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Color name
RGB 188 143 66

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 143 66 it is the complementary color RGB 67 112 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 143 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 143 66 shade: RGB 193 143 61, RGB 210 161 80, RGB 227 179 99, RGB 244 197 118 and RGB 255 215 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 143 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 171 125 47, RGB 154 107 28, RGB 137 89 9 and RGB 120 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 188 110 66, RGB 188 77 66 and RGB 188 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 188 176 66, RGB 167 188 66, RGB 134 188 66 and RGB 101 188 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 143 66 shade matches the following richer shades: RGB 188 143 66, RGB 209 148 45, RGB 229 154 25 and RGB 250 159 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 168 138 86, RGB 147 132 107, RGB 126 127 128 and RGB 106 121 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 143 66 shade: RGB 188 76 66, RGB 188 109 66, RGB 188 141 66, RGB 188 174 66 and RGB 170 188 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 143 66 shade: RGB 127 97 44, RGB 158 120 55, RGB 188 143 66, RGB 199 161 96 and RGB 210 179 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 88 188 66 and RGB 92 66 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 66 188 141 and RGB 141 66 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 88 188 66, RGB 66 113 188 and RGB 166 66 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 143 66 shade: RGB 188 143 66, RGB 66 188 80, RGB 66 113 188 and RGB 188 66 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

Complementary color

CMYK 65 / 41 / 0 / 26

HEX #4370BD

RGB 67 112 189

HSL 217.87, 0.48%, 0.5%

LAB 47.57, 9.33, -45.12

 

CMYK 0 / 26 / 68 / 24

HEX #C18F3D

RGB 193 143 61

HSL 37.27, 0.52%, 0.5%

LAB 62.78, 10.65, 49.55

 

CMYK 0 / 23 / 62 / 18

HEX #D2A150

RGB 210 161 80

HSL 37.38, 0.59%, 0.57%

LAB 69.31, 9.39, 48.3

 

CMYK 0 / 21 / 56 / 11

HEX #E3B363

RGB 227 179 99

HSL 37.5, 0.7%, 0.64%

LAB 75.74, 8.32, 46.98

 

CMYK 0 / 19 / 52 / 4

HEX #F4C576

RGB 244 197 118

HSL 37.62, 0.85%, 0.71%

LAB 82.09, 7.39, 45.66

 

CMYK 0 / 16 / 46 / 0

HEX #FFD789

RGB 255 215 137

HSL 39.66, 1%, 0.77%

LAB 87.81, 4.2, 43.55

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 27 / 73 / 33

HEX #AB7D2F

RGB 171 125 47

HSL 37.74, 0.57%, 0.43%

LAB 55.61, 10.14, 47.65

 

CMYK 0 / 31 / 82 / 40

HEX #9A6B1C

RGB 154 107 28

HSL 37.62, 0.69%, 0.36%

LAB 48.85, 11.78, 48.33

 

CMYK 0 / 35 / 93 / 46

HEX #895909

RGB 137 89 9

HSL 37.5, 0.88%, 0.29%

LAB 41.97, 13.78, 47.78

 

CMYK 0 / 41 / 100 / 53

HEX #784700

RGB 120 71 0

HSL 35.5, 1%, 0.24%

LAB 35, 16.2, 44.52

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 41 / 65 / 26

HEX #BC6E42

RGB 188 110 66

HSL 21.64, 0.48%, 0.5%

LAB 54.28, 26.97, 37.37

 

CMYK 0 / 59 / 65 / 26

HEX #BC4D42

RGB 188 77 66

HSL 5.41, 0.48%, 0.5%

LAB 47.49, 44.03, 29.21

 

CMYK 0 / 65 / 65 / 26

HEX #BC4242

RGB 188 66 66

HSL 0, 0.48%, 0.5%

LAB 45.61, 49.02, 26.88

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 6 / 65 / 26

HEX #BCB042

RGB 188 176 66

HSL 54.1, 0.48%, 0.5%

LAB 70.96, -8.95, 55.88

 

CMYK 11 / 0 / 65 / 26

HEX #A7BC42

RGB 167 188 66

HSL 70.33, 0.48%, 0.5%

LAB 72.61, -23.89, 57.11

 

CMYK 29 / 0 / 65 / 26

HEX #86BC42

RGB 134 188 66

HSL 86.56, 0.48%, 0.5%

LAB 70.47, -36.91, 54.19

 

CMYK 46 / 0 / 65 / 26

HEX #65BC42

RGB 101 188 66

HSL 102.79, 0.48%, 0.5%

LAB 68.84, -48.22, 51.95

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 29 / 78 / 18

HEX #D1942D

RGB 209 148 45

HSL 37.68, 0.65%, 0.5%

LAB 65.69, 14.14, 59.76

 

