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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 76 117 it is the complementary color RGB 68 179 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 76 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 76 117 shade: RGB 192 76 112, RGB 209 94 131, RGB 226 112 150, RGB 243 130 169 and RGB 255 148 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 76 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 76 117 shade: RGB 187 76 117, RGB 170 58 98, RGB 153 40 79, RGB 136 22 60 and RGB 119 4 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 76 117 shade: RGB 187 77 118, RGB 187 77 88 and RGB 187 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 76 117 shade: RGB 187 77 118, RGB 187 77 147, RGB 187 77 177, RGB 168 77 187 and RGB 138 77 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 76 117 shade matches the following richer shades: RGB 187 77 118, RGB 207 57 113, RGB 227 37 107 and RGB 247 18 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 76 117 shade: RGB 187 77 118, RGB 167 97 123, RGB 148 117 128, RGB 128 136 133 and RGB 108 156 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 76 117 shade: RGB 187 77 178, RGB 187 77 149, RGB 187 77 119, RGB 187 77 90 and RGB 187 94 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 76 117 shade: RGB 132 50 80, RGB 162 61 98, RGB 187 77 118, RGB 199 107 141 and RGB 210 137 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 76 117 shade: RGB 187 76 117, RGB 187 167 77 and RGB 77 163 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 76 117 shade: RGB 187 76 117, RGB 119 187 77 and RGB 77 119 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 76 117 shade: RGB 187 76 117, RGB 187 167 77, RGB 77 187 145 and RGB 77 97 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 76 117 shade: RGB 187 76 117, RGB 174 187 77, RGB 77 187 145 and RGB 90 77 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

Complementary color

CMYK 62 / 0 / 23 / 30

HEX #44B38A

RGB 68 179 138

HSL 157.84, 0.45%, 0.48%

LAB 65.98, -41.39, 11.73

 

CMYK 0 / 60 / 42 / 25

HEX #C04C70

RGB 192 76 112

HSL 341.38, 0.48%, 0.53%

LAB 48.94, 49.77, 3.68

 

CMYK 0 / 55 / 37 / 18

HEX #D15E83

RGB 209 94 131

HSL 340.7, 0.56%, 0.59%

LAB 55.28, 49.07, 1.85

 

CMYK 0 / 50 / 34 / 11

HEX #E27096

RGB 226 112 150

HSL 340, 0.66%, 0.66%

LAB 61.62, 48.27, 0.32

 

CMYK 0 / 47 / 30 / 5

HEX #F382A9

RGB 243 130 169

HSL 339.29, 0.82%, 0.73%

LAB 67.94, 47.43, -0.99

 

CMYK 0 / 42 / 26 / 0

HEX #FF94BC

RGB 255 148 188

HSL 337.57, 1%, 0.79%

LAB 73.59, 44.9, -3.11

 

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

CMYK 0 / 66 / 42 / 33

HEX #AA3A62

RGB 170 58 98

HSL 338.57, 0.49%, 0.45%

LAB 41.93, 49.16, 1.67

 

CMYK 0 / 74 / 48 / 40

HEX #99284F

RGB 153 40 79

HSL 339.29, 0.59%, 0.38%

LAB 35.7, 49.18, 4.34

 

CMYK 0 / 84 / 56 / 47

HEX #88163C

RGB 136 22 60

HSL 340, 0.72%, 0.31%

LAB 29.75, 48.34, 7.9

 

CMYK 0 / 97 / 66 / 53

HEX #770429

RGB 119 4 41

HSL 340.7, 0.93%, 0.24%

LAB 24.22, 46.22, 12.67

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 59 / 53 / 27

HEX #BB4D58

RGB 187 77 88

HSL 354, 0.45%, 0.52%

LAB 47.72, 45.3, 16.38

 

CMYK 0 / 59 / 59 / 27

HEX #BB4D4D

RGB 187 77 77

HSL 0, 0.45%, 0.52%

LAB 47.51, 44.42, 22.7

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 59 / 21 / 27

HEX #BB4D93

RGB 187 77 147

HSL 321.82, 0.45%, 0.52%

LAB 49.47, 52.12, -16.65

 

CMYK 0 / 59 / 5 / 27

HEX #BB4DB1

RGB 187 77 177

HSL 305.45, 0.45%, 0.52%

LAB 50.74, 56.8, -32.38

 

CMYK 10 / 59 / 0 / 27

HEX #A84DBB

RGB 168 77 187

HSL 289.64, 0.45%, 0.52%

LAB 48.54, 53.61, -41.86

 

CMYK 26 / 59 / 0 / 27

HEX #8A4DBB

RGB 138 77 187

HSL 273.27, 0.45%, 0.52%

LAB 44.66, 46.02, -48.27

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 72 / 45 / 19

HEX #CF3971

RGB 207 57 113

HSL 337.6, 0.61%, 0.52%

LAB 48.74, 62.04, 3.11

 

