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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 17 212 it is the complementary color RGB 68 238 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 17 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 17 212 shade: RGB 192 17 207, RGB 209 35 226, RGB 226 53 245, RGB 243 71 255 and RGB 255 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 17 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 170 0 193, RGB 153 0 174, RGB 136 0 155 and RGB 119 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 212 17 184, RGB 212 17 132, RGB 212 17 79 and RGB 212 17 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 134 17 212, RGB 82 17 212, RGB 29 17 212 and RGB 17 17 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 17 212 shade matches the following richer shades: RGB 187 17 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 173 35 193, RGB 159 54 175, RGB 145 72 156 and RGB 132 91 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 17 212 shade: RGB 82 17 212, RGB 134 17 212, RGB 186 17 212, RGB 212 17 186 and RGB 212 17 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 17 212 shade: RGB 119 11 135, RGB 153 14 174, RGB 187 17 212, RGB 210 33 237 and RGB 218 71 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 212 30 17 and RGB 17 212 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 212 186 17 and RGB 17 212 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 212 30 17, RGB 43 212 17 and RGB 17 199 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 17 212 shade: RGB 187 17 212, RGB 212 88 17, RGB 43 212 17 and RGB 17 140 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

Complementary color

CMYK 71 / 0 / 82 / 7

HEX #44EE2B

RGB 68 238 43

HSL 112.31, 0.85%, 0.55%

LAB 83.21, -74.8, 73.59

 

CMYK 7 / 92 / 0 / 19

HEX #C011CF

RGB 192 17 207

HSL 295.26, 0.85%, 0.44%

LAB 47.12, 80.06, -55.49

 

CMYK 8 / 85 / 0 / 11

HEX #D123E2

RGB 209 35 226

HSL 294.66, 0.77%, 0.51%

LAB 52.12, 83.02, -58.18

 

CMYK 8 / 78 / 0 / 4

HEX #E235F5

RGB 226 53 245

HSL 294.06, 0.91%, 0.58%

LAB 57.37, 84.97, -60.27

 

CMYK 5 / 72 / 0 / 0

HEX #F347FF

RGB 243 71 255

HSL 296.09, 1%, 0.64%

LAB 62.32, 84.7, -57.75

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 12 / 100 / 0 / 24

HEX #AA00C1

RGB 170 0 193

HSL 292.85, 1%, 0.38%

LAB 41.84, 76.11, -56.07

 

CMYK 12 / 100 / 0 / 32

HEX #9900AE

RGB 153 0 174

HSL 292.76, 1%, 0.34%

LAB 37.53, 70.45, -51.95

 

CMYK 12 / 100 / 0 / 39

HEX #88009B

RGB 136 0 155

HSL 292.65, 1%, 0.3%

LAB 33.14, 64.68, -47.74

 

CMYK 13 / 100 / 0 / 47

HEX #770088

RGB 119 0 136

HSL 292.5, 1%, 0.27%

LAB 28.64, 58.77, -43.44

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 0 / 92 / 13 / 17

HEX #D411B8

RGB 212 17 184

HSL 308.62, 0.85%, 0.45%

LAB 49.32, 80.21, -38.41

 

CMYK 0 / 92 / 38 / 17

HEX #D41184

RGB 212 17 132

HSL 324.62, 0.85%, 0.45%

LAB 47.06, 74.27, -10.85

 

CMYK 0 / 92 / 63 / 17

HEX #D4114F

RGB 212 17 79

HSL 340.92, 0.85%, 0.45%

LAB 45.58, 70.25, 19.81

 

CMYK 0 / 92 / 88 / 17

HEX #D4111A

RGB 212 17 26

HSL 357.23, 0.85%, 0.45%

LAB 44.9, 68.34, 49.56

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 37 / 92 / 0 / 17

HEX #8611D4

RGB 134 17 212

HSL 276, 0.85%, 0.45%

LAB 38.24, 72.81, -73.23

 

CMYK 61 / 92 / 0 / 17

HEX #5211D4

RGB 82 17 212

HSL 260, 0.85%, 0.45%

LAB 31.69, 67.99, -84.27

 

CMYK 86 / 92 / 0 / 17

HEX #1D11D4

RGB 29 17 212

HSL 243.69, 0.85%, 0.45%

LAB 27.89, 65.71, -90.7

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 10 / 82 / 0 / 24

HEX #AD23C1

RGB 173 35 193

HSL 292.41, 0.69%, 0.45%

LAB 44.14, 71.31, -52.33

 

