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Color name
RGB 186 53 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 53 100 it is the complementary color RGB 69 202 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 53 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 53 100 shade: RGB 191 53 95, RGB 208 71 114, RGB 225 89 133, RGB 242 107 152 and RGB 255 125 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 53 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 53 100 shade: RGB 186 53 100, RGB 169 35 81, RGB 152 17 62, RGB 135 0 43 and RGB 118 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 53 100 shade: RGB 186 52 100, RGB 186 52 63 and RGB 186 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 53 100 shade: RGB 186 52 100, RGB 186 52 136, RGB 186 52 172, RGB 165 52 186 and RGB 128 52 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 53 100 shade matches the following richer shades: RGB 186 52 100, RGB 206 33 94 and RGB 225 13 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 53 100 shade: RGB 186 52 100, RGB 167 72 105, RGB 148 91 111, RGB 128 110 117 and RGB 109 130 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 53 100 shade: RGB 186 52 173, RGB 186 52 137, RGB 186 52 101, RGB 186 52 66 and RGB 186 75 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 53 100 shade: RGB 122 34 65, RGB 154 43 82, RGB 186 52 100, RGB 204 76 121 and RGB 213 108 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 53 100 shade: RGB 186 53 100, RGB 186 164 52 and RGB 52 155 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 53 100 shade: RGB 186 53 100, RGB 101 186 52 and RGB 52 101 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 53 100 shade: RGB 186 53 100, RGB 186 164 52, RGB 52 186 137 and RGB 52 75 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 53 100 shade: RGB 186 53 100, RGB 169 186 52, RGB 52 186 137 and RGB 70 52 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

Complementary color

CMYK 66 / 0 / 23 / 21

HEX #45CA9B

RGB 69 202 155

HSL 158.8, 0.56%, 0.53%

LAB 73.46, -47.12, 13.05

 

CMYK 0 / 72 / 50 / 25

HEX #BF355F

RGB 191 53 95

HSL 341.74, 0.57%, 0.48%

LAB 44.87, 57.24, 8.25

 

CMYK 0 / 66 / 45 / 18

HEX #D04772

RGB 208 71 114

HSL 341.17, 0.59%, 0.55%

LAB 50.84, 57.19, 5.55

 

CMYK 0 / 60 / 41 / 12

HEX #E15985

RGB 225 89 133

HSL 340.59, 0.69%, 0.62%

LAB 56.92, 56.76, 3.37

 

CMYK 0 / 56 / 37 / 5

HEX #F26B98

RGB 242 107 152

HSL 340, 0.84%, 0.68%

LAB 63.06, 56.13, 1.55

 

CMYK 0 / 51 / 33 / 0

HEX #FF7DAB

RGB 255 125 171

HSL 338.77, 1%, 0.75%

LAB 68.66, 54.08, -0.87

 

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

CMYK 0 / 79 / 52 / 34

HEX #A92351

RGB 169 35 81

HSL 339.4, 0.66%, 0.4%

LAB 38.25, 55.64, 7.11

 

CMYK 0 / 89 / 59 / 40

HEX #98113E

RGB 152 17 62

HSL 340, 0.8%, 0.33%

LAB 32.75, 54.03, 11.26

 

CMYK 0 / 100 / 68 / 47

HEX #87002B

RGB 135 0 43

HSL 340.89, 1%, 0.26%

LAB 27.64, 51.25, 16.47

 

CMYK 0 / 100 / 80 / 54

HEX #760018

RGB 118 0 24

HSL 347.8, 1%, 0.23%

LAB 23.4, 45.93, 23.2

 

CMYK 0 / 72 / 46 / 27

HEX #BA3464

RGB 186 52 100

HSL 338.51, 0.56%, 0.47%

LAB 43.97, 56.57, 3.74

 

CMYK 0 / 72 / 66 / 27

HEX #BA343F

RGB 186 52 63

HSL 355.07, 0.56%, 0.47%

LAB 43.14, 53.8, 25.52

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 0 / 72 / 46 / 27

HEX #BA3464

RGB 186 52 100

HSL 338.51, 0.56%, 0.47%

LAB 43.97, 56.57, 3.74

 

CMYK 0 / 72 / 27 / 27

HEX #BA3488

RGB 186 52 136

HSL 322.39, 0.56%, 0.47%

LAB 45.18, 60.53, -16.59

 

CMYK 0 / 72 / 8 / 27

HEX #BA34AC

RGB 186 52 172

HSL 306.27, 0.56%, 0.47%

LAB 46.81, 65.59, -35.63

 

CMYK 11 / 72 / 0 / 27

HEX #A534BA

RGB 165 52 186

HSL 290.6, 0.56%, 0.47%

LAB 44.23, 63.31, -48.16

 

CMYK 31 / 72 / 0 / 27

HEX #8034BA

RGB 128 52 186

HSL 274.03, 0.56%, 0.47%

LAB 38.88, 55.76, -57.06

 

CMYK 0 / 72 / 46 / 27

HEX #BA3464

RGB 186 52 100

HSL 338.51, 0.56%, 0.47%

LAB 43.97, 56.57, 3.74

 

CMYK 0 / 84 / 54 / 19

HEX #CE215E

RGB 206 33 94

HSL 338.84, 0.72%, 0.47%

LAB 45.66, 66.99, 10.39

 

