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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 100 225 it is the complementary color RGB 67 155 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 100 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 100 225 shade: RGB 193 100 220, RGB 210 118 239, RGB 227 136 255, RGB 244 154 255 and RGB 255 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 100 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 171 82 206, RGB 154 64 187, RGB 137 46 168 and RGB 120 28 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 222 100 225, RGB 225 100 195, RGB 225 100 161 and RGB 225 100 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 155 100 225, RGB 121 100 225 and RGB 100 100 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 100 225 shade matches the following richer shades: RGB 188 100 225 and RGB 194 85 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 182 115 210, RGB 176 130 195, RGB 170 145 181 and RGB 164 160 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 100 225 shade: RGB 121 100 225, RGB 154 100 225, RGB 188 100 225, RGB 221 100 225 and RGB 225 100 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 100 225 shade: RGB 155 39 204, RGB 173 66 219, RGB 188 100 225, RGB 203 135 232 and RGB 218 170 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 225 100 113 and RGB 100 225 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 225 188 100 and RGB 100 225 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 225 100 113, RGB 138 225 100 and RGB 100 225 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 100 225 shade: RGB 188 100 225, RGB 225 125 100, RGB 138 225 100 and RGB 100 200 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

Complementary color

CMYK 57 / 0 / 81 / 39

HEX #439B1E

RGB 67 155 30

HSL 102.24, 0.68%, 0.36%

LAB 56.81, -48.09, 52.74

 

CMYK 12 / 55 / 0 / 14

HEX #C164DC

RGB 193 100 220

HSL 286.5, 0.63%, 0.63%

LAB 57.67, 55.47, -46.06

 

CMYK 12 / 51 / 0 / 6

HEX #D276EF

RGB 210 118 239

HSL 285.62, 0.79%, 0.7%

LAB 64.07, 54.79, -46.42

 

CMYK 11 / 47 / 0 / 0

HEX #E388FF

RGB 227 136 255

HSL 285.88, 1%, 0.77%

LAB 70.29, 53.46, -45.29

 

CMYK 4 / 40 / 0 / 0

HEX #F49AFF

RGB 244 154 255

HSL 293.47, 1%, 0.8%

LAB 75.8, 49.1, -36.55

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 17 / 60 / 0 / 19

HEX #AB52CE

RGB 171 82 206

HSL 283.06, 0.56%, 0.56%

LAB 50.86, 55.8, -49.11

 

CMYK 18 / 66 / 0 / 27

HEX #9A40BB

RGB 154 64 187

HSL 283.9, 0.49%, 0.49%

LAB 44.41, 56.2, -48.55

 

CMYK 18 / 73 / 0 / 34

HEX #892EA8

RGB 137 46 168

HSL 284.75, 0.57%, 0.42%

LAB 38.02, 56.19, -47.71

 

CMYK 19 / 81 / 0 / 42

HEX #781C95

RGB 120 28 149

HSL 285.62, 0.68%, 0.35%

LAB 31.79, 55.43, -46.38

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 1 / 56 / 0 / 12

HEX #DE64E1

RGB 222 100 225

HSL 298.56, 0.68%, 0.64%

LAB 61.72, 63.91, -42.23

 

CMYK 0 / 56 / 13 / 12

HEX #E164C3

RGB 225 100 195

HSL 314.4, 0.68%, 0.64%

LAB 60.84, 59.83, -26.65

 

CMYK 0 / 56 / 28 / 12

HEX #E164A1

RGB 225 100 161

HSL 330.72, 0.68%, 0.64%

LAB 59.61, 55.05, -9.01

 

CMYK 0 / 56 / 44 / 12

HEX #E1647F

RGB 225 100 127

HSL 347.04, 0.68%, 0.64%

LAB 58.65, 51.16, 9.35

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 31 / 56 / 0 / 12

HEX #9B64E1

RGB 155 100 225

HSL 266.4, 0.68%, 0.64%

LAB 53.51, 46.99, -55.77

 

CMYK 46 / 56 / 0 / 12

HEX #7964E1

RGB 121 100 225

HSL 250.08, 0.68%, 0.64%

LAB 50.23, 39.22, -61.21

 

CMYK 56 / 56 / 0 / 12

HEX #6464E1

RGB 100 100 225

HSL 240, 0.68%, 0.64%

LAB 48.59, 35, -63.96

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 19 / 65 / 0 / 6

HEX #C255F0

RGB 194 85 240

HSL 282.19, 0.84%, 0.64%

LAB 56.34, 66.65, -59.38

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 13 / 45 / 0 / 18

HEX #B673D2

RGB 182 115 210

HSL 282.32, 0.51%, 0.64%

LAB 58.84, 42.66, -38.67

 

