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Color name
RGB 188 149 51

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 149 51 it is the complementary color RGB 67 106 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 149 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 149 51 shade: RGB 193 149 46, RGB 210 167 65, RGB 227 185 84, RGB 244 203 103 and RGB 255 221 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 149 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 171 131 32, RGB 154 113 13, RGB 137 95 0 and RGB 120 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 188 112 51, RGB 188 75 51 and RGB 188 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 188 186 51, RGB 153 188 51, RGB 116 188 51 and RGB 79 188 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 149 51 shade matches the following richer shades: RGB 188 149 51, RGB 207 157 32 and RGB 226 165 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 168 140 70, RGB 149 132 90, RGB 129 124 109 and RGB 110 115 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 149 51 shade: RGB 188 74 51, RGB 188 110 51, RGB 188 147 51, RGB 188 183 51 and RGB 156 188 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 149 51 shade: RGB 123 97 33, RGB 155 123 42, RGB 188 149 51, RGB 205 168 75 and RGB 214 184 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 65 188 51 and RGB 92 51 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 51 188 147 and RGB 147 51 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 65 188 51, RGB 51 92 188 and RGB 174 51 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 149 51 shade: RGB 188 149 51, RGB 51 188 78, RGB 51 92 188 and RGB 188 51 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

Complementary color

CMYK 67 / 48 / 0 / 20

HEX #436ACC

RGB 67 106 204

HSL 222.92, 0.57%, 0.53%

LAB 46.79, 18.42, -54.99

 

CMYK 0 / 23 / 76 / 24

HEX #C1952E

RGB 193 149 46

HSL 42.04, 0.62%, 0.47%

LAB 64.18, 6.62, 57.34

 

CMYK 0 / 20 / 69 / 18

HEX #D2A741

RGB 210 167 65

HSL 42.21, 0.62%, 0.54%

LAB 70.68, 5.25, 56.65

 

CMYK 0 / 19 / 63 / 11

HEX #E3B954

RGB 227 185 84

HSL 42.38, 0.72%, 0.61%

LAB 77.08, 4.09, 55.63

 

CMYK 0 / 17 / 58 / 4

HEX #F4CB67

RGB 244 203 103

HSL 42.55, 0.87%, 0.68%

LAB 83.4, 3.09, 54.46

 

CMYK 0 / 13 / 52 / 0

HEX #FFDD7A

RGB 255 221 122

HSL 44.66, 1%, 0.74%

LAB 89.1, -0.18, 52.46

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 23 / 81 / 33

HEX #AB8320

RGB 171 131 32

HSL 42.73, 0.68%, 0.4%

LAB 57.07, 6.13, 55.02

 

CMYK 0 / 27 / 92 / 40

HEX #9A710D

RGB 154 113 13

HSL 42.55, 0.84%, 0.33%

LAB 50.35, 7.93, 54.15

 

CMYK 0 / 31 / 100 / 46

HEX #895F00

RGB 137 95 0

HSL 41.61, 1%, 0.27%

LAB 43.51, 10.09, 51.22

 

CMYK 0 / 36 / 100 / 53

HEX #784D00

RGB 120 77 0

HSL 38.5, 1%, 0.24%

LAB 36.56, 12.61, 45.53

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 40 / 73 / 26

HEX #BC7033

RGB 188 112 51

HSL 26.72, 0.57%, 0.47%

LAB 54.57, 25.02, 45.37

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 1 / 73 / 26

HEX #BCBA33

RGB 188 186 51

HSL 59.12, 0.57%, 0.47%

LAB 73.58, -14.89, 64.3

 

CMYK 19 / 0 / 73 / 26

HEX #99BC33

RGB 153 188 51

HSL 75.33, 0.57%, 0.47%

LAB 71.54, -30.52, 61.44

 

CMYK 38 / 0 / 73 / 26

HEX #74BC33

RGB 116 188 51

HSL 91.53, 0.57%, 0.47%

LAB 69.41, -44.48, 58.62

 

CMYK 58 / 0 / 73 / 26

HEX #4FBC33

RGB 79 188 51

HSL 107.74, 0.57%, 0.47%

LAB 67.92, -55.65, 56.64

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 24 / 85 / 19

HEX #CF9D20

RGB 207 157 32

HSL 42.86, 0.73%, 0.47%

LAB 67.64, 7.99, 65.66

 

CMYK 0 / 27 / 95 / 11

HEX #E2A50C

RGB 226 165 12

HSL 42.9, 0.9%, 0.47%

LAB 71.63, 11.67, 73.72

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 17 / 58 / 34

HEX #A88C46

RGB 168 140 70

HSL 42.86, 0.41%, 0.47%

LAB 59.46, 1.94, 40.76

 

