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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 209 116 it is the complementary color RGB 68 46 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 209 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 209 116 shade: RGB 192 209 111, RGB 209 227 130, RGB 226 245 149, RGB 243 255 168 and RGB 255 255 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 209 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 209 116 shade: RGB 187 209 116, RGB 170 191 97, RGB 153 173 78, RGB 136 155 59 and RGB 119 137 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 209 116 shade: RGB 187 209 117, RGB 209 206 117, RGB 209 181 117, RGB 209 156 117 and RGB 209 131 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 209 116 shade: RGB 187 209 117, RGB 162 209 117, RGB 137 209 117, RGB 117 209 121 and RGB 117 209 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 209 116 shade matches the following richer shades: RGB 187 209 117, RGB 195 223 102, RGB 203 238 87 and RGB 210 253 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 209 116 shade: RGB 187 209 117, RGB 179 194 132, RGB 171 179 147, RGB 163 164 161 and RGB 156 149 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 209 116 shade: RGB 209 181 117, RGB 209 206 117, RGB 187 209 117, RGB 163 209 117 and RGB 138 209 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 209 116 shade: RGB 154 182 60, RGB 172 198 86, RGB 187 209 117, RGB 202 219 148 and RGB 217 229 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 209 116 shade: RGB 187 209 116, RGB 117 209 157 and RGB 193 117 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 209 116 shade: RGB 187 209 116, RGB 117 187 209 and RGB 209 117 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 209 116 shade: RGB 187 209 116, RGB 117 209 157, RGB 138 117 209 and RGB 209 117 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 209 116 shade: RGB 187 209 116, RGB 117 209 184, RGB 138 117 209 and RGB 209 117 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

Complementary color

CMYK 51 / 67 / 0 / 45

HEX #442E8B

RGB 68 46 139

HSL 254.19, 0.5%, 0.36%

LAB 26.87, 34.54, -48.52

 

CMYK 8 / 0 / 47 / 18

HEX #C0D16F

RGB 192 209 111

HSL 70.41, 0.52%, 0.63%

LAB 80.71, -20.34, 46.4

 

CMYK 8 / 0 / 43 / 11

HEX #D1E382

RGB 209 227 130

HSL 71.13, 0.63%, 0.7%

LAB 87.05, -20.58, 45.25

 

CMYK 8 / 0 / 39 / 4

HEX #E2F595

RGB 226 245 149

HSL 71.88, 0.83%, 0.77%

LAB 93.3, -20.77, 44.11

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA8

RGB 243 255 168

HSL 68.28, 1%, 0.83%

LAB 97.39, -17.08, 40.31

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

CMYK 11 / 0 / 49 / 25

HEX #AABF61

RGB 170 191 97

HSL 73.4, 0.42%, 0.56%

LAB 73.98, -21.56, 44.67

 

CMYK 12 / 0 / 55 / 32

HEX #99AD4E

RGB 153 173 78

HSL 72.63, 0.38%, 0.49%

LAB 67.43, -21.27, 45.78

 

CMYK 12 / 0 / 62 / 39

HEX #889B3B

RGB 136 155 59

HSL 71.88, 0.45%, 0.42%

LAB 60.78, -20.87, 46.76

 

CMYK 13 / 0 / 71 / 46

HEX #778928

RGB 119 137 40

HSL 71.13, 0.55%, 0.35%

LAB 53.99, -20.33, 47.4

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 0 / 1 / 44 / 18

HEX #D1CE75

RGB 209 206 117

HSL 58.04, 0.5%, 0.64%

LAB 81.28, -11.49, 44.45

 

CMYK 0 / 13 / 44 / 18

HEX #D1B575

RGB 209 181 117

HSL 41.74, 0.5%, 0.64%

LAB 74.75, 1.47, 36.25

 

CMYK 0 / 25 / 44 / 18

HEX #D19C75

RGB 209 156 117

HSL 25.43, 0.5%, 0.64%

LAB 68.47, 14.89, 28.1

 

CMYK 0 / 37 / 44 / 18

HEX #D18375

RGB 209 131 117

HSL 9.13, 0.5%, 0.64%

LAB 62.57, 28.46, 20.2

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 22 / 0 / 44 / 18

HEX #A2D175

RGB 162 209 117

HSL 90.65, 0.5%, 0.64%

LAB 78.79, -31.06, 40.63

 

CMYK 34 / 0 / 44 / 18

HEX #89D175

RGB 137 209 117

HSL 106.96, 0.5%, 0.64%

LAB 77.4, -39.74, 38.58

 

CMYK 44 / 0 / 42 / 18

HEX #75D179

RGB 117 209 121

HSL 122.61, 0.5%, 0.64%

LAB 76.54, -45.36, 35.28

 

CMYK 44 / 0 / 30 / 18

HEX #75D192

RGB 117 209 146

HSL 138.91, 0.5%, 0.64%

LAB 76.96, -41.18, 22.92

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 13 / 0 / 54 / 13

HEX #C3DF66

RGB 195 223 102

HSL 73.88, 0.65%, 0.64%

LAB 84.66, -26.79, 55.34

 

