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Color name
RGB 187 109 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 109 93 it is the complementary color RGB 68 146 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 109 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 109 93 shade: RGB 192 109 88, RGB 209 127 107, RGB 226 145 126, RGB 243 163 145 and RGB 255 181 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 109 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 170 91 74, RGB 153 73 55, RGB 136 55 36 and RGB 119 37 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 109 93 shade: RGB 187 109 93 and RGB 187 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 187 134 93, RGB 187 159 93, RGB 187 185 93 and RGB 163 187 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 109 93 shade matches the following richer shades: RGB 187 109 93, RGB 205 96 74, RGB 224 84 56 and RGB 242 72 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 168 121 111, RGB 150 133 130, RGB 131 145 148 and RGB 113 158 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 109 93 shade: RGB 187 93 127, RGB 187 93 102, RGB 187 108 93, RGB 187 133 93 and RGB 187 159 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 109 93 shade: RGB 139 72 58, RGB 168 87 70, RGB 187 109 93, RGB 199 135 122 and RGB 211 161 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 152 187 93 and RGB 93 115 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 93 187 108 and RGB 108 93 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 152 187 93, RGB 93 171 187 and RGB 127 93 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 109 93 shade: RGB 187 109 93, RGB 124 187 93, RGB 93 171 187 and RGB 155 93 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

Complementary color

CMYK 58 / 10 / 0 / 36

HEX #4492A2

RGB 68 146 162

HSL 190.21, 0.41%, 0.45%

LAB 56.48, -19.12, -15.7

 

CMYK 0 / 43 / 54 / 25

HEX #C06D58

RGB 192 109 88

HSL 12.12, 0.45%, 0.55%

LAB 54.92, 30.81, 26.07

 

CMYK 0 / 39 / 49 / 18

HEX #D17F6B

RGB 209 127 107

HSL 11.76, 0.53%, 0.62%

LAB 61.48, 29.6, 24.36

 

CMYK 0 / 36 / 44 / 11

HEX #E2917E

RGB 226 145 126

HSL 11.4, 0.63%, 0.69%

LAB 67.97, 28.51, 22.84

 

CMYK 0 / 33 / 40 / 5

HEX #F3A391

RGB 243 163 145

HSL 11.02, 0.8%, 0.76%

LAB 74.38, 27.53, 21.47

 

CMYK 0 / 29 / 36 / 0

HEX #FFB5A4

RGB 255 181 164

HSL 11.21, 1%, 0.82%

LAB 80.17, 24.77, 19.4

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 46 / 56 / 33

HEX #AA5B4A

RGB 170 91 74

HSL 10.63, 0.39%, 0.48%

LAB 47.65, 30.54, 24.16

 

CMYK 0 / 52 / 64 / 40

HEX #994937

RGB 153 73 55

HSL 11.02, 0.47%, 0.41%

LAB 40.92, 31.94, 26.32

 

CMYK 0 / 60 / 74 / 47

HEX #883724

RGB 136 55 36

HSL 11.4, 0.58%, 0.34%

LAB 34.18, 33.41, 28.87

 

CMYK 0 / 69 / 86 / 53

HEX #772511

RGB 119 37 17

HSL 11.76, 0.75%, 0.27%

LAB 27.53, 34.81, 31.7

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5D

RGB 187 93 93

HSL 0, 0.41%, 0.55%

LAB 50.9, 37.79, 17.71

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 28 / 50 / 27

HEX #BB865D

RGB 187 134 93

HSL 26.17, 0.41%, 0.55%

LAB 60.25, 15.48, 30.04

 

CMYK 0 / 15 / 50 / 27

HEX #BB9F5D

RGB 187 159 93

HSL 42.13, 0.41%, 0.55%

LAB 66.64, 1.74, 38.05

 

CMYK 0 / 1 / 50 / 27

HEX #BBB95D

RGB 187 185 93

HSL 58.72, 0.41%, 0.55%

LAB 73.58, -11.99, 46.45

 

CMYK 13 / 0 / 50 / 27

HEX #A3BB5D

RGB 163 187 93

HSL 75.32, 0.41%, 0.55%

LAB 72.31, -22.76, 44.49

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 53 / 64 / 20

HEX #CD604A

RGB 205 96 74

HSL 10.08, 0.57%, 0.55%

LAB 53.86, 41.57, 33.06

 

CMYK 0 / 63 / 75 / 12

HEX #E05438

RGB 224 84 56

HSL 10, 0.73%, 0.55%

LAB 54.53, 53.11, 44.43

 

CMYK 0 / 70 / 85 / 5

HEX #F24825

RGB 242 72 37

HSL 10.24, 0.89%, 0.55%

LAB 55.73, 63.21, 55.86

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 28 / 34 / 34

HEX #A8796F

RGB 168 121 111

HSL 10.53, 0.25%, 0.55%

LAB 55.22, 16.97, 12.74

 