CMYK 0 / 33 / 89 / 10

HEX #E59A19

RGB 229 154 25

HSL 37.94, 0.8%, 0.5%

LAB 69.35, 19.01, 69.86

 

CMYK 0 / 36 / 98 / 2

HEX #FA9F04

RGB 250 159 4

HSL 37.8, 0.97%, 0.5%

LAB 72.98, 25.01, 76.91

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 18 / 49 / 34

HEX #A88A56

RGB 168 138 86

HSL 38.05, 0.32%, 0.5%

LAB 59.13, 4.49, 32

 

CMYK 0 / 10 / 27 / 42

HEX #93846B

RGB 147 132 107

HSL 37.5, 0.16%, 0.5%

LAB 55.85, 1.58, 15.59

 

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

 

CMYK 28 / 18 / 0 / 42

HEX #6A7994

RGB 106 121 148

HSL 218.57, 0.17%, 0.5%

LAB 50.54, 0.98, -16.42

 

CMYK 0 / 60 / 65 / 26

HEX #BC4C42

RGB 188 76 66

HSL 4.92, 0.48%, 0.5%

LAB 47.31, 44.5, 28.99

 

CMYK 0 / 42 / 65 / 26

HEX #BC6D42

RGB 188 109 66

HSL 21.15, 0.48%, 0.5%

LAB 54.05, 27.52, 37.11

 

CMYK 0 / 25 / 65 / 26

HEX #BC8D42

RGB 188 141 66

HSL 36.89, 0.48%, 0.5%

LAB 61.77, 9.87, 45.93

 

CMYK 0 / 7 / 65 / 26

HEX #BCAE42

RGB 188 174 66

HSL 53.11, 0.48%, 0.5%

LAB 70.43, -7.91, 55.32

 

CMYK 10 / 0 / 65 / 26

HEX #AABC42

RGB 170 188 66

HSL 68.85, 0.48%, 0.5%

LAB 72.83, -22.66, 57.4

 

CMYK 0 / 24 / 65 / 50

HEX #7F612C

RGB 127 97 44

HSL 38.31, 0.49%, 0.34%

LAB 43.13, 5.9, 34.22

 

CMYK 0 / 24 / 65 / 38

HEX #9E7837

RGB 158 120 55

HSL 37.86, 0.48%, 0.42%

LAB 52.93, 7.59, 40.55

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 0 / 19 / 52 / 22

HEX #C7A160

RGB 199 161 96

HSL 37.86, 0.48%, 0.58%

LAB 68.37, 6, 38.91

 

CMYK 0 / 15 / 40 / 18

HEX #D2B37F

RGB 210 179 127

HSL 37.59, 0.48%, 0.66%

LAB 74.49, 4.01, 30.7

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 53 / 0 / 65 / 26

HEX #58BC42

RGB 88 188 66

HSL 109.18, 0.48%, 0.5%

LAB 68.34, -52, 51.26

 

CMYK 51 / 65 / 0 / 26

HEX #5C42BC

RGB 92 66 188

HSL 252.79, 0.48%, 0.5%

LAB 37.49, 42.27, -60.69

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 65 / 0 / 25 / 26

HEX #42BC8D

RGB 66 188 141

HSL 156.89, 0.48%, 0.5%

LAB 68.79, -44.94, 14.02

 

CMYK 25 / 65 / 0 / 26

HEX #8D42BC

RGB 141 66 188

HSL 276.89, 0.48%, 0.5%

LAB 43.05, 52.52, -51.42

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 53 / 0 / 65 / 26

HEX #58BC42

RGB 88 188 66

HSL 109.18, 0.48%, 0.5%

LAB 68.34, -52, 51.26

 

CMYK 65 / 40 / 0 / 26

HEX #4271BC

RGB 66 113 188

HSL 216.89, 0.48%, 0.5%

LAB 47.75, 8.18, -44.25

 

CMYK 12 / 65 / 0 / 26

HEX #A642BC

RGB 166 66 188

HSL 289.18, 0.48%, 0.5%

LAB 46.49, 58.31, -45.71

 

CMYK 0 / 24 / 65 / 26

HEX #BC8F42

RGB 188 143 66

HSL 37.87, 0.48%, 0.5%

LAB 62.28, 8.77, 46.5

 

CMYK 65 / 0 / 57 / 26

HEX #42BC50

RGB 66 188 80

HSL 126.89, 0.48%, 0.5%

LAB 67.8, -55.72, 44.21

 

CMYK 65 / 40 / 0 / 26

HEX #4271BC

RGB 66 113 188

HSL 216.89, 0.48%, 0.5%

LAB 47.75, 8.18, -44.25

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

Description

Color code: RGB 188 143 66 | qconv.com Color code: RGB 188 143 66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 143 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 143 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 65 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 65% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - 台灣創意設計中心 Taiwan Desi...
Link: http://www.tdc.org.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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