HEX #E212BC

RGB 226 18 188

HSL 310.96, 0.85%, 0.48%

LAB 52.1, 83.21, -36.21

 

CMYK 0 / 80 / 15 / 7

HEX #EE30CB

RGB 238 48 203

HSL 311.05, 0.85%, 0.56%

LAB 56.69, 82.35, -37.52

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 57 / 92 / 26

HEX #BC510F

RGB 188 81 15

HSL 22.89, 0.85%, 0.4%

LAB 47.77, 40.15, 53.82

 

CMYK 92 / 0 / 20 / 26

HEX #0FBC97

RGB 15 188 151

HSL 167.17, 0.85%, 0.4%

LAB 68.24, -48.12, 7.7

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 17 / 0 / 92 / 26

HEX #9CBC0F

RGB 156 188 15

HSL 71.1, 0.85%, 0.4%

LAB 71.6, -30.56, 70.57

 

CMYK 92 / 17 / 0 / 26

HEX #0F9CBC

RGB 15 156 188

HSL 191.1, 0.85%, 0.4%

LAB 59.44, -22.14, -26.03

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 57 / 92 / 26

HEX #BC510F

RGB 188 81 15

HSL 22.89, 0.85%, 0.4%

LAB 47.77, 40.15, 53.82

 

CMYK 92 / 0 / 75 / 26

HEX #0FBC2F

RGB 15 188 47

HSL 131.1, 0.85%, 0.4%

LAB 66.73, -65.81, 56.47

 

CMYK 92 / 35 / 0 / 26

HEX #0F7ABC

RGB 15 122 188

HSL 202.89, 0.85%, 0.4%

LAB 49.07, -3.06, -42.24

 

CMYK 0 / 92 / 17 / 26

HEX #BC0F9C

RGB 188 15 156

HSL 311.1, 0.85%, 0.4%

LAB 43.41, 72.25, -31.41

 

CMYK 0 / 29 / 92 / 26

HEX #BC850F

RGB 188 133 15

HSL 40.92, 0.85%, 0.4%

LAB 59.44, 12.28, 62.37

 

CMYK 92 / 0 / 75 / 26

HEX #0FBC2F

RGB 15 188 47

HSL 131.1, 0.85%, 0.4%

LAB 66.73, -65.81, 56.47

 

CMYK 92 / 63 / 0 / 26

HEX #0F46BC

RGB 15 70 188

HSL 220.92, 0.85%, 0.4%

LAB 34.22, 30.59, -66.2

 

Description

Color code: RGB 188 15 156 | qconv.com Color code: RGB 188 15 156 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 15 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 15 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 17% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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