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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 159 129 it is the complementary color RGB 69 96 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 159 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 159 129 shade: RGB 191 159 124, RGB 208 177 143, RGB 225 195 162, RGB 242 213 181 and RGB 255 231 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 159 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 169 141 110, RGB 152 123 91, RGB 135 105 72 and RGB 118 87 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 186 144 129 and RGB 186 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 186 174 129, RGB 182 186 129, RGB 167 186 129 and RGB 152 186 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 159 129 shade matches the following richer shades: RGB 186 159 129, RGB 201 160 114, RGB 217 161 98, RGB 233 162 82 and RGB 248 162 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 170 158 145, RGB 154 157 161, RGB 139 157 177 and RGB 123 156 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 159 129 shade: RGB 186 129 130, RGB 186 144 129, RGB 186 159 129, RGB 186 174 129 and RGB 183 186 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 159 129 shade: RGB 150 118 82, RGB 171 139 103, RGB 186 159 129, RGB 200 179 156 and RGB 215 200 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 145 186 129 and RGB 136 129 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 129 186 159 and RGB 159 129 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 145 186 129, RGB 129 157 186 and RGB 170 129 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 159 129 shade: RGB 186 159 129, RGB 129 186 130, RGB 129 157 186 and RGB 186 129 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

Complementary color

CMYK 45 / 24 / 0 / 51

HEX #45607E

RGB 69 96 126

HSL 211.58, 0.29%, 0.38%

LAB 39.81, -1.39, -19.95

 

CMYK 0 / 17 / 35 / 25

HEX #BF9F7C

RGB 191 159 124

HSL 31.34, 0.34%, 0.62%

LAB 67.52, 6.78, 22.7

 

CMYK 0 / 15 / 31 / 18

HEX #D0B18F

RGB 208 177 143

HSL 31.38, 0.41%, 0.69%

LAB 74.09, 6.22, 21.57

 

CMYK 0 / 13 / 28 / 12

HEX #E1C3A2

RGB 225 195 162

HSL 31.43, 0.51%, 0.76%

LAB 80.54, 5.74, 20.52

 

CMYK 0 / 12 / 25 / 5

HEX #F2D5B5

RGB 242 213 181

HSL 31.48, 0.7%, 0.83%

LAB 86.9, 5.3, 19.53

 

CMYK 0 / 9 / 22 / 0

HEX #FFE7C8

RGB 255 231 200

HSL 33.82, 1%, 0.89%

LAB 92.83, 3.46, 18.08

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 17 / 35 / 34

HEX #A98D6E

RGB 169 141 110

HSL 31.53, 0.26%, 0.55%

LAB 60.44, 5.98, 20.49

 

CMYK 0 / 19 / 40 / 40

HEX #987B5B

RGB 152 123 91

HSL 31.48, 0.25%, 0.48%

LAB 53.6, 6.64, 21.74

 

CMYK 0 / 22 / 47 / 47

HEX #876948

RGB 135 105 72

HSL 31.43, 0.3%, 0.41%

LAB 46.61, 7.44, 23.11

 

CMYK 0 / 26 / 55 / 54

HEX #765735

RGB 118 87 53

HSL 31.38, 0.38%, 0.34%

LAB 39.45, 8.43, 24.62

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 23 / 31 / 27

HEX #BA9081

RGB 186 144 129

HSL 15.79, 0.29%, 0.62%

LAB 63.32, 13.69, 14.06

 

CMYK 0 / 31 / 31 / 27

HEX #BA8181

RGB 186 129 129

HSL 0, 0.29%, 0.62%

LAB 59.64, 22.03, 8.88

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 6 / 31 / 27

HEX #BAAE81

RGB 186 174 129

HSL 47.37, 0.29%, 0.62%

LAB 71.07, -2.67, 24.7

 

CMYK 2 / 0 / 31 / 27

HEX #B6BA81

RGB 182 186 129

HSL 64.21, 0.29%, 0.62%

LAB 73.96, -10.56, 28.5

 

CMYK 10 / 0 / 31 / 27

HEX #A7BA81

RGB 167 186 129

HSL 80, 0.29%, 0.62%

LAB 72.84, -16.34, 26.8

 

CMYK 18 / 0 / 31 / 27

HEX #98BA81

RGB 152 186 129

HSL 95.79, 0.29%, 0.62%

LAB 71.81, -21.93, 25.25

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 20 / 43 / 21

HEX #C9A072

RGB 201 160 114

HSL 31.72, 0.45%, 0.62%

LAB 68.59, 9.14, 29.72

 

CMYK 0 / 26 / 55 / 15

HEX #D9A162

RGB 217 161 98

HSL 31.76, 0.61%, 0.62%

LAB 70.26, 13.69, 40.62

 

CMYK 0 / 30 / 65 / 9

HEX #E9A252

RGB 233 162 82

HSL 31.79, 0.77%, 0.62%

LAB 72.08, 18.66, 51.15

 

