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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 192 27 it is the complementary color RGB 68 63 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 192 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 192 27 shade: RGB 192 192 22, RGB 209 210 41, RGB 226 228 60, RGB 243 246 79 and RGB 255 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 192 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 192 27 shade: RGB 187 192 27, RGB 170 174 8, RGB 153 156 0, RGB 136 138 0 and RGB 119 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 192 27 shade: RGB 186 191 27, RGB 191 152 27, RGB 191 108 27, RGB 191 63 27 and RGB 191 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 192 27 shade: RGB 186 191 27, RGB 142 191 27, RGB 98 191 27, RGB 53 191 27 and RGB 27 191 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 192 27 shade matches the following richer shades: RGB 186 191 27 and RGB 203 209 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 192 27 shade: RGB 186 191 27, RGB 170 174 45, RGB 153 156 62, RGB 136 138 80 and RGB 120 120 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 192 27 shade: RGB 191 106 27, RGB 191 150 27, RGB 189 191 27, RGB 145 191 27 and RGB 101 191 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 192 27 shade: RGB 116 119 17, RGB 151 155 22, RGB 186 191 27, RGB 218 223 36 and RGB 224 228 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 192 27 shade: RGB 187 192 27, RGB 27 191 63 and RGB 128 27 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 192 27 shade: RGB 187 192 27, RGB 27 189 191 and RGB 191 27 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 192 27 shade: RGB 187 192 27, RGB 27 191 63, RGB 30 27 191 and RGB 191 27 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 192 27 shade: RGB 187 192 27, RGB 27 191 112, RGB 30 27 191 and RGB 191 27 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

Complementary color

CMYK 70 / 72 / 0 / 11

HEX #443FE4

RGB 68 63 228

HSL 241.82, 0.75%, 0.57%

LAB 38.53, 52.98, -82.18

 

CMYK 0 / 0 / 89 / 25

HEX #C0C016

RGB 192 192 22

HSL 60, 0.79%, 0.42%

LAB 75.43, -17.12, 73.65

 

CMYK 0 / 0 / 80 / 18

HEX #D1D229

RGB 209 210 41

HSL 60.36, 0.67%, 0.49%

LAB 81.73, -18.34, 75.3

 

CMYK 1 / 0 / 74 / 11

HEX #E2E43C

RGB 226 228 60

HSL 60.71, 0.76%, 0.56%

LAB 87.96, -19.37, 75.92

 

CMYK 1 / 0 / 68 / 4

HEX #F3F64F

RGB 243 246 79

HSL 61.08, 0.9%, 0.64%

LAB 94.11, -20.24, 75.88

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

CMYK 2 / 0 / 95 / 32

HEX #AAAE08

RGB 170 174 8

HSL 61.45, 0.91%, 0.36%

LAB 68.63, -17.84, 69.59

 

CMYK 2 / 0 / 100 / 39

HEX #999C00

RGB 153 156 0

HSL 61.15, 1%, 0.31%

LAB 62.13, -16.28, 65.16

 

CMYK 1 / 0 / 100 / 46

HEX #888A00

RGB 136 138 0

HSL 60.87, 1%, 0.27%

LAB 55.49, -14.57, 59.64

 

CMYK 1 / 0 / 100 / 53

HEX #777800

RGB 119 120 0

HSL 60.5, 1%, 0.24%

LAB 48.7, -12.82, 54

 

CMYK 3 / 0 / 86 / 25

HEX #BABF1B

RGB 186 191 27

HSL 61.83, 0.75%, 0.43%

LAB 74.69, -19.09, 71.9

 

CMYK 0 / 20 / 86 / 25

HEX #BF981B

RGB 191 152 27

HSL 45.73, 0.75%, 0.43%

LAB 64.65, 3.46, 63.85

 

CMYK 0 / 43 / 86 / 25

HEX #BF6C1B

RGB 191 108 27

HSL 29.63, 0.75%, 0.43%

LAB 53.9, 27.58, 54.96

 

CMYK 0 / 67 / 86 / 25

HEX #BF3F1B

RGB 191 63 27

HSL 13.17, 0.75%, 0.43%

LAB 45.24, 49.7, 47.69

 

CMYK 0 / 86 / 86 / 25

HEX #BF1B1B

RGB 191 27 27

HSL 0, 0.75%, 0.43%

LAB 41.12, 61.14, 44.19

 

CMYK 3 / 0 / 86 / 25

HEX #BABF1B

RGB 186 191 27

HSL 61.83, 0.75%, 0.43%

LAB 74.69, -19.09, 71.9

 

CMYK 26 / 0 / 86 / 25

HEX #8EBF1B

RGB 142 191 27

HSL 77.93, 0.75%, 0.43%

LAB 71.62, -37.29, 68.09

 

CMYK 49 / 0 / 86 / 25

HEX #62BF1B

RGB 98 191 27

HSL 94.02, 0.75%, 0.43%

LAB 69.42, -52.77, 65.34

 

CMYK 72 / 0 / 86 / 25

HEX #35BF1B

RGB 53 191 27

HSL 110.49, 0.75%, 0.43%

LAB 68.09, -63.61, 63.66

 

CMYK 86 / 0 / 76 / 25

HEX #1BBF2D

RGB 27 191 45

HSL 126.59, 0.75%, 0.43%

LAB 67.79, -65.97, 58.23

 

CMYK 3 / 0 / 86 / 25

HEX #BABF1B

RGB 186 191 27

HSL 61.83, 0.75%, 0.43%

LAB 74.69, -19.09, 71.9

 

