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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 188 217 it is the complementary color RGB 69 67 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 188 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 188 217 shade: RGB 191 188 212, RGB 208 206 231, RGB 225 224 250 and RGB 242 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 188 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 188 217 shade: RGB 186 188 217, RGB 169 170 198, RGB 152 152 179, RGB 135 134 160 and RGB 118 116 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 188 217 shade: RGB 185 187 216, RGB 192 185 216, RGB 200 185 216, RGB 209 185 216 and RGB 216 185 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 188 217 shade: RGB 185 187 216 and RGB 185 185 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 188 217 shade matches the following richer shades: RGB 185 187 216, RGB 177 180 225, RGB 168 172 234, RGB 159 165 242 and RGB 151 157 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 188 217 shade: RGB 185 187 216, RGB 194 195 208, RGB 203 203 199, RGB 211 210 190 and RGB 220 218 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 188 217 shade: RGB 185 204 216, RGB 185 196 216, RGB 185 187 216, RGB 192 185 216 and RGB 200 185 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 188 217 shade: RGB 132 136 187, RGB 159 162 202, RGB 185 187 216, RGB 212 213 231 and RGB 239 239 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 188 217 shade: RGB 186 188 217, RGB 216 185 212 and RGB 200 216 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 188 217 shade: RGB 186 188 217, RGB 216 185 187 and RGB 187 216 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 188 217 shade: RGB 186 188 217, RGB 216 185 212, RGB 216 214 185 and RGB 185 216 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 188 217 shade: RGB 186 188 217, RGB 216 185 203, RGB 216 214 185 and RGB 185 216 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

Complementary color

CMYK 0 / 3 / 45 / 73

HEX #454326

RGB 69 67 38

HSL 56.13, 0.29%, 0.21%

LAB 27.9, -4.26, 17.9

 

CMYK 10 / 11 / 0 / 17

HEX #BFBCD4

RGB 191 188 212

HSL 247.5, 0.22%, 0.78%

LAB 77.16, 5.69, -11.65

 

CMYK 10 / 11 / 0 / 9

HEX #D0CEE7

RGB 208 206 231

HSL 244.8, 0.34%, 0.86%

LAB 83.61, 5.45, -12.07

 

CMYK 10 / 10 / 0 / 2

HEX #E1E0FA

RGB 225 224 250

HSL 242.31, 0.72%, 0.93%

LAB 89.96, 5.23, -12.49

 

CMYK 5 / 5 / 0 / 0

HEX #F2F2FF

RGB 242 242 255

HSL 240, 1%, 0.97%

LAB 95.83, 2.36, -6.24

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

CMYK 15 / 14 / 0 / 22

HEX #A9AAC6

RGB 169 170 198

HSL 237.93, 0.2%, 0.72%

LAB 70.36, 5.34, -14.37

 

CMYK 15 / 15 / 0 / 30

HEX #9898B3

RGB 152 152 179

HSL 240, 0.15%, 0.65%

LAB 63.66, 5.6, -14.01

 

CMYK 16 / 16 / 0 / 37

HEX #8786A0

RGB 135 134 160

HSL 242.31, 0.12%, 0.58%

LAB 56.82, 5.89, -13.66

 

CMYK 16 / 18 / 0 / 45

HEX #76748D

RGB 118 116 141

HSL 244.8, 0.1%, 0.5%

LAB 49.82, 6.2, -13.32

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 11 / 14 / 0 / 15

HEX #C0B9D8

RGB 192 185 216

HSL 253.55, 0.28%, 0.79%

LAB 76.6, 8.46, -14.65

 

CMYK 7 / 14 / 0 / 15

HEX #C8B9D8

RGB 200 185 216

HSL 269.03, 0.28%, 0.79%

LAB 77.24, 11.09, -13.62

 

CMYK 3 / 14 / 0 / 15

HEX #D1B9D8

RGB 209 185 216

HSL 286.45, 0.28%, 0.79%

LAB 78, 14.09, -12.4

 

CMYK 0 / 14 / 0 / 15

HEX #D8B9D8

RGB 216 185 216

HSL 300, 0.28%, 0.79%

LAB 78.61, 16.45, -11.43

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 14 / 14 / 0 / 15

HEX #B9B9D8

RGB 185 185 216

HSL 240, 0.28%, 0.79%

LAB 76.05, 6.19, -15.53

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 21 / 20 / 0 / 12

HEX #B1B4E1

RGB 177 180 225

HSL 236.25, 0.44%, 0.79%

LAB 74.46, 8.37, -22.88

 

CMYK 28 / 26 / 0 / 8

HEX #A8ACEA

RGB 168 172 234

HSL 236.36, 0.61%, 0.79%

LAB 72.07, 12.22, -31.49

 

CMYK 34 / 32 / 0 / 5

HEX #9FA5F2

RGB 159 165 242

HSL 235.66, 0.76%, 0.79%

LAB 69.96, 15.63, -39.18

 

