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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 226 191 it is the complementary color RGB 68 29 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 226 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 226 191 shade: RGB 192 226 186, RGB 209 244 205, RGB 226 255 224 and RGB 243 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 226 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 226 191 shade: RGB 187 226 191, RGB 170 208 172, RGB 153 190 153, RGB 136 172 134 and RGB 119 154 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 226 191 shade: RGB 187 225 191, RGB 193 225 187, RGB 204 225 187, RGB 214 225 187 and RGB 225 225 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 226 191 shade: RGB 187 225 191, RGB 187 225 201, RGB 187 225 212, RGB 187 225 222 and RGB 187 218 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 226 191 shade matches the following richer shades: RGB 187 225 191, RGB 179 233 184, RGB 171 241 178 and RGB 163 249 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 226 191 shade: RGB 187 225 191, RGB 195 218 197, RGB 202 210 203, RGB 210 202 209 and RGB 218 194 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 226 191 shade: RGB 203 225 187, RGB 193 225 187, RGB 187 225 191, RGB 187 225 201 and RGB 187 225 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 226 191 shade: RGB 129 201 136, RGB 158 213 163, RGB 187 225 191, RGB 216 238 218 and RGB 244 250 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 226 191 shade: RGB 187 226 191, RGB 187 214 225 and RGB 225 187 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 226 191 shade: RGB 187 226 191, RGB 191 187 225 and RGB 225 191 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 226 191 shade: RGB 187 226 191, RGB 187 214 225, RGB 225 187 222 and RGB 225 198 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 226 191 shade: RGB 187 226 191, RGB 187 202 225, RGB 225 187 222 and RGB 225 210 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

Complementary color

CMYK 0 / 57 / 6 / 73

HEX #441D40

RGB 68 29 64

HSL 306.15, 0.4%, 0.19%

LAB 17.82, 24.43, -13.93

 

CMYK 15 / 0 / 18 / 11

HEX #C0E2BA

RGB 192 226 186

HSL 111, 0.41%, 0.81%

LAB 86.58, -18.53, 15.9

 

CMYK 14 / 0 / 16 / 4

HEX #D1F4CD

RGB 209 244 205

HSL 113.85, 0.64%, 0.88%

LAB 92.87, -18.44, 15.05

 

CMYK 11 / 0 / 12 / 0

HEX #E2FFE0

RGB 226 255 224

HSL 116.13, 1%, 0.94%

LAB 97.26, -14.95, 11.67

 

CMYK 5 / 0 / 5 / 0

HEX #F3FFF3

RGB 243 255 243

HSL 120, 1%, 0.98%

LAB 98.85, -6.05, 4.36

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 18 / 0 / 17 / 18

HEX #AAD0AC

RGB 170 208 172

HSL 123.16, 0.29%, 0.74%

LAB 79.97, -19.48, 13.78

 

CMYK 19 / 0 / 19 / 25

HEX #99BE99

RGB 153 190 153

HSL 120, 0.22%, 0.67%

LAB 73.48, -19.62, 14.67

 

CMYK 21 / 0 / 22 / 33

HEX #88AC86

RGB 136 172 134

HSL 116.84, 0.19%, 0.6%

LAB 66.87, -19.79, 15.62

 

CMYK 23 / 0 / 25 / 40

HEX #779A73

RGB 119 154 115

HSL 113.85, 0.16%, 0.53%

LAB 60.13, -19.97, 16.63

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 14 / 0 / 17 / 12

HEX #C1E1BB

RGB 193 225 187

HSL 110.53, 0.39%, 0.81%

LAB 86.39, -17.53, 15.13

 

CMYK 9 / 0 / 17 / 12

HEX #CCE1BB

RGB 204 225 187

HSL 93.16, 0.39%, 0.81%

LAB 87.13, -13.73, 16.27

 

CMYK 5 / 0 / 17 / 12

HEX #D6E1BB

RGB 214 225 187

HSL 77.37, 0.39%, 0.81%

LAB 87.84, -10.2, 17.37

 

CMYK 0 / 0 / 17 / 12

HEX #E1E1BB

RGB 225 225 187

HSL 60, 0.39%, 0.81%

LAB 88.66, -6.25, 18.64

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 17 / 0 / 11 / 12

HEX #BBE1C9

RGB 187 225 201

HSL 142.11, 0.39%, 0.81%

LAB 86.32, -17.04, 7.63

 

CMYK 17 / 0 / 6 / 12

HEX #BBE1D4

RGB 187 225 212

HSL 159.47, 0.39%, 0.81%

LAB 86.59, -14.94, 2.22

 

CMYK 17 / 0 / 1 / 12

HEX #BBE1DE

RGB 187 225 222

HSL 175.26, 0.39%, 0.81%

LAB 86.84, -12.94, -2.67

 

CMYK 17 / 3 / 0 / 12

HEX #BBDAE1

RGB 187 218 225

HSL 191.05, 0.39%, 0.81%

LAB 85.07, -8.75, -6.87

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 23 / 0 / 21 / 9

HEX #B3E9B8

RGB 179 233 184

HSL 125.56, 0.55%, 0.81%

LAB 87.64, -26.61, 18.32

 

