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Color name
RGB 187 108 11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 108 11 it is the complementary color RGB 68 147 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 108 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 108 11 shade: RGB 192 108 6, RGB 209 126 25, RGB 226 144 44, RGB 243 162 63 and RGB 255 180 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 108 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 108 11 shade: RGB 187 108 11, RGB 170 90 0, RGB 153 72 0, RGB 136 54 0 and RGB 119 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 108 11 shade: RGB 187 108 10, RGB 187 60 10, RGB 187 13 10 and RGB 187 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 108 11 shade: RGB 187 108 10, RGB 187 156 10, RGB 171 187 10, RGB 124 187 10 and RGB 76 187 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 108 11 shade matches the following richer shades: RGB 187 108 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 108 11 shade: RGB 187 108 10, RGB 171 106 27, RGB 155 105 43, RGB 139 103 59 and RGB 123 101 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 108 11 shade: RGB 187 13 10, RGB 187 61 10, RGB 187 108 10, RGB 187 155 10 and RGB 173 187 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 108 11 shade: RGB 109 63 6, RGB 148 85 8, RGB 187 108 10, RGB 226 131 13 and RGB 242 151 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 108 11 shade: RGB 187 108 11, RGB 55 187 10 and RGB 37 10 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 108 11 shade: RGB 187 108 11, RGB 10 187 108 and RGB 108 10 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 108 11 shade: RGB 187 108 11, RGB 55 187 10, RGB 10 90 187 and RGB 143 10 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 108 11 shade: RGB 187 108 11, RGB 10 187 19, RGB 10 90 187 and RGB 187 10 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

Complementary color

CMYK 72 / 40 / 0 / 4

HEX #4493F4

RGB 68 147 244

HSL 213.07, 0.89%, 0.61%

LAB 60.45, 7.64, -55.59

 

CMYK 0 / 44 / 97 / 25

HEX #C06C06

RGB 192 108 6

HSL 32.9, 0.94%, 0.39%

LAB 53.97, 27.64, 60.38

 

CMYK 0 / 40 / 88 / 18

HEX #D17E19

RGB 209 126 25

HSL 32.93, 0.79%, 0.46%

LAB 60.38, 25.47, 61.82

 

CMYK 0 / 36 / 81 / 11

HEX #E2902C

RGB 226 144 44

HSL 32.97, 0.76%, 0.53%

LAB 66.75, 23.54, 61.84

 

CMYK 0 / 33 / 74 / 5

HEX #F3A23F

RGB 243 162 63

HSL 33, 0.88%, 0.6%

LAB 73.06, 21.84, 61.08

 

CMYK 0 / 29 / 68 / 0

HEX #FFB452

RGB 255 180 82

HSL 33.99, 1%, 0.66%

LAB 78.76, 18.28, 59.2

 

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

CMYK 0 / 47 / 100 / 33

HEX #AA5A00

RGB 170 90 0

HSL 31.76, 1%, 0.33%

LAB 46.79, 27.91, 55.53

 

CMYK 0 / 53 / 100 / 40

HEX #994800

RGB 153 72 0

HSL 28.24, 1%, 0.3%

LAB 40.26, 30.41, 50.28

 

CMYK 0 / 60 / 100 / 47

HEX #883600

RGB 136 54 0

HSL 23.82, 1%, 0.27%

LAB 33.72, 32.81, 45.05

 

CMYK 0 / 70 / 100 / 53

HEX #772400

RGB 119 36 0

HSL 18.15, 1%, 0.23%

LAB 27.25, 34.85, 38.89

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 68 / 95 / 27

HEX #BB3C0A

RGB 187 60 10

HSL 16.95, 0.9%, 0.39%

LAB 43.97, 49.26, 52.58

 

CMYK 0 / 93 / 95 / 27

HEX #BB0D0A

RGB 187 13 10

HSL 1.02, 0.9%, 0.39%

LAB 39.37, 62.13, 49.8

 

CMYK 0 / 95 / 95 / 27

HEX #BB0A0A

RGB 187 10 10

HSL 0, 0.9%, 0.39%

LAB 39.25, 62.48, 49.73

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 17 / 95 / 27

HEX #BB9C0A

RGB 187 156 10

HSL 49.49, 0.9%, 0.39%

LAB 65.25, -0.81, 67.48

 

CMYK 9 / 0 / 95 / 27

HEX #ABBB0A

RGB 171 187 10

HSL 65.42, 0.9%, 0.39%

LAB 72.38, -23.85, 72.26

 

CMYK 34 / 0 / 95 / 27

HEX #7CBB0A

RGB 124 187 10

HSL 81.36, 0.9%, 0.39%

LAB 69.36, -42.79, 68.61

 

