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Color name
RGB 187 131 16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 131 16 it is the complementary color RGB 68 124 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 131 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 131 16 shade: RGB 192 131 11, RGB 209 149 30, RGB 226 167 49, RGB 243 185 68 and RGB 255 203 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 131 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 170 113 0, RGB 153 95 0, RGB 136 77 0 and RGB 119 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 187 85 16, RGB 187 39 16 and RGB 187 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 187 177 16, RGB 151 187 16, RGB 105 187 16 and RGB 58 187 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 131 16 shade matches the following richer shades: RGB 187 131 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 171 125 32, RGB 154 120 49, RGB 138 114 65 and RGB 121 108 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 131 16 shade: RGB 187 39 16, RGB 187 84 16, RGB 187 130 16, RGB 187 176 16 and RGB 153 187 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 131 16 shade: RGB 111 78 9, RGB 149 104 13, RGB 187 131 16, RGB 225 158 19 and RGB 237 175 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 39 187 16 and RGB 62 16 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 16 187 130 and RGB 130 16 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 39 187 16, RGB 16 73 187 and RGB 164 16 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 131 16 shade: RGB 187 131 16, RGB 16 187 44, RGB 16 73 187 and RGB 187 16 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

Complementary color

CMYK 72 / 48 / 0 / 6

HEX #447CEF

RGB 68 124 239

HSL 220.35, 0.84%, 0.6%

LAB 53.9, 19.82, -63.33

 

CMYK 0 / 32 / 94 / 25

HEX #C0830B

RGB 192 131 11

HSL 39.78, 0.89%, 0.4%

LAB 59.4, 15.11, 63.29

 

CMYK 0 / 29 / 86 / 18

HEX #D1951E

RGB 209 149 30

HSL 39.89, 0.75%, 0.47%

LAB 65.86, 13.14, 64.83

 

CMYK 0 / 26 / 78 / 11

HEX #E2A731

RGB 226 167 49

HSL 40, 0.75%, 0.54%

LAB 72.25, 11.44, 65.05

 

CMYK 0 / 24 / 72 / 5

HEX #F3B944

RGB 243 185 68

HSL 40.11, 0.88%, 0.61%

LAB 78.56, 9.96, 64.54

 

CMYK 0 / 20 / 66 / 0

HEX #FFCB57

RGB 255 203 87

HSL 41.43, 1%, 0.67%

LAB 84.31, 6.6, 62.96

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 34 / 100 / 33

HEX #AA7100

RGB 170 113 0

HSL 39.88, 1%, 0.33%

LAB 52.24, 15.1, 59.01

 

CMYK 0 / 38 / 100 / 40

HEX #995F00

RGB 153 95 0

HSL 37.25, 1%, 0.3%

LAB 45.57, 17.56, 53.58

 

CMYK 0 / 43 / 100 / 47

HEX #884D00

RGB 136 77 0

HSL 33.97, 1%, 0.27%

LAB 38.8, 20.14, 48.08

 

CMYK 0 / 50 / 100 / 53

HEX #773B00

RGB 119 59 0

HSL 29.75, 1%, 0.23%

LAB 31.92, 22.78, 42.49

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 55 / 91 / 27

HEX #BB5510

RGB 187 85 16

HSL 24.21, 0.84%, 0.4%

LAB 48.38, 37.79, 53.9

 

CMYK 0 / 79 / 91 / 27

HEX #BB2710

RGB 187 39 16

HSL 8.07, 0.84%, 0.4%

LAB 41.3, 56.78, 48.87

 

CMYK 0 / 91 / 91 / 27

HEX #BB1010

RGB 187 16 16

HSL 0, 0.84%, 0.4%

LAB 39.53, 61.8, 47.66

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 5 / 91 / 27

HEX #BBB110

RGB 187 177 16

HSL 56.49, 0.84%, 0.4%

LAB 70.9, -11.79, 70.9

 

CMYK 19 / 0 / 91 / 27

HEX #97BB10

RGB 151 187 16

HSL 72.63, 0.84%, 0.4%

LAB 70.98, -32.13, 69.79

 

CMYK 44 / 0 / 91 / 27

HEX #69BB10

RGB 105 187 16

HSL 88.77, 0.84%, 0.4%

LAB 68.45, -49.33, 66.68

 

CMYK 69 / 0 / 91 / 27

HEX #3ABB10

RGB 58 187 16

HSL 105.26, 0.84%, 0.4%

LAB 66.88, -61.81, 64.75

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 27 / 81 / 33

HEX #AB7D20

RGB 171 125 32

HSL 40.14, 0.68%, 0.4%

LAB 55.51, 9.49, 53.62

 

