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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 213 87 it is the complementary color RGB 69 42 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 213 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 213 87 shade: RGB 191 213 82, RGB 208 231 101, RGB 225 249 120, RGB 242 255 139 and RGB 255 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 213 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 169 195 68, RGB 152 177 49, RGB 135 159 30 and RGB 118 141 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 213 206 87, RGB 213 172 87, RGB 213 138 87 and RGB 213 104 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 152 213 87, RGB 118 213 87, RGB 87 213 90 and RGB 87 213 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 213 87 shade matches the following richer shades: RGB 186 213 87, RGB 195 230 70 and RGB 205 247 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 176 196 104, RGB 166 179 121, RGB 157 162 138 and RGB 147 145 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 213 87 shade: RGB 213 171 87, RGB 213 204 87, RGB 188 213 87, RGB 154 213 87 and RGB 121 213 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 213 87 shade: RGB 146 174 43, RGB 172 204 54, RGB 186 213 87, RGB 199 221 120 and RGB 213 229 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 87 213 137 and RGB 188 87 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 87 188 213 and RGB 213 87 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 87 213 137, RGB 112 87 213 and RGB 213 87 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 213 87 shade: RGB 186 213 87, RGB 87 213 175, RGB 112 87 213 and RGB 213 87 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

Complementary color

CMYK 59 / 75 / 0 / 34

HEX #452AA8

RGB 69 42 168

HSL 252.86, 0.6%, 0.41%

LAB 28.77, 45.8, -63.14

 

CMYK 10 / 0 / 62 / 16

HEX #BFD552

RGB 191 213 82

HSL 70.08, 0.61%, 0.58%

LAB 81.44, -25.17, 60.4

 

CMYK 10 / 0 / 56 / 9

HEX #D0E765

RGB 208 231 101

HSL 70.62, 0.73%, 0.65%

LAB 87.73, -25.61, 59.54

 

CMYK 10 / 0 / 52 / 2

HEX #E1F978

RGB 225 249 120

HSL 71.16, 0.91%, 0.72%

LAB 93.93, -25.96, 58.54

 

CMYK 5 / 0 / 45 / 0

HEX #F2FF8B

RGB 242 255 139

HSL 66.72, 1%, 0.77%

LAB 96.93, -20.57, 53.68

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 13 / 0 / 65 / 24

HEX #A9C344

RGB 169 195 68

HSL 72.28, 0.51%, 0.52%

LAB 74.75, -26.35, 58.58

 

CMYK 14 / 0 / 72 / 31

HEX #98B131

RGB 152 177 49

HSL 71.72, 0.57%, 0.44%

LAB 68.27, -25.76, 58.94

 

CMYK 15 / 0 / 81 / 38

HEX #879F1E

RGB 135 159 30

HSL 71.16, 0.68%, 0.37%

LAB 61.69, -25, 58.55

 

CMYK 16 / 0 / 92 / 45

HEX #768D0B

RGB 118 141 11

HSL 70.62, 0.86%, 0.3%

LAB 55, -23.99, 56.8

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 0 / 3 / 59 / 16

HEX #D5CE57

RGB 213 206 87

HSL 56.67, 0.6%, 0.59%

LAB 81.28, -12.39, 58.57

 

CMYK 0 / 19 / 59 / 16

HEX #D5AC57

RGB 213 172 87

HSL 40.48, 0.6%, 0.59%

LAB 72.45, 5.27, 48.62

 

CMYK 0 / 35 / 59 / 16

HEX #D58A57

RGB 213 138 87

HSL 24.29, 0.6%, 0.59%

LAB 64.17, 23.59, 38.81

 

CMYK 0 / 51 / 59 / 16

HEX #D56857

RGB 213 104 87

HSL 8.1, 0.6%, 0.59%

LAB 56.82, 41.46, 29.67

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 29 / 0 / 59 / 16

HEX #98D557

RGB 152 213 87

HSL 89.05, 0.6%, 0.59%

LAB 79.01, -39.71, 54.88

 

CMYK 45 / 0 / 59 / 16

HEX #76D557

RGB 118 213 87

HSL 105.24, 0.6%, 0.59%

LAB 77.36, -51.03, 52.55

 

CMYK 59 / 0 / 58 / 16

HEX #57D55A

RGB 87 213 90

HSL 121.43, 0.6%, 0.59%

LAB 76.29, -58.98, 49.69

 

CMYK 59 / 0 / 42 / 16

HEX #57D57C

RGB 87 213 124

HSL 137.62, 0.6%, 0.59%

LAB 76.72, -54.15, 33.79

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 15 / 0 / 70 / 10

HEX #C3E646

RGB 195 230 70

HSL 73.13, 0.76%, 0.59%

LAB 86.32, -32.36, 70.21

 