CMYK 59 / 0 / 95 / 27

HEX #4CBB0A

RGB 76 187 10

HSL 97.63, 0.9%, 0.39%

LAB 67.35, -57.94, 66.14

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 38 / 84 / 33

HEX #AB6A1B

RGB 171 106 27

HSL 32.92, 0.73%, 0.39%

LAB 50.74, 20, 51.2

 

CMYK 0 / 32 / 72 / 39

HEX #9B692B

RGB 155 105 43

HSL 33.21, 0.57%, 0.39%

LAB 48.57, 14.07, 41.6

 

CMYK 0 / 26 / 58 / 45

HEX #8B673B

RGB 139 103 59

HSL 33, 0.4%, 0.39%

LAB 46.32, 9.1, 30.21

 

CMYK 0 / 18 / 39 / 52

HEX #7B654B

RGB 123 101 75

HSL 32.5, 0.24%, 0.39%

LAB 44.27, 4.85, 18.03

 

CMYK 0 / 93 / 95 / 27

HEX #BB0D0A

RGB 187 13 10

HSL 1.02, 0.9%, 0.39%

LAB 39.37, 62.13, 49.8

 

CMYK 0 / 67 / 95 / 27

HEX #BB3D0A

RGB 187 61 10

HSL 17.29, 0.9%, 0.39%

LAB 44.12, 48.85, 52.68

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 17 / 95 / 27

HEX #BB9B0A

RGB 187 155 10

HSL 49.15, 0.9%, 0.39%

LAB 64.99, -0.27, 67.28

 

CMYK 7 / 0 / 95 / 27

HEX #ADBB0A

RGB 173 187 10

HSL 64.75, 0.9%, 0.39%

LAB 72.53, -23, 72.44

 

CMYK 0 / 42 / 94 / 57

HEX #6D3F06

RGB 109 63 6

HSL 33.2, 0.9%, 0.23%

LAB 31.39, 15.91, 39

 

CMYK 0 / 43 / 95 / 42

HEX #945508

RGB 148 85 8

HSL 33, 0.9%, 0.31%

LAB 42.48, 21.15, 49.08

 

CMYK 0 / 42 / 95 / 27

HEX #BB6C0A

RGB 187 108 10

HSL 33.22, 0.9%, 0.39%

LAB 53.29, 25.54, 58.82

 

CMYK 0 / 42 / 94 / 11

HEX #E2830D

RGB 226 131 13

HSL 33.24, 0.89%, 0.47%

LAB 63.7, 29.77, 67.98

 

CMYK 0 / 38 / 84 / 5

HEX #F29726

RGB 242 151 38

HSL 33.24, 0.89%, 0.55%

LAB 70.28, 26.37, 67.72

 

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

CMYK 71 / 0 / 95 / 27

HEX #37BB0A

RGB 55 187 10

HSL 104.75, 0.9%, 0.39%

LAB 66.81, -62.53, 65.47

 

CMYK 80 / 95 / 0 / 27

HEX #250ABB

RGB 37 10 187

HSL 249.15, 0.9%, 0.39%

LAB 24.32, 61.01, -81.97

 

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

CMYK 95 / 0 / 42 / 27

HEX #0ABB6C

RGB 10 187 108

HSL 153.22, 0.9%, 0.39%

LAB 67.04, -57.59, 29.14

 

CMYK 42 / 95 / 0 / 27

HEX #6C0ABB

RGB 108 10 187

HSL 273.22, 0.9%, 0.39%

LAB 31.79, 65.77, -69.35

 

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

CMYK 71 / 0 / 95 / 27

HEX #37BB0A

RGB 55 187 10

HSL 104.75, 0.9%, 0.39%

LAB 66.81, -62.53, 65.47

 

CMYK 95 / 52 / 0 / 27

HEX #0A5ABB

RGB 10 90 187

HSL 212.88, 0.9%, 0.39%

LAB 39.52, 16.65, -56.97

 

CMYK 24 / 95 / 0 / 27

HEX #8F0ABB

RGB 143 10 187

HSL 285.08, 0.9%, 0.39%

LAB 37.2, 70.1, -60.28

 

CMYK 0 / 42 / 94 / 27

HEX #BB6C0B

RGB 187 108 11

HSL 33.07, 0.89%, 0.39%

LAB 53.29, 25.56, 58.63

 

CMYK 95 / 0 / 90 / 27

HEX #0ABB13

RGB 10 187 19

HSL 123.05, 0.9%, 0.39%

LAB 66.25, -67.34, 63.46

 

CMYK 95 / 52 / 0 / 27

HEX #0A5ABB

RGB 10 90 187

HSL 212.88, 0.9%, 0.39%

LAB 39.52, 16.65, -56.97

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

Description

Color code: RGB 187 108 11 | qconv.com Color code: RGB 187 108 11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 108 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 108 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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