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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 202 125 it is the complementary color RGB 68 53 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 202 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 202 125 shade: RGB 192 202 120, RGB 209 220 139, RGB 226 238 158, RGB 243 255 177 and RGB 255 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 202 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 202 125 shade: RGB 187 202 125, RGB 170 184 106, RGB 153 166 87, RGB 136 148 68 and RGB 119 130 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 202 125 shade: RGB 186 201 124, RGB 201 195 124, RGB 201 175 124, RGB 201 154 124 and RGB 201 133 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 202 125 shade: RGB 186 201 124, RGB 165 201 124, RGB 145 201 124, RGB 124 201 124 and RGB 124 201 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 202 125 shade matches the following richer shades: RGB 186 201 124, RGB 195 216 109, RGB 204 231 94 and RGB 213 246 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 202 125 shade: RGB 186 201 124, RGB 177 186 139, RGB 168 172 154, RGB 159 157 169 and RGB 150 142 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 202 125 shade: RGB 201 174 124, RGB 201 195 124, RGB 187 201 124, RGB 167 201 124 and RGB 146 201 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 202 125 shade: RGB 153 173 70, RGB 171 189 95, RGB 186 201 124, RGB 202 213 153 and RGB 217 225 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 202 125 shade: RGB 187 202 125, RGB 124 201 154 and RGB 185 124 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 202 125 shade: RGB 187 202 125, RGB 124 187 201 and RGB 201 124 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 202 125 shade: RGB 187 202 125, RGB 124 201 154, RGB 138 124 201 and RGB 201 124 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 202 125 shade: RGB 187 202 125, RGB 124 201 177, RGB 138 124 201 and RGB 201 124 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

Complementary color

CMYK 48 / 59 / 0 / 49

HEX #443582

RGB 68 53 130

HSL 251.69, 0.42%, 0.36%

LAB 27.81, 27.39, -41.39

 

CMYK 5 / 0 / 41 / 21

HEX #C0CA78

RGB 192 202 120

HSL 67.32, 0.44%, 0.63%

LAB 78.93, -15.9, 39.73

 

CMYK 5 / 0 / 37 / 14

HEX #D1DC8B

RGB 209 220 139

HSL 68.15, 0.54%, 0.7%

LAB 85.3, -16.13, 38.58

 

CMYK 5 / 0 / 34 / 7

HEX #E2EE9E

RGB 226 238 158

HSL 69, 0.7%, 0.78%

LAB 91.59, -16.31, 37.46

 

CMYK 5 / 0 / 31 / 0

HEX #F3FFB1

RGB 243 255 177

HSL 69.23, 1%, 0.85%

LAB 97.53, -15.98, 36.04

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

CMYK 8 / 0 / 42 / 28

HEX #AAB86A

RGB 170 184 106

HSL 70.77, 0.35%, 0.57%

LAB 72.14, -17.08, 37.92

 

CMYK 8 / 0 / 48 / 35

HEX #99A657

RGB 153 166 87

HSL 69.87, 0.31%, 0.5%

LAB 65.54, -16.83, 39.12

 

CMYK 8 / 0 / 54 / 42

HEX #889444

RGB 136 148 68

HSL 69, 0.37%, 0.42%

LAB 58.82, -16.49, 40.29

 

CMYK 8 / 0 / 62 / 49

HEX #778231

RGB 119 130 49

HSL 68.15, 0.45%, 0.35%

LAB 51.96, -16.02, 41.34

 

CMYK 7 / 0 / 38 / 21

HEX #BAC97C

RGB 186 201 124

HSL 71.69, 0.42%, 0.64%

LAB 78.27, -17.28, 36.77

 

CMYK 0 / 3 / 38 / 21

HEX #C9C37C

RGB 201 195 124

HSL 55.32, 0.42%, 0.64%

LAB 77.82, -8.33, 36.43

 

CMYK 0 / 13 / 38 / 21

HEX #C9AF7C

RGB 201 175 124

HSL 39.74, 0.42%, 0.64%

LAB 72.58, 2.18, 29.62

 

CMYK 0 / 23 / 38 / 21

HEX #C99A7C

RGB 201 154 124

HSL 23.38, 0.42%, 0.64%

LAB 67.26, 13.54, 22.52

 

CMYK 0 / 34 / 38 / 21

HEX #C9857C

RGB 201 133 124

HSL 7.01, 0.42%, 0.64%

LAB 62.21, 25.03, 15.59

 

CMYK 7 / 0 / 38 / 21

HEX #BAC97C

RGB 186 201 124

HSL 71.69, 0.42%, 0.64%

LAB 78.27, -17.28, 36.77

 

CMYK 18 / 0 / 38 / 21

HEX #A5C97C

RGB 165 201 124

HSL 88.05, 0.42%, 0.64%

LAB 76.82, -25.25, 34.62

 

CMYK 28 / 0 / 38 / 21

HEX #91C97C

RGB 145 201 124

HSL 103.64, 0.42%, 0.64%

LAB 75.61, -32.41, 32.81

 

CMYK 38 / 0 / 38 / 21

HEX #7CC97C

RGB 124 201 124

HSL 120, 0.42%, 0.64%

LAB 74.52, -39.32, 31.18

 

CMYK 38 / 0 / 28 / 21

HEX #7CC991

RGB 124 201 145

HSL 136.36, 0.42%, 0.64%

LAB 74.89, -35.76, 20.67

 

CMYK 7 / 0 / 38 / 21

HEX #BAC97C

RGB 186 201 124

HSL 71.69, 0.42%, 0.64%

LAB 78.27, -17.28, 36.77

 

CMYK 10 / 0 / 50 / 15

HEX #C3D86D

RGB 195 216 109

HSL 71.78, 0.58%, 0.64%

LAB 82.82, -22.79, 49.94

 

