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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 247 149 it is the complementary color RGB 68 8 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 247 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 247 149 shade: RGB 192 247 144, RGB 209 255 163, RGB 226 255 182, RGB 243 255 201 and RGB 255 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 247 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 247 149 shade: RGB 187 247 149, RGB 170 229 130, RGB 153 211 111, RGB 136 193 92 and RGB 119 175 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 247 149 shade: RGB 188 247 150, RGB 214 247 150, RGB 240 247 150, RGB 247 228 150 and RGB 247 202 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 247 149 shade: RGB 188 247 150, RGB 162 247 150, RGB 150 247 165, RGB 150 247 191 and RGB 150 247 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 247 149 shade matches the following richer shades: RGB 188 247 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 247 149 shade: RGB 188 247 150, RGB 190 238 159, RGB 192 228 168, RGB 194 219 177 and RGB 196 210 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 247 149 shade: RGB 240 247 150, RGB 214 247 150, RGB 189 247 150, RGB 163 247 150 and RGB 150 247 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 247 149 shade: RGB 138 241 73, RGB 163 244 112, RGB 188 247 150, RGB 212 250 189 and RGB 237 252 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 247 149 shade: RGB 187 247 149, RGB 150 247 227 and RGB 247 150 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 247 149 shade: RGB 187 247 149, RGB 150 189 247 and RGB 247 150 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 247 149 shade: RGB 187 247 149, RGB 150 247 227, RGB 208 150 247 and RGB 247 150 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 247 149 shade: RGB 187 247 149, RGB 150 237 247, RGB 208 150 247 and RGB 247 160 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

Complementary color

CMYK 36 / 92 / 0 / 58

HEX #44086A

RGB 68 8 106

HSL 276.73, 0.86%, 0.22%

LAB 17.66, 43.16, -42.52

 

CMYK 22 / 0 / 42 / 3

HEX #C0F790

RGB 192 247 144

HSL 92.04, 0.87%, 0.77%

LAB 91.57, -34.66, 43.9

 

CMYK 18 / 0 / 36 / 0

HEX #D1FFA3

RGB 209 255 163

HSL 90, 1%, 0.82%

LAB 95.04, -29.99, 39.28

 

CMYK 11 / 0 / 29 / 0

HEX #E2FFB6

RGB 226 255 182

HSL 83.84, 1%, 0.86%

LAB 96.44, -21.44, 31.87

 

CMYK 5 / 0 / 21 / 0

HEX #F3FFC9

RGB 243 255 201

HSL 73.33, 1%, 0.89%

LAB 97.95, -12.74, 24.54

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

CMYK 26 / 0 / 43 / 10

HEX #AAE582

RGB 170 229 130

HSL 95.76, 0.66%, 0.7%

LAB 85.1, -35.86, 42.26

 

CMYK 27 / 0 / 47 / 17

HEX #99D36F

RGB 153 211 111

HSL 94.8, 0.53%, 0.63%

LAB 78.76, -35.94, 43.43

 

CMYK 30 / 0 / 52 / 24

HEX #88C15C

RGB 136 193 92

HSL 93.86, 0.45%, 0.56%

LAB 72.33, -35.97, 44.58

 

CMYK 32 / 0 / 58 / 31

HEX #77AF49

RGB 119 175 73

HSL 92.94, 0.41%, 0.49%

LAB 65.8, -35.93, 45.68

 

CMYK 24 / 0 / 39 / 3

HEX #BCF796

RGB 188 247 150

HSL 96.49, 0.86%, 0.78%

LAB 91.42, -35.29, 40.73

 

CMYK 13 / 0 / 39 / 3

HEX #D6F796

RGB 214 247 150

HSL 80.41, 0.86%, 0.78%

LAB 93.02, -26.05, 43.11

 

CMYK 3 / 0 / 39 / 3

HEX #F0F796

RGB 240 247 150

HSL 64.33, 0.86%, 0.78%

LAB 94.84, -16.35, 45.8

 

CMYK 0 / 8 / 39 / 3

HEX #F7E496

RGB 247 228 150

HSL 48.25, 0.86%, 0.78%

LAB 90.53, -4.24, 40.4

 

CMYK 0 / 18 / 39 / 3

HEX #F7CA96

RGB 247 202 150

HSL 32.16, 0.86%, 0.78%

LAB 84.08, 9.1, 31.96

 

CMYK 24 / 0 / 39 / 3

HEX #BCF796

RGB 188 247 150

HSL 96.49, 0.86%, 0.78%

LAB 91.42, -35.29, 40.73

 

CMYK 34 / 0 / 39 / 3

HEX #A2F796

RGB 162 247 150

HSL 112.58, 0.86%, 0.78%

LAB 90.05, -43.84, 38.68

 

CMYK 39 / 0 / 33 / 3

HEX #96F7A5

RGB 150 247 165

HSL 129.28, 0.86%, 0.78%

LAB 89.73, -45.15, 30.67

 

CMYK 39 / 0 / 23 / 3

HEX #96F7BF

RGB 150 247 191

HSL 145.36, 0.86%, 0.78%

LAB 90.21, -40.55, 18.08

 

CMYK 39 / 0 / 12 / 3

HEX #96F7D9

RGB 150 247 217

HSL 161.44, 0.86%, 0.78%

LAB 90.79, -35.31, 5.45

 