CMYK 3 / 0 / 96 / 18

HEX #CBD109

RGB 203 209 9

HSL 61.8, 0.92%, 0.43%

LAB 80.91, -21.01, 79.93

 

CMYK 3 / 0 / 86 / 25

HEX #BABF1B

RGB 186 191 27

HSL 61.83, 0.75%, 0.43%

LAB 74.69, -19.09, 71.9

 

CMYK 2 / 0 / 74 / 32

HEX #AAAE2D

RGB 170 174 45

HSL 61.86, 0.59%, 0.43%

LAB 68.76, -16.82, 61.28

 

CMYK 2 / 0 / 60 / 39

HEX #999C3E

RGB 153 156 62

HSL 61.91, 0.43%, 0.43%

LAB 62.42, -13.88, 47.59

 

CMYK 1 / 0 / 42 / 46

HEX #888A50

RGB 136 138 80

HSL 62.07, 0.27%, 0.43%

LAB 56.08, -9.91, 30.76

 

CMYK 0 / 0 / 18 / 53

HEX #787862

RGB 120 120 98

HSL 60, 0.1%, 0.43%

LAB 49.87, -4.05, 12.12

 

CMYK 0 / 45 / 86 / 25

HEX #BF6A1B

RGB 191 106 27

HSL 28.9, 0.75%, 0.43%

LAB 53.45, 28.66, 54.59

 

CMYK 0 / 21 / 86 / 25

HEX #BF961B

RGB 191 150 27

HSL 45, 0.75%, 0.43%

LAB 64.14, 4.55, 63.42

 

CMYK 1 / 0 / 86 / 25

HEX #BDBF1B

RGB 189 191 27

HSL 60.73, 0.75%, 0.43%

LAB 74.93, -17.8, 72.19

 

CMYK 24 / 0 / 86 / 25

HEX #91BF1B

RGB 145 191 27

HSL 76.83, 0.75%, 0.43%

LAB 71.8, -36.11, 68.32

 

CMYK 47 / 0 / 86 / 25

HEX #65BF1B

RGB 101 191 27

HSL 92.93, 0.75%, 0.43%

LAB 69.55, -51.85, 65.5

 

CMYK 3 / 0 / 86 / 53

HEX #747711

RGB 116 119 17

HSL 61.76, 0.75%, 0.27%

LAB 48.19, -13.26, 49.81

 

CMYK 3 / 0 / 86 / 39

HEX #979B16

RGB 151 155 22

HSL 61.8, 0.75%, 0.35%

LAB 61.72, -16.25, 61.13

 

CMYK 3 / 0 / 86 / 25

HEX #BABF1B

RGB 186 191 27

HSL 61.83, 0.75%, 0.43%

LAB 74.69, -19.09, 71.9

 

CMYK 2 / 0 / 84 / 13

HEX #DADF24

RGB 218 223 36

HSL 61.6, 0.75%, 0.51%

LAB 85.91, -21.05, 80.28

 

CMYK 2 / 0 / 68 / 11

HEX #E0E448

RGB 224 228 72

HSL 61.54, 0.74%, 0.59%

LAB 87.87, -19.64, 71.72

 

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

CMYK 86 / 0 / 67 / 25

HEX #1BBF3F

RGB 27 191 63

HSL 133.17, 0.75%, 0.43%

LAB 67.91, -64.4, 51.65

 

CMYK 33 / 86 / 0 / 25

HEX #801BBF

RGB 128 27 191

HSL 276.95, 0.75%, 0.43%

LAB 36.24, 65.61, -64.3

 

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

CMYK 86 / 1 / 0 / 25

HEX #1BBDBF

RGB 27 189 191

HSL 180.73, 0.75%, 0.43%

LAB 69.75, -36.69, -12.03

 

CMYK 0 / 86 / 1 / 25

HEX #BF1BBD

RGB 191 27 189

HSL 300.73, 0.75%, 0.43%

LAB 46.36, 75.62, -46.28

 

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

CMYK 86 / 0 / 67 / 25

HEX #1BBF3F

RGB 27 191 63

HSL 133.17, 0.75%, 0.43%

LAB 67.91, -64.4, 51.65

 

CMYK 84 / 86 / 0 / 25

HEX #1E1BBF

RGB 30 27 191

HSL 241.1, 0.75%, 0.43%

LAB 26.22, 56.64, -81.17

 

CMYK 0 / 86 / 18 / 25

HEX #BF1B9C

RGB 191 27 156

HSL 312.8, 0.75%, 0.43%

LAB 44.6, 70.99, -29.49

 

CMYK 3 / 0 / 86 / 25

HEX #BBC01B

RGB 187 192 27

HSL 61.82, 0.75%, 0.43%

LAB 75.04, -19.16, 72.22

 

CMYK 86 / 0 / 41 / 25

HEX #1BBF70

RGB 27 191 112

HSL 151.1, 0.75%, 0.43%

LAB 68.51, -57.23, 29

 

CMYK 84 / 86 / 0 / 25

HEX #1E1BBF

RGB 30 27 191

HSL 241.1, 0.75%, 0.43%

LAB 26.22, 56.64, -81.17

 

CMYK 0 / 86 / 45 / 25

HEX #BF1B6A

RGB 191 27 106

HSL 331.1, 0.75%, 0.43%

LAB 42.61, 65.48, -1.86

 

Description

Color code: RGB 187 192 27 | qconv.com Color code: RGB 187 192 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 192 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 192 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 86 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 86% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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