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Color name
RGB 188 152 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 152 55 it is the complementary color RGB 67 103 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 152 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 152 55 shade: RGB 193 152 50, RGB 210 170 69, RGB 227 188 88, RGB 244 206 107 and RGB 255 224 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 152 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 152 55 shade: RGB 188 152 55, RGB 171 134 36, RGB 154 116 17, RGB 137 98 0 and RGB 120 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 152 55 shade: RGB 189 153 55, RGB 189 116 55, RGB 189 80 55 and RGB 189 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 152 55 shade: RGB 189 153 55, RGB 189 189 55, RGB 153 189 55, RGB 117 189 55 and RGB 80 189 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 152 55 shade matches the following richer shades: RGB 189 153 55, RGB 209 162 35 and RGB 229 171 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 152 55 shade: RGB 189 153 55, RGB 169 144 74, RGB 150 135 94, RGB 130 126 114 and RGB 110 116 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 152 55 shade: RGB 189 79 55, RGB 189 115 55, RGB 189 151 55, RGB 189 187 55 and RGB 156 189 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 152 55 shade: RGB 125 101 36, RGB 157 127 45, RGB 189 153 55, RGB 204 171 81 and RGB 213 186 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 152 55 shade: RGB 188 152 55, RGB 66 189 55 and RGB 97 55 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 152 55 shade: RGB 188 152 55, RGB 55 189 151 and RGB 151 55 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 152 55 shade: RGB 188 152 55, RGB 66 189 55, RGB 55 93 189 and RGB 178 55 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 152 55 shade: RGB 188 152 55, RGB 55 189 84, RGB 55 93 189 and RGB 189 55 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

Complementary color

CMYK 67 / 49 / 0 / 22

HEX #4367C8

RGB 67 103 200

HSL 223.76, 0.55%, 0.52%

LAB 45.72, 18.9, -54.42

 

CMYK 0 / 21 / 74 / 24

HEX #C19832

RGB 193 152 50

HSL 42.8, 0.59%, 0.48%

LAB 64.98, 5.17, 56.55

 

CMYK 0 / 19 / 67 / 18

HEX #D2AA45

RGB 210 170 69

HSL 42.98, 0.61%, 0.55%

LAB 71.47, 3.88, 55.76

 

CMYK 0 / 17 / 61 / 11

HEX #E3BC58

RGB 227 188 88

HSL 43.17, 0.71%, 0.62%

LAB 77.88, 2.78, 54.69

 

CMYK 0 / 16 / 56 / 4

HEX #F4CE6B

RGB 244 206 107

HSL 43.36, 0.86%, 0.69%

LAB 84.19, 1.84, 53.5

 

CMYK 0 / 12 / 51 / 0

HEX #FFE07E

RGB 255 224 126

HSL 45.58, 1%, 0.75%

LAB 89.9, -1.37, 51.51

 

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

CMYK 0 / 22 / 79 / 33

HEX #AB8624

RGB 171 134 36

HSL 43.56, 0.65%, 0.41%

LAB 57.88, 4.61, 54.33

 

CMYK 0 / 25 / 89 / 40

HEX #9A7411

RGB 154 116 17

HSL 43.36, 0.8%, 0.34%

LAB 51.15, 6.31, 53.82

 

CMYK 0 / 28 / 100 / 46

HEX #896200

RGB 137 98 0

HSL 42.92, 1%, 0.27%

LAB 44.31, 8.34, 51.76

 

CMYK 0 / 33 / 100 / 53

HEX #785000

RGB 120 80 0

HSL 40, 1%, 0.24%

LAB 37.35, 10.81, 46.06

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 39 / 71 / 26

HEX #BD7437

RGB 189 116 55

HSL 27.31, 0.55%, 0.48%

LAB 55.67, 23.46, 44.63

 

CMYK 0 / 58 / 71 / 26

HEX #BD5037

RGB 189 80 55

HSL 11.19, 0.55%, 0.48%

LAB 48.05, 42.33, 36.18

 

CMYK 0 / 71 / 71 / 26

HEX #BD3737

RGB 189 55 55

HSL 0, 0.55%, 0.48%

LAB 43.98, 53.22, 31.47

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 0 / 71 / 26

HEX #BDBD37

RGB 189 189 55

HSL 60, 0.55%, 0.48%

LAB 74.5, -15.8, 63.8

 

CMYK 19 / 0 / 71 / 26

HEX #99BD37

RGB 153 189 55

HSL 76.12, 0.55%, 0.48%

LAB 71.85, -30.76, 60.31

 

CMYK 38 / 0 / 71 / 26

HEX #75BD37

RGB 117 189 55

HSL 92.24, 0.55%, 0.48%

LAB 69.79, -44.29, 57.56

 

CMYK 58 / 0 / 71 / 26

HEX #50BD37

RGB 80 189 55

HSL 108.81, 0.55%, 0.48%

LAB 68.3, -55.45, 55.55

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 22 / 83 / 18

HEX #D1A223

RGB 209 162 35

HSL 43.79, 0.71%, 0.48%

LAB 69.12, 6.27, 66.13

 

