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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 148 123 it is the complementary color RGB 67 107 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 148 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 148 123 shade: RGB 193 148 118, RGB 210 166 137, RGB 227 184 156, RGB 244 202 175 and RGB 255 220 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 148 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 148 123 shade: RGB 188 148 123, RGB 171 130 104, RGB 154 112 85, RGB 137 94 66 and RGB 120 76 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 148 123 shade: RGB 188 147 122, RGB 188 130 122 and RGB 188 122 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 148 123 shade: RGB 188 147 122, RGB 188 165 122, RGB 188 183 122, RGB 175 188 122 and RGB 157 188 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 148 123 shade matches the following richer shades: RGB 188 147 122, RGB 204 144 106, RGB 220 140 90, RGB 236 136 74 and RGB 252 133 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 148 123 shade: RGB 188 147 122, RGB 172 151 138, RGB 156 155 154, RGB 140 159 171 and RGB 124 162 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 148 123 shade: RGB 188 122 132, RGB 188 130 122, RGB 188 147 122, RGB 188 165 122 and RGB 188 182 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 148 123 shade: RGB 152 105 76, RGB 174 125 95, RGB 188 147 122, RGB 202 170 150 and RGB 216 192 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 148 123 shade: RGB 188 148 123, RGB 150 188 122 and RGB 122 123 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 148 123 shade: RGB 188 148 123, RGB 122 188 147 and RGB 147 122 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 148 123 shade: RGB 188 148 123, RGB 150 188 122, RGB 122 163 188 and RGB 161 122 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 148 123 shade: RGB 188 148 123, RGB 130 188 122, RGB 122 163 188 and RGB 180 122 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

Complementary color

CMYK 49 / 19 / 0 / 48

HEX #436B84

RGB 67 107 132

HSL 203.08, 0.33%, 0.39%

LAB 43.32, -6.71, -18.18

 

CMYK 0 / 23 / 39 / 24

HEX #C19476

RGB 193 148 118

HSL 24, 0.38%, 0.61%

LAB 64.82, 12.89, 22.39

 

CMYK 0 / 21 / 35 / 18

HEX #D2A689

RGB 210 166 137

HSL 23.84, 0.45%, 0.68%

LAB 71.41, 12.17, 21.19

 

CMYK 0 / 19 / 31 / 11

HEX #E3B89C

RGB 227 184 156

HSL 23.66, 0.56%, 0.75%

LAB 77.88, 11.54, 20.08

 

CMYK 0 / 17 / 28 / 4

HEX #F4CAAF

RGB 244 202 175

HSL 23.48, 0.76%, 0.82%

LAB 84.26, 10.98, 19.05

 

CMYK 0 / 14 / 24 / 0

HEX #FFDCC2

RGB 255 220 194

HSL 25.57, 1%, 0.88%

LAB 90.02, 8.27, 17.25

 

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

CMYK 0 / 24 / 39 / 33

HEX #AB8268

RGB 171 130 104

HSL 23.28, 0.29%, 0.54%

LAB 57.68, 12.23, 20.18

 

CMYK 0 / 27 / 45 / 40

HEX #9A7055

RGB 154 112 85

HSL 23.48, 0.29%, 0.47%

LAB 50.82, 13.1, 21.53

 

CMYK 0 / 31 / 52 / 46

HEX #895E42

RGB 137 94 66

HSL 23.66, 0.35%, 0.4%

LAB 43.82, 14.14, 23.04

 

CMYK 0 / 37 / 61 / 53

HEX #784C2F

RGB 120 76 47

HSL 23.84, 0.44%, 0.33%

LAB 36.68, 15.42, 24.76

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 31 / 35 / 26

HEX #BC827A

RGB 188 130 122

HSL 7.27, 0.33%, 0.61%

LAB 59.94, 21.34, 13.35

 

CMYK 0 / 35 / 35 / 26

HEX #BC7A7A

RGB 188 122 122

HSL 0, 0.33%, 0.61%

LAB 58.05, 25.77, 10.69

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 12 / 35 / 26

HEX #BCA57A

RGB 188 165 122

HSL 39.09, 0.33%, 0.61%

LAB 68.76, 2.07, 25.4

 

CMYK 0 / 3 / 35 / 26

HEX #BCB77A

RGB 188 183 122

HSL 55.45, 0.33%, 0.61%

LAB 73.52, -7.51, 31.69

 

CMYK 7 / 0 / 35 / 26

HEX #AFBC7A

RGB 175 188 122

HSL 71.82, 0.33%, 0.61%

LAB 73.86, -15.22, 31.94

 

CMYK 16 / 0 / 35 / 26

HEX #9DBC7A

RGB 157 188 122

HSL 88.18, 0.33%, 0.61%

LAB 72.59, -22.1, 30.04

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 29 / 48 / 20

HEX #CC906A

RGB 204 144 106

HSL 23.27, 0.49%, 0.61%

LAB 64.82, 18.27, 29.2

 

CMYK 0 / 36 / 59 / 14

HEX #DC8C5A

RGB 220 140 90

HSL 23.08, 0.65%, 0.61%

LAB 65.52, 25.6, 39.07

 

