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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 97 239 it is the complementary color RGB 68 158 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 97 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 97 239 shade: RGB 192 97 234, RGB 209 115 253, RGB 226 133 255, RGB 243 151 255 and RGB 255 169 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 97 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 170 79 220, RGB 153 61 201, RGB 136 43 182 and RGB 119 25 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 225 97 239, RGB 239 97 214, RGB 239 97 176 and RGB 239 97 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 148 97 239, RGB 110 97 239 and RGB 97 97 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 97 239 shade matches the following richer shades: RGB 187 97 239 and RGB 191 83 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 183 111 225, RGB 179 125 211, RGB 176 139 197 and RGB 172 153 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 97 239 shade: RGB 111 97 239, RGB 149 97 239, RGB 187 97 239, RGB 225 97 239 and RGB 239 97 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 97 239 shade: RGB 154 22 231, RGB 171 59 235, RGB 187 97 239, RGB 203 134 243 and RGB 219 172 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 239 97 120 and RGB 97 239 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 239 187 97 and RGB 97 239 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 239 97 120, RGB 149 239 97 and RGB 97 239 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 97 239 shade: RGB 187 97 239, RGB 239 116 97, RGB 149 239 97 and RGB 97 220 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

Complementary color

CMYK 57 / 0 / 90 / 38

HEX #449E10

RGB 68 158 16

HSL 98.03, 0.82%, 0.34%

LAB 57.77, -49.56, 57.13

 

CMYK 18 / 59 / 0 / 8

HEX #C061EA

RGB 192 97 234

HSL 281.61, 0.77%, 0.65%

LAB 57.75, 59.5, -53.81

 

CMYK 17 / 55 / 0 / 1

HEX #D173FD

RGB 209 115 253

HSL 280.87, 0.97%, 0.72%

LAB 64.09, 58.84, -54.12

 

CMYK 11 / 48 / 0 / 0

HEX #E285FF

RGB 226 133 255

HSL 285.74, 1%, 0.76%

LAB 69.59, 54.71, -46.4

 

CMYK 5 / 41 / 0 / 0

HEX #F397FF

RGB 243 151 255

HSL 293.08, 1%, 0.8%

LAB 75.08, 50.35, -37.67

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 23 / 64 / 0 / 14

HEX #AA4FDC

RGB 170 79 220

HSL 278.72, 0.67%, 0.59%

LAB 51.04, 59.91, -56.8

 

CMYK 24 / 70 / 0 / 21

HEX #993DC9

RGB 153 61 201

HSL 279.43, 0.56%, 0.51%

LAB 44.7, 60.21, -56.24

 

CMYK 25 / 76 / 0 / 29

HEX #882BB6

RGB 136 43 182

HSL 280.14, 0.62%, 0.44%

LAB 38.44, 60.02, -55.35

 

CMYK 27 / 85 / 0 / 36

HEX #7719A3

RGB 119 25 163

HSL 280.87, 0.73%, 0.37%

LAB 32.4, 58.97, -53.93

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 6 / 59 / 0 / 6

HEX #E161EF

RGB 225 97 239

HSL 294.08, 0.82%, 0.66%

LAB 62.33, 68.43, -49.05

 

CMYK 0 / 59 / 10 / 6

HEX #EF61D6

RGB 239 97 214

HSL 310.56, 0.82%, 0.66%

LAB 63.14, 67.84, -33.67

 

CMYK 0 / 59 / 26 / 6

HEX #EF61B0

RGB 239 97 176

HSL 326.62, 0.82%, 0.66%

LAB 61.68, 62.52, -14.32

 

CMYK 0 / 59 / 42 / 6

HEX #EF618A

RGB 239 97 138

HSL 342.68, 0.82%, 0.66%

LAB 60.55, 58.18, 5.94

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 38 / 59 / 0 / 6

HEX #9461EF

RGB 148 97 239

HSL 261.55, 0.82%, 0.66%

LAB 53.03, 50.52, -64.43

 

CMYK 54 / 59 / 0 / 6

HEX #6E61EF

RGB 110 97 239

HSL 245.49, 0.82%, 0.66%

LAB 49.61, 42.94, -70.14

 

CMYK 59 / 59 / 0 / 6

HEX #6161EF

RGB 97 97 239

HSL 240, 0.82%, 0.66%

LAB 48.66, 40.71, -71.72

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 25 / 67 / 0 / 1

HEX #BF53FD

RGB 191 83 253

HSL 278.12, 0.98%, 0.66%

LAB 56.44, 69.52, -66.48

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 19 / 51 / 0 / 12

HEX #B76FE1

RGB 183 111 225

HSL 277.89, 0.66%, 0.66%

LAB 58.86, 48.27, -47.08

 

