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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 212 47 it is the complementary color RGB 68 43 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 212 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 212 47 shade: RGB 192 212 42, RGB 209 230 61, RGB 226 248 80, RGB 243 255 99 and RGB 255 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 212 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 170 194 28, RGB 153 176 9, RGB 136 158 0 and RGB 119 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 212 193 47, RGB 212 148 47, RGB 212 104 47 and RGB 212 59 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 143 212 47, RGB 98 212 47, RGB 54 212 47 and RGB 47 212 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 212 47 shade matches the following richer shades: RGB 187 212 47, RGB 201 232 27 and RGB 215 252 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 173 192 67, RGB 159 172 88, RGB 145 151 108 and RGB 131 131 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 212 47 shade: RGB 212 149 47, RGB 212 193 47, RGB 187 212 47, RGB 143 212 47 and RGB 99 212 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 212 47 shade: RGB 129 147 30, RGB 159 181 37, RGB 187 212 47, RGB 198 219 81 and RGB 209 226 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 47 212 105 and RGB 171 47 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 47 187 212 and RGB 212 47 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 47 212 105, RGB 72 47 212 and RGB 212 47 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 212 47 shade: RGB 187 212 47, RGB 47 212 154, RGB 72 47 212 and RGB 212 47 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

Complementary color

CMYK 67 / 79 / 0 / 18

HEX #442BD0

RGB 68 43 208

HSL 249.09, 0.66%, 0.49%

LAB 32.94, 57.02, -79.91

 

CMYK 9 / 0 / 80 / 17

HEX #C0D42A

RGB 192 212 42

HSL 67.06, 0.67%, 0.5%

LAB 80.99, -26.37, 73.9

 

CMYK 9 / 0 / 73 / 10

HEX #D1E63D

RGB 209 230 61

HSL 67.46, 0.77%, 0.57%

LAB 87.23, -27.23, 74.47

 

CMYK 9 / 0 / 68 / 3

HEX #E2F850

RGB 226 248 80

HSL 67.86, 0.92%, 0.64%

LAB 93.4, -27.94, 74.4

 

CMYK 5 / 0 / 61 / 0

HEX #F3FF63

RGB 243 255 99

HSL 64.62, 1%, 0.69%

LAB 96.61, -23.38, 70.85

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 12 / 0 / 86 / 24

HEX #AAC21C

RGB 170 194 28

HSL 68.67, 0.75%, 0.44%

LAB 74.33, -27.31, 70.9

 

CMYK 13 / 0 / 95 / 31

HEX #99B009

RGB 153 176 9

HSL 68.26, 0.9%, 0.36%

LAB 67.9, -26.17, 68.35

 

CMYK 14 / 0 / 100 / 38

HEX #889E00

RGB 136 158 0

HSL 68.35, 1%, 0.31%

LAB 61.38, -24.8, 64.01

 

CMYK 15 / 0 / 100 / 45

HEX #778C00

RGB 119 140 0

HSL 69, 1%, 0.27%

LAB 54.74, -23.28, 58.48

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 0 / 9 / 78 / 17

HEX #D4C12F

RGB 212 193 47

HSL 53.09, 0.66%, 0.51%

LAB 77.49, -8.31, 69.97

 

CMYK 0 / 30 / 78 / 17

HEX #D4942F

RGB 212 148 47

HSL 36.73, 0.66%, 0.51%

LAB 66.05, 15.52, 59.46

 

CMYK 0 / 51 / 78 / 17

HEX #D4682F

RGB 212 104 47

HSL 20.73, 0.66%, 0.51%

LAB 56.19, 38.88, 49.99

 

CMYK 0 / 72 / 78 / 17

HEX #D43B2F

RGB 212 59 47

HSL 4.36, 0.66%, 0.51%

LAB 48.67, 58.72, 42.39

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 33 / 0 / 78 / 17

HEX #8FD42F

RGB 143 212 47

HSL 85.09, 0.66%, 0.51%

LAB 77.95, -45.28, 68.61

 

CMYK 54 / 0 / 78 / 17

HEX #62D42F

RGB 98 212 47

HSL 101.45, 0.66%, 0.51%

LAB 76, -59.59, 66.08

 

CMYK 75 / 0 / 78 / 17

HEX #36D42F

RGB 54 212 47

HSL 117.45, 0.66%, 0.51%

LAB 74.87, -68.89, 64.61

 

CMYK 78 / 0 / 60 / 17

HEX #2FD455

RGB 47 212 85

HSL 133.82, 0.66%, 0.51%

LAB 75.04, -66.38, 50.26

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 13 / 0 / 88 / 9

HEX #C9E81B

RGB 201 232 27

HSL 69.07, 0.82%, 0.51%

LAB 87.1, -32.48, 82.44

 