CMYK 0 / 42 / 69 / 7

HEX #EC884A

RGB 236 136 74

HSL 22.96, 0.81%, 0.61%

LAB 66.47, 33.16, 48.87

 

CMYK 0 / 47 / 77 / 1

HEX #FC853A

RGB 252 133 58

HSL 23.2, 0.97%, 0.61%

LAB 67.86, 40.28, 58.45

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 12 / 20 / 33

HEX #AC978A

RGB 172 151 138

HSL 22.94, 0.17%, 0.61%

LAB 63.95, 5.63, 9.69

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9A

RGB 156 155 154

HSL 30, 0.01%, 0.61%

LAB 64.03, 0.17, 0.64

 

CMYK 18 / 7 / 0 / 33

HEX #8C9FAB

RGB 140 159 171

HSL 203.23, 0.16%, 0.61%

LAB 64.41, -4.05, -8.49

 

CMYK 34 / 13 / 0 / 27

HEX #7CA2BB

RGB 124 162 187

HSL 203.81, 0.32%, 0.61%

LAB 64.73, -6.8, -17.06

 

CMYK 0 / 35 / 30 / 26

HEX #BC7A84

RGB 188 122 132

HSL 350.91, 0.33%, 0.61%

LAB 58.3, 27.09, 5.27

 

CMYK 0 / 31 / 35 / 26

HEX #BC827A

RGB 188 130 122

HSL 7.27, 0.33%, 0.61%

LAB 59.94, 21.34, 13.35

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 12 / 35 / 26

HEX #BCA57A

RGB 188 165 122

HSL 39.09, 0.33%, 0.61%

LAB 68.76, 2.07, 25.4

 

CMYK 0 / 3 / 35 / 26

HEX #BCB67A

RGB 188 182 122

HSL 54.55, 0.33%, 0.61%

LAB 73.25, -6.99, 31.34

 

CMYK 0 / 31 / 50 / 40

HEX #98694C

RGB 152 105 76

HSL 22.89, 0.33%, 0.45%

LAB 48.64, 15.3, 23.81

 

CMYK 0 / 28 / 45 / 32

HEX #AE7D5F

RGB 174 125 95

HSL 22.78, 0.33%, 0.53%

LAB 56.58, 15.26, 23.86

 

CMYK 0 / 22 / 35 / 26

HEX #BC937A

RGB 188 147 122

HSL 22.73, 0.33%, 0.61%

LAB 64.13, 11.91, 19.14

 

CMYK 0 / 16 / 26 / 21

HEX #CAAA96

RGB 202 170 150

HSL 23.08, 0.33%, 0.69%

LAB 71.9, 8.61, 14.65

 

CMYK 0 / 11 / 18 / 15

HEX #D8C0B1

RGB 216 192 177

HSL 23.08, 0.33%, 0.77%

LAB 79.31, 6.09, 10.65

 

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

CMYK 20 / 0 / 35 / 26

HEX #96BC7A

RGB 150 188 122

HSL 94.55, 0.33%, 0.61%

LAB 72.13, -24.69, 29.35

 

CMYK 35 / 35 / 0 / 26

HEX #7A7BBC

RGB 122 123 188

HSL 239.09, 0.33%, 0.61%

LAB 53.96, 15.3, -34.23

 

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

CMYK 35 / 0 / 22 / 26

HEX #7ABC93

RGB 122 188 147

HSL 142.73, 0.33%, 0.61%

LAB 71.02, -29.88, 14.2

 

CMYK 22 / 35 / 0 / 26

HEX #937ABC

RGB 147 122 188

HSL 262.73, 0.33%, 0.61%

LAB 55.84, 23.31, -31.14

 

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

CMYK 20 / 0 / 35 / 26

HEX #96BC7A

RGB 150 188 122

HSL 94.55, 0.33%, 0.61%

LAB 72.13, -24.69, 29.35

 

CMYK 35 / 13 / 0 / 26

HEX #7AA3BC

RGB 122 163 188

HSL 202.73, 0.33%, 0.61%

LAB 64.93, -7.66, -17.33

 

CMYK 14 / 35 / 0 / 26

HEX #A17ABC

RGB 161 122 188

HSL 275.45, 0.33%, 0.61%

LAB 57.2, 27.68, -28.92

 

CMYK 0 / 21 / 35 / 26

HEX #BC947B

RGB 188 148 123

HSL 23.08, 0.33%, 0.61%

LAB 64.4, 11.49, 18.95

 

CMYK 31 / 0 / 35 / 26

HEX #82BC7A

RGB 130 188 122

HSL 112.73, 0.33%, 0.61%

LAB 70.95, -31.72, 27.57

 

CMYK 35 / 13 / 0 / 26

HEX #7AA3BC

RGB 122 163 188

HSL 202.73, 0.33%, 0.61%

LAB 64.93, -7.66, -17.33

 

CMYK 4 / 35 / 0 / 26

HEX #B47ABC

RGB 180 122 188

HSL 292.73, 0.33%, 0.61%

LAB 59.21, 33.73, -25.65

 

Description

Color code: RGB 188 148 123 | qconv.com Color code: RGB 188 148 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 148 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 148 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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