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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 144 103 it is the complementary color RGB 67 111 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 144 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 144 103 shade: RGB 193 144 98, RGB 210 162 117, RGB 227 180 136, RGB 244 198 155 and RGB 255 216 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 144 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 144 103 shade: RGB 188 144 103, RGB 171 126 84, RGB 154 108 65, RGB 137 90 46 and RGB 120 72 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 144 103 shade: RGB 188 143 102, RGB 188 120 102 and RGB 188 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 144 103 shade: RGB 188 143 102, RGB 188 166 102, RGB 186 188 102, RGB 163 188 102 and RGB 140 188 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 144 103 shade matches the following richer shades: RGB 188 143 102, RGB 205 143 84, RGB 223 142 67 and RGB 241 141 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 144 103 shade: RGB 188 143 102, RGB 170 144 120, RGB 152 145 138, RGB 134 145 155 and RGB 117 146 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 144 103 shade: RGB 188 102 108, RGB 188 119 102, RGB 188 142 102, RGB 188 165 102 and RGB 188 188 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 144 103 shade: RGB 144 102 63, RGB 173 123 76, RGB 188 143 102, RGB 200 164 131 and RGB 213 185 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 144 103 shade: RGB 188 144 103, RGB 131 188 102 and RGB 108 102 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 144 103 shade: RGB 188 144 103, RGB 102 188 142 and RGB 142 102 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 144 103 shade: RGB 188 144 103, RGB 131 188 102, RGB 102 148 188 and RGB 159 102 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 144 103 shade: RGB 188 144 103, RGB 105 188 102, RGB 102 148 188 and RGB 185 102 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

Complementary color

CMYK 56 / 27 / 0 / 40

HEX #436F98

RGB 67 111 152

HSL 208.94, 0.39%, 0.43%

LAB 45.4, -2.71, -26.9

 

CMYK 0 / 25 / 49 / 24

HEX #C19062

RGB 193 144 98

HSL 29.05, 0.43%, 0.57%

LAB 63.48, 12.94, 31.58

 

CMYK 0 / 23 / 44 / 18

HEX #D2A275

RGB 210 162 117

HSL 29.03, 0.51%, 0.64%

LAB 70.05, 12.05, 30.2

 

CMYK 0 / 21 / 40 / 11

HEX #E3B488

RGB 227 180 136

HSL 29.01, 0.62%, 0.71%

LAB 76.53, 11.27, 28.92

 

CMYK 0 / 19 / 36 / 4

HEX #F4C69B

RGB 244 198 155

HSL 28.99, 0.8%, 0.78%

LAB 82.91, 10.59, 27.73

 

CMYK 0 / 15 / 32 / 0

HEX #FFD8AE

RGB 255 216 174

HSL 31.11, 1%, 0.84%

LAB 88.65, 7.72, 25.78

 

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

CMYK 0 / 26 / 51 / 33

HEX #AB7E54

RGB 171 126 84

HSL 28.97, 0.34%, 0.5%

LAB 56.31, 12.3, 29.58

 

CMYK 0 / 30 / 58 / 40

HEX #9A6C41

RGB 154 108 65

HSL 28.99, 0.41%, 0.43%

LAB 49.47, 13.43, 31.13

 

CMYK 0 / 34 / 66 / 46

HEX #895A2E

RGB 137 90 46

HSL 29.01, 0.5%, 0.36%

LAB 42.5, 14.79, 32.77

 

CMYK 0 / 40 / 78 / 53

HEX #78481B

RGB 120 72 27

HSL 29.03, 0.63%, 0.29%

LAB 35.41, 16.47, 34.36

 

CMYK 0 / 24 / 46 / 26

HEX #BC8F66

RGB 188 143 102

HSL 28.6, 0.39%, 0.57%

LAB 62.76, 11.81, 28.36

 

CMYK 0 / 36 / 46 / 26

HEX #BC7866

RGB 188 120 102

HSL 12.56, 0.39%, 0.57%

LAB 57.16, 24.55, 20.95

 

CMYK 0 / 46 / 46 / 26

HEX #BC6666

RGB 188 102 102

HSL 0, 0.39%, 0.57%

LAB 53.12, 34.33, 15.45

 

CMYK 0 / 24 / 46 / 26

HEX #BC8F66

RGB 188 143 102

HSL 28.6, 0.39%, 0.57%

LAB 62.76, 11.81, 28.36

 

CMYK 0 / 12 / 46 / 26

HEX #BCA666

RGB 188 166 102

HSL 44.65, 0.39%, 0.57%

LAB 68.7, -0.73, 35.97

 

CMYK 1 / 0 / 46 / 26

HEX #BABC66

RGB 186 188 102

HSL 61.4, 0.39%, 0.57%

LAB 74.42, -13.1, 43.03

 

CMYK 13 / 0 / 46 / 26

HEX #A3BC66

RGB 163 188 102

HSL 77.44, 0.39%, 0.57%

LAB 72.7, -22.3, 40.53

 

CMYK 26 / 0 / 46 / 26

HEX #8CBC66

RGB 140 188 102

HSL 93.49, 0.39%, 0.57%

LAB 71.22, -31.03, 38.36

 

CMYK 0 / 24 / 46 / 26

HEX #BC8F66

RGB 188 143 102

HSL 28.6, 0.39%, 0.57%

LAB 62.76, 11.81, 28.36

 