CMYK 12 / 0 / 59 / 9

HEX #CCE75E

RGB 204 231 94

HSL 71.82, 0.74%, 0.64%

LAB 87.39, -27.72, 62.1

 

CMYK 13 / 0 / 67 / 4

HEX #D5F650

RGB 213 246 80

HSL 71.93, 0.9%, 0.64%

LAB 91.97, -32.12, 72.67

 

CMYK 7 / 0 / 38 / 21

HEX #BAC97C

RGB 186 201 124

HSL 71.69, 0.42%, 0.64%

LAB 78.27, -17.28, 36.77

 

CMYK 5 / 0 / 25 / 27

HEX #B1BA8B

RGB 177 186 139

HSL 71.49, 0.25%, 0.64%

LAB 73.76, -11.1, 22.84

 

CMYK 2 / 0 / 10 / 33

HEX #A8AC9A

RGB 168 172 154

HSL 73.33, 0.1%, 0.64%

LAB 69.59, -4.7, 8.77

 

CMYK 6 / 7 / 0 / 34

HEX #9F9DA9

RGB 159 157 169

HSL 250, 0.07%, 0.64%

LAB 65.24, 3.08, -5.98

 

CMYK 18 / 23 / 0 / 28

HEX #968EB8

RGB 150 142 184

HSL 251.43, 0.23%, 0.64%

LAB 61.04, 11.75, -20.83

 

CMYK 0 / 13 / 38 / 21

HEX #C9AE7C

RGB 201 174 124

HSL 38.96, 0.42%, 0.64%

LAB 72.33, 2.71, 29.28

 

CMYK 0 / 3 / 38 / 21

HEX #C9C37C

RGB 201 195 124

HSL 55.32, 0.42%, 0.64%

LAB 77.82, -8.33, 36.43

 

CMYK 7 / 0 / 38 / 21

HEX #BBC97C

RGB 187 201 124

HSL 70.91, 0.42%, 0.64%

LAB 78.34, -16.89, 36.88

 

CMYK 17 / 0 / 38 / 21

HEX #A7C97C

RGB 167 201 124

HSL 86.49, 0.42%, 0.64%

LAB 76.95, -24.51, 34.81

 

CMYK 27 / 0 / 38 / 21

HEX #92C97C

RGB 146 201 124

HSL 102.86, 0.42%, 0.64%

LAB 75.66, -32.07, 32.89

 

CMYK 12 / 0 / 60 / 32

HEX #99AD46

RGB 153 173 70

HSL 71.65, 0.42%, 0.48%

LAB 67.35, -21.96, 49.4

 

CMYK 10 / 0 / 50 / 26

HEX #ABBD5F

RGB 171 189 95

HSL 71.49, 0.42%, 0.56%

LAB 73.47, -20.36, 45.04

 

CMYK 7 / 0 / 38 / 21

HEX #BAC97C

RGB 186 201 124

HSL 71.69, 0.42%, 0.64%

LAB 78.27, -17.28, 36.77

 

CMYK 5 / 0 / 28 / 16

HEX #CAD599

RGB 202 213 153

HSL 71, 0.42%, 0.72%

LAB 83.15, -13.51, 28.49

 

CMYK 4 / 0 / 19 / 12

HEX #D9E1B7

RGB 217 225 183

HSL 71.43, 0.41%, 0.8%

LAB 87.98, -9.74, 19.68

 

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

CMYK 38 / 0 / 23 / 21

HEX #7CC99A

RGB 124 201 154

HSL 143.38, 0.42%, 0.64%

LAB 75.07, -34.06, 16.13

 

CMYK 8 / 38 / 0 / 21

HEX #B97CC9

RGB 185 124 201

HSL 287.53, 0.42%, 0.64%

LAB 60.73, 36.81, -30.62

 

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

CMYK 38 / 7 / 0 / 21

HEX #7CBBC9

RGB 124 187 201

HSL 190.91, 0.42%, 0.64%

LAB 72.26, -16.57, -13.45

 

CMYK 0 / 38 / 7 / 21

HEX #C97CBB

RGB 201 124 187

HSL 310.91, 0.42%, 0.64%

LAB 62.02, 39.25, -20.57

 

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

CMYK 38 / 0 / 23 / 21

HEX #7CC99A

RGB 124 201 154

HSL 143.38, 0.42%, 0.64%

LAB 75.07, -34.06, 16.13

 

CMYK 31 / 38 / 0 / 21

HEX #8A7CC9

RGB 138 124 201

HSL 250.91, 0.42%, 0.64%

LAB 56.12, 22.73, -38.16

 

CMYK 0 / 38 / 14 / 21

HEX #C97CAC

RGB 201 124 172

HSL 322.6, 0.42%, 0.64%

LAB 61.49, 36.71, -12.84

 

CMYK 7 / 0 / 38 / 21

HEX #BBCA7D

RGB 187 202 125

HSL 71.69, 0.42%, 0.64%

LAB 78.63, -17.27, 36.74

 

CMYK 38 / 0 / 12 / 21

HEX #7CC9B1

RGB 124 201 177

HSL 161.3, 0.42%, 0.64%

LAB 75.6, -29.28, 4.51

 

CMYK 31 / 38 / 0 / 21

HEX #8A7CC9

RGB 138 124 201

HSL 250.91, 0.42%, 0.64%

LAB 56.12, 22.73, -38.16

 

CMYK 0 / 38 / 26 / 21

HEX #C97C95

RGB 201 124 149

HSL 340.52, 0.42%, 0.64%

LAB 60.78, 33.19, -0.72

 

Description

Color code: RGB 187 202 125 | qconv.com Color code: RGB 187 202 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 202 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 202 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 38 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 38% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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