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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 149 87 it is the complementary color RGB 67 106 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 149 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 149 87 shade: RGB 193 149 82, RGB 210 167 101, RGB 227 185 120, RGB 244 203 139 and RGB 255 221 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 149 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 171 131 68, RGB 154 113 49, RGB 137 95 30 and RGB 120 77 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 188 121 87, RGB 188 94 87 and RGB 188 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 188 176 87, RGB 172 188 87, RGB 145 188 87 and RGB 118 188 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 149 87 shade matches the following richer shades: RGB 188 149 87, RGB 207 153 68, RGB 226 157 49 and RGB 245 162 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 169 144 106, RGB 150 140 125, RGB 131 136 144 and RGB 112 131 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 149 87 shade: RGB 188 93 87, RGB 188 120 87, RGB 188 147 87, RGB 188 174 87 and RGB 174 188 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 149 87 shade: RGB 137 105 54, RGB 167 128 66, RGB 188 149 87, RGB 199 167 116 and RGB 211 186 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 107 188 87 and RGB 107 87 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 87 188 147 and RGB 147 87 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 107 188 87, RGB 87 127 188 and RGB 167 87 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 149 87 shade: RGB 188 149 87, RGB 87 188 97, RGB 87 127 188 and RGB 188 87 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

Complementary color

CMYK 60 / 37 / 0 / 34

HEX #436AA8

RGB 67 106 168

HSL 216.83, 0.43%, 0.46%

LAB 44.7, 5.75, -37.43

 

CMYK 0 / 23 / 58 / 24

HEX #C19552

RGB 193 149 82

HSL 36.22, 0.47%, 0.54%

LAB 64.52, 8.79, 41.28

 

CMYK 0 / 20 / 52 / 18

HEX #D2A765

RGB 210 167 101

HSL 36.33, 0.55%, 0.61%

LAB 71.06, 7.81, 39.9

 

CMYK 0 / 19 / 47 / 11

HEX #E3B978

RGB 227 185 120

HSL 36.45, 0.66%, 0.68%

LAB 77.51, 6.97, 38.56

 

CMYK 0 / 17 / 43 / 4

HEX #F4CB8B

RGB 244 203 139

HSL 36.57, 0.83%, 0.75%

LAB 83.87, 6.24, 37.29

 

CMYK 0 / 13 / 38 / 0

HEX #FFDD9E

RGB 255 221 158

HSL 38.97, 1%, 0.81%

LAB 89.6, 3.28, 35.28

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 23 / 60 / 33

HEX #AB8344

RGB 171 131 68

HSL 36.7, 0.43%, 0.47%

LAB 57.37, 8.12, 39.43

 

CMYK 0 / 27 / 68 / 40

HEX #9A7131

RGB 154 113 49

HSL 36.57, 0.52%, 0.4%

LAB 50.57, 9.38, 40.8

 

CMYK 0 / 31 / 78 / 46

HEX #895F1E

RGB 137 95 30

HSL 36.45, 0.64%, 0.33%

LAB 43.65, 10.93, 41.9

 

CMYK 0 / 36 / 91 / 53

HEX #784D0B

RGB 120 77 11

HSL 36.33, 0.83%, 0.26%

LAB 36.6, 12.87, 42.06

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 36 / 54 / 26

HEX #BC7957

RGB 188 121 87

HSL 20.2, 0.43%, 0.54%

LAB 57.13, 22.54, 29.38

 

CMYK 0 / 50 / 54 / 26

HEX #BC5E57

RGB 188 94 87

HSL 4.16, 0.43%, 0.54%

LAB 51.13, 37.11, 21.59

 

CMYK 0 / 54 / 54 / 26

HEX #BC5757

RGB 188 87 87

HSL 0, 0.43%, 0.54%

LAB 49.73, 40.69, 19.72

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 6 / 54 / 26

HEX #BCB057

RGB 188 176 87

HSL 52.87, 0.43%, 0.54%

LAB 71.17, -7.42, 46.53

 

CMYK 9 / 0 / 54 / 26

HEX #ACBC57

RGB 172 188 87

HSL 69.5, 0.43%, 0.54%

LAB 73.17, -20.21, 48.53

 

CMYK 23 / 0 / 54 / 26

HEX #91BC57

RGB 145 188 87

HSL 85.54, 0.43%, 0.54%

LAB 71.33, -30.86, 45.92

 

CMYK 37 / 0 / 54 / 26

HEX #76BC57

RGB 118 188 87

HSL 101.58, 0.43%, 0.54%

LAB 69.83, -40.56, 43.77

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 26 / 67 / 19

HEX #CF9944

RGB 207 153 68

HSL 36.69, 0.59%, 0.54%

LAB 66.87, 11.67, 51.18

 

CMYK 0 / 31 / 78 / 11

HEX #E29D31

RGB 226 157 49

HSL 36.61, 0.75%, 0.54%

LAB 69.83, 16.77, 62.82

 