CMYK 0 / 35 / 73 / 3

HEX #F8A243

RGB 248 162 67

HSL 31.49, 0.93%, 0.62%

LAB 73.68, 24.08, 60.2

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 7 / 15 / 33

HEX #AA9E91

RGB 170 158 145

HSL 31.2, 0.13%, 0.62%

LAB 65.78, 2.13, 8.36

 

CMYK 4 / 2 / 0 / 37

HEX #9A9DA1

RGB 154 157 161

HSL 214.29, 0.04%, 0.62%

LAB 64.61, -0.29, -2.47

 

CMYK 21 / 11 / 0 / 31

HEX #8B9DB1

RGB 139 157 177

HSL 211.58, 0.2%, 0.62%

LAB 63.98, -1.9, -12.51

 

CMYK 36 / 19 / 0 / 25

HEX #7B9CC0

RGB 123 156 192

HSL 211.3, 0.35%, 0.62%

LAB 63.17, -2.46, -22.24

 

CMYK 0 / 31 / 30 / 27

HEX #BA8182

RGB 186 129 130

HSL 358.95, 0.29%, 0.62%

LAB 59.66, 22.17, 8.34

 

CMYK 0 / 23 / 31 / 27

HEX #BA9081

RGB 186 144 129

HSL 15.79, 0.29%, 0.62%

LAB 63.32, 13.69, 14.06

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 6 / 31 / 27

HEX #BAAE81

RGB 186 174 129

HSL 47.37, 0.29%, 0.62%

LAB 71.07, -2.67, 24.7

 

CMYK 2 / 0 / 31 / 27

HEX #B7BA81

RGB 183 186 129

HSL 63.16, 0.29%, 0.62%

LAB 74.04, -10.17, 28.62

 

CMYK 0 / 21 / 45 / 41

HEX #967652

RGB 150 118 82

HSL 31.76, 0.29%, 0.45%

LAB 51.89, 7.59, 24.57

 

CMYK 0 / 19 / 40 / 33

HEX #AB8B67

RGB 171 139 103

HSL 31.76, 0.29%, 0.54%

LAB 59.98, 7.06, 23.83

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 0 / 11 / 22 / 22

HEX #C8B39C

RGB 200 179 156

HSL 31.36, 0.29%, 0.7%

LAB 74.14, 3.87, 14.49

 

CMYK 0 / 7 / 15 / 16

HEX #D7C8B7

RGB 215 200 183

HSL 31.88, 0.29%, 0.78%

LAB 81.39, 2.43, 10.38

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 22 / 0 / 31 / 27

HEX #91BA81

RGB 145 186 129

HSL 103.16, 0.29%, 0.62%

LAB 71.37, -24.45, 24.57

 

CMYK 27 / 31 / 0 / 27

HEX #8881BA

RGB 136 129 186

HSL 247.37, 0.29%, 0.62%

LAB 56.57, 15.36, -28.94

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 31 / 0 / 15 / 27

HEX #81BA9F

RGB 129 186 159

HSL 151.58, 0.29%, 0.62%

LAB 71.07, -24.34, 7.8

 

CMYK 15 / 31 / 0 / 27

HEX #9F81BA

RGB 159 129 186

HSL 271.58, 0.29%, 0.62%

LAB 58.62, 22.59, -25.61

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 22 / 0 / 31 / 27

HEX #91BA81

RGB 145 186 129

HSL 103.16, 0.29%, 0.62%

LAB 71.37, -24.45, 24.57

 

CMYK 31 / 16 / 0 / 27

HEX #819DBA

RGB 129 157 186

HSL 210.53, 0.29%, 0.62%

LAB 63.61, -2.82, -18.18

 

CMYK 9 / 31 / 0 / 27

HEX #AA81BA

RGB 170 129 186

HSL 283.16, 0.29%, 0.62%

LAB 59.7, 26.16, -23.85

 

CMYK 0 / 15 / 31 / 27

HEX #BA9F81

RGB 186 159 129

HSL 31.58, 0.29%, 0.62%

LAB 67.14, 5.43, 19.35

 

CMYK 31 / 0 / 30 / 27

HEX #81BA82

RGB 129 186 130

HSL 121.05, 0.29%, 0.62%

LAB 70.45, -29.8, 22.64

 

CMYK 31 / 16 / 0 / 27

HEX #819DBA

RGB 129 157 186

HSL 210.53, 0.29%, 0.62%

LAB 63.61, -2.82, -18.18

 

CMYK 0 / 31 / 1 / 27

HEX #BA81B9

RGB 186 129 185

HSL 301.05, 0.29%, 0.62%

LAB 61.34, 31.23, -20.62

 

Description

Color code: RGB 186 159 129 | qconv.com Color code: RGB 186 159 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 159 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 159 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 31 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 31% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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