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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 159 53 it is the complementary color RGB 68 96 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 159 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 159 53 shade: RGB 192 159 48, RGB 209 177 67, RGB 226 195 86, RGB 243 213 105 and RGB 255 231 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 159 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 159 53 shade: RGB 187 159 53, RGB 170 141 34, RGB 153 123 15, RGB 136 105 0 and RGB 119 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 159 53 shade: RGB 186 158 52, RGB 186 122 52, RGB 186 86 52 and RGB 186 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 159 53 shade: RGB 186 158 52, RGB 178 186 52, RGB 142 186 52, RGB 106 186 52 and RGB 70 186 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 159 53 shade matches the following richer shades: RGB 186 158 52, RGB 206 170 33 and RGB 225 181 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 159 53 shade: RGB 186 158 52, RGB 167 147 72, RGB 148 136 91, RGB 128 125 110 and RGB 109 113 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 159 53 shade: RGB 186 86 52, RGB 186 122 52, RGB 186 157 52, RGB 180 186 52 and RGB 144 186 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 159 53 shade: RGB 122 104 34, RGB 154 131 43, RGB 186 158 52, RGB 204 177 76 and RGB 213 191 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 159 53 shade: RGB 187 159 53, RGB 54 186 52 and RGB 104 52 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 159 53 shade: RGB 187 159 53, RGB 52 186 157 and RGB 157 52 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 159 53 shade: RGB 187 159 53, RGB 54 186 52, RGB 52 81 186 and RGB 184 52 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 159 53 shade: RGB 187 159 53, RGB 52 186 90, RGB 52 81 186 and RGB 186 52 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

Complementary color

CMYK 66 / 52 / 0 / 21

HEX #4460CA

RGB 68 96 202

HSL 227.46, 0.56%, 0.53%

LAB 44.03, 24.21, -58.29

 

CMYK 0 / 17 / 75 / 25

HEX #C09F30

RGB 192 159 48

HSL 46.25, 0.6%, 0.47%

LAB 66.68, 0.85, 58.93

 

CMYK 0 / 15 / 68 / 18

HEX #D1B143

RGB 209 177 67

HSL 46.48, 0.61%, 0.54%

LAB 73.16, -0.37, 58.35

 

CMYK 0 / 14 / 62 / 11

HEX #E2C356

RGB 226 195 86

HSL 46.71, 0.71%, 0.61%

LAB 79.54, -1.41, 57.42

 

CMYK 0 / 12 / 57 / 5

HEX #F3D569

RGB 243 213 105

HSL 46.96, 0.85%, 0.68%

LAB 85.84, -2.3, 56.32

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77C

RGB 255 231 124

HSL 49.01, 1%, 0.74%

LAB 91.63, -5.06, 54.54

 

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

CMYK 0 / 17 / 80 / 33

HEX #AA8D22

RGB 170 141 34

HSL 47.21, 0.67%, 0.4%

LAB 59.63, 0.22, 56.59

 

CMYK 0 / 20 / 90 / 40

HEX #997B0F

RGB 153 123 15

HSL 46.96, 0.82%, 0.33%

LAB 52.92, 1.84, 55.66

 

CMYK 0 / 23 / 100 / 47

HEX #886900

RGB 136 105 0

HSL 46.32, 1%, 0.27%

LAB 46.09, 3.78, 52.92

 

CMYK 0 / 27 / 100 / 53

HEX #775700

RGB 119 87 0

HSL 43.87, 1%, 0.23%

LAB 39.14, 6.12, 47.2

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E34

RGB 186 158 52

HSL 47.46, 0.56%, 0.47%

LAB 65.86, -1.07, 56.38

 

CMYK 0 / 34 / 72 / 27

HEX #BA7A34

RGB 186 122 52

HSL 31.34, 0.56%, 0.47%

LAB 56.69, 18.7, 47.04

 

CMYK 0 / 54 / 72 / 27

HEX #BA5634

RGB 186 86 52

HSL 15.22, 0.56%, 0.47%

LAB 48.69, 38.06, 38.41

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E34

RGB 186 158 52

HSL 47.46, 0.56%, 0.47%

LAB 65.86, -1.07, 56.38

 

CMYK 4 / 0 / 72 / 27

HEX #B2BA34

RGB 178 186 52

HSL 63.58, 0.56%, 0.47%

LAB 72.78, -19.11, 62.91

 

CMYK 24 / 0 / 72 / 27

HEX #8EBA34

RGB 142 186 52

HSL 79.7, 0.56%, 0.47%

LAB 70.26, -33.9, 59.58

 

CMYK 43 / 0 / 72 / 27

HEX #6ABA34

RGB 106 186 52

HSL 95.82, 0.56%, 0.47%

LAB 68.34, -46.95, 57.03

 

CMYK 62 / 0 / 72 / 27

HEX #46BA34

RGB 70 186 52

HSL 111.94, 0.56%, 0.47%

LAB 67.03, -57.03, 55.28

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E34

RGB 186 158 52

HSL 47.46, 0.56%, 0.47%

LAB 65.86, -1.07, 56.38

 

CMYK 0 / 17 / 84 / 19

HEX #CEAA21

RGB 206 170 33

HSL 47.51, 0.72%, 0.47%

LAB 70.86, 0.63, 68.03

 