CMYK 0 / 25 / 93 / 10

HEX #E5AB0F

RGB 229 171 15

HSL 43.74, 0.88%, 0.48%

LAB 73.43, 9.82, 74.76

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 15 / 56 / 34

HEX #A9904A

RGB 169 144 74

HSL 44.21, 0.39%, 0.48%

LAB 60.67, 0.5, 40.19

 

CMYK 0 / 10 / 37 / 41

HEX #96875E

RGB 150 135 94

HSL 43.93, 0.23%, 0.48%

LAB 56.7, -0.62, 24.13

 

CMYK 0 / 3 / 12 / 49

HEX #827E72

RGB 130 126 114

HSL 45, 0.07%, 0.48%

LAB 52.82, -0.72, 7.07

 

CMYK 18 / 13 / 0 / 47

HEX #6E7486

RGB 110 116 134

HSL 225, 0.1%, 0.48%

LAB 48.92, 1.78, -10.61

 

CMYK 0 / 58 / 71 / 26

HEX #BD4F37

RGB 189 79 55

HSL 10.75, 0.55%, 0.48%

LAB 47.86, 42.82, 35.97

 

CMYK 0 / 39 / 71 / 26

HEX #BD7337

RGB 189 115 55

HSL 26.87, 0.55%, 0.48%

LAB 55.44, 24.01, 44.38

 

CMYK 0 / 20 / 71 / 26

HEX #BD9737

RGB 189 151 55

HSL 42.99, 0.55%, 0.48%

LAB 64.34, 4.19, 53.72

 

CMYK 0 / 1 / 71 / 26

HEX #BDBB37

RGB 189 187 55

HSL 59.1, 0.55%, 0.48%

LAB 73.96, -14.78, 63.27

 

CMYK 17 / 0 / 71 / 26

HEX #9CBD37

RGB 156 189 55

HSL 74.78, 0.55%, 0.48%

LAB 72.05, -29.55, 60.57

 

CMYK 0 / 19 / 71 / 51

HEX #7D6524

RGB 125 101 36

HSL 43.82, 0.55%, 0.32%

LAB 43.94, 2.07, 39.01

 

CMYK 0 / 19 / 71 / 38

HEX #9D7F2D

RGB 157 127 45

HSL 43.93, 0.55%, 0.4%

LAB 54.59, 2.57, 47

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 16 / 60 / 20

HEX #CCAB51

RGB 204 171 81

HSL 43.9, 0.55%, 0.56%

LAB 71.25, 1.54, 49.88

 

CMYK 0 / 13 / 47 / 16

HEX #D5BA71

RGB 213 186 113

HSL 43.8, 0.54%, 0.64%

LAB 76.35, 0.06, 40.4

 

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

CMYK 65 / 0 / 71 / 26

HEX #42BD37

RGB 66 189 55

HSL 115.07, 0.55%, 0.48%

LAB 67.89, -58.7, 55.01

 

CMYK 49 / 71 / 0 / 26

HEX #6137BD

RGB 97 55 189

HSL 258.81, 0.55%, 0.48%

LAB 35.88, 49.42, -63.87

 

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

CMYK 71 / 0 / 20 / 26

HEX #37BD97

RGB 55 189 151

HSL 162.99, 0.55%, 0.48%

LAB 69.07, -44.8, 8.95

 

CMYK 20 / 71 / 0 / 26

HEX #9737BD

RGB 151 55 189

HSL 282.99, 0.55%, 0.48%

LAB 42.74, 59.79, -52.42

 

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

CMYK 65 / 0 / 71 / 26

HEX #42BD37

RGB 66 189 55

HSL 115.07, 0.55%, 0.48%

LAB 67.89, -58.7, 55.01

 

CMYK 71 / 51 / 0 / 26

HEX #375DBD

RGB 55 93 189

HSL 222.99, 0.55%, 0.48%

LAB 41.71, 19.48, -54.54

 

CMYK 6 / 71 / 0 / 26

HEX #B237BD

RGB 178 55 189

HSL 295.07, 0.55%, 0.48%

LAB 46.81, 65.55, -45.69

 

CMYK 0 / 19 / 71 / 26

HEX #BC9837

RGB 188 152 55

HSL 43.76, 0.55%, 0.48%

LAB 64.5, 3.21, 53.84

 

CMYK 71 / 0 / 56 / 26

HEX #37BD54

RGB 55 189 84

HSL 132.99, 0.55%, 0.48%

LAB 67.91, -57.62, 42.38

 

CMYK 71 / 51 / 0 / 26

HEX #375DBD

RGB 55 93 189

HSL 222.99, 0.55%, 0.48%

LAB 41.71, 19.48, -54.54

 

CMYK 0 / 71 / 15 / 26

HEX #BD37A0

RGB 189 55 160

HSL 312.99, 0.55%, 0.48%

LAB 47.09, 63.49, -28.03

 

Description

Color code: RGB 188 152 55 | qconv.com Color code: RGB 188 152 55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 152 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 152 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 71 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 71% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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