CMYK 0 / 30 / 59 / 20

HEX #CD8F54

RGB 205 143 84

HSL 29.26, 0.55%, 0.57%

LAB 64.37, 17.32, 40.4

 

CMYK 0 / 36 / 70 / 13

HEX #DF8E43

RGB 223 142 67

HSL 28.85, 0.71%, 0.57%

LAB 66.09, 24.32, 51.35

 

CMYK 0 / 41 / 80 / 5

HEX #F18D31

RGB 241 141 49

HSL 28.75, 0.87%, 0.57%

LAB 68, 31.5, 61.79

 

CMYK 0 / 24 / 46 / 26

HEX #BC8F66

RGB 188 143 102

HSL 28.6, 0.39%, 0.57%

LAB 62.76, 11.81, 28.36

 

CMYK 0 / 15 / 29 / 33

HEX #AA9078

RGB 170 144 120

HSL 28.8, 0.23%, 0.57%

LAB 61.52, 6.06, 16.39

 

CMYK 0 / 5 / 9 / 40

HEX #98918A

RGB 152 145 138

HSL 30, 0.06%, 0.57%

LAB 60.57, 1.3, 4.63

 

CMYK 14 / 6 / 0 / 39

HEX #86919B

RGB 134 145 155

HSL 208.57, 0.1%, 0.57%

LAB 59.6, -1.83, -6.64

 

CMYK 32 / 16 / 0 / 32

HEX #7592AD

RGB 117 146 173

HSL 208.93, 0.25%, 0.57%

LAB 59.3, -3.55, -17.46

 

CMYK 0 / 46 / 43 / 26

HEX #BC666C

RGB 188 102 108

HSL 355.81, 0.39%, 0.57%

LAB 53.25, 34.98, 12.11

 

CMYK 0 / 37 / 46 / 26

HEX #BC7766

RGB 188 119 102

HSL 11.86, 0.39%, 0.57%

LAB 56.92, 25.1, 20.63

 

CMYK 0 / 24 / 46 / 26

HEX #BC8E66

RGB 188 142 102

HSL 27.91, 0.39%, 0.57%

LAB 62.5, 12.36, 28.03

 

CMYK 0 / 12 / 46 / 26

HEX #BCA566

RGB 188 165 102

HSL 43.95, 0.39%, 0.57%

LAB 68.43, -0.19, 35.63

 

CMYK 0 / 0 / 46 / 26

HEX #BCBC66

RGB 188 188 102

HSL 60, 0.39%, 0.57%

LAB 74.58, -12.28, 43.26

 

CMYK 0 / 29 / 56 / 44

HEX #90663F

RGB 144 102 63

HSL 28.89, 0.39%, 0.41%

LAB 46.7, 12.29, 28.57

 

CMYK 0 / 29 / 56 / 32

HEX #AD7B4C

RGB 173 123 76

HSL 29.07, 0.39%, 0.49%

LAB 55.66, 14.13, 33.2

 

CMYK 0 / 24 / 46 / 26

HEX #BC8F66

RGB 188 143 102

HSL 28.6, 0.39%, 0.57%

LAB 62.76, 11.81, 28.36

 

CMYK 0 / 18 / 35 / 22

HEX #C8A483

RGB 200 164 131

HSL 28.7, 0.39%, 0.65%

LAB 69.8, 8.54, 22.11

 

CMYK 0 / 13 / 25 / 16

HEX #D5B99F

RGB 213 185 159

HSL 28.89, 0.39%, 0.73%

LAB 76.89, 6.04, 16.89

 

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

CMYK 30 / 0 / 46 / 26

HEX #83BC66

RGB 131 188 102

HSL 99.77, 0.39%, 0.57%

LAB 70.7, -34.25, 37.6

 

CMYK 43 / 46 / 0 / 26

HEX #6C66BC

RGB 108 102 188

HSL 244.19, 0.39%, 0.57%

LAB 47.39, 24.21, -44.66

 

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

CMYK 46 / 0 / 24 / 26

HEX #66BC8E

RGB 102 188 142

HSL 147.91, 0.39%, 0.57%

LAB 70, -36.62, 15.35

 

CMYK 24 / 46 / 0 / 26

HEX #8E66BC

RGB 142 102 188

HSL 267.91, 0.39%, 0.57%

LAB 50.55, 33.43, -39.46

 

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

CMYK 30 / 0 / 46 / 26

HEX #83BC66

RGB 131 188 102

HSL 99.77, 0.39%, 0.57%

LAB 70.7, -34.25, 37.6

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 15 / 46 / 0 / 26

HEX #9F66BC

RGB 159 102 188

HSL 279.77, 0.39%, 0.57%

LAB 52.4, 38.35, -36.42

 

CMYK 0 / 23 / 45 / 26

HEX #BC9067

RGB 188 144 103

HSL 28.94, 0.39%, 0.57%

LAB 63.03, 11.36, 28.16

 

CMYK 44 / 0 / 46 / 26

HEX #69BC66

RGB 105 188 102

HSL 117.91, 0.39%, 0.57%

LAB 69.42, -42.75, 35.72

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 2 / 46 / 0 / 26

HEX #B966BC

RGB 185 102 188

HSL 297.91, 0.39%, 0.57%

LAB 55.53, 46.04, -31.3

 

Description

Color code: RGB 188 144 103 | qconv.com Color code: RGB 188 144 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 144 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 144 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 45 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 45% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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