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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 159 212 it is the complementary color RGB 69 96 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 159 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 159 212 shade: RGB 191 159 207, RGB 208 177 226, RGB 225 195 245, RGB 242 213 255 and RGB 255 231 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 159 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 169 141 193, RGB 152 123 174, RGB 135 105 155 and RGB 118 87 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 200 159 212, RGB 212 159 209, RGB 212 159 195 and RGB 212 159 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 172 159 212 and RGB 159 159 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 159 212 shade matches the following richer shades: RGB 186 159 212, RGB 186 148 223, RGB 187 137 234 and RGB 187 126 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 186 171 201, RGB 186 182 190, RGB 186 193 178 and RGB 185 204 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 159 212 shade: RGB 159 161 212, RGB 172 159 212, RGB 186 159 212, RGB 200 159 212 and RGB 212 159 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 159 212 shade: RGB 145 103 186, RGB 166 131 199, RGB 186 159 212, RGB 207 188 225 and RGB 227 216 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 212 159 175 and RGB 159 212 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 212 186 159 and RGB 159 212 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 212 159 175, RGB 186 212 159 and RGB 159 212 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 159 212 shade: RGB 186 159 212, RGB 212 159 159, RGB 186 212 159 and RGB 159 212 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

Complementary color

CMYK 28 / 0 / 55 / 62

HEX #45602B

RGB 69 96 43

HSL 90.57, 0.38%, 0.27%

LAB 37.49, -20.25, 26.84

 

CMYK 8 / 23 / 0 / 19

HEX #BF9FCF

RGB 191 159 207

HSL 280, 0.33%, 0.72%

LAB 69.74, 20.56, -20.1

 

CMYK 8 / 22 / 0 / 11

HEX #D0B1E2

RGB 208 177 226

HSL 277.96, 0.46%, 0.79%

LAB 76.28, 20.06, -20.42

 

CMYK 8 / 20 / 0 / 4

HEX #E1C3F5

RGB 225 195 245

HSL 276, 0.71%, 0.86%

LAB 82.72, 19.59, -20.74

 

CMYK 5 / 16 / 0 / 0

HEX #F2D5FF

RGB 242 213 255

HSL 281.43, 1%, 0.92%

LAB 88.77, 17.43, -16.76

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 12 / 27 / 0 / 24

HEX #A98DC1

RGB 169 141 193

HSL 272.31, 0.3%, 0.65%

LAB 62.79, 20.51, -23.08

 

CMYK 13 / 29 / 0 / 32

HEX #987BAE

RGB 152 123 174

HSL 274.12, 0.24%, 0.58%

LAB 55.98, 21.11, -22.85

 

CMYK 13 / 32 / 0 / 39

HEX #87699B

RGB 135 105 155

HSL 276, 0.2%, 0.51%

LAB 49.03, 21.76, -22.63

 

CMYK 13 / 36 / 0 / 47

HEX #765788

RGB 118 87 136

HSL 277.96, 0.22%, 0.44%

LAB 41.92, 22.49, -22.43

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 6 / 25 / 0 / 17

HEX #C89FD4

RGB 200 159 212

HSL 286.42, 0.38%, 0.73%

LAB 70.75, 24.52, -21.23

 

CMYK 0 / 25 / 1 / 17

HEX #D49FD1

RGB 212 159 209

HSL 303.4, 0.38%, 0.73%

LAB 71.82, 27.91, -17.85

 

CMYK 0 / 25 / 8 / 17

HEX #D49FC3

RGB 212 159 195

HSL 319.25, 0.38%, 0.73%

LAB 71.37, 25.4, -10.8

 

CMYK 0 / 25 / 15 / 17

HEX #D49FB5

RGB 212 159 181

HSL 335.09, 0.38%, 0.73%

LAB 70.96, 23.04, -3.67

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 19 / 25 / 0 / 17

HEX #AC9FD4

RGB 172 159 212

HSL 254.72, 0.38%, 0.73%

LAB 68.26, 15.52, -25.27

 

CMYK 25 / 25 / 0 / 17

HEX #9F9FD4

RGB 159 159 212

HSL 240, 0.38%, 0.73%

LAB 67.22, 11.51, -26.95

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 17 / 34 / 0 / 13

HEX #BA94DF

RGB 186 148 223

HSL 270.4, 0.54%, 0.73%

LAB 67.24, 28.47, -32.82

 

CMYK 20 / 41 / 0 / 8

HEX #BB89EA

RGB 187 137 234

HSL 270.93, 0.7%, 0.73%

LAB 65.28, 37.31, -41.94

 

