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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 109 216 it is the complementary color RGB 67 146 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 109 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 109 216 shade: RGB 193 109 211, RGB 210 127 230, RGB 227 145 249, RGB 244 163 255 and RGB 255 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 109 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 171 91 197, RGB 154 73 178, RGB 137 55 159 and RGB 120 37 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 216 109 215, RGB 216 109 186, RGB 216 109 158 and RGB 216 109 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 159 109 216, RGB 131 109 216 and RGB 109 109 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 109 216 shade matches the following richer shades: RGB 188 109 216, RGB 195 95 231 and RGB 202 80 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 181 124 201, RGB 174 139 186, RGB 167 154 171 and RGB 160 169 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 109 216 shade: RGB 131 109 216, RGB 159 109 216, RGB 188 109 216, RGB 216 109 216 and RGB 216 109 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 109 216 shade: RGB 155 51 192, RGB 173 77 207, RGB 188 109 216, RGB 203 142 225 and RGB 218 175 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 216 109 117 and RGB 109 216 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 216 188 109 and RGB 109 216 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 216 109 117, RGB 138 216 109 and RGB 109 216 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 109 216 shade: RGB 188 109 216, RGB 216 134 109, RGB 138 216 109 and RGB 109 191 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

Complementary color

CMYK 54 / 0 / 73 / 43

HEX #439227

RGB 67 146 39

HSL 104.3, 0.58%, 0.36%

LAB 53.92, -44.02, 46.78

 

CMYK 9 / 48 / 0 / 17

HEX #C16DD3

RGB 193 109 211

HSL 289.41, 0.54%, 0.63%

LAB 58.95, 49.16, -38.97

 

CMYK 9 / 45 / 0 / 10

HEX #D27FE6

RGB 210 127 230

HSL 288.35, 0.67%, 0.7%

LAB 65.43, 48.42, -39.31

 

CMYK 9 / 42 / 0 / 2

HEX #E391F9

RGB 227 145 249

HSL 287.31, 0.9%, 0.77%

LAB 71.84, 47.67, -39.59

 

CMYK 4 / 36 / 0 / 0

HEX #F4A3FF

RGB 244 163 255

HSL 292.83, 1%, 0.82%

LAB 77.67, 44.45, -33.66

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 13 / 54 / 0 / 23

HEX #AB5BC5

RGB 171 91 197

HSL 285.28, 0.48%, 0.56%

LAB 52.03, 49.5, -42.09

 

CMYK 13 / 59 / 0 / 30

HEX #9A49B2

RGB 154 73 178

HSL 286.29, 0.42%, 0.49%

LAB 45.43, 50.13, -41.66

 

CMYK 14 / 65 / 0 / 38

HEX #89379F

RGB 137 55 159

HSL 287.31, 0.49%, 0.42%

LAB 38.82, 50.53, -41.03

 

CMYK 14 / 74 / 0 / 45

HEX #78258C

RGB 120 37 140

HSL 288.35, 0.58%, 0.35%

LAB 32.28, 50.44, -40.05

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 50 / 0 / 15

HEX #D86DD7

RGB 216 109 215

HSL 300.56, 0.58%, 0.64%

LAB 62.03, 56.36, -36.19

 

CMYK 0 / 50 / 14 / 15

HEX #D86DBA

RGB 216 109 186

HSL 316.82, 0.58%, 0.64%

LAB 60.85, 51.53, -21.61

 

CMYK 0 / 50 / 27 / 15

HEX #D86D9E

RGB 216 109 158

HSL 332.52, 0.58%, 0.64%

LAB 59.89, 47.44, -6.99

 

CMYK 0 / 50 / 40 / 15

HEX #D86D81

RGB 216 109 129

HSL 348.79, 0.58%, 0.64%

LAB 59.09, 43.88, 8.62

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 26 / 50 / 0 / 15

HEX #9F6DD8

RGB 159 109 216

HSL 268.04, 0.58%, 0.64%

LAB 55.35, 40.9, -47.74

 

CMYK 39 / 50 / 0 / 15

HEX #836DD8

RGB 131 109 216

HSL 252.34, 0.58%, 0.64%

LAB 52.64, 33.72, -52.21

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD8

RGB 109 109 216

HSL 240, 0.58%, 0.64%

LAB 50.86, 28.59, -55.17

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 16 / 59 / 0 / 9

HEX #C35FE7

RGB 195 95 231

HSL 284.12, 0.74%, 0.64%

LAB 57.61, 60.56, -52.32

 