CMYK 0 / 22 / 68 / 40

HEX #9A7831

RGB 154 120 49

HSL 40.57, 0.52%, 0.4%

LAB 52.43, 5.39, 42.8

 

CMYK 0 / 17 / 53 / 46

HEX #8A7241

RGB 138 114 65

HSL 40.27, 0.36%, 0.4%

LAB 49.28, 2.83, 30.49

 

CMYK 0 / 11 / 32 / 53

HEX #796C52

RGB 121 108 82

HSL 40, 0.19%, 0.4%

LAB 46.18, 0.82, 16.44

 

CMYK 0 / 79 / 91 / 27

HEX #BB2710

RGB 187 39 16

HSL 8.07, 0.84%, 0.4%

LAB 41.3, 56.78, 48.87

 

CMYK 0 / 55 / 91 / 27

HEX #BB5410

RGB 187 84 16

HSL 23.86, 0.84%, 0.4%

LAB 48.19, 38.29, 53.76

 

CMYK 0 / 30 / 91 / 27

HEX #BB8210

RGB 187 130 16

HSL 40, 0.84%, 0.4%

LAB 58.57, 13.5, 61.47

 

CMYK 0 / 6 / 91 / 27

HEX #BBB010

RGB 187 176 16

HSL 56.14, 0.84%, 0.4%

LAB 70.63, -11.27, 70.69

 

CMYK 18 / 0 / 91 / 27

HEX #99BB10

RGB 153 187 16

HSL 71.93, 0.84%, 0.4%

LAB 71.11, -31.31, 69.96

 

CMYK 0 / 30 / 92 / 56

HEX #6F4E09

RGB 111 78 9

HSL 40.59, 0.85%, 0.24%

LAB 35.69, 7.84, 41.45

 

CMYK 0 / 30 / 91 / 42

HEX #95680D

RGB 149 104 13

HSL 40.15, 0.84%, 0.32%

LAB 47.39, 10.76, 51.61

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 0 / 30 / 92 / 12

HEX #E19E13

RGB 225 158 19

HSL 40.49, 0.84%, 0.48%

LAB 69.83, 15.05, 71.26

 

CMYK 0 / 26 / 79 / 7

HEX #EDAF31

RGB 237 175 49

HSL 40.21, 0.84%, 0.56%

LAB 75.38, 11.91, 68.34

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 79 / 0 / 91 / 27

HEX #27BB10

RGB 39 187 16

HSL 111.93, 0.84%, 0.4%

LAB 66.53, -64.91, 64.3

 

CMYK 67 / 91 / 0 / 27

HEX #3E10BB

RGB 62 16 187

HSL 256.14, 0.84%, 0.4%

LAB 26.69, 60.72, -77.97

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 91 / 0 / 30 / 27

HEX #10BB82

RGB 16 187 130

HSL 160, 0.84%, 0.4%

LAB 67.47, -52.74, 18.04

 

CMYK 30 / 91 / 0 / 27

HEX #8210BB

RGB 130 16 187

HSL 280, 0.84%, 0.4%

LAB 35.41, 67.45, -63.29

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 79 / 0 / 91 / 27

HEX #27BB10

RGB 39 187 16

HSL 111.93, 0.84%, 0.4%

LAB 66.53, -64.91, 64.3

 

CMYK 91 / 61 / 0 / 27

HEX #1049BB

RGB 16 73 187

HSL 220, 0.84%, 0.4%

LAB 34.93, 28.25, -64.45

 

CMYK 12 / 91 / 0 / 27

HEX #A410BB

RGB 164 16 187

HSL 291.93, 0.84%, 0.4%

LAB 40.98, 72.46, -53.99

 

CMYK 0 / 30 / 91 / 27

HEX #BB8310

RGB 187 131 16

HSL 40.35, 0.84%, 0.4%

LAB 58.82, 12.95, 61.66

 

CMYK 91 / 0 / 76 / 27

HEX #10BB2C

RGB 16 187 44

HSL 129.82, 0.84%, 0.4%

LAB 66.39, -65.69, 57.16

 

CMYK 91 / 61 / 0 / 27

HEX #1049BB

RGB 16 73 187

HSL 220, 0.84%, 0.4%

LAB 34.93, 28.25, -64.45

 

CMYK 0 / 91 / 15 / 27

HEX #BB109F

RGB 187 16 159

HSL 309.82, 0.84%, 0.4%

LAB 43.42, 72.32, -33.21

 

Description

Color code: RGB 187 131 16 | qconv.com Color code: RGB 187 131 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 131 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 131 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 91 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 91% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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