CMYK 0 / 34 / 88 / 4

HEX #F5A21E

RGB 245 162 30

HSL 36.84, 0.91%, 0.54%

LAB 73.12, 21.66, 72.39

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 15 / 37 / 34

HEX #A9906A

RGB 169 144 106

HSL 36.19, 0.27%, 0.54%

LAB 61.15, 3.81, 23.68

 

CMYK 0 / 7 / 17 / 41

HEX #968C7D

RGB 150 140 125

HSL 36, 0.11%, 0.54%

LAB 58.72, 1.1, 9.35

 

CMYK 9 / 6 / 0 / 44

HEX #838890

RGB 131 136 144

HSL 216.92, 0.06%, 0.54%

LAB 56.53, -0.17, -4.91

 

CMYK 31 / 20 / 0 / 36

HEX #7083A3

RGB 112 131 163

HSL 217.65, 0.22%, 0.54%

LAB 54.37, 0.92, -19.28

 

CMYK 0 / 51 / 54 / 26

HEX #BC5D57

RGB 188 93 87

HSL 3.56, 0.43%, 0.54%

LAB 50.93, 37.63, 21.31

 

CMYK 0 / 36 / 54 / 26

HEX #BC7857

RGB 188 120 87

HSL 19.6, 0.43%, 0.54%

LAB 56.89, 23.1, 29.08

 

CMYK 0 / 22 / 54 / 26

HEX #BC9357

RGB 188 147 87

HSL 35.64, 0.43%, 0.54%

LAB 63.55, 8.17, 37.4

 

CMYK 0 / 7 / 54 / 26

HEX #BCAE57

RGB 188 174 87

HSL 51.68, 0.43%, 0.54%

LAB 70.63, -6.37, 45.9

 

CMYK 7 / 0 / 54 / 26

HEX #AEBC57

RGB 174 188 87

HSL 68.32, 0.43%, 0.54%

LAB 73.32, -19.39, 48.75

 

CMYK 0 / 23 / 61 / 46

HEX #896936

RGB 137 105 54

HSL 36.87, 0.43%, 0.37%

LAB 46.56, 6.61, 33.17

 

CMYK 0 / 23 / 60 / 35

HEX #A78042

RGB 167 128 66

HSL 36.83, 0.43%, 0.46%

LAB 56.14, 7.88, 38.9

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 0 / 16 / 42 / 22

HEX #C7A774

RGB 199 167 116

HSL 36.87, 0.43%, 0.62%

LAB 70.2, 4.75, 30.72

 

CMYK 0 / 12 / 31 / 17

HEX #D3BA92

RGB 211 186 146

HSL 36.92, 0.42%, 0.7%

LAB 76.7, 2.99, 23.58

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 43 / 0 / 54 / 26

HEX #6BBC57

RGB 107 188 87

HSL 108.12, 0.43%, 0.54%

LAB 69.31, -44.13, 43.03

 

CMYK 43 / 54 / 0 / 26

HEX #6B57BC

RGB 107 87 188

HSL 251.88, 0.43%, 0.54%

LAB 43.61, 33.06, -50.71

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 54 / 0 / 22 / 26

HEX #57BC93

RGB 87 188 147

HSL 155.64, 0.43%, 0.54%

LAB 69.54, -39.29, 11.91

 

CMYK 22 / 54 / 0 / 26

HEX #9357BC

RGB 147 87 188

HSL 275.64, 0.43%, 0.54%

LAB 47.82, 43.22, -43.75

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 43 / 0 / 54 / 26

HEX #6BBC57

RGB 107 188 87

HSL 108.12, 0.43%, 0.54%

LAB 69.31, -44.13, 43.03

 

CMYK 54 / 32 / 0 / 26

HEX #577FBC

RGB 87 127 188

HSL 216.24, 0.43%, 0.54%

LAB 52.77, 3.91, -36.26

 

CMYK 11 / 54 / 0 / 26

HEX #A757BC

RGB 167 87 188

HSL 287.52, 0.43%, 0.54%

LAB 50.29, 48.62, -39.68

 

CMYK 0 / 21 / 54 / 26

HEX #BC9557

RGB 188 149 87

HSL 36.83, 0.43%, 0.54%

LAB 64.06, 7.07, 38.03

 

CMYK 54 / 0 / 48 / 26

HEX #57BC61

RGB 87 188 97

HSL 125.94, 0.43%, 0.54%

LAB 68.65, -48.51, 37.12

 

CMYK 54 / 32 / 0 / 26

HEX #577FBC

RGB 87 127 188

HSL 216.24, 0.43%, 0.54%

LAB 52.77, 3.91, -36.26

 

CMYK 0 / 54 / 5 / 26

HEX #BC57B2

RGB 188 87 178

HSL 305.94, 0.43%, 0.54%

LAB 52.64, 52.62, -29.98

 

Description

Color code: RGB 188 149 87 | qconv.com Color code: RGB 188 149 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 149 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 149 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 54 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 54% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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