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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 232 231 it is the complementary color RGB 69 23 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 232 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 232 231 shade: RGB 191 232 226, RGB 208 250 245, RGB 225 255 255 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 232 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 169 214 212, RGB 152 196 193, RGB 135 178 174 and RGB 118 160 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 186 232 218, RGB 186 232 206, RGB 186 232 193 and RGB 190 232 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 186 220 232, RGB 186 208 232, RGB 186 195 232 and RGB 186 186 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 232 231 shade matches the following richer shades: RGB 186 232 231, RGB 178 239 238, RGB 171 246 245 and RGB 163 254 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 193 224 223, RGB 201 217 216, RGB 208 209 209 and RGB 215 202 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 232 231 shade: RGB 186 232 206, RGB 186 232 218, RGB 186 232 230, RGB 186 221 232 and RGB 186 209 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 232 231 shade: RGB 124 211 209, RGB 155 221 220, RGB 186 232 231, RGB 217 242 241 and RGB 248 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 193 186 232 and RGB 232 212 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 230 186 232 and RGB 232 230 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 193 186 232, RGB 232 186 187 and RGB 224 232 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 232 231 shade: RGB 186 232 231, RGB 207 186 232, RGB 232 186 187 and RGB 210 232 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

Complementary color

CMYK 0 / 67 / 65 / 73

HEX #451718

RGB 69 23 24

HSL 358.7, 0.5%, 0.18%

LAB 15.19, 22.25, 10.74

 

CMYK 18 / 0 / 3 / 9

HEX #BFE8E2

RGB 191 232 226

HSL 171.22, 0.47%, 0.83%

LAB 89.05, -14.42, -1.51

 

CMYK 17 / 0 / 2 / 2

HEX #D0FAF5

RGB 208 250 245

HSL 172.86, 0.81%, 0.9%

LAB 95.32, -14.36, -2.09

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 21 / 0 / 1 / 16

HEX #A9D6D4

RGB 169 214 212

HSL 177.33, 0.35%, 0.75%

LAB 82.53, -14.99, -3.85

 

CMYK 22 / 0 / 2 / 23

HEX #98C4C1

RGB 152 196 193

HSL 175.91, 0.27%, 0.68%

LAB 76.07, -15.08, -3.26

 

CMYK 24 / 0 / 2 / 30

HEX #87B2AE

RGB 135 178 174

HSL 174.42, 0.22%, 0.61%

LAB 69.5, -15.18, -2.66

 

CMYK 26 / 0 / 3 / 37

HEX #76A09B

RGB 118 160 155

HSL 172.86, 0.18%, 0.55%

LAB 62.81, -15.3, -2.03

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 20 / 0 / 6 / 9

HEX #BAE8DA

RGB 186 232 218

HSL 161.74, 0.5%, 0.82%

LAB 88.55, -17.57, 1.91

 

CMYK 20 / 0 / 11 / 9

HEX #BAE8CE

RGB 186 232 206

HSL 146.09, 0.5%, 0.82%

LAB 88.26, -19.89, 7.78

 

CMYK 20 / 0 / 17 / 9

HEX #BAE8C1

RGB 186 232 193

HSL 129.13, 0.5%, 0.82%

LAB 87.97, -22.27, 14.15

 

CMYK 18 / 0 / 20 / 9

HEX #BEE8BA

RGB 190 232 186

HSL 114.78, 0.5%, 0.82%

LAB 88.07, -22.15, 17.97

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 20 / 5 / 0 / 9

HEX #BADCE8

RGB 186 220 232

HSL 195.65, 0.5%, 0.82%

LAB 85.73, -8.61, -9.6

 

CMYK 20 / 10 / 0 / 9

HEX #BAD0E8

RGB 186 208 232

HSL 211.3, 0.5%, 0.82%

LAB 82.58, -2.36, -14.31

 

CMYK 20 / 16 / 0 / 9

HEX #BAC3E8

RGB 186 195 232

HSL 228.26, 0.5%, 0.82%

LAB 79.21, 4.57, -19.38

 

CMYK 20 / 20 / 0 / 9

HEX #BABAE8

RGB 186 186 232

HSL 240, 0.5%, 0.82%

LAB 76.91, 9.44, -22.88

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 26 / 0 / 0 / 6

HEX #B2EFEE

RGB 178 239 238

HSL 179.02, 0.66%, 0.82%

LAB 90.49, -19.27, -5.75

 

CMYK 30 / 0 / 0 / 4

HEX #ABF6F5

RGB 171 246 245

HSL 179.2, 0.81%, 0.82%

LAB 92.2, -23.11, -6.91

 

