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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 131 191 it is the complementary color RGB 68 124 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 131 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 131 191 shade: RGB 192 131 186, RGB 209 149 205, RGB 226 167 224, RGB 243 185 243 and RGB 255 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 131 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 131 191 shade: RGB 187 131 191, RGB 170 113 172, RGB 153 95 153, RGB 136 77 134 and RGB 119 59 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 131 191 shade: RGB 186 130 190, RGB 190 130 178, RGB 190 130 162, RGB 190 130 146 and RGB 190 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 131 191 shade: RGB 186 130 190, RGB 170 130 190, RGB 154 130 190, RGB 137 130 190 and RGB 130 130 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 131 191 shade matches the following richer shades: RGB 186 130 190, RGB 200 115 206, RGB 213 99 221, RGB 226 84 236 and RGB 239 69 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 131 191 shade: RGB 186 130 190, RGB 173 145 175, RGB 160 160 160, RGB 147 176 145 and RGB 133 191 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 131 191 shade: RGB 154 130 190, RGB 170 130 190, RGB 186 130 190, RGB 190 130 178 and RGB 190 130 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 131 191 shade: RGB 152 81 157, RGB 171 103 176, RGB 186 130 190, RGB 201 157 204 and RGB 216 184 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 131 191 shade: RGB 187 131 191, RGB 190 138 130 and RGB 130 190 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 131 191 shade: RGB 187 131 191, RGB 190 186 130 and RGB 130 190 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 131 191 shade: RGB 187 131 191, RGB 190 138 130, RGB 134 190 130 and RGB 130 182 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 131 191 shade: RGB 187 131 191, RGB 190 156 130, RGB 134 190 130 and RGB 130 164 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

Complementary color

CMYK 45 / 0 / 48 / 51

HEX #447C40

RGB 68 124 64

HSL 116, 0.32%, 0.37%

LAB 46.99, -31.48, 27.04

 

CMYK 0 / 32 / 3 / 25

HEX #C083BA

RGB 192 131 186

HSL 305.9, 0.33%, 0.63%

LAB 62.49, 32.31, -19.37

 

CMYK 0 / 29 / 2 / 18

HEX #D195CD

RGB 209 149 205

HSL 304, 0.39%, 0.7%

LAB 69.08, 31.61, -19.82

 

CMYK 0 / 26 / 1 / 11

HEX #E2A7E0

RGB 226 167 224

HSL 302.03, 0.5%, 0.77%

LAB 75.57, 30.96, -20.25

 

CMYK 0 / 24 / 0 / 5

HEX #F3B9F3

RGB 243 185 243

HSL 300, 0.71%, 0.84%

LAB 81.96, 30.34, -20.66

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

CMYK 1 / 34 / 0 / 33

HEX #AA71AC

RGB 170 113 172

HSL 297.97, 0.26%, 0.56%

LAB 55.42, 32.34, -22.41

 

CMYK 0 / 38 / 0 / 40

HEX #995F99

RGB 153 95 153

HSL 300, 0.23%, 0.49%

LAB 48.58, 33.11, -21.98

 

CMYK 0 / 43 / 1 / 47

HEX #884D86

RGB 136 77 134

HSL 302.03, 0.28%, 0.42%

LAB 41.63, 33.91, -21.48

 

CMYK 0 / 50 / 3 / 53

HEX #773B73

RGB 119 59 115

HSL 304, 0.34%, 0.35%

LAB 34.57, 34.68, -20.86

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 0 / 32 / 6 / 25

HEX #BE82B2

RGB 190 130 178

HSL 312, 0.32%, 0.63%

LAB 61.76, 30.73, -15.96

 

CMYK 0 / 32 / 15 / 25

HEX #BE82A2

RGB 190 130 162

HSL 328, 0.32%, 0.63%

LAB 61.24, 27.96, -7.64

 

CMYK 0 / 32 / 23 / 25

HEX #BE8292

RGB 190 130 146

HSL 344, 0.32%, 0.63%

LAB 60.77, 25.44, 0.83

 

CMYK 0 / 32 / 32 / 25

HEX #BE8282

RGB 190 130 130

HSL 0, 0.32%, 0.63%

LAB 60.36, 23.16, 9.39

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 11 / 32 / 0 / 25

HEX #AA82BE

RGB 170 130 190

HSL 280, 0.32%, 0.63%

LAB 60.1, 26.43, -25.51

 

CMYK 19 / 32 / 0 / 25

HEX #9A82BE

RGB 154 130 190

HSL 264, 0.32%, 0.63%

LAB 58.56, 21.33, -28.01

 

CMYK 28 / 32 / 0 / 25

HEX #8982BE

RGB 137 130 190

HSL 247, 0.32%, 0.63%

LAB 57.08, 16.09, -30.42

 

CMYK 32 / 32 / 0 / 25

HEX #8282BE

RGB 130 130 190

HSL 240, 0.32%, 0.63%

LAB 56.51, 14.01, -31.34

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 3 / 44 / 0 / 19

HEX #C873CE

RGB 200 115 206

HSL 296.04, 0.48%, 0.63%

LAB 60.78, 47.13, -33.24

 