CMYK 24 / 49 / 0 / 4

HEX #BB7EF5

RGB 187 126 245

HSL 270.76, 0.86%, 0.73%

LAB 63.41, 45.79, -50.95

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 7 / 15 / 0 / 21

HEX #BAABC9

RGB 186 171 201

HSL 270, 0.22%, 0.73%

LAB 72.08, 11.05, -13.29

 

CMYK 2 / 4 / 0 / 25

HEX #BAB6BE

RGB 186 182 190

HSL 270, 0.06%, 0.73%

LAB 74.58, 2.9, -3.56

 

CMYK 4 / 0 / 8 / 24

HEX #BAC1B2

RGB 186 193 178

HSL 88, 0.11%, 0.73%

LAB 77.16, -5.16, 6.71

 

CMYK 9 / 0 / 18 / 20

HEX #B9CCA7

RGB 185 204 167

HSL 90.81, 0.27%, 0.73%

LAB 79.78, -13.08, 16.31

 

CMYK 25 / 24 / 0 / 17

HEX #9FA1D4

RGB 159 161 212

HSL 237.74, 0.38%, 0.73%

LAB 67.74, 10.38, -26.16

 

CMYK 19 / 25 / 0 / 17

HEX #AC9FD4

RGB 172 159 212

HSL 254.72, 0.38%, 0.73%

LAB 68.26, 15.52, -25.27

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 6 / 25 / 0 / 17

HEX #C89FD4

RGB 200 159 212

HSL 286.42, 0.38%, 0.73%

LAB 70.75, 24.52, -21.23

 

CMYK 0 / 25 / 1 / 17

HEX #D49FD2

RGB 212 159 210

HSL 302.26, 0.38%, 0.73%

LAB 71.86, 28.09, -18.35

 

CMYK 22 / 45 / 0 / 27

HEX #9167BA

RGB 145 103 186

HSL 270.36, 0.38%, 0.57%

LAB 51, 33.24, -37.58

 

CMYK 17 / 34 / 0 / 22

HEX #A683C7

RGB 166 131 199

HSL 270.88, 0.38%, 0.65%

LAB 60.3, 26.56, -30.31

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 8 / 16 / 0 / 12

HEX #CFBCE1

RGB 207 188 225

HSL 270.81, 0.38%, 0.81%

LAB 78.85, 13.56, -16

 

CMYK 4 / 9 / 0 / 7

HEX #E3D8ED

RGB 227 216 237

HSL 271.43, 0.37%, 0.89%

LAB 87.75, 7.56, -8.92

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 0 / 25 / 17 / 17

HEX #D49FAF

RGB 212 159 175

HSL 341.89, 0.38%, 0.73%

LAB 70.79, 22.08, -0.59

 

CMYK 25 / 0 / 22 / 17

HEX #9FD4A5

RGB 159 212 165

HSL 126.79, 0.38%, 0.73%

LAB 80.28, -26.35, 17.82

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 0 / 12 / 25 / 17

HEX #D4BA9F

RGB 212 186 159

HSL 30.57, 0.38%, 0.73%

LAB 77.05, 5.13, 17.1

 

CMYK 25 / 0 / 12 / 17

HEX #9FD4BA

RGB 159 212 186

HSL 150.57, 0.38%, 0.73%

LAB 80.74, -22.43, 7.33

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 0 / 25 / 17 / 17

HEX #D49FAF

RGB 212 159 175

HSL 341.89, 0.38%, 0.73%

LAB 70.79, 22.08, -0.59

 

CMYK 12 / 0 / 25 / 17

HEX #BAD49F

RGB 186 212 159

HSL 89.43, 0.38%, 0.73%

LAB 81.85, -18.02, 23.42

 

CMYK 25 / 0 / 8 / 17

HEX #9FD4C4

RGB 159 212 196

HSL 161.89, 0.38%, 0.73%

LAB 80.98, -20.4, 2.35

 

CMYK 12 / 25 / 0 / 17

HEX #BA9FD4

RGB 186 159 212

HSL 270.57, 0.38%, 0.73%

LAB 69.46, 19.97, -23.32

 

CMYK 0 / 25 / 25 / 17

HEX #D49F9F

RGB 212 159 159

HSL 0, 0.38%, 0.73%

LAB 70.38, 19.67, 7.68

 

CMYK 12 / 0 / 25 / 17

HEX #BAD49F

RGB 186 212 159

HSL 89.43, 0.38%, 0.73%

LAB 81.85, -18.02, 23.42

 

CMYK 25 / 0 / 0 / 17

HEX #9FD4D4

RGB 159 212 212

HSL 180, 0.38%, 0.73%

LAB 81.41, -16.97, -5.57

 

Description

Color code: RGB 186 159 212 | qconv.com Color code: RGB 186 159 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 159 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 159 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 25 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 25% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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