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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 255 107 it is the complementary color RGB 68 0 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 255 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 255 107 shade: RGB 192 255 102, RGB 209 255 121, RGB 226 255 140, RGB 243 255 159 and RGB 255 255 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 255 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 170 237 88, RGB 153 219 69, RGB 136 201 50 and RGB 119 183 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 226 255 107, RGB 255 243 107, RGB 255 203 107 and RGB 255 163 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 147 255 107, RGB 107 255 107, RGB 107 255 146 and RGB 107 255 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 255 107 shade matches the following richer shades: RGB 187 255 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 186 243 119, RGB 185 231 131, RGB 184 219 142 and RGB 183 207 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 255 107 shade: RGB 255 242 107, RGB 227 255 107, RGB 188 255 107, RGB 149 255 107 and RGB 109 255 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 255 107 shade: RGB 149 255 24, RGB 168 255 65, RGB 187 255 107, RGB 205 255 148 and RGB 224 255 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 107 255 203 and RGB 255 107 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 107 188 255 and RGB 255 107 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 107 255 203, RGB 173 107 255 and RGB 255 107 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 255 107 shade: RGB 187 255 107, RGB 107 255 247, RGB 173 107 255 and RGB 255 107 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

Complementary color

CMYK 54 / 100 / 0 / 42

HEX #440094

RGB 68 0 148

HSL 267.57, 1%, 0.29%

LAB 21.46, 55.17, -62.99

 

CMYK 25 / 0 / 60 / 0

HEX #C0FF66

RGB 192 255 102

HSL 84.71, 1%, 0.7%

LAB 93.31, -42.51, 65.09

 

CMYK 18 / 0 / 53 / 0

HEX #D1FF79

RGB 209 255 121

HSL 80.6, 1%, 0.74%

LAB 94.51, -34.67, 58.5

 

CMYK 11 / 0 / 45 / 0

HEX #E2FF8C

RGB 226 255 140

HSL 75.13, 1%, 0.77%

LAB 95.82, -26.5, 51.6

 

CMYK 5 / 0 / 38 / 0

HEX #F3FF9F

RGB 243 255 159

HSL 67.5, 1%, 0.81%

LAB 97.26, -18.12, 44.55

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 28 / 0 / 63 / 7

HEX #AAED58

RGB 170 237 88

HSL 86.98, 0.81%, 0.64%

LAB 86.91, -43.68, 63.46

 

CMYK 30 / 0 / 68 / 14

HEX #99DB45

RGB 153 219 69

HSL 86.4, 0.68%, 0.56%

LAB 80.66, -43.39, 64.03

 

CMYK 32 / 0 / 75 / 21

HEX #88C932

RGB 136 201 50

HSL 85.83, 0.6%, 0.49%

LAB 74.34, -42.97, 64.14

 

CMYK 35 / 0 / 83 / 28

HEX #77B71F

RGB 119 183 31

HSL 85.26, 0.71%, 0.42%

LAB 67.94, -42.35, 63.46

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 11 / 0 / 58 / 0

HEX #E2FF6B

RGB 226 255 107

HSL 71.76, 1%, 0.71%

LAB 95.48, -29.44, 65.99

 

CMYK 0 / 5 / 58 / 0

HEX #FFF36B

RGB 255 243 107

HSL 55.14, 1%, 0.71%

LAB 94.49, -12.29, 65.5

 

CMYK 0 / 20 / 58 / 0

HEX #FFCB6B

RGB 255 203 107

HSL 38.92, 1%, 0.71%

LAB 84.5, 7.89, 54.13

 

CMYK 0 / 36 / 58 / 0

HEX #FFA36B

RGB 255 163 107

HSL 22.7, 1%, 0.71%

LAB 75.15, 28.74, 42.95

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 42 / 0 / 58 / 0

HEX #93FF6B

RGB 147 255 107

HSL 103.78, 1%, 0.71%

LAB 91.14, -56.97, 59.91

 

CMYK 58 / 0 / 58 / 0

HEX #6BFF6B

RGB 107 255 107

HSL 120, 1%, 0.71%

LAB 89.72, -67.52, 57.92

 

CMYK 58 / 0 / 43 / 0

HEX #6BFF92

RGB 107 255 146

HSL 135.81, 1%, 0.71%

LAB 90.19, -62.31, 40.42

 

