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Color name
RGB 187 33 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 33 57 it is the complementary color RGB 68 222 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 33 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 33 57 shade: RGB 192 33 52, RGB 209 51 71, RGB 226 69 90, RGB 243 87 109 and RGB 255 105 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 33 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 33 57 shade: RGB 187 33 57, RGB 170 15 38, RGB 153 0 19, RGB 136 0 0 and RGB 119 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 33 57 shade: RGB 186 32 56 and RGB 186 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 33 57 shade: RGB 186 32 56, RGB 186 32 98, RGB 186 32 139, RGB 186 32 181 and RGB 150 32 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 33 57 shade matches the following richer shades: RGB 186 32 56 and RGB 204 15 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 33 57 shade: RGB 186 32 56, RGB 168 50 69, RGB 150 68 81, RGB 133 86 93 and RGB 115 103 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 33 57 shade: RGB 186 32 140, RGB 186 32 99, RGB 186 32 58, RGB 186 48 32 and RGB 186 89 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 33 57 shade: RGB 116 20 35, RGB 151 26 46, RGB 186 32 56, RGB 217 42 70 and RGB 223 78 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 33 57 shade: RGB 187 33 57, RGB 181 186 32 and RGB 32 119 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 33 57 shade: RGB 187 33 57, RGB 58 186 32 and RGB 32 58 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 33 57 shade: RGB 187 33 57, RGB 181 186 32, RGB 32 186 160 and RGB 38 32 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 33 57 shade: RGB 187 33 57, RGB 135 186 32, RGB 32 186 160 and RGB 84 32 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

Complementary color

CMYK 69 / 0 / 11 / 13

HEX #44DEC6

RGB 68 222 198

HSL 170.65, 0.7%, 0.57%

LAB 80.49, -45.31, 0.15

 

CMYK 0 / 83 / 73 / 25

HEX #C02134

RGB 192 33 52

HSL 352.83, 0.71%, 0.44%

LAB 42.07, 60.85, 31.16

 

CMYK 0 / 76 / 66 / 18

HEX #D13347

RGB 209 51 71

HSL 352.41, 0.63%, 0.51%

LAB 47.47, 61.55, 27.03

 

CMYK 0 / 69 / 60 / 11

HEX #E2455A

RGB 226 69 90

HSL 351.97, 0.73%, 0.58%

LAB 53.13, 61.57, 23.58

 

CMYK 0 / 64 / 55 / 5

HEX #F3576D

RGB 243 87 109

HSL 351.54, 0.87%, 0.65%

LAB 58.95, 61.16, 20.69

 

CMYK 0 / 59 / 50 / 0

HEX #FF6980

RGB 255 105 128

HSL 350.8, 1%, 0.71%

LAB 64.1, 58.88, 17.07

 

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

CMYK 0 / 91 / 78 / 33

HEX #AA0F26

RGB 170 15 38

HSL 351.1, 0.84%, 0.36%

LAB 36.04, 57.96, 31.58

 

CMYK 0 / 100 / 88 / 40

HEX #990013

RGB 153 0 19

HSL 352.55, 1%, 0.3%

LAB 31.39, 55.01, 36.79

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 83 / 70 / 27

HEX #BA2038

RGB 186 32 56

HSL 350.65, 0.71%, 0.43%

LAB 40.83, 59.61, 26.94

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 0 / 83 / 70 / 27

HEX #BA2038

RGB 186 32 56

HSL 350.65, 0.71%, 0.43%

LAB 40.83, 59.61, 26.94

 

CMYK 0 / 83 / 47 / 27

HEX #BA2062

RGB 186 32 98

HSL 334.29, 0.71%, 0.43%

LAB 41.77, 62.42, 1.82

 

CMYK 0 / 83 / 25 / 27

HEX #BA208B

RGB 186 32 139

HSL 318.31, 0.71%, 0.43%

LAB 43.27, 66.72, -21.35

 

CMYK 0 / 83 / 3 / 27

HEX #BA20B5

RGB 186 32 181

HSL 301.95, 0.71%, 0.43%

LAB 45.37, 72.49, -43.21

 

CMYK 19 / 83 / 0 / 27

HEX #9620BA

RGB 150 32 186

HSL 285.97, 0.71%, 0.43%

LAB 39.69, 66.77, -55.6

 

CMYK 0 / 83 / 70 / 27

HEX #BA2038

RGB 186 32 56

HSL 350.65, 0.71%, 0.43%

LAB 40.83, 59.61, 26.94

 

CMYK 0 / 93 / 78 / 20

HEX #CC0F2C

RGB 204 15 44

HSL 350.79, 0.86%, 0.43%

LAB 43.3, 66.98, 37.96

 

CMYK 0 / 83 / 70 / 27

HEX #BA2038

RGB 186 32 56

HSL 350.65, 0.71%, 0.43%

LAB 40.83, 59.61, 26.94

 

CMYK 0 / 70 / 59 / 34

HEX #A83245

RGB 168 50 69

HSL 350.34, 0.54%, 0.43%

LAB 39.64, 49.22, 16.61

 