CMYK 10 / 33 / 0 / 24

HEX #B082C3

RGB 176 130 195

HSL 282.46, 0.35%, 0.64%

LAB 60.9, 29.41, -27.05

 

CMYK 6 / 20 / 0 / 29

HEX #AA91B5

RGB 170 145 181

HSL 281.67, 0.2%, 0.64%

LAB 63.45, 16.06, -15.3

 

CMYK 1 / 4 / 0 / 35

HEX #A4A0A6

RGB 164 160 166

HSL 280, 0.03%, 0.64%

LAB 66.36, 2.59, -2.61

 

CMYK 46 / 56 / 0 / 12

HEX #7964E1

RGB 121 100 225

HSL 250.08, 0.68%, 0.64%

LAB 50.23, 39.22, -61.21

 

CMYK 32 / 56 / 0 / 12

HEX #9A64E1

RGB 154 100 225

HSL 265.92, 0.68%, 0.64%

LAB 53.41, 46.75, -55.94

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 2 / 56 / 0 / 12

HEX #DD64E1

RGB 221 100 225

HSL 298.08, 0.68%, 0.64%

LAB 61.59, 63.65, -42.45

 

CMYK 0 / 56 / 13 / 12

HEX #E164C4

RGB 225 100 196

HSL 313.92, 0.68%, 0.64%

LAB 60.88, 59.98, -27.16

 

CMYK 24 / 81 / 0 / 20

HEX #9B27CC

RGB 155 39 204

HSL 282.18, 0.68%, 0.48%

LAB 42.43, 69.12, -61.64

 

CMYK 21 / 70 / 0 / 14

HEX #AD42DB

RGB 173 66 219

HSL 281.96, 0.68%, 0.56%

LAB 49.37, 65.96, -58.91

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 13 / 42 / 0 / 9

HEX #CB87E8

RGB 203 135 232

HSL 282.06, 0.68%, 0.72%

LAB 66.41, 42.58, -38.95

 

CMYK 8 / 29 / 0 / 7

HEX #DAAAEE

RGB 218 170 238

HSL 282.35, 0.67%, 0.8%

LAB 75.96, 29.45, -27.32

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 0 / 56 / 50 / 12

HEX #E16471

RGB 225 100 113

HSL 353.76, 0.68%, 0.64%

LAB 58.33, 49.83, 17.05

 

CMYK 56 / 0 / 39 / 12

HEX #64E18A

RGB 100 225 138

HSL 138.24, 0.68%, 0.64%

LAB 80.96, -53.6, 32.31

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 0 / 16 / 56 / 12

HEX #E1BC64

RGB 225 188 100

HSL 42.24, 0.68%, 0.64%

LAB 77.81, 2.82, 48.9

 

CMYK 56 / 0 / 16 / 12

HEX #64E1BC

RGB 100 225 188

HSL 162.24, 0.68%, 0.64%

LAB 81.94, -43.58, 7.66

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 0 / 56 / 50 / 12

HEX #E16471

RGB 225 100 113

HSL 353.76, 0.68%, 0.64%

LAB 58.33, 49.83, 17.05

 

CMYK 39 / 0 / 56 / 12

HEX #8AE164

RGB 138 225 100

HSL 101.76, 0.68%, 0.64%

LAB 81.93, -48.35, 52.24

 

CMYK 56 / 0 / 5 / 12

HEX #64E1D5

RGB 100 225 213

HSL 174.24, 0.68%, 0.64%

LAB 82.57, -37.54, -4.66

 

CMYK 16 / 56 / 0 / 12

HEX #BC64E1

RGB 188 100 225

HSL 282.24, 0.68%, 0.64%

LAB 57.31, 55.19, -49.49

 

CMYK 0 / 44 / 56 / 12

HEX #E17D64

RGB 225 125 100

HSL 12, 0.68%, 0.64%

LAB 63.01, 36.28, 30.65

 

CMYK 39 / 0 / 56 / 12

HEX #8AE164

RGB 138 225 100

HSL 101.76, 0.68%, 0.64%

LAB 81.93, -48.35, 52.24

 

CMYK 56 / 11 / 0 / 12

HEX #64C8E1

RGB 100 200 225

HSL 192, 0.68%, 0.64%

LAB 75.73, -22.27, -21.33

 

Description

Color code: RGB 188 100 225 | qconv.com Color code: RGB 188 100 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 100 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 100 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 56 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 56% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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