CMYK 36 / 0 / 1 / 0

HEX #A3FEFC

RGB 163 254 252

HSL 178.68, 0.98%, 0.82%

LAB 94.18, -27.48, -7.65

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 14 / 0 / 0 / 12

HEX #C1E0DF

RGB 193 224 223

HSL 178.06, 0.33%, 0.82%

LAB 86.99, -10.35, -2.95

 

CMYK 7 / 0 / 0 / 15

HEX #C9D9D8

RGB 201 217 216

HSL 176.25, 0.17%, 0.82%

LAB 85.5, -5.54, -1.36

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 0 / 6 / 6 / 16

HEX #D7CACA

RGB 215 202 202

HSL 0, 0.14%, 0.82%

LAB 82.35, 4.52, 1.61

 

CMYK 20 / 0 / 11 / 9

HEX #BAE8CE

RGB 186 232 206

HSL 146.09, 0.5%, 0.82%

LAB 88.26, -19.89, 7.78

 

CMYK 20 / 0 / 6 / 9

HEX #BAE8DA

RGB 186 232 218

HSL 161.74, 0.5%, 0.82%

LAB 88.55, -17.57, 1.91

 

CMYK 20 / 0 / 1 / 9

HEX #BAE8E6

RGB 186 232 230

HSL 177.39, 0.5%, 0.82%

LAB 88.86, -15.13, -3.92

 

CMYK 20 / 5 / 0 / 9

HEX #BADDE8

RGB 186 221 232

HSL 194.35, 0.5%, 0.82%

LAB 86, -9.12, -9.21

 

CMYK 20 / 10 / 0 / 9

HEX #BAD1E8

RGB 186 209 232

HSL 210, 0.5%, 0.82%

LAB 82.84, -2.88, -13.92

 

CMYK 41 / 0 / 1 / 17

HEX #7CD3D1

RGB 124 211 209

HSL 178.62, 0.5%, 0.66%

LAB 79.32, -26.66, -7.25

 

CMYK 30 / 0 / 0 / 13

HEX #9BDDDC

RGB 155 221 220

HSL 179.09, 0.49%, 0.74%

LAB 83.89, -20.84, -6.18

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 10 / 0 / 0 / 5

HEX #D9F2F1

RGB 217 242 241

HSL 177.6, 0.49%, 0.9%

LAB 93.71, -8.32, -2.31

 

CMYK 2 / 0 / 0 / 1

HEX #F8FCFC

RGB 248 252 252

HSL 180, 0.4%, 0.98%

LAB 98.67, -1.31, -0.47

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 17 / 20 / 0 / 9

HEX #C1BAE8

RGB 193 186 232

HSL 249.13, 0.5%, 0.82%

LAB 77.45, 11.62, -22.01

 

CMYK 0 / 9 / 20 / 9

HEX #E8D4BA

RGB 232 212 186

HSL 33.91, 0.5%, 0.82%

LAB 85.9, 2.83, 15.38

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 1 / 20 / 0 / 9

HEX #E6BAE8

RGB 230 186 232

HSL 297.39, 0.5%, 0.82%

LAB 80.61, 23.55, -16.92

 

CMYK 0 / 1 / 20 / 9

HEX #E8E6BA

RGB 232 230 186

HSL 57.39, 0.5%, 0.82%

LAB 90.46, -6.39, 21.74

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 17 / 20 / 0 / 9

HEX #C1BAE8

RGB 193 186 232

HSL 249.13, 0.5%, 0.82%

LAB 77.45, 11.62, -22.01

 

CMYK 0 / 20 / 19 / 9

HEX #E8BABB

RGB 232 186 187

HSL 358.7, 0.5%, 0.82%

LAB 79.53, 16.67, 5.78

 

CMYK 3 / 0 / 20 / 9

HEX #E0E8BA

RGB 224 232 186

HSL 70.43, 0.5%, 0.82%

LAB 90.37, -10.29, 21.52

 

CMYK 20 / 0 / 0 / 9

HEX #BAE8E7

RGB 186 232 231

HSL 178.7, 0.5%, 0.82%

LAB 88.89, -14.92, -4.41

 

CMYK 11 / 20 / 0 / 9

HEX #CFBAE8

RGB 207 186 232

HSL 267.39, 0.5%, 0.82%

LAB 78.58, 16.06, -20.18

 

CMYK 0 / 20 / 19 / 9

HEX #E8BABB

RGB 232 186 187

HSL 358.7, 0.5%, 0.82%

LAB 79.53, 16.67, 5.78

 

CMYK 9 / 0 / 20 / 9

HEX #D2E8BA

RGB 210 232 186

HSL 88.7, 0.5%, 0.82%

LAB 89.37, -15.28, 19.99

 

Description

Color code: RGB 186 232 231 | qconv.com Color code: RGB 186 232 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 232 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 232 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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