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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 31 213 it is the complementary color RGB 69 224 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 31 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 31 213 shade: RGB 191 31 208, RGB 208 49 227, RGB 225 67 246, RGB 242 85 255 and RGB 255 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 31 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 31 213 shade: RGB 186 31 213, RGB 169 13 194, RGB 152 0 175, RGB 135 0 156 and RGB 118 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 31 213 shade: RGB 186 30 214, RGB 214 30 191, RGB 214 30 142, RGB 214 30 92 and RGB 214 30 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 31 213 shade: RGB 186 30 214, RGB 137 30 214, RGB 87 30 214, RGB 38 30 214 and RGB 30 30 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 31 213 shade matches the following richer shades: RGB 186 30 214 and RGB 200 10 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 31 213 shade: RGB 186 30 214, RGB 173 50 194, RGB 159 70 174, RGB 145 90 154 and RGB 131 109 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 31 213 shade: RGB 88 30 214, RGB 137 30 214, RGB 186 30 214, RGB 214 30 192 and RGB 214 30 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 31 213 shade: RGB 123 20 141, RGB 155 25 178, RGB 186 30 214, RGB 202 59 227 and RGB 211 95 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 31 213 shade: RGB 186 31 213, RGB 214 39 30 and RGB 30 214 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 31 213 shade: RGB 186 31 213, RGB 214 186 30 and RGB 30 214 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 31 213 shade: RGB 186 31 213, RGB 214 39 30, RGB 58 214 30 and RGB 30 205 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 31 213 shade: RGB 186 31 213, RGB 214 94 30, RGB 58 214 30 and RGB 30 149 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

Complementary color

CMYK 69 / 0 / 81 / 12

HEX #45E02A

RGB 69 224 42

HSL 111.1, 0.75%, 0.52%

LAB 78.89, -70.39, 69.9

 

CMYK 8 / 85 / 0 / 18

HEX #BF1FD0

RGB 191 31 208

HSL 294.24, 0.74%, 0.47%

LAB 47.77, 77.85, -55.04

 

CMYK 8 / 78 / 0 / 11

HEX #D031E3

RGB 208 49 227

HSL 293.6, 0.76%, 0.54%

LAB 53.12, 79.8, -57.15

 

CMYK 9 / 73 / 0 / 4

HEX #E143F6

RGB 225 67 246

HSL 292.96, 0.91%, 0.61%

LAB 58.67, 80.93, -58.75

 

CMYK 5 / 67 / 0 / 0

HEX #F255FF

RGB 242 85 255

HSL 295.41, 1%, 0.67%

LAB 63.83, 79.8, -55.36

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

CMYK 13 / 93 / 0 / 24

HEX #A90DC2

RGB 169 13 194

HSL 291.71, 0.87%, 0.41%

LAB 42.18, 74.8, -56.11

 

CMYK 13 / 100 / 0 / 31

HEX #9800AF

RGB 152 0 175

HSL 292.11, 1%, 0.34%

LAB 37.43, 70.47, -52.72

 

CMYK 13 / 100 / 0 / 39

HEX #87009C

RGB 135 0 156

HSL 291.92, 1%, 0.31%

LAB 33.03, 64.7, -48.53

 

CMYK 14 / 100 / 0 / 46

HEX #760089

RGB 118 0 137

HSL 291.68, 1%, 0.27%

LAB 28.53, 58.79, -44.25

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 0 / 86 / 11 / 16

HEX #D61EBF

RGB 214 30 191

HSL 307.5, 0.75%, 0.48%

LAB 50.67, 79.67, -40.34

 

CMYK 0 / 86 / 34 / 16

HEX #D61E8E

RGB 214 30 142

HSL 323.48, 0.75%, 0.48%

LAB 48.48, 73.75, -14.73

 

CMYK 0 / 86 / 57 / 16

HEX #D61E5C

RGB 214 30 92

HSL 339.78, 0.75%, 0.48%

LAB 46.97, 69.49, 13.69

 

CMYK 0 / 86 / 80 / 16

HEX #D61E2B

RGB 214 30 43

HSL 355.76, 0.75%, 0.48%

LAB 46.18, 67.18, 42.14

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 36 / 86 / 0 / 16

HEX #891ED6

RGB 137 30 214

HSL 274.89, 0.75%, 0.48%

LAB 39.75, 70.9, -71.89

 

CMYK 59 / 86 / 0 / 16

HEX #571ED6

RGB 87 30 214

HSL 258.59, 0.75%, 0.48%

LAB 33.58, 65.38, -82.27

 

CMYK 82 / 86 / 0 / 16

HEX #261ED6

RGB 38 30 214

HSL 242.61, 0.75%, 0.48%

LAB 29.9, 62.39, -88.49

 