CMYK 0 / 20 / 94 / 12

HEX #E1B50D

RGB 225 181 13

HSL 47.55, 0.89%, 0.47%

LAB 75.5, 2.78, 76.35

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E34

RGB 186 158 52

HSL 47.46, 0.56%, 0.47%

LAB 65.86, -1.07, 56.38

 

CMYK 0 / 12 / 57 / 35

HEX #A79348

RGB 167 147 72

HSL 47.37, 0.4%, 0.47%

LAB 61.26, -2.18, 41.84

 

CMYK 0 / 8 / 39 / 42

HEX #94885B

RGB 148 136 91

HSL 47.37, 0.24%, 0.47%

LAB 56.74, -2.39, 25.81

 

CMYK 0 / 2 / 14 / 50

HEX #807D6E

RGB 128 125 110

HSL 50, 0.08%, 0.47%

LAB 52.27, -1.64, 8.59

 

CMYK 16 / 13 / 0 / 49

HEX #6D7182

RGB 109 113 130

HSL 228.57, 0.09%, 0.47%

LAB 47.85, 2.26, -9.86

 

CMYK 0 / 54 / 72 / 27

HEX #BA5634

RGB 186 86 52

HSL 15.22, 0.56%, 0.47%

LAB 48.69, 38.06, 38.41

 

CMYK 0 / 34 / 72 / 27

HEX #BA7A34

RGB 186 122 52

HSL 31.34, 0.56%, 0.47%

LAB 56.69, 18.7, 47.04

 

CMYK 0 / 16 / 72 / 27

HEX #BA9D34

RGB 186 157 52

HSL 47.01, 0.56%, 0.47%

LAB 65.59, -0.54, 56.11

 

CMYK 3 / 0 / 72 / 27

HEX #B4BA34

RGB 180 186 52

HSL 62.69, 0.56%, 0.47%

LAB 72.94, -18.26, 63.11

 

CMYK 23 / 0 / 72 / 27

HEX #90BA34

RGB 144 186 52

HSL 78.81, 0.56%, 0.47%

LAB 70.38, -33.12, 59.75

 

CMYK 0 / 15 / 72 / 52

HEX #7A6822

RGB 122 104 34

HSL 47.73, 0.56%, 0.31%

LAB 44.45, -1.22, 40.36

 

CMYK 0 / 15 / 72 / 40

HEX #9A832B

RGB 154 131 43

HSL 47.57, 0.56%, 0.39%

LAB 55.36, -1.14, 48.54

 

CMYK 0 / 15 / 72 / 27

HEX #BA9E34

RGB 186 158 52

HSL 47.46, 0.56%, 0.47%

LAB 65.86, -1.07, 56.38

 

CMYK 0 / 13 / 63 / 20

HEX #CCB14C

RGB 204 177 76

HSL 47.34, 0.56%, 0.55%

LAB 72.76, -1.97, 53.87

 

CMYK 0 / 10 / 49 / 16

HEX #D5BF6C

RGB 213 191 108

HSL 47.43, 0.56%, 0.63%

LAB 77.57, -3.02, 44.42

 

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

CMYK 71 / 0 / 72 / 27

HEX #36BA34

RGB 54 186 52

HSL 119.1, 0.56%, 0.47%

LAB 66.63, -60.28, 54.75

 

CMYK 44 / 72 / 0 / 27

HEX #6834BA

RGB 104 52 186

HSL 263.28, 0.56%, 0.47%

LAB 35.88, 51.31, -62.08

 

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

CMYK 72 / 0 / 16 / 27

HEX #34BA9D

RGB 52 186 157

HSL 167.01, 0.56%, 0.47%

LAB 68.23, -42.43, 4.45

 

CMYK 16 / 72 / 0 / 27

HEX #9D34BA

RGB 157 52 186

HSL 287.01, 0.56%, 0.47%

LAB 43.02, 61.63, -50.18

 

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

CMYK 71 / 0 / 72 / 27

HEX #36BA34

RGB 54 186 52

HSL 119.1, 0.56%, 0.47%

LAB 66.63, -60.28, 54.75

 

CMYK 72 / 56 / 0 / 27

HEX #3451BA

RGB 52 81 186

HSL 227.01, 0.56%, 0.47%

LAB 38.13, 25.76, -58.59

 

CMYK 1 / 72 / 0 / 27

HEX #B834BA

RGB 184 52 186

HSL 299.1, 0.56%, 0.47%

LAB 47.22, 67.37, -43.21

 

CMYK 0 / 15 / 72 / 27

HEX #BB9F35

RGB 187 159 53

HSL 47.46, 0.56%, 0.47%

LAB 66.23, -1.12, 56.38

 

CMYK 72 / 0 / 52 / 27

HEX #34BA5A

RGB 52 186 90

HSL 137.01, 0.56%, 0.47%

LAB 66.97, -56.2, 38.31

 

CMYK 72 / 56 / 0 / 27

HEX #3451BA

RGB 52 81 186

HSL 227.01, 0.56%, 0.47%

LAB 38.13, 25.76, -58.59

 

CMYK 0 / 72 / 20 / 27

HEX #BA3494

RGB 186 52 148

HSL 317.01, 0.56%, 0.47%

LAB 45.68, 62.1, -23.08

 

Description

Color code: RGB 187 159 53 | qconv.com Color code: RGB 187 159 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 159 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 159 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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