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Color name
RGB 186 27 122

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 27 122 it is the complementary color RGB 69 228 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 27 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 27 122 shade: RGB 191 27 117, RGB 208 45 136, RGB 225 63 155, RGB 242 81 174 and RGB 255 99 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 27 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 27 122 shade: RGB 186 27 122, RGB 169 9 103, RGB 152 0 84, RGB 135 0 65 and RGB 118 0 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 27 122 shade: RGB 187 26 122, RGB 187 26 79, RGB 187 26 36 and RGB 187 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 27 122 shade: RGB 187 26 122, RGB 187 26 166, RGB 165 26 187, RGB 122 26 187 and RGB 78 26 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 27 122 shade matches the following richer shades: RGB 187 26 122 and RGB 204 9 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 27 122 shade: RGB 187 26 122, RGB 170 44 119, RGB 152 61 116, RGB 135 78 112 and RGB 118 96 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 27 122 shade: RGB 166 26 187, RGB 187 26 166, RGB 187 26 123, RGB 187 26 80 and RGB 187 26 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 27 122 shade: RGB 115 16 75, RGB 151 21 99, RGB 187 26 122, RGB 223 32 146 and RGB 228 68 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 27 122 shade: RGB 186 27 122, RGB 187 123 26 and RGB 26 187 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 27 122 shade: RGB 186 27 122, RGB 123 187 26 and RGB 26 123 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 27 122 shade: RGB 186 27 122, RGB 187 123 26, RGB 26 187 91 and RGB 26 91 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 27 122 shade: RGB 186 27 122, RGB 187 171 26, RGB 26 187 91 and RGB 26 42 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

Complementary color

CMYK 70 / 0 / 42 / 11

HEX #45E485

RGB 69 228 133

HSL 144.15, 0.75%, 0.58%

LAB 80.99, -61.61, 34.72

 

CMYK 0 / 86 / 39 / 25

HEX #BF1B75

RGB 191 27 117

HSL 327.07, 0.75%, 0.43%

LAB 42.98, 66.51, -8.17

 

CMYK 0 / 78 / 35 / 18

HEX #D02D88

RGB 208 45 136

HSL 326.5, 0.64%, 0.5%

LAB 48.34, 68.3, -11.42

 

CMYK 0 / 72 / 31 / 12

HEX #E13F9B

RGB 225 63 155

HSL 325.93, 0.73%, 0.56%

LAB 53.95, 69.22, -14.01

 

CMYK 0 / 67 / 28 / 5

HEX #F251AE

RGB 242 81 174

HSL 325.34, 0.86%, 0.63%

LAB 59.72, 69.55, -16.09

 

CMYK 0 / 61 / 24 / 0

HEX #FF63C1

RGB 255 99 193

HSL 323.85, 1%, 0.69%

LAB 64.99, 68.39, -18.78

 

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

CMYK 0 / 95 / 39 / 34

HEX #A90967

RGB 169 9 103

HSL 324.75, 0.9%, 0.35%

LAB 37.13, 62.86, -8.59

 

CMYK 0 / 100 / 45 / 40

HEX #980054

RGB 152 0 84

HSL 326.84, 1%, 0.3%

LAB 32.51, 58.35, -3.58

 

CMYK 0 / 100 / 52 / 47

HEX #870041

RGB 135 0 65

HSL 331.11, 1%, 0.26%

LAB 28.2, 52.74, 2.31

 

CMYK 0 / 100 / 61 / 54

HEX #76002E

RGB 118 0 46

HSL 336.61, 1%, 0.23%

LAB 23.83, 47.11, 8.63

 

CMYK 0 / 86 / 35 / 27

HEX #BB1A7A

RGB 187 26 122

HSL 324.22, 0.76%, 0.42%

LAB 42.32, 66.29, -12.34

 

CMYK 0 / 86 / 58 / 27

HEX #BB1A4F

RGB 187 26 79

HSL 340.25, 0.76%, 0.42%

LAB 41.01, 62.55, 12.76

 

CMYK 0 / 86 / 81 / 27

HEX #BB1A24

RGB 187 26 36

HSL 356.27, 0.76%, 0.42%

LAB 40.3, 60.48, 38.32

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1A

RGB 187 26 26

HSL 0, 0.76%, 0.42%

LAB 40.21, 60.22, 43.59

 

CMYK 0 / 86 / 35 / 27

HEX #BB1A7A

RGB 187 26 122

HSL 324.22, 0.76%, 0.42%

LAB 42.32, 66.29, -12.34

 

CMYK 0 / 86 / 11 / 27

HEX #BB1AA6

RGB 187 26 166

HSL 307.83, 0.76%, 0.42%

LAB 44.31, 71.71, -35.99

 

CMYK 12 / 86 / 0 / 27

HEX #A51ABB

RGB 165 26 187

HSL 291.8, 0.76%, 0.42%

LAB 41.73, 70.91, -52.77

 

CMYK 35 / 86 / 0 / 27

HEX #7A1ABB

RGB 122 26 187

HSL 275.78, 0.76%, 0.42%

LAB 34.93, 64.18, -64.12

 

CMYK 58 / 86 / 0 / 27

HEX #4E1ABB

RGB 78 26 187

HSL 259.38, 0.76%, 0.42%

LAB 29.28, 58.98, -73.63

 

CMYK 0 / 86 / 35 / 27

HEX #BB1A7A

RGB 187 26 122

HSL 324.22, 0.76%, 0.42%

LAB 42.32, 66.29, -12.34

 