CMYK 0 / 84 / 53 / 11

HEX #E3256B

RGB 227 37 107

HSL 337.89, 0.77%, 0.52%

LAB 50.35, 72.36, 9.57

 

CMYK 0 / 93 / 59 / 3

HEX #F71266

RGB 247 18 102

HSL 337.99, 0.93%, 0.52%

LAB 53.13, 79.73, 17.07

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 42 / 26 / 35

HEX #A7617B

RGB 167 97 123

HSL 337.71, 0.28%, 0.52%

LAB 49.73, 31.76, -2.22

 

CMYK 0 / 21 / 14 / 42

HEX #947580

RGB 148 117 128

HSL 338.71, 0.13%, 0.52%

LAB 52.48, 13.98, -1.4

 

CMYK 6 / 0 / 2 / 47

HEX #808885

RGB 128 136 133

HSL 157.5, 0.03%, 0.52%

LAB 55.98, -3.54, 0.59

 

CMYK 31 / 0 / 12 / 39

HEX #6C9C8A

RGB 108 156 138

HSL 157.5, 0.2%, 0.52%

LAB 60.6, -20.16, 4.28

 

CMYK 0 / 59 / 5 / 27

HEX #BB4DB2

RGB 187 77 178

HSL 304.91, 0.45%, 0.52%

LAB 50.79, 56.97, -32.89

 

CMYK 0 / 59 / 20 / 27

HEX #BB4D95

RGB 187 77 149

HSL 320.73, 0.45%, 0.52%

LAB 49.55, 52.41, -17.72

 

CMYK 0 / 59 / 36 / 27

HEX #BB4D77

RGB 187 77 119

HSL 337.09, 0.45%, 0.52%

LAB 48.52, 48.46, -1.26

 

CMYK 0 / 59 / 52 / 27

HEX #BB4D5A

RGB 187 77 90

HSL 352.91, 0.45%, 0.52%

LAB 47.77, 45.48, 15.23

 

CMYK 0 / 50 / 59 / 27

HEX #BB5E4D

RGB 187 94 77

HSL 9.27, 0.45%, 0.52%

LAB 50.81, 35.91, 26.96

 

CMYK 0 / 62 / 39 / 48

HEX #843250

RGB 132 50 80

HSL 338.05, 0.45%, 0.36%

LAB 33.49, 38.24, 0.02

 

CMYK 0 / 62 / 40 / 36

HEX #A23D62

RGB 162 61 98

HSL 338.02, 0.45%, 0.44%

LAB 41.06, 45.25, 0.24

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 46 / 29 / 22

HEX #C76B8D

RGB 199 107 141

HSL 337.83, 0.45%, 0.6%

LAB 56.66, 40.4, -2.16

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

CMYK 0 / 11 / 59 / 27

HEX #BBA74D

RGB 187 167 77

HSL 49.09, 0.45%, 0.52%

LAB 68.56, -3.89, 48.28

 

CMYK 59 / 13 / 0 / 27

HEX #4DA3BB

RGB 77 163 187

HSL 193.09, 0.45%, 0.52%

LAB 62.81, -18.8, -20.19

 

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

CMYK 36 / 0 / 59 / 27

HEX #77BB4D

RGB 119 187 77

HSL 97.09, 0.45%, 0.52%

LAB 69.47, -40.86, 48.04

 

CMYK 59 / 36 / 0 / 27

HEX #4D77BB

RGB 77 119 187

HSL 217.09, 0.45%, 0.52%

LAB 49.93, 6.25, -40.19

 

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

CMYK 0 / 11 / 59 / 27

HEX #BBA74D

RGB 187 167 77

HSL 49.09, 0.45%, 0.52%

LAB 68.56, -3.89, 48.28

 

CMYK 59 / 0 / 22 / 27

HEX #4DBB91

RGB 77 187 145

HSL 157.09, 0.45%, 0.52%

LAB 68.87, -41.48, 12.01

 

CMYK 59 / 48 / 0 / 27

HEX #4D61BB

RGB 77 97 187

HSL 229.09, 0.45%, 0.52%

LAB 43.82, 19.97, -49.92

 

CMYK 0 / 59 / 37 / 27

HEX #BB4C75

RGB 187 76 117

HSL 337.84, 0.45%, 0.52%

LAB 48.28, 48.69, -0.4

 

CMYK 7 / 0 / 59 / 27

HEX #AEBB4D

RGB 174 187 77

HSL 67.09, 0.45%, 0.52%

LAB 72.94, -19.72, 52.9

 

CMYK 59 / 0 / 22 / 27

HEX #4DBB91

RGB 77 187 145

HSL 157.09, 0.45%, 0.52%

LAB 68.87, -41.48, 12.01

 

CMYK 52 / 59 / 0 / 27

HEX #5A4DBB

RGB 90 77 187

HSL 247.09, 0.45%, 0.52%

LAB 39.7, 35.08, -56.52

 

Description

Color code: RGB 187 76 117 | qconv.com Color code: RGB 187 76 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 76 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 76 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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