CMYK 9 / 69 / 0 / 31

HEX #9F36AF

RGB 159 54 175

HSL 292.07, 0.53%, 0.45%

LAB 42.92, 59.21, -43.84

 

CMYK 7 / 54 / 0 / 39

HEX #91489C

RGB 145 72 156

HSL 292.14, 0.37%, 0.45%

LAB 42.85, 43.73, -32.77

 

CMYK 4 / 34 / 0 / 46

HEX #845B8A

RGB 132 91 138

HSL 292.34, 0.21%, 0.45%

LAB 44.55, 25.31, -19.44

 

CMYK 61 / 92 / 0 / 17

HEX #5211D4

RGB 82 17 212

HSL 260, 0.85%, 0.45%

LAB 31.69, 67.99, -84.27

 

CMYK 37 / 92 / 0 / 17

HEX #8611D4

RGB 134 17 212

HSL 276, 0.85%, 0.45%

LAB 38.24, 72.81, -73.23

 

CMYK 12 / 92 / 0 / 17

HEX #BA11D4

RGB 186 17 212

HSL 292, 0.85%, 0.45%

LAB 46.44, 79.92, -59.53

 

CMYK 0 / 92 / 12 / 17

HEX #D411BA

RGB 212 17 186

HSL 308, 0.85%, 0.45%

LAB 49.43, 80.47, -39.42

 

CMYK 0 / 92 / 37 / 17

HEX #D41186

RGB 212 17 134

HSL 324, 0.85%, 0.45%

LAB 47.13, 74.47, -11.96

 

CMYK 12 / 92 / 0 / 47

HEX #770B87

RGB 119 11 135

HSL 292.26, 0.85%, 0.29%

LAB 29.19, 56.77, -41.93

 

CMYK 12 / 92 / 0 / 32

HEX #990EAE

RGB 153 14 174

HSL 292.13, 0.85%, 0.37%

LAB 38.1, 68.78, -51.03

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 11 / 86 / 0 / 7

HEX #D221ED

RGB 210 33 237

HSL 292.06, 0.85%, 0.53%

LAB 52.84, 85.33, -63.21

 

CMYK 9 / 70 / 0 / 6

HEX #DA47F0

RGB 218 71 240

HSL 292.19, 0.85%, 0.61%

LAB 57.75, 77.19, -56.94

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 0 / 86 / 92 / 17

HEX #D41E11

RGB 212 30 17

HSL 4, 0.85%, 0.45%

LAB 45.59, 66.1, 53.79

 

CMYK 92 / 0 / 49 / 17

HEX #11D46C

RGB 17 212 108

HSL 148, 0.85%, 0.45%

LAB 75.01, -65.7, 39.35

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 0 / 12 / 92 / 17

HEX #D4BA11

RGB 212 186 17

HSL 52, 0.85%, 0.45%

LAB 75.55, -5.45, 75.29

 

CMYK 92 / 0 / 12 / 17

HEX #11D4BA

RGB 17 212 186

HSL 172, 0.85%, 0.45%

LAB 76.53, -48.7, 0.7

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 0 / 86 / 92 / 17

HEX #D41E11

RGB 212 30 17

HSL 4, 0.85%, 0.45%

LAB 45.59, 66.1, 53.79

 

CMYK 80 / 0 / 92 / 17

HEX #2BD411

RGB 43 212 17

HSL 112, 0.85%, 0.45%

LAB 74.6, -71.69, 70.97

 

CMYK 92 / 6 / 0 / 17

HEX #11C7D4

RGB 17 199 212

HSL 184, 0.85%, 0.45%

LAB 73.36, -35.41, -18.04

 

CMYK 12 / 92 / 0 / 17

HEX #BB11D4

RGB 187 17 212

HSL 292.31, 0.85%, 0.45%

LAB 46.6, 80.07, -59.25

 

CMYK 0 / 58 / 92 / 17

HEX #D45811

RGB 212 88 17

HSL 21.85, 0.85%, 0.45%

LAB 52.97, 45.94, 58.73

 

CMYK 80 / 0 / 92 / 17

HEX #2BD411

RGB 43 212 17

HSL 112, 0.85%, 0.45%

LAB 74.6, -71.69, 70.97

 

CMYK 92 / 34 / 0 / 17

HEX #118CD4

RGB 17 140 212

HSL 202.15, 0.85%, 0.45%

LAB 55.71, -4.49, -45.37

 

Description

Color code: RGB 187 17 212 | qconv.com Color code: RGB 187 17 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 17 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 17 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 92 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 92% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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