CMYK 58 / 0 / 27 / 0

HEX #6BFFBA

RGB 107 255 186

HSL 152.03, 1%, 0.71%

LAB 90.87, -55.17, 21.32

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 23 / 0 / 51 / 5

HEX #BAF377

RGB 186 243 119

HSL 87.58, 0.84%, 0.71%

LAB 89.8, -37.79, 53.49

 

CMYK 20 / 0 / 43 / 9

HEX #B9E783

RGB 185 231 131

HSL 87.6, 0.68%, 0.71%

LAB 86.56, -31.34, 43.8

 

CMYK 16 / 0 / 35 / 14

HEX #B8DB8E

RGB 184 219 142

HSL 87.27, 0.52%, 0.71%

LAB 83.34, -24.61, 34.17

 

CMYK 12 / 0 / 26 / 19

HEX #B7CF9A

RGB 183 207 154

HSL 87.17, 0.36%, 0.71%

LAB 80.19, -17.36, 23.74

 

CMYK 0 / 5 / 58 / 0

HEX #FFF26B

RGB 255 242 107

HSL 54.73, 1%, 0.71%

LAB 94.24, -11.8, 65.21

 

CMYK 11 / 0 / 58 / 0

HEX #E3FF6B

RGB 227 255 107

HSL 71.35, 1%, 0.71%

LAB 95.54, -29.06, 66.08

 

CMYK 26 / 0 / 58 / 0

HEX #BCFF6B

RGB 188 255 107

HSL 87.16, 1%, 0.71%

LAB 93.13, -43.51, 62.72

 

CMYK 42 / 0 / 58 / 0

HEX #95FF6B

RGB 149 255 107

HSL 102.97, 1%, 0.71%

LAB 91.22, -56.37, 60.03

 

CMYK 57 / 0 / 58 / 0

HEX #6DFF6B

RGB 109 255 107

HSL 119.19, 1%, 0.71%

LAB 89.78, -67.07, 58

 

CMYK 42 / 0 / 91 / 0

HEX #95FF18

RGB 149 255 24

HSL 87.53, 1%, 0.55%

LAB 90.77, -61.16, 84.68

 

CMYK 34 / 0 / 75 / 0

HEX #A8FF41

RGB 168 255 65

HSL 87.47, 1%, 0.63%

LAB 91.79, -53.41, 76.69

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 20 / 0 / 42 / 0

HEX #CDFF94

RGB 205 255 148

HSL 88.04, 1%, 0.79%

LAB 94.58, -33.26, 45.95

 

CMYK 12 / 0 / 26 / 0

HEX #E0FFBD

RGB 224 255 189

HSL 88.18, 1%, 0.87%

LAB 96.43, -21.16, 28.31

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCB

RGB 107 255 203

HSL 158.92, 1%, 0.71%

LAB 91.22, -51.62, 13.09

 

CMYK 0 / 58 / 3 / 0

HEX #FF6BF7

RGB 255 107 247

HSL 303.24, 1%, 0.71%

LAB 68.38, 72.9, -43.65

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 58 / 26 / 0 / 0

HEX #6BBCFF

RGB 107 188 255

HSL 207.16, 1%, 0.71%

LAB 73.75, -5.71, -40.53

 

CMYK 0 / 58 / 26 / 0

HEX #FF6BBC

RGB 255 107 188

HSL 327.16, 1%, 0.71%

LAB 66.06, 64.38, -14.32

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCB

RGB 107 255 203

HSL 158.92, 1%, 0.71%

LAB 91.22, -51.62, 13.09

 

CMYK 32 / 58 / 0 / 0

HEX #AD6BFF

RGB 173 107 255

HSL 266.76, 1%, 0.71%

LAB 58.62, 54.74, -64.19

 

CMYK 0 / 58 / 38 / 0

HEX #FF6B9E

RGB 255 107 158

HSL 339.32, 1%, 0.71%

LAB 65.16, 60.88, 1.4

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 58 / 0 / 3 / 0

HEX #6BFFF7

RGB 107 255 247

HSL 176.76, 1%, 0.71%

LAB 92.29, -41.19, -8.09

 

CMYK 32 / 58 / 0 / 0

HEX #AD6BFF

RGB 173 107 255

HSL 266.76, 1%, 0.71%

LAB 58.62, 54.74, -64.19

 

CMYK 0 / 58 / 55 / 0

HEX #FF6B72

RGB 255 107 114

HSL 357.16, 1%, 0.71%

LAB 64.15, 56.88, 25.12

 

Description

Color code: RGB 187 255 107 | qconv.com Color code: RGB 187 255 107 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 255 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 255 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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