CMYK 4 / 55 / 0 / 13

HEX #D563DD

RGB 213 99 221

HSL 296.07, 0.64%, 0.63%

LAB 60.15, 61.33, -42.54

 

CMYK 4 / 64 / 0 / 7

HEX #E254EC

RGB 226 84 236

HSL 296.05, 0.8%, 0.63%

LAB 60.4, 73.46, -50.43

 

CMYK 5 / 73 / 0 / 2

HEX #EF45FB

RGB 239 69 251

HSL 296.04, 0.96%, 0.63%

LAB 61.28, 83.89, -57.24

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 1 / 17 / 0 / 31

HEX #AD91AF

RGB 173 145 175

HSL 296, 0.16%, 0.63%

LAB 63.53, 15.9, -11.77

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 16 / 0 / 18 / 31

HEX #93B091

RGB 147 176 145

HSL 116.13, 0.16%, 0.63%

LAB 68.97, -15.99, 12.63

 

CMYK 30 / 0 / 32 / 25

HEX #85BF81

RGB 133 191 129

HSL 116.13, 0.33%, 0.63%

LAB 72.12, -31.02, 25.46

 

CMYK 19 / 32 / 0 / 25

HEX #9A82BE

RGB 154 130 190

HSL 264, 0.32%, 0.63%

LAB 58.56, 21.33, -28.01

 

CMYK 11 / 32 / 0 / 25

HEX #AA82BE

RGB 170 130 190

HSL 280, 0.32%, 0.63%

LAB 60.1, 26.43, -25.51

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 0 / 32 / 6 / 25

HEX #BE82B2

RGB 190 130 178

HSL 312, 0.32%, 0.63%

LAB 61.76, 30.73, -15.96

 

CMYK 0 / 32 / 15 / 25

HEX #BE82A2

RGB 190 130 162

HSL 328, 0.32%, 0.63%

LAB 61.24, 27.96, -7.64

 

CMYK 3 / 48 / 0 / 38

HEX #98519D

RGB 152 81 157

HSL 296.05, 0.32%, 0.47%

LAB 45.63, 41.26, -28.94

 

CMYK 3 / 41 / 0 / 31

HEX #AB67B0

RGB 171 103 176

HSL 295.89, 0.32%, 0.55%

LAB 53.48, 38.96, -27.69

 

CMYK 2 / 32 / 0 / 25

HEX #BA82BE

RGB 186 130 190

HSL 296, 0.32%, 0.63%

LAB 61.76, 31.64, -22.81

 

CMYK 1 / 23 / 0 / 20

HEX #C99DCC

RGB 201 157 204

HSL 296.17, 0.32%, 0.71%

LAB 70.1, 24.39, -17.8

 

CMYK 1 / 16 / 0 / 15

HEX #D8B8DA

RGB 216 184 218

HSL 296.47, 0.31%, 0.79%

LAB 78.43, 17.36, -12.78

 

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

CMYK 0 / 27 / 32 / 25

HEX #BE8A82

RGB 190 138 130

HSL 8, 0.32%, 0.63%

LAB 62.28, 18.73, 12.11

 

CMYK 32 / 0 / 15 / 25

HEX #82BEA2

RGB 130 190 162

HSL 152, 0.32%, 0.63%

LAB 72.35, -25.39, 8.01

 

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

CMYK 0 / 2 / 32 / 25

HEX #BEBA82

RGB 190 186 130

HSL 56, 0.32%, 0.63%

LAB 74.62, -7.3, 28.96

 

CMYK 32 / 0 / 2 / 25

HEX #82BEBA

RGB 130 190 186

HSL 176, 0.32%, 0.63%

LAB 72.97, -20.12, -4.17

 

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

CMYK 0 / 27 / 32 / 25

HEX #BE8A82

RGB 190 138 130

HSL 8, 0.32%, 0.63%

LAB 62.28, 18.73, 12.11

 

CMYK 29 / 0 / 32 / 25

HEX #86BE82

RGB 134 190 130

HSL 116, 0.32%, 0.63%

LAB 71.9, -30.04, 24.64

 

CMYK 32 / 4 / 0 / 25

HEX #82B6BE

RGB 130 182 190

HSL 188, 0.32%, 0.63%

LAB 70.82, -15.04, -9.55

 

CMYK 2 / 31 / 0 / 25

HEX #BB83BF

RGB 187 131 191

HSL 296, 0.32%, 0.63%

LAB 62.13, 31.6, -22.8

 

CMYK 0 / 18 / 32 / 25

HEX #BE9C82

RGB 190 156 130

HSL 26, 0.32%, 0.63%

LAB 66.78, 8.79, 18.36

 

CMYK 29 / 0 / 32 / 25

HEX #86BE82

RGB 134 190 130

HSL 116, 0.32%, 0.63%

LAB 71.9, -30.04, 24.64

 

CMYK 32 / 14 / 0 / 25

HEX #82A4BE

RGB 130 164 190

HSL 206, 0.32%, 0.63%

LAB 65.76, -5.39, -17.15

 

Description

Color code: RGB 187 131 191 | qconv.com Color code: RGB 187 131 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 131 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 131 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 31 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 31% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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