CMYK 17 / 0 / 79 / 3

HEX #CDF735

RGB 205 247 53

HSL 72.99, 0.92%, 0.59%

LAB 91.58, -36.97, 80.71

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 10 / 0 / 47 / 23

HEX #B0C468

RGB 176 196 104

HSL 73.04, 0.44%, 0.59%

LAB 75.89, -20.94, 43.66

 

CMYK 7 / 0 / 32 / 30

HEX #A6B379

RGB 166 179 121

HSL 73.45, 0.28%, 0.59%

LAB 70.68, -14.24, 28.17

 

CMYK 3 / 0 / 15 / 36

HEX #9DA28A

RGB 157 162 138

HSL 72.5, 0.11%, 0.59%

LAB 65.63, -6.15, 11.89

 

CMYK 5 / 6 / 0 / 39

HEX #93919B

RGB 147 145 155

HSL 252, 0.05%, 0.59%

LAB 60.62, 2.72, -5.02

 

CMYK 0 / 20 / 59 / 16

HEX #D5AB57

RGB 213 171 87

HSL 40, 0.6%, 0.59%

LAB 72.2, 5.8, 48.33

 

CMYK 0 / 4 / 59 / 16

HEX #D5CC57

RGB 213 204 87

HSL 55.71, 0.6%, 0.59%

LAB 80.75, -11.38, 57.99

 

CMYK 12 / 0 / 59 / 16

HEX #BCD557

RGB 188 213 87

HSL 71.9, 0.6%, 0.59%

LAB 81.27, -26, 58.03

 

CMYK 28 / 0 / 59 / 16

HEX #9AD557

RGB 154 213 87

HSL 88.1, 0.6%, 0.59%

LAB 79.13, -38.98, 55.03

 

CMYK 43 / 0 / 59 / 16

HEX #79D557

RGB 121 213 87

HSL 103.81, 0.6%, 0.59%

LAB 77.48, -50.12, 52.73

 

CMYK 16 / 0 / 75 / 32

HEX #92AE2B

RGB 146 174 43

HSL 72.82, 0.6%, 0.43%

LAB 66.94, -27.11, 59.6

 

CMYK 16 / 0 / 74 / 20

HEX #ACCC36

RGB 172 204 54

HSL 72.8, 0.6%, 0.51%

LAB 77.41, -30.24, 66.52

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 10 / 0 / 46 / 13

HEX #C7DD78

RGB 199 221 120

HSL 73.07, 0.6%, 0.67%

LAB 84.59, -22.56, 46.9

 

CMYK 7 / 0 / 33 / 10

HEX #D5E599

RGB 213 229 153

HSL 72.63, 0.59%, 0.75%

LAB 88.2, -17.36, 35.35

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 59 / 0 / 36 / 16

HEX #57D589

RGB 87 213 137

HSL 143.81, 0.6%, 0.59%

LAB 76.93, -51.87, 27.41

 

CMYK 12 / 59 / 0 / 16

HEX #BC57D5

RGB 188 87 213

HSL 288.1, 0.6%, 0.59%

LAB 54.36, 59.03, -47.4

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 59 / 12 / 0 / 16

HEX #57BCD5

RGB 87 188 213

HSL 191.9, 0.6%, 0.59%

LAB 71.42, -22.13, -21.42

 

CMYK 0 / 59 / 12 / 16

HEX #D557BC

RGB 213 87 188

HSL 311.9, 0.6%, 0.59%

LAB 56.68, 61.2, -29.22

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 59 / 0 / 36 / 16

HEX #57D589

RGB 87 213 137

HSL 143.81, 0.6%, 0.59%

LAB 76.93, -51.87, 27.41

 

CMYK 47 / 59 / 0 / 16

HEX #7057D5

RGB 112 87 213

HSL 251.9, 0.6%, 0.59%

LAB 45.72, 41.41, -61.72

 

CMYK 0 / 59 / 24 / 16

HEX #D557A2

RGB 213 87 162

HSL 324.29, 0.6%, 0.59%

LAB 55.66, 57.44, -15.72

 

CMYK 13 / 0 / 59 / 16

HEX #BAD557

RGB 186 213 87

HSL 72.86, 0.6%, 0.59%

LAB 81.14, -26.79, 57.83

 

CMYK 59 / 0 / 18 / 16

HEX #57D5AF

RGB 87 213 175

HSL 161.9, 0.6%, 0.59%

LAB 77.7, -43.94, 8.44

 

CMYK 47 / 59 / 0 / 16

HEX #7057D5

RGB 112 87 213

HSL 251.9, 0.6%, 0.59%

LAB 45.72, 41.41, -61.72

 

CMYK 0 / 59 / 41 / 16

HEX #D5577D

RGB 213 87 125

HSL 341.9, 0.6%, 0.59%

LAB 54.49, 52.99, 4.34

 

Description

Color code: RGB 186 213 87 | qconv.com Color code: RGB 186 213 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 213 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 213 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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