CMYK 24 / 0 / 39 / 3

HEX #BCF796

RGB 188 247 150

HSL 96.49, 0.86%, 0.78%

LAB 91.42, -35.29, 40.73

 

CMYK 24 / 0 / 39 / 3

HEX #BCF796

RGB 188 247 150

HSL 96.49, 0.86%, 0.78%

LAB 91.42, -35.29, 40.73

 

CMYK 20 / 0 / 33 / 7

HEX #BEEE9F

RGB 190 238 159

HSL 96.46, 0.7%, 0.78%

LAB 89.21, -29.21, 33.37

 

CMYK 16 / 0 / 26 / 11

HEX #C0E4A8

RGB 192 228 168

HSL 96, 0.53%, 0.78%

LAB 86.76, -22.4, 25.51

 

CMYK 11 / 0 / 19 / 14

HEX #C2DBB1

RGB 194 219 177

HSL 95.71, 0.37%, 0.78%

LAB 84.64, -15.85, 17.92

 

CMYK 7 / 0 / 11 / 18

HEX #C4D2BA

RGB 196 210 186

HSL 95, 0.21%, 0.78%

LAB 82.58, -9.08, 10.28

 

CMYK 3 / 0 / 39 / 3

HEX #F0F796

RGB 240 247 150

HSL 64.33, 0.86%, 0.78%

LAB 94.84, -16.35, 45.8

 

CMYK 13 / 0 / 39 / 3

HEX #D6F796

RGB 214 247 150

HSL 80.41, 0.86%, 0.78%

LAB 93.02, -26.05, 43.11

 

CMYK 23 / 0 / 39 / 3

HEX #BDF796

RGB 189 247 150

HSL 95.88, 0.86%, 0.78%

LAB 91.48, -34.95, 40.82

 

CMYK 34 / 0 / 39 / 3

HEX #A3F796

RGB 163 247 150

HSL 111.96, 0.86%, 0.78%

LAB 90.1, -43.53, 38.76

 

CMYK 39 / 0 / 34 / 3

HEX #96F7A3

RGB 150 247 163

HSL 128.04, 0.86%, 0.78%

LAB 89.7, -45.48, 31.64

 

CMYK 43 / 0 / 70 / 5

HEX #8AF149

RGB 138 241 73

HSL 96.79, 0.86%, 0.62%

LAB 86.4, -57.14, 68.21

 

CMYK 33 / 0 / 54 / 4

HEX #A3F470

RGB 163 244 112

HSL 96.82, 0.86%, 0.7%

LAB 88.76, -46.91, 55.14

 

CMYK 24 / 0 / 39 / 3

HEX #BCF796

RGB 188 247 150

HSL 96.49, 0.86%, 0.78%

LAB 91.42, -35.29, 40.73

 

CMYK 15 / 0 / 24 / 2

HEX #D4FABD

RGB 212 250 189

HSL 97.38, 0.86%, 0.86%

LAB 94.33, -22.91, 25.32

 

CMYK 6 / 0 / 10 / 1

HEX #EDFCE3

RGB 237 252 227

HSL 96, 0.81%, 0.94%

LAB 97.3, -9.29, 10.29

 

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

CMYK 39 / 0 / 8 / 3

HEX #96F7E3

RGB 150 247 227

HSL 167.63, 0.86%, 0.78%

LAB 91.03, -33.13, 0.61

 

CMYK 0 / 39 / 8 / 3

HEX #F796E3

RGB 247 150 227

HSL 312.37, 0.86%, 0.78%

LAB 74.27, 47.13, -23.65

 

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

CMYK 39 / 23 / 0 / 3

HEX #96BDF7

RGB 150 189 247

HSL 215.88, 0.86%, 0.78%

LAB 75.82, 1.19, -32.84

 

CMYK 0 / 39 / 23 / 3

HEX #F796BD

RGB 247 150 189

HSL 335.88, 0.86%, 0.78%

LAB 73.06, 41.3, -4.56

 

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

CMYK 39 / 0 / 8 / 3

HEX #96F7E3

RGB 150 247 227

HSL 167.63, 0.86%, 0.78%

LAB 91.03, -33.13, 0.61

 

CMYK 16 / 39 / 0 / 3

HEX #D096F7

RGB 208 150 247

HSL 275.88, 0.86%, 0.78%

LAB 70.83, 39.11, -40.23

 

CMYK 0 / 39 / 32 / 3

HEX #F796A9

RGB 247 150 169

HSL 348.25, 0.86%, 0.78%

LAB 72.53, 38.63, 5.74

 

CMYK 24 / 0 / 40 / 3

HEX #BBF795

RGB 187 247 149

HSL 96.73, 0.86%, 0.78%

LAB 91.35, -35.76, 41.12

 

CMYK 39 / 4 / 0 / 3

HEX #96EDF7

RGB 150 237 247

HSL 186.19, 0.86%, 0.78%

LAB 88.81, -23.7, -13.1

 

CMYK 16 / 39 / 0 / 3

HEX #D096F7

RGB 208 150 247

HSL 275.88, 0.86%, 0.78%

LAB 70.83, 39.11, -40.23

 

CMYK 0 / 35 / 39 / 3

HEX #F7A096

RGB 247 160 150

HSL 6.19, 0.86%, 0.78%

LAB 74.27, 31.17, 18.66

 

Description

Color code: RGB 187 247 149 | qconv.com Color code: RGB 187 247 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 247 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 247 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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