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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 96 172 it is the complementary color RGB 68 159 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 96 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 96 172 shade: RGB 192 96 167, RGB 209 114 186, RGB 226 132 205, RGB 243 150 224 and RGB 255 168 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 96 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 96 172 shade: RGB 187 96 172, RGB 170 78 153, RGB 153 60 134, RGB 136 42 115 and RGB 119 24 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 96 172 shade: RGB 186 94 171, RGB 186 94 146, RGB 186 94 121, RGB 186 94 96 and RGB 186 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 96 172 shade: RGB 186 94 171, RGB 176 94 186, RGB 151 94 186, RGB 127 94 186 and RGB 102 94 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 96 172 shade matches the following richer shades: RGB 186 94 171, RGB 204 75 183, RGB 223 57 195 and RGB 241 38 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 96 172 shade: RGB 186 94 171, RGB 167 112 158, RGB 149 131 146, RGB 130 150 133 and RGB 111 168 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 96 172 shade: RGB 150 94 186, RGB 175 94 186, RGB 186 94 172, RGB 186 94 147 and RGB 186 94 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 96 172 shade: RGB 138 59 125, RGB 167 71 151, RGB 186 94 171, RGB 198 123 186 and RGB 210 152 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 96 172 shade: RGB 187 96 172, RGB 186 126 94 and RGB 94 186 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 96 172 shade: RGB 187 96 172, RGB 172 186 94 and RGB 94 172 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 96 172 shade: RGB 187 96 172, RGB 186 126 94, RGB 94 186 108 and RGB 94 154 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 96 172 shade: RGB 187 96 172, RGB 186 154 94, RGB 94 186 108 and RGB 94 126 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

Complementary color

CMYK 57 / 0 / 48 / 38

HEX #449F53

RGB 68 159 83

HSL 129.89, 0.4%, 0.45%

LAB 58.65, -43.72, 31.59

 

CMYK 0 / 50 / 13 / 25

HEX #C060A7

RGB 192 96 167

HSL 315.63, 0.43%, 0.56%

LAB 54.41, 47.56, -20.81

 

CMYK 0 / 45 / 11 / 18

HEX #D172BA

RGB 209 114 186

HSL 314.53, 0.51%, 0.63%

LAB 60.9, 46.86, -21.62

 

CMYK 0 / 42 / 9 / 11

HEX #E284CD

RGB 226 132 205

HSL 313.4, 0.62%, 0.7%

LAB 67.34, 46.12, -22.31

 

CMYK 0 / 38 / 8 / 5

HEX #F396E0

RGB 243 150 224

HSL 312.26, 0.79%, 0.77%

LAB 73.71, 45.38, -22.91

 

CMYK 0 / 34 / 5 / 0

HEX #FFA8F3

RGB 255 168 243

HSL 308.28, 1%, 0.83%

LAB 79.46, 43.09, -24.34

 

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

CMYK 0 / 54 / 10 / 33

HEX #AA4E99

RGB 170 78 153

HSL 311.09, 0.37%, 0.49%

LAB 47.36, 47.48, -23.68

 

CMYK 0 / 61 / 12 / 40

HEX #993C86

RGB 153 60 134

HSL 312.26, 0.44%, 0.42%

LAB 40.78, 47.92, -22.61

 

CMYK 0 / 69 / 15 / 47

HEX #882A73

RGB 136 42 115

HSL 313.4, 0.53%, 0.35%

LAB 34.25, 47.95, -21.16

 

CMYK 0 / 80 / 19 / 53

HEX #771860

RGB 119 24 96

HSL 314.53, 0.66%, 0.28%

LAB 27.9, 47.18, -19.08

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAB

RGB 186 94 171

HSL 309.78, 0.4%, 0.55%

LAB 53.37, 47.39, -24.81

 

CMYK 0 / 49 / 22 / 27

HEX #BA5E92

RGB 186 94 146

HSL 326.09, 0.4%, 0.55%

LAB 52.42, 43.39, -11.6

 

CMYK 0 / 49 / 35 / 27

HEX #BA5E79

RGB 186 94 121

HSL 342.39, 0.4%, 0.55%

LAB 51.64, 39.97, 2.07

 

CMYK 0 / 49 / 48 / 27

HEX #BA5E60

RGB 186 94 96

HSL 358.7, 0.4%, 0.55%

LAB 51.02, 37.19, 16.08

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAB

RGB 186 94 171

HSL 309.78, 0.4%, 0.55%

LAB 53.37, 47.39, -24.81

 

CMYK 5 / 49 / 0 / 27

HEX #B05EBA

RGB 176 94 186

HSL 293.48, 0.4%, 0.55%

LAB 52.71, 47.16, -34.64

 

CMYK 19 / 49 / 0 / 27

HEX #975EBA

RGB 151 94 186

HSL 277.17, 0.4%, 0.55%

LAB 49.65, 40.03, -39.65

 

CMYK 32 / 49 / 0 / 27

HEX #7F5EBA

RGB 127 94 186

HSL 261.52, 0.4%, 0.55%

LAB 47.06, 33.41, -43.93

 

CMYK 45 / 49 / 0 / 27

HEX #665EBA

RGB 102 94 186

HSL 245.22, 0.4%, 0.55%

LAB 44.77, 27.03, -47.72

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAB

RGB 186 94 171

HSL 309.78, 0.4%, 0.55%

LAB 53.37, 47.39, -24.81

 

CMYK 0 / 63 / 10 / 20

HEX #CC4BB7

RGB 204 75 183

HSL 309.77, 0.56%, 0.55%

LAB 53.26, 63.1, -31.74

 