CMYK 0 / 96 / 38 / 20

HEX #CC097E

RGB 204 9 126

HSL 324, 0.92%, 0.42%

LAB 45, 72.78, -10.44

 

CMYK 0 / 86 / 35 / 27

HEX #BB1A7A

RGB 187 26 122

HSL 324.22, 0.76%, 0.42%

LAB 42.32, 66.29, -12.34

 

CMYK 0 / 74 / 30 / 33

HEX #AA2C77

RGB 170 44 119

HSL 324.29, 0.59%, 0.42%

LAB 40.7, 56.94, -13.23

 

CMYK 0 / 60 / 24 / 40

HEX #983D74

RGB 152 61 116

HSL 323.74, 0.43%, 0.42%

LAB 40.04, 44.36, -12.66

 

CMYK 0 / 42 / 17 / 47

HEX #874E70

RGB 135 78 112

HSL 324.21, 0.27%, 0.42%

LAB 40.85, 28.96, -9.21

 

CMYK 0 / 19 / 8 / 54

HEX #76606D

RGB 118 96 109

HSL 324.55, 0.1%, 0.42%

LAB 43.24, 11.28, -4.01

 

CMYK 11 / 86 / 0 / 27

HEX #A61ABB

RGB 166 26 187

HSL 292.17, 0.76%, 0.42%

LAB 41.9, 71.08, -52.49

 

CMYK 0 / 86 / 11 / 27

HEX #BB1AA6

RGB 187 26 166

HSL 307.83, 0.76%, 0.42%

LAB 44.31, 71.71, -35.99

 

CMYK 0 / 86 / 34 / 27

HEX #BB1A7B

RGB 187 26 123

HSL 323.85, 0.76%, 0.42%

LAB 42.36, 66.39, -12.9

 

CMYK 0 / 86 / 57 / 27

HEX #BB1A50

RGB 187 26 80

HSL 339.88, 0.76%, 0.42%

LAB 41.03, 62.62, 12.16

 

CMYK 0 / 86 / 80 / 27

HEX #BB1A25

RGB 187 26 37

HSL 355.9, 0.76%, 0.42%

LAB 40.31, 60.51, 37.76

 

CMYK 0 / 86 / 35 / 55

HEX #73104B

RGB 115 16 75

HSL 324.24, 0.76%, 0.26%

LAB 25.33, 45.67, -9.16

 

CMYK 0 / 86 / 34 / 41

HEX #971563

RGB 151 21 99

HSL 324, 0.76%, 0.34%

LAB 34.02, 56.3, -11.09

 

CMYK 0 / 86 / 35 / 27

HEX #BB1A7A

RGB 187 26 122

HSL 324.22, 0.76%, 0.42%

LAB 42.32, 66.29, -12.34

 

CMYK 0 / 86 / 35 / 13

HEX #DF2092

RGB 223 32 146

HSL 324.19, 0.75%, 0.5%

LAB 50.45, 75.81, -13.99

 

CMYK 0 / 70 / 29 / 11

HEX #E444A3

RGB 228 68 163

HSL 324.38, 0.75%, 0.58%

LAB 55.35, 69.23, -16.54

 

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

CMYK 0 / 34 / 86 / 27

HEX #BB7B1A

RGB 187 123 26

HSL 36.15, 0.76%, 0.42%

LAB 56.89, 17.59, 57.55

 

CMYK 86 / 0 / 0 / 27

HEX #1ABBBB

RGB 26 187 187

HSL 180, 0.76%, 0.42%

LAB 69, -37.03, -10.94

 

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

CMYK 34 / 0 / 86 / 27

HEX #7BBB1A

RGB 123 187 26

HSL 83.85, 0.76%, 0.42%

LAB 69.35, -42.77, 65.94

 

CMYK 86 / 34 / 0 / 27

HEX #1A7BBB

RGB 26 123 187

HSL 203.85, 0.76%, 0.42%

LAB 49.46, -3.37, -41.03

 

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

CMYK 0 / 34 / 86 / 27

HEX #BB7B1A

RGB 187 123 26

HSL 36.15, 0.76%, 0.42%

LAB 56.89, 17.59, 57.55

 

CMYK 86 / 0 / 51 / 27

HEX #1ABB5B

RGB 26 187 91

HSL 144.22, 0.76%, 0.42%

LAB 66.91, -59.57, 37.66

 

CMYK 86 / 51 / 0 / 27

HEX #1A5BBB

RGB 26 91 187

HSL 215.78, 0.76%, 0.42%

LAB 40.06, 16.86, -56.08

 

CMYK 0 / 85 / 34 / 27

HEX #BA1B7A

RGB 186 27 122

HSL 324.15, 0.75%, 0.42%

LAB 42.2, 65.85, -12.54

 

CMYK 0 / 9 / 86 / 27

HEX #BBAB1A

RGB 187 171 26

HSL 54.04, 0.76%, 0.42%

LAB 69.3, -8.47, 67.74

 

CMYK 86 / 0 / 51 / 27

HEX #1ABB5B

RGB 26 187 91

HSL 144.22, 0.76%, 0.42%

LAB 66.91, -59.57, 37.66

 

CMYK 86 / 78 / 0 / 27

HEX #1A2ABB

RGB 26 42 187

HSL 234.04, 0.76%, 0.42%

LAB 28.02, 48.06, -75.83

 

Description

Color code: RGB 186 27 122 | qconv.com Color code: RGB 186 27 122 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 27 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 27 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 34% 27% C M Y K

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Provide designers and agencies with accurate color values.

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