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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 83 253 it is the complementary color RGB 68 172 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 83 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 83 253 shade: RGB 192 83 248, RGB 209 101 255, RGB 226 119 255, RGB 243 137 255 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 83 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 170 65 234, RGB 153 47 215, RGB 136 29 196 and RGB 119 11 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 233 83 253, RGB 253 83 227, RGB 253 83 181 and RGB 253 83 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 141 83 253, RGB 95 83 253 and RGB 83 83 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 83 253 shade matches the following richer shades: RGB 187 83 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 184 97 239, RGB 181 111 225, RGB 177 125 211 and RGB 174 139 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 83 253 shade: RGB 94 83 253, RGB 139 83 253, RGB 185 83 253, RGB 230 83 253 and RGB 253 83 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 83 253 shade: RGB 154 2 251, RGB 171 42 252, RGB 187 83 253, RGB 203 124 253 and RGB 219 165 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 253 83 117 and RGB 83 253 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 253 185 83 and RGB 83 253 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 253 83 117, RGB 151 253 83 and RGB 83 253 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 83 253 shade: RGB 187 83 253, RGB 253 100 83, RGB 151 253 83 and RGB 83 236 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

Complementary color

CMYK 60 / 0 / 99 / 33

HEX #44AC02

RGB 68 172 2

HSL 96.71, 0.98%, 0.34%

LAB 62.29, -54.92, 62.94

 

CMYK 23 / 67 / 0 / 3

HEX #C053F8

RGB 192 83 248

HSL 279.64, 0.92%, 0.65%

LAB 56.26, 68.7, -63.99

 

CMYK 18 / 60 / 0 / 0

HEX #D165FF

RGB 209 101 255

HSL 282.08, 1%, 0.7%

LAB 61.73, 65.89, -58.98

 

CMYK 11 / 53 / 0 / 0

HEX #E277FF

RGB 226 119 255

HSL 287.21, 1%, 0.73%

LAB 66.96, 61.6, -50.53

 

CMYK 5 / 46 / 0 / 0

HEX #F389FF

RGB 243 137 255

HSL 293.9, 1%, 0.77%

LAB 72.34, 57.38, -41.94

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 27 / 72 / 0 / 8

HEX #AA41EA

RGB 170 65 234

HSL 277.28, 0.8%, 0.59%

LAB 49.82, 68.85, -66.7

 

CMYK 29 / 78 / 0 / 16

HEX #992FD7

RGB 153 47 215

HSL 277.86, 0.68%, 0.51%

LAB 43.82, 68.48, -65.74

 

CMYK 31 / 85 / 0 / 23

HEX #881DC4

RGB 136 29 196

HSL 278.44, 0.74%, 0.44%

LAB 38.02, 67.29, -64.28

 

CMYK 33 / 94 / 0 / 31

HEX #770BB1

RGB 119 11 177

HSL 279.04, 0.88%, 0.37%

LAB 32.56, 64.82, -62.08

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 8 / 67 / 0 / 1

HEX #E953FD

RGB 233 83 253

HSL 292.94, 0.98%, 0.66%

LAB 62.17, 78.26, -56.98

 

CMYK 0 / 67 / 10 / 1

HEX #FD53E3

RGB 253 83 227

HSL 309.18, 0.98%, 0.66%

LAB 63.85, 78.62, -39.7

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B5

RGB 253 83 181

HSL 325.41, 0.98%, 0.66%

LAB 62, 72.57, -16.5

 

CMYK 0 / 67 / 47 / 1

HEX #FD5387

RGB 253 83 135

HSL 341.65, 0.98%, 0.66%

LAB 60.62, 67.84, 8.1

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 44 / 67 / 0 / 1

HEX #8D53FD

RGB 141 83 253

HSL 260.47, 0.98%, 0.66%

LAB 50.62, 59.99, -76.19

 

CMYK 62 / 67 / 0 / 1

HEX #5F53FD

RGB 95 83 253

HSL 244.24, 0.98%, 0.66%

LAB 46.59, 52.86, -82.93

 

CMYK 67 / 67 / 0 / 1

HEX #5353FD

RGB 83 83 253

HSL 240, 0.98%, 0.66%

LAB 45.79, 51.38, -84.27

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 23 / 59 / 0 / 6

HEX #B861EF

RGB 184 97 239

HSL 276.76, 0.82%, 0.66%

LAB 57.05, 58.65, -57.77

 

