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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 139 44 it is the complementary color RGB 67 116 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 139 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 139 44 shade: RGB 193 139 39, RGB 210 157 58, RGB 227 175 77, RGB 244 193 96 and RGB 255 211 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 139 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 139 44 shade: RGB 188 139 44, RGB 171 121 25, RGB 154 103 6, RGB 137 85 0 and RGB 120 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 139 44 shade: RGB 185 137 43, RGB 185 99 43, RGB 185 60 43 and RGB 185 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 139 44 shade: RGB 185 137 43, RGB 185 175 43, RGB 157 185 43, RGB 119 185 43 and RGB 80 185 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 139 44 shade matches the following richer shades: RGB 185 137 43, RGB 204 143 25 and RGB 223 149 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 139 44 shade: RGB 185 137 43, RGB 167 131 62, RGB 148 125 80, RGB 130 119 99 and RGB 111 113 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 139 44 shade: RGB 185 60 43, RGB 185 98 43, RGB 185 136 43, RGB 185 174 43 and RGB 159 185 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 139 44 shade: RGB 119 88 27, RGB 152 112 35, RGB 185 137 43, RGB 209 159 61 and RGB 217 175 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 139 44 shade: RGB 188 139 44, RGB 64 185 43 and RGB 79 43 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 139 44 shade: RGB 188 139 44, RGB 43 185 136 and RGB 136 43 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 139 44 shade: RGB 188 139 44, RGB 64 185 43, RGB 43 93 185 and RGB 164 43 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 139 44 shade: RGB 188 139 44, RGB 43 185 64, RGB 43 93 185 and RGB 185 43 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

Complementary color

CMYK 68 / 45 / 0 / 17

HEX #4374D3

RGB 67 116 211

HSL 219.58, 0.62%, 0.55%

LAB 49.96, 14.64, -53.9

 

CMYK 0 / 28 / 80 / 24

HEX #C18B27

RGB 193 139 39

HSL 38.96, 0.66%, 0.45%

LAB 61.61, 11.82, 57.56

 

CMYK 0 / 25 / 72 / 18

HEX #D29D3A

RGB 210 157 58

HSL 39.08, 0.63%, 0.53%

LAB 68.11, 10.27, 56.99

 

CMYK 0 / 23 / 66 / 11

HEX #E3AF4D

RGB 227 175 77

HSL 39.2, 0.73%, 0.6%

LAB 74.53, 8.94, 55.99

 

CMYK 0 / 21 / 61 / 4

HEX #F4C160

RGB 244 193 96

HSL 39.32, 0.87%, 0.67%

LAB 80.86, 7.79, 54.81

 

CMYK 0 / 17 / 55 / 0

HEX #FFD373

RGB 255 211 115

HSL 41.14, 1%, 0.73%

LAB 86.55, 4.36, 52.74

 

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

CMYK 0 / 29 / 85 / 33

HEX #AB7919

RGB 171 121 25

HSL 39.45, 0.74%, 0.38%

LAB 54.45, 11.51, 55.04

 

CMYK 0 / 33 / 96 / 40

HEX #9A6706

RGB 154 103 6

HSL 39.32, 0.93%, 0.31%

LAB 47.73, 13.54, 53.7

 

CMYK 0 / 38 / 100 / 46

HEX #895500

RGB 137 85 0

HSL 37.23, 1%, 0.27%

LAB 40.92, 15.94, 49.51

 

CMYK 0 / 44 / 100 / 53

HEX #784300

RGB 120 67 0

HSL 33.5, 1%, 0.24%

LAB 34, 18.57, 43.88

 

CMYK 0 / 26 / 77 / 27

HEX #B9892B

RGB 185 137 43

HSL 39.72, 0.62%, 0.45%

LAB 60.23, 9.53, 54.43

 

CMYK 0 / 46 / 77 / 27

HEX #B9632B

RGB 185 99 43

HSL 23.66, 0.62%, 0.45%

LAB 51.17, 30.45, 45.55

 

CMYK 0 / 68 / 77 / 27

HEX #B93C2B

RGB 185 60 43

HSL 7.18, 0.62%, 0.45%

LAB 43.83, 49.39, 37.96

 

CMYK 0 / 77 / 77 / 27

HEX #B92B2B

RGB 185 43 43

HSL 0, 0.62%, 0.45%

LAB 41.56, 55.64, 35.52

 

CMYK 0 / 26 / 77 / 27

HEX #B9892B

RGB 185 137 43

HSL 39.72, 0.62%, 0.45%

LAB 60.23, 9.53, 54.43

 

CMYK 0 / 5 / 77 / 27

HEX #B9AF2B

RGB 185 175 43

HSL 55.77, 0.62%, 0.45%

LAB 70.28, -10.89, 63.81

 

CMYK 15 / 0 / 77 / 27

HEX #9DB92B

RGB 157 185 43

HSL 71.83, 0.62%, 0.45%

LAB 70.9, -27.86, 63.58

 

CMYK 36 / 0 / 77 / 27

HEX #77B92B

RGB 119 185 43

HSL 87.89, 0.62%, 0.45%

LAB 68.6, -42.64, 60.61

 

CMYK 57 / 0 / 77 / 27

HEX #50B92B

RGB 80 185 43

HSL 104.37, 0.62%, 0.45%

LAB 66.96, -54.86, 58.46

 

CMYK 0 / 26 / 77 / 27

HEX #B9892B

RGB 185 137 43

HSL 39.72, 0.62%, 0.45%

LAB 60.23, 9.53, 54.43

 

