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Color name
RGB 187 191 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 191 109 it is the complementary color RGB 68 64 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 191 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 191 109 shade: RGB 192 191 104, RGB 209 209 123, RGB 226 227 142, RGB 243 245 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 191 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 170 173 90, RGB 153 155 71, RGB 136 137 52 and RGB 119 119 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 191 173 109, RGB 191 151 109, RGB 191 129 109 and RGB 191 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 165 191 109, RGB 143 191 109, RGB 121 191 109 and RGB 109 191 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 191 109 shade matches the following richer shades: RGB 187 191 109, RGB 202 208 92, RGB 217 225 75 and RGB 233 241 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 171 174 126, RGB 156 157 143, RGB 141 140 160 and RGB 126 123 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 191 109 shade: RGB 191 150 109, RGB 191 172 109, RGB 188 191 109, RGB 166 191 109 and RGB 145 191 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 191 109 shade: RGB 147 151 66, RGB 173 178 81, RGB 187 191 109, RGB 200 203 138 and RGB 213 216 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 109 191 128 and RGB 161 109 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 109 188 191 and RGB 191 109 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 109 191 128, RGB 112 109 191 and RGB 191 109 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 191 109 shade: RGB 187 191 109, RGB 109 191 153, RGB 112 109 191 and RGB 191 109 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

Complementary color

CMYK 53 / 56 / 0 / 43

HEX #444092

RGB 68 64 146

HSL 242.93, 0.39%, 0.41%

LAB 31.74, 25.49, -44.94

 

CMYK 0 / 1 / 46 / 25

HEX #C0BF68

RGB 192 191 104

HSL 59.32, 0.41%, 0.58%

LAB 75.74, -11.99, 43.76

 

CMYK 0 / 0 / 41 / 18

HEX #D1D17B

RGB 209 209 123

HSL 60, 0.48%, 0.65%

LAB 82.16, -12.4, 42.57

 

CMYK 0 / 0 / 37 / 11

HEX #E2E38E

RGB 226 227 142

HSL 60.71, 0.6%, 0.72%

LAB 88.48, -12.73, 41.41

 

CMYK 1 / 0 / 34 / 4

HEX #F3F5A1

RGB 243 245 161

HSL 61.43, 0.81%, 0.8%

LAB 94.71, -13.02, 40.28

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 2 / 0 / 48 / 32

HEX #AAAD5A

RGB 170 173 90

HSL 62.17, 0.34%, 0.52%

LAB 68.88, -13.12, 41.96

 

CMYK 1 / 0 / 54 / 39

HEX #999B47

RGB 153 155 71

HSL 61.43, 0.37%, 0.44%

LAB 62.23, -12.63, 43.13

 

CMYK 1 / 0 / 62 / 46

HEX #888934

RGB 136 137 52

HSL 60.71, 0.45%, 0.37%

LAB 55.45, -12, 44.16

 

CMYK 0 / 0 / 72 / 53

HEX #777721

RGB 119 119 33

HSL 60, 0.57%, 0.3%

LAB 48.54, -11.16, 44.79

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 0 / 9 / 43 / 25

HEX #BFAD6D

RGB 191 173 109

HSL 46.83, 0.39%, 0.59%

LAB 70.92, -2.5, 35.19

 

CMYK 0 / 21 / 43 / 25

HEX #BF976D

RGB 191 151 109

HSL 30.73, 0.39%, 0.59%

LAB 65.21, 9.4, 27.81

 

CMYK 0 / 32 / 43 / 25

HEX #BF816D

RGB 191 129 109

HSL 14.63, 0.39%, 0.59%

LAB 59.78, 21.54, 20.57

 

CMYK 0 / 43 / 43 / 25

HEX #BF6D6D

RGB 191 109 109

HSL 0, 0.39%, 0.59%

LAB 55.19, 32.48, 14.29

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 14 / 0 / 43 / 25

HEX #A5BF6D

RGB 165 191 109

HSL 79.02, 0.39%, 0.59%

LAB 73.78, -22.21, 38.38

 

CMYK 25 / 0 / 43 / 25

HEX #8FBF6D

RGB 143 191 109

HSL 95.12, 0.39%, 0.59%

LAB 72.37, -30.47, 36.3

 

CMYK 37 / 0 / 43 / 25

HEX #79BF6D

RGB 121 191 109

HSL 111.22, 0.39%, 0.59%

LAB 71.17, -38.05, 34.52

 

CMYK 43 / 0 / 37 / 25

HEX #6DBF78

RGB 109 191 120

HSL 128.05, 0.39%, 0.59%

LAB 70.78, -40.07, 28.21

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 3 / 0 / 56 / 18

HEX #CAD05C

RGB 202 208 92

HSL 63.1, 0.55%, 0.59%

LAB 80.98, -17.54, 55.78

 

CMYK 4 / 0 / 67 / 12

HEX #D9E14B

RGB 217 225 75

HSL 63.2, 0.71%, 0.59%

LAB 86.56, -20.88, 69.13

 