CMYK 0 / 74 / 13 / 13

HEX #DF39C3

RGB 223 57 195

HSL 310.12, 0.72%, 0.55%

LAB 54.61, 75.71, -36.36

 

CMYK 0 / 84 / 14 / 5

HEX #F126D0

RGB 241 38 208

HSL 309.75, 0.88%, 0.55%

LAB 56.72, 85.68, -40.28

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAB

RGB 186 94 171

HSL 309.78, 0.4%, 0.55%

LAB 53.37, 47.39, -24.81

 

CMYK 0 / 33 / 5 / 35

HEX #A7709E

RGB 167 112 158

HSL 309.82, 0.24%, 0.55%

LAB 54.31, 29.22, -16

 

CMYK 0 / 12 / 2 / 42

HEX #958392

RGB 149 131 146

HSL 310, 0.08%, 0.55%

LAB 56.78, 9.61, -5.53

 

CMYK 13 / 0 / 11 / 41

HEX #829685

RGB 130 150 133

HSL 129, 0.09%, 0.55%

LAB 60.12, -10.54, 6.58

 

CMYK 34 / 0 / 28 / 34

HEX #6FA879

RGB 111 168 121

HSL 130.53, 0.25%, 0.55%

LAB 63.97, -28.63, 18.51

 

CMYK 19 / 49 / 0 / 27

HEX #965EBA

RGB 150 94 186

HSL 276.52, 0.4%, 0.55%

LAB 49.54, 39.75, -39.84

 

CMYK 6 / 49 / 0 / 27

HEX #AF5EBA

RGB 175 94 186

HSL 292.83, 0.4%, 0.55%

LAB 52.58, 46.88, -34.85

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAC

RGB 186 94 172

HSL 309.13, 0.4%, 0.55%

LAB 53.41, 47.56, -25.33

 

CMYK 0 / 49 / 21 / 27

HEX #BA5E93

RGB 186 94 147

HSL 325.43, 0.4%, 0.55%

LAB 52.45, 43.54, -12.14

 

CMYK 0 / 49 / 34 / 27

HEX #BA5E7B

RGB 186 94 123

HSL 341.09, 0.4%, 0.55%

LAB 51.7, 40.22, 0.96

 

CMYK 0 / 57 / 9 / 46

HEX #8A3B7D

RGB 138 59 125

HSL 309.87, 0.4%, 0.39%

LAB 37.86, 42.44, -21.77

 

CMYK 0 / 57 / 10 / 35

HEX #A74797

RGB 167 71 151

HSL 310, 0.4%, 0.47%

LAB 45.57, 49.63, -25.28

 

CMYK 0 / 49 / 8 / 27

HEX #BA5EAB

RGB 186 94 171

HSL 309.78, 0.4%, 0.55%

LAB 53.37, 47.39, -24.81

 

CMYK 0 / 38 / 6 / 22

HEX #C67BBA

RGB 198 123 186

HSL 309.6, 0.4%, 0.63%

LAB 61.41, 38.63, -20.96

 

CMYK 0 / 28 / 4 / 18

HEX #D298C9

RGB 210 152 201

HSL 309.31, 0.39%, 0.71%

LAB 69.74, 29.58, -16.61

 

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

CMYK 0 / 32 / 49 / 27

HEX #BA7E5E

RGB 186 126 94

HSL 20.87, 0.4%, 0.55%

LAB 58.2, 19.6, 26.8

 

CMYK 49 / 0 / 12 / 27

HEX #5EBAA3

RGB 94 186 163

HSL 165, 0.4%, 0.55%

LAB 69.57, -33.06, 3.25

 

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

CMYK 8 / 0 / 49 / 27

HEX #ACBA5E

RGB 172 186 94

HSL 69.13, 0.4%, 0.55%

LAB 72.69, -18.55, 44.62

 

CMYK 49 / 8 / 0 / 27

HEX #5EACBA

RGB 94 172 186

HSL 189.13, 0.4%, 0.55%

LAB 66.08, -20.19, -14.61

 

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

CMYK 0 / 32 / 49 / 27

HEX #BA7E5E

RGB 186 126 94

HSL 20.87, 0.4%, 0.55%

LAB 58.2, 19.6, 26.8

 

CMYK 49 / 0 / 42 / 27

HEX #5EBA6C

RGB 94 186 108

HSL 129.13, 0.4%, 0.55%

LAB 68.45, -44.14, 31.3

 

CMYK 49 / 17 / 0 / 27

HEX #5E9ABA

RGB 94 154 186

HSL 200.87, 0.4%, 0.55%

LAB 60.81, -10.59, -22.62

 

CMYK 0 / 49 / 8 / 27

HEX #BB60AC

RGB 187 96 172

HSL 309.89, 0.4%, 0.55%

LAB 53.93, 46.86, -24.51

 

CMYK 0 / 17 / 49 / 27

HEX #BA9A5E

RGB 186 154 94

HSL 39.13, 0.4%, 0.55%

LAB 65.25, 4.13, 35.79

 

CMYK 49 / 0 / 42 / 27

HEX #5EBA6C

RGB 94 186 108

HSL 129.13, 0.4%, 0.55%

LAB 68.45, -44.14, 31.3

 

CMYK 49 / 32 / 0 / 27

HEX #5E7EBA

RGB 94 126 186

HSL 219.13, 0.4%, 0.55%

LAB 52.78, 5.51, -35.07

 

Description

Color code: RGB 187 96 172 | qconv.com Color code: RGB 187 96 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 96 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 96 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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