CMYK 0 / 11 / 40 / 42

HEX #95845A

RGB 149 132 90

HSL 42.71, 0.25%, 0.47%

LAB 55.72, 0.14, 25.04

 

CMYK 0 / 4 / 16 / 49

HEX #817C6D

RGB 129 124 109

HSL 45, 0.08%, 0.47%

LAB 52.05, -0.85, 8.87

 

CMYK 15 / 11 / 0 / 49

HEX #6E7381

RGB 110 115 129

HSL 224.21, 0.08%, 0.47%

LAB 48.46, 1.2, -8.33

 

CMYK 0 / 61 / 73 / 26

HEX #BC4A33

RGB 188 74 51

HSL 10.07, 0.57%, 0.47%

LAB 46.75, 44.62, 36.89

 

CMYK 0 / 41 / 73 / 26

HEX #BC6E33

RGB 188 110 51

HSL 25.84, 0.57%, 0.47%

LAB 54.11, 26.11, 44.88

 

CMYK 0 / 22 / 73 / 26

HEX #BC9333

RGB 188 147 51

HSL 42.04, 0.57%, 0.47%

LAB 63.18, 5.73, 54.18

 

CMYK 0 / 3 / 73 / 26

HEX #BCB733

RGB 188 183 51

HSL 57.81, 0.57%, 0.47%

LAB 72.76, -13.37, 63.52

 

CMYK 17 / 0 / 73 / 26

HEX #9CBC33

RGB 156 188 51

HSL 74.01, 0.57%, 0.47%

LAB 71.74, -29.3, 61.7

 

CMYK 0 / 21 / 73 / 52

HEX #7B6121

RGB 123 97 33

HSL 42.67, 0.58%, 0.31%

LAB 42.57, 3.29, 38.92

 

CMYK 0 / 21 / 73 / 39

HEX #9B7B2A

RGB 155 123 42

HSL 43.01, 0.57%, 0.39%

LAB 53.28, 3.75, 46.91

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 18 / 63 / 20

HEX #CDA84B

RGB 205 168 75

HSL 42.92, 0.57%, 0.55%

LAB 70.52, 3.16, 51.88

 

CMYK 0 / 14 / 50 / 16

HEX #D6B86B

RGB 214 184 107

HSL 43.18, 0.57%, 0.63%

LAB 75.85, 0.96, 42.83

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 65 / 0 / 73 / 26

HEX #41BC33

RGB 65 188 51

HSL 113.87, 0.57%, 0.47%

LAB 67.52, -58.9, 56.11

 

CMYK 51 / 73 / 0 / 26

HEX #5C33BC

RGB 92 51 188

HSL 257.96, 0.57%, 0.47%

LAB 34.55, 50.36, -65.49

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 73 / 0 / 22 / 26

HEX #33BC93

RGB 51 188 147

HSL 162.04, 0.57%, 0.47%

LAB 68.59, -45.9, 10.44

 

CMYK 22 / 73 / 0 / 26

HEX #9333BC

RGB 147 51 188

HSL 282.04, 0.57%, 0.47%

LAB 41.53, 60.36, -53.81

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 65 / 0 / 73 / 26

HEX #41BC33

RGB 65 188 51

HSL 113.87, 0.57%, 0.47%

LAB 67.52, -58.9, 56.11

 

CMYK 73 / 51 / 0 / 26

HEX #335CBC

RGB 51 92 188

HSL 222.04, 0.57%, 0.47%

LAB 41.2, 19.2, -54.79

 

CMYK 7 / 73 / 0 / 26

HEX #AE33BC

RGB 174 51 188

HSL 293.87, 0.57%, 0.47%

LAB 45.63, 65.92, -47.02

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 73 / 0 / 59 / 26

HEX #33BC4E

RGB 51 188 78

HSL 131.82, 0.57%, 0.47%

LAB 67.44, -58.72, 44.63

 

CMYK 73 / 51 / 0 / 26

HEX #335CBC

RGB 51 92 188

HSL 222.04, 0.57%, 0.47%

LAB 41.2, 19.2, -54.79

 

CMYK 0 / 73 / 15 / 26

HEX #BC33A0

RGB 188 51 160

HSL 312.26, 0.57%, 0.47%

LAB 46.44, 64.61, -29.06

 

Description

Color code: RGB 188 149 51 | qconv.com Color code: RGB 188 149 51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 149 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 149 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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