CMYK 3 / 0 / 76 / 5

HEX #E9F13A

RGB 233 241 58

HSL 62.62, 0.87%, 0.59%

LAB 91.93, -22.83, 80.37

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 2 / 0 / 28 / 32

HEX #ABAE7E

RGB 171 174 126

HSL 63.75, 0.23%, 0.59%

LAB 69.78, -8.99, 24.36

 

CMYK 1 / 0 / 9 / 38

HEX #9C9D8F

RGB 156 157 143

HSL 64.29, 0.07%, 0.59%

LAB 64.29, -2.94, 7.19

 

CMYK 12 / 13 / 0 / 37

HEX #8D8CA0

RGB 141 140 160

HSL 243, 0.1%, 0.59%

LAB 58.93, 4.5, -10.43

 

CMYK 29 / 31 / 0 / 31

HEX #7E7BB1

RGB 126 123 177

HSL 243.33, 0.26%, 0.59%

LAB 53.79, 13.55, -28.16

 

CMYK 0 / 21 / 43 / 25

HEX #BF966D

RGB 191 150 109

HSL 30, 0.39%, 0.59%

LAB 64.96, 9.95, 27.47

 

CMYK 0 / 10 / 43 / 25

HEX #BFAC6D

RGB 191 172 109

HSL 46.1, 0.39%, 0.59%

LAB 70.65, -1.97, 34.85

 

CMYK 2 / 0 / 43 / 25

HEX #BCBF6D

RGB 188 191 109

HSL 62.2, 0.39%, 0.59%

LAB 75.49, -13.11, 40.88

 

CMYK 13 / 0 / 43 / 25

HEX #A6BF6D

RGB 166 191 109

HSL 78.29, 0.39%, 0.59%

LAB 73.85, -21.82, 38.49

 

CMYK 24 / 0 / 43 / 25

HEX #91BF6D

RGB 145 191 109

HSL 93.66, 0.39%, 0.59%

LAB 72.49, -29.74, 36.47

 

CMYK 3 / 0 / 56 / 41

HEX #939742

RGB 147 151 66

HSL 62.82, 0.39%, 0.43%

LAB 60.54, -13.53, 43.48

 

CMYK 3 / 0 / 54 / 30

HEX #ADB251

RGB 173 178 81

HSL 63.09, 0.39%, 0.51%

LAB 70.4, -15.26, 48.18

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 1 / 0 / 32 / 20

HEX #C8CB8A

RGB 200 203 138

HSL 62.77, 0.38%, 0.67%

LAB 80.08, -11.16, 32.15

 

CMYK 1 / 0 / 23 / 15

HEX #D5D8A7

RGB 213 216 167

HSL 63.67, 0.39%, 0.75%

LAB 85.02, -8.98, 23.89

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 43 / 0 / 33 / 25

HEX #6DBF80

RGB 109 191 128

HSL 133.9, 0.39%, 0.59%

LAB 70.92, -38.69, 24.18

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 43 / 2 / 0 / 25

HEX #6DBCBF

RGB 109 188 191

HSL 182.2, 0.39%, 0.59%

LAB 71.54, -23.46, -9.13

 

CMYK 0 / 43 / 2 / 25

HEX #BF6DBC

RGB 191 109 188

HSL 302.2, 0.39%, 0.59%

LAB 57.7, 44.21, -27.88

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 43 / 0 / 33 / 25

HEX #6DBF80

RGB 109 191 128

HSL 133.9, 0.39%, 0.59%

LAB 70.92, -38.69, 24.18

 

CMYK 41 / 43 / 0 / 25

HEX #706DBF

RGB 112 109 191

HSL 242.2, 0.39%, 0.59%

LAB 49.67, 21.85, -42.76

 

CMYK 0 / 43 / 10 / 25

HEX #BF6DAC

RGB 191 109 172

HSL 313.9, 0.39%, 0.59%

LAB 57.07, 41.38, -19.66

 

CMYK 2 / 0 / 43 / 25

HEX #BBBF6D

RGB 187 191 109

HSL 62.93, 0.39%, 0.59%

LAB 75.41, -13.51, 40.77

 

CMYK 43 / 0 / 20 / 25

HEX #6DBF99

RGB 109 191 153

HSL 152.2, 0.39%, 0.59%

LAB 71.43, -33.83, 11.45

 

CMYK 41 / 43 / 0 / 25

HEX #706DBF

RGB 112 109 191

HSL 242.2, 0.39%, 0.59%

LAB 49.67, 21.85, -42.76

 

CMYK 0 / 43 / 23 / 25

HEX #BF6D93

RGB 191 109 147

HSL 332.2, 0.39%, 0.59%

LAB 56.21, 37.39, -6.45

 

Description

Color code: RGB 187 191 109 | qconv.com Color code: RGB 187 191 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 191 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 191 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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