CMYK 15 / 0 / 97 / 1

HEX #D7FC07

RGB 215 252 7

HSL 69.06, 0.98%, 0.51%

LAB 93.49, -36.27, 89.99

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 10 / 0 / 65 / 25

HEX #ADC043

RGB 173 192 67

HSL 69.12, 0.5%, 0.51%

LAB 74.18, -23.32, 58.48

 

CMYK 8 / 0 / 49 / 33

HEX #9FAC58

RGB 159 172 88

HSL 69.29, 0.34%, 0.51%

LAB 67.71, -17.34, 41.35

 

CMYK 4 / 0 / 28 / 41

HEX #91976C

RGB 145 151 108

HSL 68.37, 0.17%, 0.51%

LAB 60.99, -9.58, 21.99

 

CMYK 0 / 0 / 2 / 49

HEX #838380

RGB 131 131 128

HSL 60, 0.01%, 0.51%

LAB 54.68, -0.58, 1.61

 

CMYK 0 / 30 / 78 / 17

HEX #D4952F

RGB 212 149 47

HSL 37.09, 0.66%, 0.51%

LAB 66.29, 14.98, 59.69

 

CMYK 0 / 9 / 78 / 17

HEX #D4C12F

RGB 212 193 47

HSL 53.09, 0.66%, 0.51%

LAB 77.49, -8.31, 69.97

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 33 / 0 / 78 / 17

HEX #8FD42F

RGB 143 212 47

HSL 85.09, 0.66%, 0.51%

LAB 77.95, -45.28, 68.61

 

CMYK 53 / 0 / 78 / 17

HEX #63D42F

RGB 99 212 47

HSL 101.09, 0.66%, 0.51%

LAB 76.04, -59.32, 66.13

 

CMYK 12 / 0 / 80 / 42

HEX #81931E

RGB 129 147 30

HSL 69.23, 0.66%, 0.35%

LAB 57.68, -21.59, 54.78

 

CMYK 12 / 0 / 80 / 29

HEX #9FB525

RGB 159 181 37

HSL 69.17, 0.66%, 0.43%

LAB 69.86, -25.34, 64.49

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 10 / 0 / 63 / 14

HEX #C6DB51

RGB 198 219 81

HSL 69.13, 0.66%, 0.59%

LAB 83.58, -25.32, 63.25

 

CMYK 8 / 0 / 49 / 11

HEX #D1E274

RGB 209 226 116

HSL 69.27, 0.65%, 0.67%

LAB 86.61, -21.51, 51.42

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 78 / 0 / 50 / 17

HEX #2FD469

RGB 47 212 105

HSL 141.09, 0.66%, 0.51%

LAB 75.27, -63.65, 41.21

 

CMYK 19 / 78 / 0 / 17

HEX #AB2FD4

RGB 171 47 212

HSL 285.09, 0.66%, 0.51%

LAB 46.24, 71.01, -59.97

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 78 / 12 / 0 / 17

HEX #2FBBD4

RGB 47 187 212

HSL 189.09, 0.66%, 0.51%

LAB 70.1, -27.61, -22.96

 

CMYK 0 / 78 / 12 / 17

HEX #D42FBB

RGB 212 47 187

HSL 309.09, 0.66%, 0.51%

LAB 51.4, 75.01, -36.89

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 78 / 0 / 50 / 17

HEX #2FD469

RGB 47 212 105

HSL 141.09, 0.66%, 0.51%

LAB 75.27, -63.65, 41.21

 

CMYK 66 / 78 / 0 / 17

HEX #482FD4

RGB 72 47 212

HSL 249.09, 0.66%, 0.51%

LAB 34.32, 56.69, -79.93

 

CMYK 0 / 78 / 27 / 17

HEX #D42F9A

RGB 212 47 154

HSL 321.09, 0.66%, 0.51%

LAB 49.93, 70.74, -19.74

 

CMYK 12 / 0 / 78 / 17

HEX #BBD42F

RGB 187 212 47

HSL 69.09, 0.66%, 0.51%

LAB 80.66, -28.24, 72.09

 

CMYK 78 / 0 / 27 / 17

HEX #2FD49A

RGB 47 212 154

HSL 158.91, 0.66%, 0.51%

LAB 76.08, -54.42, 17.2

 

CMYK 66 / 78 / 0 / 17

HEX #482FD4

RGB 72 47 212

HSL 249.09, 0.66%, 0.51%

LAB 34.32, 56.69, -79.93

 

CMYK 0 / 78 / 50 / 17

HEX #D42F69

RGB 212 47 105

HSL 338.91, 0.66%, 0.51%

LAB 48.32, 65.87, 7.52

 

Description

Color code: RGB 187 212 47 | qconv.com Color code: RGB 187 212 47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 212 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 212 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 78 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 78% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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