CMYK 0 / 11 / 13 / 41

HEX #968582

RGB 150 133 130

HSL 9, 0.09%, 0.55%

LAB 56.95, 5.9, 3.96

 

CMYK 11 / 2 / 0 / 42

HEX #839194

RGB 131 145 148

HSL 190.59, 0.07%, 0.55%

LAB 59.17, -4.38, -3.31

 

CMYK 32 / 5 / 0 / 35

HEX #719EA7

RGB 113 158 167

HSL 190, 0.23%, 0.55%

LAB 62.3, -12.87, -9.57

 

CMYK 0 / 50 / 32 / 27

HEX #BB5D7F

RGB 187 93 127

HSL 338.3, 0.41%, 0.55%

LAB 51.75, 41.6, -1.31

 

CMYK 0 / 50 / 45 / 27

HEX #BB5D66

RGB 187 93 102

HSL 354.26, 0.41%, 0.55%

LAB 51.1, 38.68, 12.64

 

CMYK 0 / 42 / 50 / 27

HEX #BB6C5D

RGB 187 108 93

HSL 9.57, 0.41%, 0.55%

LAB 54.11, 29.82, 22.02

 

CMYK 0 / 29 / 50 / 27

HEX #BB855D

RGB 187 133 93

HSL 25.53, 0.41%, 0.55%

LAB 60.01, 16.03, 29.72

 

CMYK 0 / 15 / 50 / 27

HEX #BB9F5D

RGB 187 159 93

HSL 42.13, 0.41%, 0.55%

LAB 66.64, 1.74, 38.05

 

CMYK 0 / 48 / 58 / 45

HEX #8B483A

RGB 139 72 58

HSL 10.37, 0.41%, 0.39%

LAB 38.6, 26.99, 21.15

 

CMYK 0 / 48 / 58 / 34

HEX #A85746

RGB 168 87 70

HSL 10.41, 0.41%, 0.47%

LAB 46.42, 31.58, 24.87

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 0 / 32 / 39 / 22

HEX #C7877A

RGB 199 135 122

HSL 10.13, 0.41%, 0.63%

LAB 62.4, 22.92, 16.95

 

CMYK 0 / 24 / 28 / 17

HEX #D3A197

RGB 211 161 151

HSL 10, 0.41%, 0.71%

LAB 70.58, 17.09, 12.37

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 19 / 0 / 50 / 27

HEX #98BB5D

RGB 152 187 93

HSL 82.34, 0.41%, 0.55%

LAB 71.56, -27.08, 43.41

 

CMYK 50 / 39 / 0 / 27

HEX #5D73BB

RGB 93 115 187

HSL 225.96, 0.41%, 0.55%

LAB 49.71, 12.24, -40.48

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 50 / 0 / 42 / 27

HEX #5DBB6C

RGB 93 187 108

HSL 129.57, 0.41%, 0.55%

LAB 68.72, -44.83, 31.64

 

CMYK 42 / 50 / 0 / 27

HEX #6C5DBB

RGB 108 93 187

HSL 249.57, 0.41%, 0.55%

LAB 45.09, 29.39, -47.76

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 19 / 0 / 50 / 27

HEX #98BB5D

RGB 152 187 93

HSL 82.34, 0.41%, 0.55%

LAB 71.56, -27.08, 43.41

 

CMYK 50 / 9 / 0 / 27

HEX #5DABBB

RGB 93 171 187

HSL 190.21, 0.41%, 0.55%

LAB 65.78, -19.62, -15.63

 

CMYK 32 / 50 / 0 / 27

HEX #7F5DBB

RGB 127 93 187

HSL 261.7, 0.41%, 0.55%

LAB 46.88, 34.26, -44.8

 

CMYK 0 / 42 / 50 / 27

HEX #BB6D5D

RGB 187 109 93

HSL 10.21, 0.41%, 0.55%

LAB 54.34, 29.27, 22.32

 

CMYK 34 / 0 / 50 / 27

HEX #7CBB5D

RGB 124 187 93

HSL 100.21, 0.41%, 0.55%

LAB 69.91, -37.36, 41.02

 

CMYK 50 / 9 / 0 / 27

HEX #5DABBB

RGB 93 171 187

HSL 190.21, 0.41%, 0.55%

LAB 65.78, -19.62, -15.63

 

CMYK 17 / 50 / 0 / 27

HEX #9B5DBB

RGB 155 93 187

HSL 279.57, 0.41%, 0.55%

LAB 49.96, 41.93, -39.72

 

Description

Color code: RGB 187 109 93 | qconv.com Color code: RGB 187 109 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 109 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 109 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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