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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 52 238 it is the complementary color RGB 68 203 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 52 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 52 238 shade: RGB 192 52 233, RGB 209 70 252, RGB 226 88 255, RGB 243 106 255 and RGB 255 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 52 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 170 34 219, RGB 153 16 200, RGB 136 0 181 and RGB 119 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 237 52 238, RGB 238 52 189, RGB 238 52 138 and RGB 238 52 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 137 52 238, RGB 86 52 238 and RGB 52 52 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 52 238 shade matches the following richer shades: RGB 187 52 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 179 69 220, RGB 171 87 203, RGB 163 105 185 and RGB 155 123 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 52 238 shade: RGB 86 52 238, RGB 136 52 238, RGB 185 52 238, RGB 235 52 238 and RGB 238 52 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 52 238 shade: RGB 144 15 192, RGB 172 18 230, RGB 187 52 238, RGB 200 90 241 and RGB 212 128 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 238 52 67 and RGB 52 238 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 238 185 52 and RGB 52 238 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 238 52 67, RGB 104 238 52 and RGB 52 238 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 52 238 shade: RGB 187 52 238, RGB 238 92 52, RGB 104 238 52 and RGB 52 198 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

Complementary color

CMYK 67 / 0 / 92 / 20

HEX #44CB11

RGB 68 203 17

HSL 103.55, 0.85%, 0.43%

LAB 72.22, -64.91, 69.16

 

CMYK 18 / 78 / 0 / 9

HEX #C034E9

RGB 192 52 233

HSL 286.41, 0.8%, 0.56%

LAB 51.32, 77.12, -63.55

 

CMYK 17 / 72 / 0 / 1

HEX #D146FC

RGB 209 70 252

HSL 285.82, 0.97%, 0.63%

LAB 57.04, 77.89, -64.83

 

CMYK 11 / 65 / 0 / 0

HEX #E258FF

RGB 226 88 255

HSL 289.58, 1%, 0.67%

LAB 61.97, 75.21, -58.46

 

CMYK 5 / 58 / 0 / 0

HEX #F36AFF

RGB 243 106 255

HSL 295.17, 1%, 0.71%

LAB 66.96, 71.72, -50.39

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 22 / 84 / 0 / 14

HEX #AA22DB

RGB 170 34 219

HSL 284.11, 0.73%, 0.5%

LAB 45.37, 75.68, -65.4

 

CMYK 24 / 92 / 0 / 22

HEX #9910C8

RGB 153 16 200

HSL 284.67, 0.85%, 0.42%

LAB 40.1, 73.1, -63.11

 

CMYK 25 / 100 / 0 / 29

HEX #8800B5

RGB 136 0 181

HSL 285.08, 1%, 0.35%

LAB 35.14, 69.29, -60.13

 

CMYK 27 / 100 / 0 / 36

HEX #7700A2

RGB 119 0 162

HSL 284.07, 1%, 0.32%

LAB 30.71, 63.52, -56.07

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 0 / 78 / 0 / 7

HEX #ED34EE

RGB 237 52 238

HSL 299.68, 0.85%, 0.57%

LAB 58.63, 86.15, -54.25

 

CMYK 0 / 78 / 21 / 7

HEX #EE34BD

RGB 238 52 189

HSL 315.81, 0.85%, 0.57%

LAB 56.39, 79.59, -29.92

 

CMYK 0 / 78 / 42 / 7

HEX #EE348A

RGB 238 52 138

HSL 332.26, 0.85%, 0.57%

LAB 54.52, 74.06, -2.84

 

CMYK 0 / 78 / 63 / 7

HEX #EE3458

RGB 238 52 88

HSL 348.39, 0.85%, 0.57%

LAB 53.32, 70.37, 25.43

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 42 / 78 / 0 / 7

HEX #8934EE

RGB 137 52 238

HSL 267.42, 0.85%, 0.57%

LAB 44.16, 69.29, -78.36

 

CMYK 64 / 78 / 0 / 7

HEX #5634EE

RGB 86 52 238

HSL 250.97, 0.85%, 0.57%

LAB 38.91, 63.16, -87.18

 

CMYK 78 / 78 / 0 / 7

HEX #3434EE

RGB 52 52 238

HSL 240, 0.85%, 0.57%

LAB 36.67, 60.53, -90.97

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 19 / 69 / 0 / 14

HEX #B345DC

RGB 179 69 220

HSL 283.71, 0.68%, 0.57%

LAB 50.7, 66.19, -57.3

 