CMYK 0 / 30 / 88 / 20

HEX #CC8F19

RGB 204 143 25

HSL 39.55, 0.78%, 0.45%

LAB 63.8, 14.09, 64.27

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 0 / 26 / 77 / 27

HEX #B9892B

RGB 185 137 43

HSL 39.72, 0.62%, 0.45%

LAB 60.23, 9.53, 54.43

 

CMYK 0 / 22 / 63 / 35

HEX #A7833E

RGB 167 131 62

HSL 39.43, 0.46%, 0.45%

LAB 56.88, 5.91, 41.78

 

CMYK 0 / 16 / 46 / 42

HEX #947D50

RGB 148 125 80

HSL 39.71, 0.3%, 0.45%

LAB 53.54, 2.51, 27.77

 

CMYK 0 / 8 / 24 / 49

HEX #827763

RGB 130 119 99

HSL 38.71, 0.14%, 0.45%

LAB 50.5, 0.79, 12.55

 

CMYK 5 / 3 / 0 / 54

HEX #6F7175

RGB 111 113 117

HSL 220, 0.03%, 0.45%

LAB 47.59, 0.08, -2.48

 

CMYK 0 / 68 / 77 / 27

HEX #B93C2B

RGB 185 60 43

HSL 7.18, 0.62%, 0.45%

LAB 43.83, 49.39, 37.96

 

CMYK 0 / 47 / 77 / 27

HEX #B9622B

RGB 185 98 43

HSL 23.24, 0.62%, 0.45%

LAB 50.95, 30.98, 45.33

 

CMYK 0 / 26 / 77 / 27

HEX #B9882B

RGB 185 136 43

HSL 39.3, 0.62%, 0.45%

LAB 59.98, 10.08, 54.19

 

CMYK 0 / 6 / 77 / 27

HEX #B9AE2B

RGB 185 174 43

HSL 55.35, 0.62%, 0.45%

LAB 70.01, -10.37, 63.56

 

CMYK 14 / 0 / 77 / 27

HEX #9FB92B

RGB 159 185 43

HSL 70.99, 0.62%, 0.45%

LAB 71.04, -27.03, 63.76

 

CMYK 0 / 26 / 77 / 53

HEX #77581B

RGB 119 88 27

HSL 39.78, 0.63%, 0.29%

LAB 39.55, 6.39, 38.47

 

CMYK 0 / 26 / 77 / 40

HEX #987023

RGB 152 112 35

HSL 39.49, 0.63%, 0.37%

LAB 49.96, 8.28, 46.5

 

CMYK 0 / 26 / 77 / 27

HEX #B9892B

RGB 185 137 43

HSL 39.72, 0.62%, 0.45%

LAB 60.23, 9.53, 54.43

 

CMYK 0 / 24 / 71 / 18

HEX #D19F3D

RGB 209 159 61

HSL 39.73, 0.62%, 0.53%

LAB 68.53, 8.9, 56.11

 

CMYK 0 / 19 / 57 / 15

HEX #D9AF5E

RGB 217 175 94

HSL 39.51, 0.62%, 0.61%

LAB 73.69, 5.88, 46.75

 

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

CMYK 65 / 0 / 77 / 27

HEX #40B92B

RGB 64 185 43

HSL 111.13, 0.62%, 0.45%

LAB 66.49, -58.67, 57.84

 

CMYK 57 / 77 / 0 / 27

HEX #4F2BB9

RGB 79 43 185

HSL 255.21, 0.62%, 0.45%

LAB 31.56, 51.58, -68.67

 

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

CMYK 77 / 0 / 26 / 27

HEX #2BB988

RGB 43 185 136

HSL 159.3, 0.62%, 0.45%

LAB 67.27, -48.29, 14.55

 

CMYK 26 / 77 / 0 / 27

HEX #882BB9

RGB 136 43 185

HSL 279.3, 0.62%, 0.45%

LAB 38.66, 60.65, -56.77

 

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

CMYK 65 / 0 / 77 / 27

HEX #40B92B

RGB 64 185 43

HSL 111.13, 0.62%, 0.45%

LAB 66.49, -58.67, 57.84

 

CMYK 77 / 50 / 0 / 27

HEX #2B5DB9

RGB 43 93 185

HSL 218.87, 0.62%, 0.45%

LAB 40.97, 16.4, -53.43

 

CMYK 11 / 77 / 0 / 27

HEX #A42BB9

RGB 164 43 185

HSL 291.13, 0.62%, 0.45%

LAB 42.95, 65.98, -49.64

 

CMYK 0 / 26 / 77 / 26

HEX #BC8B2C

RGB 188 139 44

HSL 39.58, 0.62%, 0.45%

LAB 61.08, 9.8, 54.96

 

CMYK 77 / 0 / 65 / 27

HEX #2BB940

RGB 43 185 64

HSL 128.87, 0.62%, 0.45%

LAB 66.2, -60.57, 49.42

 

CMYK 77 / 50 / 0 / 27

HEX #2B5DB9

RGB 43 93 185

HSL 218.87, 0.62%, 0.45%

LAB 40.97, 16.4, -53.43

 

CMYK 0 / 77 / 11 / 27

HEX #B92BA4

RGB 185 43 164

HSL 308.87, 0.62%, 0.45%

LAB 45.25, 66.97, -33.34

 

Description

Color code: RGB 188 139 44 | qconv.com Color code: RGB 188 139 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 139 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 139 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 77 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 77% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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