CMYK 15 / 0 / 63 / 7

HEX #CBEE57

RGB 203 238 87

HSL 73.91, 0.82%, 0.64%

LAB 89.17, -31.88, 66.89

 

CMYK 17 / 0 / 72 / 1

HEX #D2FD48

RGB 210 253 72

HSL 74.25, 0.98%, 0.64%

LAB 93.63, -36.9, 77.04

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 8 / 0 / 32 / 24

HEX #B3C284

RGB 179 194 132

HSL 74.52, 0.34%, 0.64%

LAB 75.97, -15.43, 29.54

 

CMYK 4 / 0 / 18 / 30

HEX #ABB393

RGB 171 179 147

HSL 75, 0.17%, 0.64%

LAB 71.56, -8.48, 15.42

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 11 / 15 / 0 / 31

HEX #9C95B0

RGB 156 149 176

HSL 255.56, 0.15%, 0.64%

LAB 63.09, 7.98, -13.15

 

CMYK 0 / 13 / 44 / 18

HEX #D1B575

RGB 209 181 117

HSL 41.74, 0.5%, 0.64%

LAB 74.75, 1.47, 36.25

 

CMYK 0 / 1 / 44 / 18

HEX #D1CE75

RGB 209 206 117

HSL 58.04, 0.5%, 0.64%

LAB 81.28, -11.49, 44.45

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 22 / 0 / 44 / 18

HEX #A3D175

RGB 163 209 117

HSL 90, 0.5%, 0.64%

LAB 78.85, -30.7, 40.72

 

CMYK 34 / 0 / 44 / 18

HEX #8AD175

RGB 138 209 117

HSL 106.3, 0.5%, 0.64%

LAB 77.45, -39.41, 38.66

 

CMYK 15 / 0 / 67 / 29

HEX #9AB63C

RGB 154 182 60

HSL 73.77, 0.5%, 0.47%

LAB 69.93, -26.7, 56.46

 

CMYK 13 / 0 / 57 / 22

HEX #ACC656

RGB 172 198 86

HSL 73.93, 0.5%, 0.56%

LAB 75.97, -25.22, 52.21

 

CMYK 11 / 0 / 44 / 18

HEX #BBD175

RGB 187 209 117

HSL 74.35, 0.5%, 0.64%

LAB 80.43, -21.66, 43.04

 

CMYK 8 / 0 / 32 / 14

HEX #CADB94

RGB 202 219 148

HSL 74.37, 0.5%, 0.72%

LAB 84.67, -17.17, 33.09

 

CMYK 5 / 0 / 22 / 10

HEX #D9E5B3

RGB 217 229 179

HSL 74.4, 0.49%, 0.8%

LAB 88.94, -12.35, 23.09

 

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

CMYK 44 / 0 / 25 / 18

HEX #75D19D

RGB 117 209 157

HSL 146.09, 0.5%, 0.64%

LAB 77.17, -39.09, 17.41

 

CMYK 8 / 44 / 0 / 18

HEX #C175D1

RGB 193 117 209

HSL 289.57, 0.5%, 0.64%

LAB 60.48, 44.59, -35.45

 

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

CMYK 44 / 11 / 0 / 18

HEX #75BBD1

RGB 117 187 209

HSL 194.35, 0.5%, 0.64%

LAB 72.18, -16.27, -17.97

 

CMYK 0 / 44 / 11 / 18

HEX #D175BB

RGB 209 117 187

HSL 314.35, 0.5%, 0.64%

LAB 61.54, 45.49, -21.21

 

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

CMYK 44 / 0 / 25 / 18

HEX #75D19D

RGB 117 209 157

HSL 146.09, 0.5%, 0.64%

LAB 77.17, -39.09, 17.41

 

CMYK 34 / 44 / 0 / 18

HEX #8A75D1

RGB 138 117 209

HSL 253.7, 0.5%, 0.64%

LAB 54.79, 28.94, -44.79

 

CMYK 0 / 44 / 19 / 18

HEX #D175A9

RGB 209 117 169

HSL 326.09, 0.5%, 0.64%

LAB 60.91, 42.63, -11.9

 

CMYK 11 / 0 / 44 / 18

HEX #BBD174

RGB 187 209 116

HSL 74.19, 0.5%, 0.64%

LAB 80.42, -21.77, 43.51

 

CMYK 44 / 0 / 12 / 18

HEX #75D1B8

RGB 117 209 184

HSL 163.7, 0.5%, 0.64%

LAB 77.78, -33.36, 3.87

 

CMYK 34 / 44 / 0 / 18

HEX #8A75D1

RGB 138 117 209

HSL 253.7, 0.5%, 0.64%

LAB 54.79, 28.94, -44.79

 

CMYK 0 / 44 / 33 / 18

HEX #D1758D

RGB 209 117 141

HSL 344.35, 0.5%, 0.64%

LAB 60.07, 38.71, 2.97

 

Description

Color code: RGB 187 209 116 | qconv.com Color code: RGB 187 209 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 209 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 209 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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