CMYK 20 / 51 / 0 / 12

HEX #B56FE1

RGB 181 111 225

HSL 276.84, 0.66%, 0.66%

LAB 58.63, 47.73, -47.45

 

CMYK 16 / 41 / 0 / 17

HEX #B17DD3

RGB 177 125 211

HSL 276.28, 0.49%, 0.66%

LAB 60.53, 35.94, -36.63

 

CMYK 12 / 29 / 0 / 23

HEX #AE8BC5

RGB 174 139 197

HSL 276.21, 0.33%, 0.66%

LAB 62.92, 24.12, -25.08

 

CMYK 63 / 67 / 0 / 1

HEX #5E53FD

RGB 94 83 253

HSL 243.88, 0.98%, 0.66%

LAB 46.52, 52.73, -83.05

 

CMYK 45 / 67 / 0 / 1

HEX #8B53FD

RGB 139 83 253

HSL 259.76, 0.98%, 0.66%

LAB 50.41, 59.64, -76.53

 

CMYK 27 / 67 / 0 / 1

HEX #B953FD

RGB 185 83 253

HSL 276, 0.98%, 0.66%

LAB 55.68, 68.31, -67.75

 

CMYK 9 / 67 / 0 / 1

HEX #E653FD

RGB 230 83 253

HSL 291.88, 0.98%, 0.66%

LAB 61.74, 77.63, -57.69

 

CMYK 0 / 67 / 9 / 1

HEX #FD53E6

RGB 253 83 230

HSL 308.12, 0.98%, 0.66%

LAB 63.98, 79.06, -41.16

 

CMYK 39 / 99 / 0 / 2

HEX #9A02FB

RGB 154 2 251

HSL 276.63, 0.98%, 0.5%

LAB 44.06, 84.41, -85.75

 

CMYK 32 / 83 / 0 / 1

HEX #AB2AFC

RGB 171 42 252

HSL 276.86, 0.97%, 0.58%

LAB 48.69, 80.21, -78.63

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 20 / 51 / 0 / 1

HEX #CB7CFD

RGB 203 124 253

HSL 276.74, 0.97%, 0.74%

LAB 65.12, 52.78, -52.52

 

CMYK 14 / 35 / 0 / 0

HEX #DBA5FE

RGB 219 165 254

HSL 276.4, 0.98%, 0.82%

LAB 75.53, 35.72, -36.63

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 0 / 67 / 54 / 1

HEX #FD5375

RGB 253 83 117

HSL 348, 0.98%, 0.66%

LAB 60.21, 66.38, 18.01

 

CMYK 67 / 0 / 54 / 1

HEX #53FD75

RGB 83 253 117

HSL 132, 0.98%, 0.66%

LAB 88.63, -70.43, 52.03

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 0 / 27 / 67 / 1

HEX #FDB953

RGB 253 185 83

HSL 36, 0.98%, 0.66%

LAB 79.73, 14.9, 59.73

 

CMYK 67 / 0 / 27 / 1

HEX #53FDB9

RGB 83 253 185

HSL 156, 0.98%, 0.66%

LAB 89.67, -58.83, 20.07

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 0 / 67 / 54 / 1

HEX #FD5375

RGB 253 83 117

HSL 348, 0.98%, 0.66%

LAB 60.21, 66.38, 18.01

 

CMYK 40 / 0 / 67 / 1

HEX #97FD53

RGB 151 253 83

HSL 96, 0.98%, 0.66%

LAB 90.53, -57.04, 68.99

 

CMYK 67 / 0 / 13 / 1

HEX #53FDDB

RGB 83 253 219

HSL 168, 0.98%, 0.66%

LAB 90.42, -51.12, 3.6

 

CMYK 26 / 67 / 0 / 1

HEX #BB53FD

RGB 187 83 253

HSL 276.71, 0.98%, 0.66%

LAB 55.93, 68.72, -67.33

 

CMYK 0 / 60 / 67 / 1

HEX #FD6453

RGB 253 100 83

HSL 6, 0.98%, 0.66%

LAB 62.19, 57.33, 39.89

 

CMYK 40 / 0 / 67 / 1

HEX #97FD53

RGB 151 253 83

HSL 96, 0.98%, 0.66%

LAB 90.53, -57.04, 68.99

 

CMYK 67 / 7 / 0 / 1

HEX #53ECFD

RGB 83 236 253

HSL 186, 0.98%, 0.66%

LAB 86.47, -34.59, -20

 

Description

Color code: RGB 187 83 253 | qconv.com Color code: RGB 187 83 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 83 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 83 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 67 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 67% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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