CMYK 40 / 37 / 0 / 2

HEX #979DFB

RGB 151 157 251

HSL 236.4, 0.93%, 0.79%

LAB 67.77, 20.47, -47.56

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 7 / 6 / 0 / 18

HEX #C2C3D0

RGB 194 195 208

HSL 235.71, 0.13%, 0.79%

LAB 79.07, 2.13, -6.62

 

CMYK 0 / 0 / 2 / 20

HEX #CBCBC7

RGB 203 203 199

HSL 60, 0.04%, 0.79%

LAB 81.58, -0.72, 1.98

 

CMYK 0 / 0 / 10 / 17

HEX #D3D2BE

RGB 211 210 190

HSL 57.14, 0.19%, 0.79%

LAB 83.79, -3.11, 10.03

 

CMYK 0 / 1 / 17 / 14

HEX #DCDAB6

RGB 220 218 182

HSL 56.84, 0.35%, 0.79%

LAB 86.37, -5.24, 18

 

CMYK 14 / 6 / 0 / 15

HEX #B9CCD8

RGB 185 204 216

HSL 203.23, 0.28%, 0.79%

LAB 80.99, -3.97, -8.14

 

CMYK 14 / 9 / 0 / 15

HEX #B9C4D8

RGB 185 196 216

HSL 218.71, 0.28%, 0.79%

LAB 78.9, 0.27, -11.26

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 11 / 14 / 0 / 15

HEX #C0B9D8

RGB 192 185 216

HSL 253.55, 0.28%, 0.79%

LAB 76.6, 8.46, -14.65

 

CMYK 7 / 14 / 0 / 15

HEX #C8B9D8

RGB 200 185 216

HSL 269.03, 0.28%, 0.79%

LAB 77.24, 11.09, -13.62

 

CMYK 29 / 27 / 0 / 27

HEX #8488BB

RGB 132 136 187

HSL 235.64, 0.29%, 0.63%

LAB 58.13, 10.31, -27.11

 

CMYK 21 / 20 / 0 / 21

HEX #9FA2CA

RGB 159 162 202

HSL 235.81, 0.29%, 0.71%

LAB 67.63, 7.47, -20.78

 

CMYK 14 / 13 / 0 / 15

HEX #B9BBD8

RGB 185 187 216

HSL 236.13, 0.28%, 0.79%

LAB 76.57, 5.1, -14.75

 

CMYK 8 / 8 / 0 / 9

HEX #D4D5E7

RGB 212 213 231

HSL 236.84, 0.28%, 0.87%

LAB 85.68, 3.06, -8.95

 

CMYK 3 / 3 / 0 / 4

HEX #EFEFF6

RGB 239 239 246

HSL 240, 0.28%, 0.95%

LAB 94.63, 1.26, -3.38

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

CMYK 0 / 14 / 2 / 15

HEX #D8B9D4

RGB 216 185 212

HSL 307.74, 0.28%, 0.79%

LAB 78.49, 15.71, -9.44

 

CMYK 7 / 0 / 14 / 15

HEX #C8D8B9

RGB 200 216 185

HSL 90.97, 0.28%, 0.79%

LAB 84.43, -10.91, 13.47

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

CMYK 0 / 14 / 13 / 15

HEX #D8B9BB

RGB 216 185 187

HSL 356.13, 0.28%, 0.79%

LAB 77.81, 11.4, 3.09

 

CMYK 13 / 0 / 14 / 15

HEX #BBD8B9

RGB 187 216 185

HSL 116.13, 0.28%, 0.79%

LAB 83.54, -15.42, 12.09

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

CMYK 0 / 14 / 2 / 15

HEX #D8B9D4

RGB 216 185 212

HSL 307.74, 0.28%, 0.79%

LAB 78.49, 15.71, -9.44

 

CMYK 0 / 1 / 14 / 15

HEX #D8D6B9

RGB 216 214 185

HSL 56.13, 0.28%, 0.79%

LAB 85.1, -4.18, 14.58

 

CMYK 14 / 0 / 12 / 15

HEX #B9D8BE

RGB 185 216 190

HSL 129.68, 0.28%, 0.79%

LAB 83.52, -15.2, 9.4

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD9

RGB 186 188 217

HSL 236.13, 0.29%, 0.79%

LAB 76.93, 5.1, -14.74

 

CMYK 0 / 14 / 6 / 15

HEX #D8B9CB

RGB 216 185 203

HSL 325.16, 0.28%, 0.79%

LAB 78.23, 14.1, -4.95

 

CMYK 0 / 1 / 14 / 15

HEX #D8D6B9

RGB 216 214 185

HSL 56.13, 0.28%, 0.79%

LAB 85.1, -4.18, 14.58

 

CMYK 14 / 0 / 8 / 15

HEX #B9D8C7

RGB 185 216 199

HSL 147.1, 0.28%, 0.79%

LAB 83.73, -13.54, 4.93

 

Description

Color code: RGB 186 188 217 | qconv.com Color code: RGB 186 188 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 188 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 188 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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