CMYK 29 / 0 / 26 / 5

HEX #ABF1B2

RGB 171 241 178

HSL 126, 0.71%, 0.81%

LAB 89.29, -33.96, 23.63

 

CMYK 35 / 0 / 31 / 2

HEX #A3F9AC

RGB 163 249 172

HSL 126.28, 0.88%, 0.81%

LAB 91.02, -41.04, 28.97

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 11 / 0 / 10 / 15

HEX #C3DAC5

RGB 195 218 197

HSL 125.22, 0.24%, 0.81%

LAB 84.88, -11.58, 7.74

 

CMYK 4 / 0 / 3 / 18

HEX #CAD2CB

RGB 202 210 203

HSL 127.5, 0.08%, 0.81%

LAB 83.42, -4, 2.51

 

CMYK 0 / 4 / 0 / 18

HEX #D2CAD1

RGB 210 202 209

HSL 307.5, 0.08%, 0.81%

LAB 82.13, 4.03, -2.5

 

CMYK 0 / 11 / 1 / 15

HEX #DAC2D8

RGB 218 194 216

HSL 305, 0.24%, 0.81%

LAB 80.99, 12.3, -7.87

 

CMYK 10 / 0 / 17 / 12

HEX #CBE1BB

RGB 203 225 187

HSL 94.74, 0.39%, 0.81%

LAB 87.06, -14.08, 16.17

 

CMYK 14 / 0 / 17 / 12

HEX #C1E1BB

RGB 193 225 187

HSL 110.53, 0.39%, 0.81%

LAB 86.39, -17.53, 15.13

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 17 / 0 / 11 / 12

HEX #BBE1C9

RGB 187 225 201

HSL 142.11, 0.39%, 0.81%

LAB 86.32, -17.04, 7.63

 

CMYK 17 / 0 / 6 / 12

HEX #BBE1D3

RGB 187 225 211

HSL 157.89, 0.39%, 0.81%

LAB 86.56, -15.13, 2.71

 

CMYK 36 / 0 / 32 / 21

HEX #81C988

RGB 129 201 136

HSL 125.83, 0.4%, 0.65%

LAB 74.96, -35.81, 25.56

 

CMYK 26 / 0 / 23 / 16

HEX #9ED5A3

RGB 158 213 163

HSL 125.45, 0.4%, 0.73%

LAB 80.46, -27.51, 19.12

 

CMYK 17 / 0 / 15 / 12

HEX #BBE1BF

RGB 187 225 191

HSL 126.32, 0.39%, 0.81%

LAB 86.09, -18.85, 12.56

 

CMYK 9 / 0 / 8 / 7

HEX #D8EEDA

RGB 216 238 218

HSL 125.45, 0.39%, 0.89%

LAB 92.05, -10.88, 7.21

 

CMYK 2 / 0 / 2 / 2

HEX #F4FAF5

RGB 244 250 245

HSL 130, 0.37%, 0.97%

LAB 97.71, -2.86, 1.69

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 17 / 5 / 0 / 12

HEX #BBD6E1

RGB 187 214 225

HSL 197.37, 0.39%, 0.81%

LAB 84.01, -6.68, -8.44

 

CMYK 0 / 17 / 12 / 12

HEX #E1BBC6

RGB 225 187 198

HSL 342.63, 0.39%, 0.81%

LAB 79.4, 15.35, -0.44

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 15 / 17 / 0 / 12

HEX #BFBBE1

RGB 191 187 225

HSL 246.32, 0.39%, 0.81%

LAB 77.31, 8.94, -18.45

 

CMYK 0 / 15 / 17 / 12

HEX #E1BFBB

RGB 225 191 187

HSL 6.32, 0.39%, 0.81%

LAB 80.1, 11.46, 6.51

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 17 / 5 / 0 / 12

HEX #BBD6E1

RGB 187 214 225

HSL 197.37, 0.39%, 0.81%

LAB 84.01, -6.68, -8.44

 

CMYK 0 / 17 / 1 / 12

HEX #E1BBDE

RGB 225 187 222

HSL 304.74, 0.39%, 0.81%

LAB 80.08, 19.51, -12.38

 

CMYK 0 / 12 / 17 / 12

HEX #E1C6BB

RGB 225 198 187

HSL 17.37, 0.39%, 0.81%

LAB 81.83, 7.75, 8.99

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 17 / 10 / 0 / 12

HEX #BBCAE1

RGB 187 202 225

HSL 216.32, 0.39%, 0.81%

LAB 80.87, -0.38, -13.12

 

CMYK 0 / 17 / 1 / 12

HEX #E1BBDE

RGB 225 187 222

HSL 304.74, 0.39%, 0.81%

LAB 80.08, 19.51, -12.38

 

CMYK 0 / 7 / 17 / 12

HEX #E1D2BB

RGB 225 210 187

HSL 36.32, 0.39%, 0.81%

LAB 84.84, 1.46, 13.27

 

Description

Color code: RGB 187 226 191 | qconv.com Color code: RGB 187 226 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 226 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 226 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 15 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 15% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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