CMYK 0 / 94 / 61 / 12

HEX #E10D58

RGB 225 13 88

HSL 338.77, 0.89%, 0.47%

LAB 48.26, 74.29, 18.28

 

CMYK 0 / 72 / 46 / 27

HEX #BA3464

RGB 186 52 100

HSL 338.51, 0.56%, 0.47%

LAB 43.97, 56.57, 3.74

 

CMYK 0 / 57 / 37 / 35

HEX #A74869

RGB 167 72 105

HSL 339.16, 0.4%, 0.47%

LAB 44.05, 42.51, 0.36

 

CMYK 0 / 39 / 25 / 42

HEX #945B6F

RGB 148 91 111

HSL 338.95, 0.24%, 0.47%

LAB 45.53, 26.22, -1.45

 

CMYK 0 / 14 / 9 / 50

HEX #806E75

RGB 128 110 117

HSL 336.67, 0.08%, 0.47%

LAB 48.29, 8.35, -1.27

 

CMYK 16 / 0 / 6 / 49

HEX #6D827A

RGB 109 130 122

HSL 157.14, 0.09%, 0.47%

LAB 52.53, -9.32, 1.78

 

CMYK 0 / 72 / 7 / 27

HEX #BA34AD

RGB 186 52 173

HSL 305.82, 0.56%, 0.47%

LAB 46.86, 65.74, -36.14

 

CMYK 0 / 72 / 26 / 27

HEX #BA3489

RGB 186 52 137

HSL 321.94, 0.56%, 0.47%

LAB 45.22, 60.66, -17.13

 

CMYK 0 / 72 / 46 / 27

HEX #BA3465

RGB 186 52 101

HSL 338.06, 0.56%, 0.47%

LAB 43.99, 56.67, 3.16

 

CMYK 0 / 72 / 65 / 27

HEX #BA3442

RGB 186 52 66

HSL 353.73, 0.56%, 0.47%

LAB 43.19, 53.98, 23.75

 

CMYK 0 / 60 / 72 / 27

HEX #BA4B34

RGB 186 75 52

HSL 10.3, 0.56%, 0.47%

LAB 46.6, 43.47, 36.08

 

CMYK 0 / 72 / 47 / 52

HEX #7A2241

RGB 122 34 65

HSL 338.86, 0.56%, 0.31%

LAB 28.55, 40.45, 2.47

 

CMYK 0 / 72 / 47 / 40

HEX #9A2B52

RGB 154 43 82

HSL 338.92, 0.56%, 0.39%

LAB 36.38, 48.64, 3.41

 

CMYK 0 / 72 / 46 / 27

HEX #BA3464

RGB 186 52 100

HSL 338.51, 0.56%, 0.47%

LAB 43.97, 56.57, 3.74

 

CMYK 0 / 63 / 41 / 20

HEX #CC4C79

RGB 204 76 121

HSL 338.91, 0.56%, 0.55%

LAB 51.14, 54.56, 1.68

 

CMYK 0 / 49 / 32 / 16

HEX #D56C91

RGB 213 108 145

HSL 338.86, 0.56%, 0.63%

LAB 58.9, 45.24, -0.99

 

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

CMYK 0 / 12 / 72 / 27

HEX #BAA434

RGB 186 164 52

HSL 50.15, 0.56%, 0.47%

LAB 67.46, -4.28, 57.95

 

CMYK 72 / 17 / 0 / 27

HEX #349BBA

RGB 52 155 186

HSL 193.88, 0.56%, 0.47%

LAB 59.63, -19.01, -24.56

 

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

CMYK 46 / 0 / 72 / 27

HEX #65BA34

RGB 101 186 52

HSL 98.06, 0.56%, 0.47%

LAB 68.12, -48.56, 56.74

 

CMYK 72 / 46 / 0 / 27

HEX #3465BA

RGB 52 101 186

HSL 218.06, 0.56%, 0.47%

LAB 43.63, 12.78, -49.71

 

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

CMYK 0 / 12 / 72 / 27

HEX #BAA434

RGB 186 164 52

HSL 50.15, 0.56%, 0.47%

LAB 67.46, -4.28, 57.95

 

CMYK 72 / 0 / 26 / 27

HEX #34BA89

RGB 52 186 137

HSL 158.06, 0.56%, 0.47%

LAB 67.76, -47.28, 14.72

 

CMYK 72 / 60 / 0 / 27

HEX #344BBA

RGB 52 75 186

HSL 229.7, 0.56%, 0.47%

LAB 36.57, 29.66, -61.13

 

CMYK 0 / 72 / 46 / 27

HEX #BA3564

RGB 186 53 100

HSL 338.8, 0.56%, 0.47%

LAB 44.1, 56.21, 3.92

 

CMYK 9 / 0 / 72 / 27

HEX #A9BA34

RGB 169 186 52

HSL 67.61, 0.56%, 0.47%

LAB 72.1, -22.91, 62.01

 

CMYK 72 / 0 / 26 / 27

HEX #34BA89

RGB 52 186 137

HSL 158.06, 0.56%, 0.47%

LAB 67.76, -47.28, 14.72

 

CMYK 62 / 72 / 0 / 27

HEX #4634BA

RGB 70 52 186

HSL 248.06, 0.56%, 0.47%

LAB 32.49, 46.06, -67.76

 

Description

Color code: RGB 186 53 100 | qconv.com Color code: RGB 186 53 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 53 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 53 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 46 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 46% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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