CMYK 15 / 41 / 0 / 17

HEX #B37DD3

RGB 179 125 211

HSL 277.67, 0.49%, 0.66%

LAB 60.74, 36.53, -36.29

 

CMYK 11 / 29 / 0 / 23

HEX #B08BC5

RGB 176 139 197

HSL 278.28, 0.33%, 0.66%

LAB 63.12, 24.77, -24.77

 

CMYK 6 / 16 / 0 / 28

HEX #AC99B7

RGB 172 153 183

HSL 278, 0.17%, 0.66%

LAB 65.73, 12.65, -12.98

 

CMYK 54 / 59 / 0 / 6

HEX #6F61EF

RGB 111 97 239

HSL 245.92, 0.82%, 0.66%

LAB 49.69, 43.12, -70.01

 

CMYK 38 / 59 / 0 / 6

HEX #9561EF

RGB 149 97 239

HSL 261.97, 0.82%, 0.66%

LAB 53.14, 50.74, -64.26

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 6 / 59 / 0 / 6

HEX #E161EF

RGB 225 97 239

HSL 294.08, 0.82%, 0.66%

LAB 62.33, 68.43, -49.05

 

CMYK 0 / 59 / 10 / 6

HEX #EF61D7

RGB 239 97 215

HSL 310.14, 0.82%, 0.66%

LAB 63.18, 67.99, -34.16

 

CMYK 33 / 90 / 0 / 9

HEX #9A16E7

RGB 154 22 231

HSL 277.89, 0.83%, 0.5%

LAB 43.08, 78.17, -76.07

 

CMYK 27 / 75 / 0 / 8

HEX #AB3BEB

RGB 171 59 235

HSL 278.18, 0.81%, 0.58%

LAB 49.23, 71.5, -68.2

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 16 / 45 / 0 / 5

HEX #CB86F3

RGB 203 134 243

HSL 277.98, 0.82%, 0.74%

LAB 66.69, 45.41, -44.57

 

CMYK 11 / 30 / 0 / 4

HEX #DBACF6

RGB 219 172 246

HSL 278.11, 0.8%, 0.82%

LAB 76.81, 30.29, -30.34

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 0 / 59 / 50 / 6

HEX #EF6178

RGB 239 97 120

HSL 350.28, 0.82%, 0.66%

LAB 60.12, 56.51, 15.79

 

CMYK 59 / 0 / 46 / 6

HEX #61EF82

RGB 97 239 130

HSL 133.94, 0.82%, 0.66%

LAB 84.94, -60.93, 41.42

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 0 / 22 / 59 / 6

HEX #EFBB61

RGB 239 187 97

HSL 38.03, 0.82%, 0.66%

LAB 78.9, 8.93, 51.95

 

CMYK 59 / 0 / 22 / 6

HEX #61EFBB

RGB 97 239 187

HSL 158.03, 0.82%, 0.66%

LAB 85.94, -50.36, 13.86

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 0 / 59 / 50 / 6

HEX #EF6178

RGB 239 97 120

HSL 350.28, 0.82%, 0.66%

LAB 60.12, 56.51, 15.79

 

CMYK 38 / 0 / 59 / 6

HEX #95EF61

RGB 149 239 97

HSL 98.03, 0.82%, 0.66%

LAB 86.5, -50.89, 58.95

 

CMYK 59 / 0 / 10 / 6

HEX #61EFD7

RGB 97 239 215

HSL 169.86, 0.82%, 0.66%

LAB 86.59, -43.87, 0.17

 

CMYK 22 / 59 / 0 / 6

HEX #BB61EF

RGB 187 97 239

HSL 278.03, 0.82%, 0.66%

LAB 57.41, 59.35, -57.17

 

CMYK 0 / 51 / 59 / 6

HEX #EF7461

RGB 239 116 97

HSL 8.03, 0.82%, 0.66%

LAB 63.1, 45.85, 32.83

 

CMYK 38 / 0 / 59 / 6

HEX #95EF61

RGB 149 239 97

HSL 98.03, 0.82%, 0.66%

LAB 86.5, -50.89, 58.95

 

CMYK 59 / 8 / 0 / 6

HEX #61DCEF

RGB 97 220 239

HSL 188.03, 0.82%, 0.66%

LAB 81.82, -28.77, -19.61

 

Description

Color code: RGB 187 97 239 | qconv.com Color code: RGB 187 97 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 97 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 97 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 59 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 59% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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