CMYK 16 / 57 / 0 / 20

HEX #AB57CB

RGB 171 87 203

HSL 283.45, 0.53%, 0.57%

LAB 51.59, 52.75, -46.22

 

CMYK 12 / 43 / 0 / 27

HEX #A369B9

RGB 163 105 185

HSL 283.5, 0.36%, 0.57%

LAB 53.38, 37.23, -33.13

 

CMYK 7 / 26 / 0 / 35

HEX #9B7BA7

RGB 155 123 167

HSL 283.64, 0.2%, 0.57%

LAB 56.01, 20.61, -18.75

 

CMYK 64 / 78 / 0 / 7

HEX #5634EE

RGB 86 52 238

HSL 250.97, 0.85%, 0.57%

LAB 38.91, 63.16, -87.18

 

CMYK 43 / 78 / 0 / 7

HEX #8834EE

RGB 136 52 238

HSL 267.1, 0.85%, 0.57%

LAB 44.04, 69.15, -78.56

 

CMYK 22 / 78 / 0 / 7

HEX #B934EE

RGB 185 52 238

HSL 282.9, 0.85%, 0.57%

LAB 50.62, 76.83, -67.55

 

CMYK 1 / 78 / 0 / 7

HEX #EB34EE

RGB 235 52 238

HSL 299.03, 0.85%, 0.57%

LAB 58.31, 85.78, -54.78

 

CMYK 0 / 78 / 20 / 7

HEX #EE34BF

RGB 238 52 191

HSL 315.16, 0.85%, 0.57%

LAB 56.48, 79.84, -30.94

 

CMYK 25 / 92 / 0 / 25

HEX #900FC0

RGB 144 15 192

HSL 283.73, 0.86%, 0.41%

LAB 37.98, 70.49, -61.95

 

CMYK 25 / 92 / 0 / 10

HEX #AC12E6

RGB 172 18 230

HSL 283.58, 0.85%, 0.49%

LAB 45.52, 80.89, -71.41

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 17 / 63 / 0 / 5

HEX #C85AF1

RGB 200 90 241

HSL 283.71, 0.84%, 0.65%

LAB 57.98, 65.99, -57.28

 

CMYK 13 / 48 / 0 / 4

HEX #D480F4

RGB 212 128 244

HSL 283.45, 0.84%, 0.73%

LAB 66.49, 51.25, -45.35

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 0 / 78 / 72 / 7

HEX #EE3443

RGB 238 52 67

HSL 355.16, 0.85%, 0.57%

LAB 52.99, 69.35, 37.35

 

CMYK 78 / 0 / 53 / 7

HEX #34EE6F

RGB 52 238 111

HSL 139.03, 0.85%, 0.57%

LAB 83.46, -70.79, 48.41

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 0 / 22 / 78 / 7

HEX #EEB934

RGB 238 185 52

HSL 42.9, 0.85%, 0.57%

LAB 77.95, 7.19, 69.69

 

CMYK 78 / 0 / 22 / 7

HEX #34EEB9

RGB 52 238 185

HSL 162.9, 0.85%, 0.57%

LAB 84.68, -56.95, 12.99

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 0 / 78 / 72 / 7

HEX #EE3443

RGB 238 52 67

HSL 355.16, 0.85%, 0.57%

LAB 52.99, 69.35, 37.35

 

CMYK 56 / 0 / 78 / 7

HEX #68EE34

RGB 104 238 52

HSL 103.23, 0.85%, 0.57%

LAB 84.14, -66.88, 72.39

 

CMYK 78 / 0 / 6 / 7

HEX #34EEDF

RGB 52 238 223

HSL 175.16, 0.85%, 0.57%

LAB 85.61, -47.38, -5.58

 

CMYK 21 / 78 / 0 / 7

HEX #BB34EE

RGB 187 52 238

HSL 283.55, 0.85%, 0.57%

LAB 50.91, 77.17, -67.06

 

CMYK 0 / 61 / 78 / 7

HEX #EE5C34

RGB 238 92 52

HSL 12.9, 0.85%, 0.57%

LAB 58.11, 54.33, 50.88

 

CMYK 56 / 0 / 78 / 7

HEX #68EE34

RGB 104 238 52

HSL 103.23, 0.85%, 0.57%

LAB 84.14, -66.88, 72.39

 

CMYK 78 / 17 / 0 / 7

HEX #34C6EE

RGB 52 198 238

HSL 192.9, 0.85%, 0.57%

LAB 74.38, -24.33, -30.52

 

Description

Color code: RGB 187 52 238 | qconv.com Color code: RGB 187 52 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 52 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 52 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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