CMYK 18 / 67 / 0 / 4

HEX #CA50F6

RGB 202 80 246

HSL 284.1, 0.9%, 0.64%

LAB 57.02, 71.62, -61.58

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 10 / 38 / 0 / 21

HEX #B57CC9

RGB 181 124 201

HSL 284.42, 0.42%, 0.64%

LAB 60.3, 35.57, -31.33

 

CMYK 6 / 25 / 0 / 27

HEX #AE8BBA

RGB 174 139 186

HSL 284.68, 0.25%, 0.64%

LAB 62.52, 21.83, -19.51

 

CMYK 2 / 10 / 0 / 33

HEX #A79AAB

RGB 167 154 171

HSL 285.88, 0.09%, 0.64%

LAB 65.17, 7.96, -7.13

 

CMYK 5 / 0 / 7 / 34

HEX #A0A99D

RGB 160 169 157

HSL 105, 0.07%, 0.64%

LAB 68.23, -5.46, 5.09

 

CMYK 39 / 50 / 0 / 15

HEX #836DD8

RGB 131 109 216

HSL 252.34, 0.58%, 0.64%

LAB 52.64, 33.72, -52.21

 

CMYK 26 / 50 / 0 / 15

HEX #9F6DD8

RGB 159 109 216

HSL 268.04, 0.58%, 0.64%

LAB 55.35, 40.9, -47.74

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 50 / 0 / 15

HEX #D86DD8

RGB 216 109 216

HSL 300, 0.58%, 0.64%

LAB 62.08, 56.54, -36.69

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBC

RGB 216 109 188

HSL 315.7, 0.58%, 0.64%

LAB 60.93, 51.84, -22.63

 

CMYK 19 / 73 / 0 / 25

HEX #9B33C0

RGB 155 51 192

HSL 284.26, 0.58%, 0.48%

LAB 42.98, 62.77, -53.77

 

CMYK 16 / 63 / 0 / 19

HEX #AD4DCF

RGB 173 77 207

HSL 284.31, 0.58%, 0.56%

LAB 50.33, 58.82, -50.51

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 10 / 37 / 0 / 12

HEX #CB8EE1

RGB 203 142 225

HSL 284.1, 0.58%, 0.72%

LAB 67.63, 37.38, -33.17

 

CMYK 6 / 25 / 0 / 9

HEX #DAAFE9

RGB 218 175 233

HSL 284.48, 0.57%, 0.8%

LAB 76.95, 25.76, -23.11

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 50 / 46 / 15

HEX #D86D75

RGB 216 109 117

HSL 355.51, 0.58%, 0.64%

LAB 58.81, 42.63, 15.18

 

CMYK 50 / 0 / 33 / 15

HEX #6DD891

RGB 109 216 145

HSL 140.19, 0.58%, 0.64%

LAB 78.7, -46.51, 25.76

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 13 / 50 / 15

HEX #D8BC6D

RGB 216 188 109

HSL 44.3, 0.58%, 0.64%

LAB 77.08, -0.13, 43.39

 

CMYK 50 / 0 / 13 / 15

HEX #6DD8BC

RGB 109 216 188

HSL 164.3, 0.58%, 0.64%

LAB 79.61, -37.61, 4.34

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 50 / 46 / 15

HEX #D86D75

RGB 216 109 117

HSL 355.51, 0.58%, 0.64%

LAB 58.81, 42.63, 15.18

 

CMYK 36 / 0 / 50 / 15

HEX #8AD86D

RGB 138 216 109

HSL 103.74, 0.58%, 0.64%

LAB 79.4, -43.51, 45

 

CMYK 50 / 0 / 3 / 15

HEX #6DD8D1

RGB 109 216 209

HSL 176.07, 0.58%, 0.64%

LAB 80.16, -32.53, -6.06

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 38 / 50 / 15

HEX #D8866D

RGB 216 134 109

HSL 14.02, 0.58%, 0.64%

LAB 63.96, 28.8, 26.69

 

CMYK 36 / 0 / 50 / 15

HEX #8AD86D

RGB 138 216 109

HSL 103.74, 0.58%, 0.64%

LAB 79.4, -43.51, 45

 

CMYK 50 / 12 / 0 / 15

HEX #6DBFD8

RGB 109 191 216

HSL 194.02, 0.58%, 0.64%

LAB 73.2, -18.31, -20.27

 

Description

Color code: RGB 188 109 216 | qconv.com Color code: RGB 188 109 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 109 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 109 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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