CMYK 86 / 86 / 0 / 16

HEX #1E1ED6

RGB 30 30 214

HSL 240, 0.75%, 0.48%

LAB 29.56, 62.13, -89.06

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 15 / 96 / 0 / 8

HEX #C80AEA

RGB 200 10 234

HSL 290.89, 0.92%, 0.48%

LAB 50.02, 86.27, -66.15

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 11 / 74 / 0 / 24

HEX #AD32C2

RGB 173 50 194

HSL 291.25, 0.59%, 0.48%

LAB 45.72, 67.11, -50.39

 

CMYK 9 / 60 / 0 / 32

HEX #9F46AE

RGB 159 70 174

HSL 291.35, 0.43%, 0.48%

LAB 45.37, 52.07, -39.35

 

CMYK 6 / 42 / 0 / 40

HEX #915A9A

RGB 145 90 154

HSL 291.56, 0.26%, 0.48%

LAB 46.53, 33.53, -25.82

 

CMYK 2 / 19 / 0 / 47

HEX #836D86

RGB 131 109 134

HSL 292.8, 0.1%, 0.48%

LAB 48.86, 13.44, -10.5

 

CMYK 59 / 86 / 0 / 16

HEX #581ED6

RGB 88 30 214

HSL 258.91, 0.75%, 0.48%

LAB 33.69, 65.47, -82.09

 

CMYK 36 / 86 / 0 / 16

HEX #891ED6

RGB 137 30 214

HSL 274.89, 0.75%, 0.48%

LAB 39.75, 70.9, -71.89

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 0 / 86 / 10 / 16

HEX #D61EC0

RGB 214 30 192

HSL 307.17, 0.75%, 0.48%

LAB 50.72, 79.81, -40.84

 

CMYK 0 / 86 / 33 / 16

HEX #D61E8F

RGB 214 30 143

HSL 323.15, 0.75%, 0.48%

LAB 48.52, 73.86, -15.27

 

CMYK 13 / 86 / 0 / 45

HEX #7B148D

RGB 123 20 141

HSL 291.07, 0.75%, 0.32%

LAB 30.96, 56.69, -42.77

 

CMYK 13 / 86 / 0 / 30

HEX #9B19B2

RGB 155 25 178

HSL 290.98, 0.75%, 0.4%

LAB 39.37, 67.85, -51.34

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 11 / 74 / 0 / 11

HEX #CA3BE3

RGB 202 59 227

HSL 291.07, 0.75%, 0.56%

LAB 53.2, 75.75, -57.06

 

CMYK 9 / 59 / 0 / 9

HEX #D35FE8

RGB 211 95 232

HSL 290.8, 0.75%, 0.64%

LAB 59.76, 64.64, -49.34

 

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

CMYK 0 / 82 / 86 / 16

HEX #D6271E

RGB 214 39 30

HSL 2.93, 0.75%, 0.48%

LAB 46.77, 64.87, 49.37

 

CMYK 86 / 0 / 47 / 16

HEX #1ED671

RGB 30 214 113

HSL 147.07, 0.75%, 0.48%

LAB 75.8, -64.74, 37.91

 

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

CMYK 0 / 13 / 86 / 16

HEX #D6BA1E

RGB 214 186 30

HSL 50.87, 0.75%, 0.48%

LAB 75.77, -4.34, 73.13

 

CMYK 86 / 0 / 13 / 16

HEX #1ED6BA

RGB 30 214 186

HSL 170.87, 0.75%, 0.48%

LAB 77.23, -48.86, 1.74

 

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

CMYK 0 / 82 / 86 / 16

HEX #D6271E

RGB 214 39 30

HSL 2.93, 0.75%, 0.48%

LAB 46.77, 64.87, 49.37

 

CMYK 73 / 0 / 86 / 16

HEX #3AD61E

RGB 58 214 30

HSL 110.87, 0.75%, 0.48%

LAB 75.51, -69.74, 69.59

 

CMYK 86 / 4 / 0 / 16

HEX #1ECDD6

RGB 30 205 214

HSL 182.93, 0.75%, 0.48%

LAB 75.32, -36.95, -16.16

 

CMYK 13 / 85 / 0 / 16

HEX #BA1FD5

RGB 186 31 213

HSL 291.1, 0.75%, 0.48%

LAB 47.27, 77.83, -58.77

 

CMYK 0 / 56 / 86 / 16

HEX #D65E1E

RGB 214 94 30

HSL 20.87, 0.75%, 0.48%

LAB 54.44, 44.08, 55.72

 

CMYK 73 / 0 / 86 / 16

HEX #3AD61E

RGB 58 214 30

HSL 110.87, 0.75%, 0.48%

LAB 75.51, -69.74, 69.59

 

CMYK 86 / 30 / 0 / 16

HEX #1E95D6

RGB 30 149 214

HSL 201.2, 0.75%, 0.48%

LAB 58.63, -8.2, -41.89

 

Description

Color code: RGB 186 31 213 | qconv.com Color code: RGB 186 31 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 31 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 31 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 85 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 85% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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