CMYK 0 / 55 / 46 / 41

HEX #964451

RGB 150 68 81

HSL 350.49, 0.38%, 0.43%

LAB 39.94, 35.72, 9

 

CMYK 0 / 35 / 30 / 48

HEX #85565D

RGB 133 86 93

HSL 351.06, 0.21%, 0.43%

LAB 41.9, 20.51, 4.02

 

CMYK 0 / 10 / 9 / 55

HEX #736769

RGB 115 103 105

HSL 350, 0.06%, 0.43%

LAB 44.75, 5.12, 0.6

 

CMYK 0 / 83 / 25 / 27

HEX #BA208C

RGB 186 32 140

HSL 317.92, 0.71%, 0.43%

LAB 43.31, 66.84, -21.9

 

CMYK 0 / 83 / 47 / 27

HEX #BA2063

RGB 186 32 99

HSL 333.9, 0.71%, 0.43%

LAB 41.8, 62.51, 1.23

 

CMYK 0 / 83 / 69 / 27

HEX #BA203A

RGB 186 32 58

HSL 349.87, 0.71%, 0.43%

LAB 40.86, 59.7, 25.75

 

CMYK 0 / 74 / 83 / 27

HEX #BA3020

RGB 186 48 32

HSL 6.23, 0.71%, 0.43%

LAB 42.24, 53.93, 42.29

 

CMYK 0 / 52 / 83 / 27

HEX #BA5920

RGB 186 89 32

HSL 22.21, 0.71%, 0.43%

LAB 49.12, 35.72, 48.61

 

CMYK 0 / 83 / 70 / 55

HEX #741423

RGB 116 20 35

HSL 350.63, 0.71%, 0.27%

LAB 24.75, 41.23, 17.33

 

CMYK 0 / 83 / 70 / 41

HEX #971A2E

RGB 151 26 46

HSL 350.4, 0.71%, 0.35%

LAB 32.95, 50.68, 21.94

 

CMYK 0 / 83 / 70 / 27

HEX #BA2038

RGB 186 32 56

HSL 350.65, 0.71%, 0.43%

LAB 40.83, 59.61, 26.94

 

CMYK 0 / 81 / 68 / 15

HEX #D92A46

RGB 217 42 70

HSL 350.4, 0.7%, 0.51%

LAB 48.07, 66.33, 28.71

 

CMYK 0 / 65 / 55 / 13

HEX #DF4E64

RGB 223 78 100

HSL 350.9, 0.69%, 0.59%

LAB 54.09, 57.83, 18.84

 

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

CMYK 3 / 0 / 83 / 27

HEX #B5BA20

RGB 181 186 32

HSL 61.95, 0.71%, 0.43%

LAB 72.92, -18.61, 69.14

 

CMYK 83 / 36 / 0 / 27

HEX #2077BA

RGB 32 119 186

HSL 206.1, 0.71%, 0.43%

LAB 48.32, -0.84, -42.27

 

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

CMYK 69 / 0 / 83 / 27

HEX #3ABA20

RGB 58 186 32

HSL 109.87, 0.71%, 0.43%

LAB 66.61, -60.87, 61.16

 

CMYK 83 / 69 / 0 / 27

HEX #203ABA

RGB 32 58 186

HSL 229.87, 0.71%, 0.43%

LAB 31.53, 38.59, -69.42

 

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

CMYK 3 / 0 / 83 / 27

HEX #B5BA20

RGB 181 186 32

HSL 61.95, 0.71%, 0.43%

LAB 72.92, -18.61, 69.14

 

CMYK 83 / 0 / 14 / 27

HEX #20BAA0

RGB 32 186 160

HSL 169.87, 0.71%, 0.43%

LAB 67.99, -43.83, 2.42

 

CMYK 80 / 83 / 0 / 27

HEX #2620BA

RGB 38 32 186

HSL 242.34, 0.71%, 0.43%

LAB 26.71, 53.36, -77.39

 

CMYK 0 / 82 / 70 / 27

HEX #BB2139

RGB 187 33 57

HSL 350.65, 0.7%, 0.43%

LAB 41.13, 59.69, 26.75

 

CMYK 27 / 0 / 83 / 27

HEX #87BA20

RGB 135 186 32

HSL 79.87, 0.71%, 0.43%

LAB 69.73, -37.6, 65.13

 

CMYK 83 / 0 / 14 / 27

HEX #20BAA0

RGB 32 186 160

HSL 169.87, 0.71%, 0.43%

LAB 67.99, -43.83, 2.42

 

CMYK 55 / 83 / 0 / 27

HEX #5420BA

RGB 84 32 186

HSL 260.26, 0.71%, 0.43%

LAB 30.55, 57.2, -70.9

 

Description

Color code: RGB 187 33 57 | qconv.com Color code: RGB 187 33 57 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 33 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 33 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 70% 27% C M Y K

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Provide designers and agencies with accurate color values.

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